Paul Raci received his first Oscar nomination for portraying Joe in Sound of Metal.
Paul Raci plays the role of Joe the leader of a shelter designed for deaf substance abusers. The shelter, our protagonist, heavy metal drummer/former addict who is losing his hearing, Ruben (Riz Ahmed) goes to for help within his unique situation. I will admit I took Raci a little for granted the first time I watched the film, possibly because how honest Raci is from the moment we meet him. Raci, who up until this point was a fairly obscure character actor, comes from a particularly authentic place as activist in the deaf community, both his parents were deaf, and as a former vet and recovering addict like his character of Joe. I mean I'll admit watching the film I just assumed Raci might've been a real shelter leader they found that happened to be able to act, because there isn't a moment that he isn't Joe here. I think such a thing should not be taken for granted, because what that means here is something quite special. The nature of this performance really is one that is difficult to express with just how good Raci is here, because of how easy he makes it all seem. From his first scene, where Joe gives Ruben and his girlfriend, the low down on the shelter there is a real combination of things that Raci brings to the part. There's a weariness, not that defines him, but rather a shade just within his expression that denotes a man whose been through some troubles himself, though this doesn't define him. There's an elegance about him that is wonderful in the way Raci speaks for himself both verbally and through sign language. What Raci does with this is express a man who is confident in his business, and in his approach as a man trying to shepherd a potential deaf addict to the light. There's also just a vibrancy to Raci's performance that is so naturally compelling in a unique way, almost in a Richard Farnsworth kind of innate charm, that isn't the typical definition of charm, but is wholly that.
We see Raci as he sells the program and afterwards as he helps Ruben acclimate to it, I there is something I truly adore about Raci's delivery. This as it is this kind of perfect combination between a complete direct no nonsense quality, but also still so filled with empathy. When he speaks towards the Church paying for Ruben's stay, he lays it out flat, no defensiveness even remotely to Ruben's lack of religion, but rather just a sincere articulation of the mission to help those in need. Raci in just every moment so much embodies who Joe is. This even in just as we see him in the group of candidates, there is that understated yet so palatable sense of love he has for each and every one of them. This while also not in any way overdoing it. He walks that wholly genuine line of honest that is truly special. You sense the community within Raci's performance by just how he isn't at all fussy, but still connected in every moment. You see the interactions which Raci doesn't waste a single one in that expression of Joe's spirit. A scene I love, and it seems so simple, yet the power of it is found in Raci's work that captures so well Joe's method. This as he sees Ruben's pent up energy, and instead sets him to instead spend the morning on the task of either sitting or writing. Raci's approach in this moment is tough but also loving. This as he speaks with directions, the directions of a teacher though. When he tells Ruben "You don't have to fix anything" he doesn't soften the command so to speak, yet in his eyes it is a man trying to sway Ruben towards the right path. Raci shows this facilitator that is Joe, that he's going to do his best to help, but does so with a simple push and prod. A direct one, but a caring one. Raci's portrayal captures that heart of it that is so winning. There is no BS, when he speaks the message of the film, that is of really appreciating stillness. Not only does it come naturally through, he does it so powerfully. This as even explains his own background of losing his wife and kids due to his alcoholism. Raci's delivery is blunt, but in the bluntness there is a sense of understanding of his own faults. Raci's work is of a man who never lies. He rather strictly tells the truth which can be blunt, but is also from a place of honest love.
In the scene where he encourages Ruben to continue on working in the deaf community, the simple pride in Raci's eyes speaks miles. He can doesn't put too much on it, yet the sense of warmth is just so overwhelming nonetheless. Raci makes such a uniquely inspiring father figure because that approach is so vivid and so deeply affecting. Ruben, due to his co-dependence on his girlfriend, decides to get an ocular implant rather than stay with the program leading to a confrontation with Joe. Raci is simply outstanding in his performance of the scene. This as the heart of the man, which is always there even in that idiosyncratic way, Raci lays bare. This in the way he portrays the slow devastation that reveals itself as he has to confront Ruben about his behavior that seems like he is regressing. In every word Raci reveals the sincere disappointment, a disappointment entirely built on love. What is most heartbreaking is the way Raci shows the devastation just wearing on the man throughout, as he holds back tears and his own breakdown, only losing it just as Ruben leaves. Raci finding such a poignancy in the scene in by showing Joe not kicking out Ruben as though he is intruder, rather it is with the pained expression of a father needing to dismiss his son for the good of his family. As much as we can all bash the Oscars, and often they deserve it, one has to give them credit for a nomination like this. Raci finally got his shot with a decent role and he did not waste a moment of it. You could take any second snippet of this work and find something in it. This as Raci's performance is one of those true non-performances. This is as you never think of it as acting. He just introduces us to this man so filled with history, life and heart.
33 comments:
Such a beautiful, soulful performance. That confrontation scene with Ahmed was easily one of the most devastating scenes of 2020, and cemented Raci as my Supporting win. Fantastic nomination by the Academy.
I still have to watch this, but I gotta say, my heart just sings for this guy. I hope this really is a breakout of sorts for him.
Wouldn’t it be great if managed to pull off an upset victory?
I suppose this means we're getting a double review for Kaluuya and Stanfield?
As for Raci, the one scene of the film I have seen is that confrontation, and it's definitely a powerful bit of acting from him and Ahmed. I'll also say that, much like a getting a native speaker of a given language, it really does help that Raci is fluent in ASL, as opposed to an actor with only weeks/months of prep time.
Yes...I am most definitely looking forward to this film now.
Mitchell:
No. If you recall I didn't review Pesci and Pacino together. Given that Stanfield and Kaluuya barely interact, they will be reviewed separately.
Louis: Well I only ask because its happened before (Three Billboards), and since I've yet to see the film, I wasn't sure how much overlap there is between Kaluuya and Stanfield's performances.
Mitchell:
Yeah I double reviews typically when there is a direct connection between them that makes a double review natural or if it is a surprise review of a performance I ended up preferring, although that is exclusive to alternate lineups.
Louis: why do you not give ratings to performances from tv shows?
Louis: Je comprends.
I also find it pretty notable that a lot of us here didn't give Raci a 5 upon first watching the film, but realized his brilliance on hindsight. It's really one of those performances that grow on you.
I mean, I gave him a 5 immediately.
I've watched the film four times now, and with every rewatch I appreciate his work all the more. And agreed on this being one of the most inspired nominations in quite some time. Also really liked the style this review was written in - felt very fitting to the performance at hand.
One thing I was reminded from watching this film is just how expressive ASL is as a language and how more films and film opportunities should be given to deaf actors - I noticed with a lot of the supporting cast how much vibrancy there was to their acting and how much I could understand even with portions they weren't subtitled in. Films like these getting mass publicity is definitely a boon and I'm very happy for Raci - based on interviews that was one of his main dreams for the film, to improve representation for deaf actors, and let's hope it's realised.
Oh and just for reference, the screen times of the Supporting Actor lineup from Screentime Central:
Raci - 18:21 / 15.19%
Cohen - 30:14 / 23.23%
Kaluuya - 46:09 / 36.80%
Stanfield - 49:51 / 39.75%
Odom Jr. - 54:20 / 47.52%
Calvin:
Aka 2 supporting actors and 3 leads.
Perhaps the true leads of Judas and the Black Messiah were the friends we made along the way.
Tahmeed:
Either that or it was those great actors who played "and" and "the".
Louis: I don't think you've given your thoughts and ratings on them. Are you possibly saving them?
I definitely will need to re-watch Sound of Metal, as I'm starting to feel guilty for possibly having taken Raci here for granted. That said, I think it's a testament to how real his performance was, that is not a performance you think of as acting, as Raci just *is*.
Louis or Luke: If Som do Metal was a film from the 70s or 80s, Paul Raci would play the character Ruben who would be the director and cast?
Louis or Luke: If Sound of Metal was a film from the 70s or 80s, Paul Raci would play the character Ruben who would be the director and cast?
Really nervous about the reviews of kaluuya and stanfield. I can see them going it 4 directions:
Kaluuya gets a 5 and stanfield gets a 4.5.
Kaluuya gets a 4.5 and stanfield gets a 5.
They both get 5's.
They both get 4.5s.
Anonymous: I'll let Louis answer that.
Anonymous: I'd rule out the 3rd option. One of them could get a 5 or it's both 4.5s.
These comments about how Raci's performance is not a highlight of sorts on first viewing, that it grows over time and rewatches, makes me wonder that maybe the Oscar nomination actually came for him because of the extended awards season, since the earlier major precursors (GG and notably SAG) ignored him.
Gus: Louis is referring to how he gave him a 4 on first watch..
Gus: It's definitely a word of mouth nomination, that's for sure.
Quick question: Do you still consider mark ruffalo lead in zoodiac? Because according to the guy who des the screen time data website the times for zodiac are:
Jake Gyllenhaal: 1:01:17/ 38.87%
Mark Ruffalo: 45:11/ 28.66%
Anthony Edwards: 26:08/ 16.58%
Robert Downey junior: 21:18/ 13.51%
Chole Sevigny: 7:38%/ 4.84%
Elias koteas: 6:34/ 4.17%
John Carroll lynch: 5:21/ 3.39%
Anonymous: He's definitely lead, screen time is not everything.
Anonymous:
Sound of Metal 1970's directed by Milos Forman:
Ruben: Jack Nicholson
Lou: Karen Black
Richard: Michael Gough
Jo: Louise Fletcher
Sound of Metal 1980's directed by Alan Parker:
Ruben: Mickey Rourke
Lou: Ellen Barkin
Richard: Michel Piccoli
Joe: Alexander Knox
Louis: Any reason that joe is a man in your 80s cast but a woman in your 70s cast?
Anonymous Because he thought Louise Fletcher would be good for the part?
Anonymous: Louise Fletcher's parents were deaf so it makes sense and it's an opportunity to reunite her and Nicholson.
Louis: Thoughts on the "Coin toss" scene from "No Country For Old Men"? It's of course a career highlight for Bardem, but I also find that the scene epitomizes the Coen brother's skill with blending dark comedy and dramatic tension.
Mitchell: That's an amazing scene in every respect. Including the performance from Gene Jones.
Mitchell:
One of the greatest scenes ever. The dialogue is perfection in terms of raising tensions just ever so slowly. The direction by the Coens, is how great direction isn't always flash. It also is just perfection in editing and knowing when to setup the actors while keeping it with them. Then the performances are both flawless. Bardem always suggesting something while never quite saying it, and Jones in showing the man slowly realizing the nature of the situation. I especially love how you even get little bit of humor in there, from Anton nearly choking on hearing how the gas station owns the place. It is a masterclass in how to build and sustain tension, only through dialogue and implication.
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