Robert Redford in The Candidate
Showing posts with label 1972. Show all posts
Showing posts with label 1972. Show all posts
Saturday, 3 April 2010
Best Actor 1972: Results
Robert Redford in The Candidate
Best Actor 1972: Laurence Olivier in Sleuth
Laurence Olivier received his eighth acting nomination out ten for playing Andrew Wyke a strange writer of mysteries who loves games.
Nominated along with Michael Caine for Sleuth and both did deserve their nominations. Sometimes with two nominations from one film in one category one of the actors completely overshadows the other, well in Sleuth that does not happen although I do prefer Olivier just slightly. Each of the two help make each scene just right, when one needs to be the dominate the other one properly allows it. When one is dominant though he does not stop being interesting. They both just work fantastically with each other and each of the two give great performances.
Olivier plays Wyke in a way that no one really could have replicated. Olivier in his performances uses a wide range of accents and different voices, something it seems like all he did in many of his later performance, but here he uses them purely for fun. Each accent he throws in is fully enjoyable and just adds a whole lot to his performance. Olivier is clearly having a ton of fun with this performance, and it makes me enjoy it all the more. I am having fun right along with him. He fully realizes Wyke as a character making him incredibly memorable and original, despite being a previously played character.
His playful banter with Caine could not have been better all throughout the film. When Olivier gets serious though he is equally up to the task. When he controls Caine it is fully believable that he would be able to. When he says he is going to kill Caine, Olivier is unbelievably effective and truly chilling. Later when the tables are turned on him, Olivier somehow becomes very sympathetic. He performs a full 360 in this role and I think it all works, every risky gesture, mannerism and accent fully pays off, and Olivier gives a perfect performance that is both entertaining and dramatically compelling. For this he gets:
Olivier plays Wyke in a way that no one really could have replicated. Olivier in his performances uses a wide range of accents and different voices, something it seems like all he did in many of his later performance, but here he uses them purely for fun. Each accent he throws in is fully enjoyable and just adds a whole lot to his performance. Olivier is clearly having a ton of fun with this performance, and it makes me enjoy it all the more. I am having fun right along with him. He fully realizes Wyke as a character making him incredibly memorable and original, despite being a previously played character.
His playful banter with Caine could not have been better all throughout the film. When Olivier gets serious though he is equally up to the task. When he controls Caine it is fully believable that he would be able to. When he says he is going to kill Caine, Olivier is unbelievably effective and truly chilling. Later when the tables are turned on him, Olivier somehow becomes very sympathetic. He performs a full 360 in this role and I think it all works, every risky gesture, mannerism and accent fully pays off, and Olivier gives a perfect performance that is both entertaining and dramatically compelling. For this he gets:
Best Actor 1972: Marlon Brando in The Godfather
Marlon Brando won his second Oscar out of eight nominations for playing Don Vito Corleone in the Godfather. Brando plays a character who also enabled Robert De Niro to receive an Oscar, and Brando performance is considered to be iconic.
I will not go into the Godfather, as I am sure you know what it is about. The film is great and incredibly memorable with Brando being an important part of it. Brando performance overall is not one of great length but it does consist of incredible strength. Brando does not have a lot of scenes but each one he has, he leaves a strong impression.
Brando uses his accent that many people afterward used to imitate him even though that is not the actual way he speaks. The voice he uses is the type of thing that one shall either like or find it as odd, well most like it and that includes me too. The performance is short enough that one can easily describe how he is in each scene. First the famous opening scene of the film. Of course Brando is brilliant here, he comes completely off as the powerful Godfather and how he interacts with each of the "well wishers" is just perfect. Next he has a brief meeting discussing the business again he is good, then Brando goes away for awhile. He comes back in a scene where he cannot speak, which makes it all the more effective when he hears about Michael. His reaction there he could not have been done better, and he does it without a single sound. After that a little more family business and then finally his last scene with Pacino. Brando is on the mark here and channels the characters regrets without a single fault, he makes that scene as memorable as it is. Not a long performance, but still lead because how important he is to the movie. Brando shows how good of an actor he was here, leaves an impression that is hard to forget, for this he gets:
Brando uses his accent that many people afterward used to imitate him even though that is not the actual way he speaks. The voice he uses is the type of thing that one shall either like or find it as odd, well most like it and that includes me too. The performance is short enough that one can easily describe how he is in each scene. First the famous opening scene of the film. Of course Brando is brilliant here, he comes completely off as the powerful Godfather and how he interacts with each of the "well wishers" is just perfect. Next he has a brief meeting discussing the business again he is good, then Brando goes away for awhile. He comes back in a scene where he cannot speak, which makes it all the more effective when he hears about Michael. His reaction there he could not have been done better, and he does it without a single sound. After that a little more family business and then finally his last scene with Pacino. Brando is on the mark here and channels the characters regrets without a single fault, he makes that scene as memorable as it is. Not a long performance, but still lead because how important he is to the movie. Brando shows how good of an actor he was here, leaves an impression that is hard to forget, for this he gets:
Wednesday, 31 March 2010
Best Actor 1972: Peter O'Toole in the Ruling Class
Peter O'Toole received his fifth nomination of eight for playing Jack Gurney the 14th Earl of Gurney in the Ruling class. The ruling class is a less than subtle satire of the English upper class. The overall tone of the film is all over the place and the only part of it that really works is the acting.
O'Toole first arrives in the film as a paranoid schizophrenic with delusions of Grandeur. He specifically thinks that he is God so much that he spends much of his time pretending to be crucified on a cross. O'Toole performance here is obviously not one the most subtle ones he is ever given. O'Toole usually plays characters who at least seem slightly insane but here it is full blown and all the time.
In the first part of the performance as Jesus he plays it oddly with strange motions, and mannerisms all the time. He is kind of funny here but most of the performance is just craziness that is not that incredible or laugh out loud funny. I do think he does a good job but this half of the performance is mostly one note, except when he is challenged about his perceptions. O'Toole reacts perfectly when he is being told he is not God his face in those scenes could not be better. His face is just pathetic in the right way in those scenes.
The second part where he no longer believes himself to be God is the best part of the performance. This is where he begins to believe he is Jack the Ripper. O'Toole here creates a delicate and in depth portrait of a man who has turned into a man of great darkness. His scenes where he speaks of how he once was are brilliant, as are when he makes his violent speech at the end. His transformation is brilliant and his two sides of the character are really the only interesting thing in the film, even if they are all part of the overly forced satire that the film is. For this O'Toole gets
O'Toole first arrives in the film as a paranoid schizophrenic with delusions of Grandeur. He specifically thinks that he is God so much that he spends much of his time pretending to be crucified on a cross. O'Toole performance here is obviously not one the most subtle ones he is ever given. O'Toole usually plays characters who at least seem slightly insane but here it is full blown and all the time.
In the first part of the performance as Jesus he plays it oddly with strange motions, and mannerisms all the time. He is kind of funny here but most of the performance is just craziness that is not that incredible or laugh out loud funny. I do think he does a good job but this half of the performance is mostly one note, except when he is challenged about his perceptions. O'Toole reacts perfectly when he is being told he is not God his face in those scenes could not be better. His face is just pathetic in the right way in those scenes.
The second part where he no longer believes himself to be God is the best part of the performance. This is where he begins to believe he is Jack the Ripper. O'Toole here creates a delicate and in depth portrait of a man who has turned into a man of great darkness. His scenes where he speaks of how he once was are brilliant, as are when he makes his violent speech at the end. His transformation is brilliant and his two sides of the character are really the only interesting thing in the film, even if they are all part of the overly forced satire that the film is. For this O'Toole gets
Tuesday, 30 March 2010
Best Actor 1972: Paul Winfield in Sounder
Paul Winfield received his only Oscar Nomination for playing Nathan Lee Morgan the patriarch of the struggling black family in Sounder.
Sounder tells the story of the family but mostly of the son played by Ken Hooks who should have been nominated instead of Winfield. Winfield has his first scene where he is hunting with his son where he does a fine job showing the man's frustrations and his love for his family. Then he goes to Jail. He has one scene where his son visits him which he again his fine but not anything overly special. After a long while he returns home and has one more scene with his son. This scene he is good but again not anything amazing. Winfield must be one of the shortest nominees and he does a fine job with what he has but not a great job. This performance there is not that much to write about because of its shortness. I was a little surprised how little he was in the film and maybe if he had more time he would have gotten higher than
Monday, 29 March 2010
Best Actor 1972: Michael Caine in Sleuth
Michael Caine received his second nomination of six for playing Milo Tindle an Italian/English hairdresser who is having an affair with a strange mystery writer's wife.
Sleuth follows the story of the hairdresser and the writer who play a series of very odd games with one another.
Here I will mention that my review will have spoilers since I do not think I could completely review this performance without talking about the twists in the film. Caine in Sleuth goes up against Laurence Olivier and their work together is positively compelling. They really do not try to up show each other but rather they work together on the scenes to make them work.
Caine starts out as Tindle without knowing what he is getting into. You get to know him well as he tells of how his father failed as a watch maker, and how Tindle stands as a man because of the way he just talks about by his own biography.Tindle next becomes part of an elaborate plot to steal the writer's jewels so they can both make a profit. Both of the men have incredibly fun in this scene where Caine dresses like a clown. I felt they allowed the audience to have in on the fun because I did not think Caine over did his own joy but handled it just right to let the audience in.
The joy ends when the writer Wyke pulls a gun on Tindle with the intention to murder. This is where Caine gets completely emotionally vulnerable. I really felt for his character and Caine sold the pain as real as possible.
Caine then comes out with his dual role of sorts as one Inspector Doppler. I myself suspected the inspector as a fake instantly but that was not Caine's fault, because I knew there were only two actors in the film. He gives us a nice character as Doppler and I found the inspector interesting and amusing and it just added to Caine's overall performance. After the Doppler charade though Caine makes a big change in character to a self proclaimed murderer. Here Caine takes over and his performance is just brilliant his coldness is just perfect and his mocking of Wyke could not have been done better. A performance that I felt only got better with another viewing. Caine gets
Sleuth follows the story of the hairdresser and the writer who play a series of very odd games with one another.
Here I will mention that my review will have spoilers since I do not think I could completely review this performance without talking about the twists in the film. Caine in Sleuth goes up against Laurence Olivier and their work together is positively compelling. They really do not try to up show each other but rather they work together on the scenes to make them work. Caine starts out as Tindle without knowing what he is getting into. You get to know him well as he tells of how his father failed as a watch maker, and how Tindle stands as a man because of the way he just talks about by his own biography.Tindle next becomes part of an elaborate plot to steal the writer's jewels so they can both make a profit. Both of the men have incredibly fun in this scene where Caine dresses like a clown. I felt they allowed the audience to have in on the fun because I did not think Caine over did his own joy but handled it just right to let the audience in.
The joy ends when the writer Wyke pulls a gun on Tindle with the intention to murder. This is where Caine gets completely emotionally vulnerable. I really felt for his character and Caine sold the pain as real as possible.
Caine then comes out with his dual role of sorts as one Inspector Doppler. I myself suspected the inspector as a fake instantly but that was not Caine's fault, because I knew there were only two actors in the film. He gives us a nice character as Doppler and I found the inspector interesting and amusing and it just added to Caine's overall performance. After the Doppler charade though Caine makes a big change in character to a self proclaimed murderer. Here Caine takes over and his performance is just brilliant his coldness is just perfect and his mocking of Wyke could not have been done better. A performance that I felt only got better with another viewing. Caine gets
Sunday, 28 March 2010
Best Actor 1972
Michael Caine in Sleuth
Laurence Olivier in Sleuth
Peter O'Toole in The Ruling Class
Marlon Brando in The Godfather
Paul Winfield in Sounder
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