Showing posts with label Tom Cruise. Show all posts
Showing posts with label Tom Cruise. Show all posts

Saturday, 21 November 2020

Alternate Best Actor 1994: Results

10. Robert De Niro in Mary Shelley's Frankenstein - De Niro is the best part of his terrible film, attempting to find some humanity in the concert of ridiculousness.
 
Best Scene: Listening to the family. 
9. Woody Harrelson in Natural Born Killers - Harrelson gives a convincing portrayal of a brutal madness, even if the character is rather limited. 

Best Scene: Interview.
8. Shah Rukh Khan in Kabhi Ha Kabhi Na - Delivers a nice charming turn as a somewhat atypical romantic hero given where the romance goes.

Best Scene: Accepting the situation.
7. Brandon Lee in The Crow - Lee tragically proves himself a capable leading man both delivering the intensity and charisma needed for the part. 

Best Scene: Before the kidnapping.
6. Kevin Bacon in The River Wild - Bacon gives a fine menacing turn bringing the right degree of sleaze with just enough charisma in there.

Best Scene: "There's no way"
5. Ge You in To Live - Although overshadowed to a definite degree, Ge You still gives a moving portrayal of man just making his way through trauma.

Best Scene: The hospital.
4. Tom Cruise in Interview With The Vampire - Cruise is surprisingly able to disappear into his role as his vampire who loves being a vampire.

Best Scene: Ending.
3. Temuera Morrison in Once Were Warriors - Morrison gives a terrific portrayal of both the brute and the charmer that allows a vicious cycle of abuse to exist.

Best Scene: Winning his wife over.
2. Xia Yu in In The Heat of the Sun - Xia gives a wonderful coming of age turn that amplifies every moment of his young man's journey into life and love.

Best Scene: "Party"
1. Ben Kingsley in Death and the Maiden - Good predictions Lucas, Tim RatedRStar, Anonymous, Matt & Jack. Kingsley delivers one of his best performances in both creating such a compelling question then delivering an unforgettable answer.
 
Best Scene: Confession.

Next: 1994 Supporting

Saturday, 31 October 2020

Alternate Best Actor 1994: Tom Cruise in Interview With The Vampire

Tom Cruise did not receive an Oscar nomination for portraying Lestat de Lioncourt in Interview With the Vampire. 

Interview With the Vampire, which tells the story of the life of a southern plantation owner as a reluctant vampire having been turned by a far more eager vampire.

Much casting controversy ensued in the casting of star Tom Cruise in the role of Lestat from source material writer Anne Rice. Cruise, though still had some forays away from it beforehand, largely was working within crafting and maintaining his still ongoing star persona. This persona that in no way has anything in common with the fancy vampire who loves being a vampire in Lestat, seeming more befitting a more off-beat actor perhaps just on the surface. The thing is though despite Tom Cruise being a great star, he has shown the ability of an actor throughout his career. I think perhaps Rice should've been more concerned by Brad Pitt in a more standard leading part as Louie, the more reluctant vampire, where he seems a bit lost at times particularly in the early scenes of the film, more so than I feel is the intention for his character, whereas Cruise seems right at home. Now as usual though Cruise's portrayal actually isn't entirely alien to his star persona as one would assume, though this is probably one of the bigger stretches of his range. This as Cruise does do an accent here, smartly he doesn't overplay his hand fashioning a slight English accent, perhaps better described just a historically refined accent that honestly simply works for the part. It does more than that though in that you can easily accept him within the role with that touch. This furthered by his physical manner here that takes a distinctly classical patrician manner, that again Cruise is believable in crafting and importantly consistently realizing his Lestat as a classic vampire villain, of sorts. 

Now where there is an overlap between Cruise as his persona and in the role. This is that Cruise typically delivers a particularly type of intense personality. Intensity though specifically related to a personal drive that almost comes through in every Cruise performance, this one included. The difference here though instead of trying to win a race, hustle pool or be the top gun, he wants suck blood, a lot of blood. Cruise's particular intensity serves the character as his eyes just have that certain manner of a man, well a vampire, who lusts for the undead life of the vampire. Cruise's sort of energy he brings is ideal in crafting this idea of the man who just loves the state of being as such. His initial intention in trying to get the moody Louie to be part of this life with him. Cruise makes this a particular sort of villainy as he brings that star presence but instead wields it here as part of the power of the persona through that willingness just to go head first, into a feast. Cruise's performance really is quite essential, as the film takes quite awhile to find a plot, more of just having random acts of vampirism for awhile. Cruise though is what makes these engaging as throws himself into every scene, and honestly, in a rare instance of it, I kind of forget its really Cruise in this part despite technically having those remarkable traits of his presence present. 

The film finds its direction once Louis randomly bites a juvenile plague victim and Lestat blithely turns the victim into a vampire, Claudia (Kirsten Dunst). This where we have the two vampires becoming parents of sorts to the little girl slowly becoming a woman stuck in a little girl's body. Cruise is fantastic in actually managing to find the right balance in these scenes between a flamboyant humor and actually selling the general concept of it. This in portraying Lestat's genuine fascination with the new vampire, as he did with Louie, and the sincere, though devious, joy that Cruise portrays in every fiendish smile of his. This though with a certain cheekiness that is overtly comical when scolding Claudia for randomly killing people, and Cruise again plays it nicely with that balance he finds. Eventually though Claudia turns on Lestat attempting to kill him leaving a more feral vampire in the wake. Cruise once more does not lose the state of the character showing sort of those edges of viciousness in his manner as it comes full front. This switching to sort of the overt monster which Cruise pulls off with a genuine ease. Cruise then disappears for much of the film, with only an enjoyably creepy Stephen Rea to pick up the slack, before appearing in the denouement. These are two scenes honestly at odds against each other one a more repentant Lestat recognizing his past mistakes and the other a flamboyant return to evil. As much as there is the hypocrisy Cruise is effective again in showing an even more dreadful state in presenting Lestat with none of his pomp or circumstance to hide behind. Cruise finding just the right hint of a depth there, carefully not showing a fully regretful side of Lestat but at least a slightly understanding one of how he got to his dismal state. This against his final scene where Cruise is magnificent again in just throwing himself into the sheer bliss again at Lestat embracing his life again. Despite being at odds with his previous scene, it works because of Cruise's performance again that honestly owns both the role but also the needed tone for the material. He shows that quite frankly Lestat enjoys himself too much to really ever better his ways. Again I think it is almost easy to forget that really none of this should work on paper, and in a way one can understands Rice's concern. Tom Cruise as a flamboyant vaguely European vampire does sound positively ridiculous, but Cruise not only pulls it off, it does it to the point you just accept the character and forget this is Tom Cruise, which is something quite special in itself.

Sunday, 18 October 2020

Alternate Best Actor 1994

And the Nominees Were Not:

Ben Kingsley in Death and the Maiden
 
Ge You in To Live
 
Temuera Morrison in Once Were Warriors
 
Shah Rukh Khan in Kabhi Ha Kabhi Na
 
Woody Harrelson in Natural Born Killers

Predict These Five, Those Five or Both:

Robert De Niro in Mary Shelley's Frankenstein
 
Kevin Bacon in The River Wild
 
Tom Cruise in Interview With The Vampire
 
Brandon Lee in The Crow 
 
Xia Yu in In the Heat of the Sun

Friday, 19 June 2020

Alternate Best Actor 2014: Results

10. Ethan Hawke in Predestination - Although Hawke ends up being crushed by the machine of his film, he still gives a largely compelling portrayal of grounding mind bending time travel.

Best Scene: Outlining the truth. 
9. Jesse Eisenberg in The Double - Eisenberg is less effective as the "confident man", though not bad, but is engaging in presenting his nebbish protagonist dealing with particularly odd circumstances.

Best Scene: Cyrano date
8. Shahid Kapoor in Haider - Although almost static, though sensibly so, in the first half of his performance, Kapoor in the second half unleashes a brilliant atypical take on Hamlet. 

Best Scene: Song number
7. Dan Stevens in The Guest - Although his film is lesser than, Stevens is a delight and absolutely captivating as a killer who seems strangely invested in a family.

Best Scene: Bully takedown. 

6. Jeremy Renner in Kill the Messenger - Renner gives a powerful portrayal of a man whose convictions slowly destroy him.

Best Scene: Final speech. 

5. Tom Cruise in Edge of Tomorrow - Cruise plays with his star persona by brilliantly subverting it in a multitude of ways, but also by living up to it as a natural progression of his character.

Best Scene: You don't make it any further
4. Oscar Isaac in A Most Violent Year - Isaac gives a brilliant portrayal of an atypical character in presenting a man quietly attempting to maintain his morality while also attempting to maintain power as a boss in a cutthroat business.

Best Scene: Confronting the thief. 

3. Channing Tatum in Foxcatcher - Tatum shatters any expectations on him through his powerful and intense portrayal of a man who has great potential but only can follow.

Best Scene: Breakdown.

2. Tom Hardy in The Drop - Tom Hardy gives one of his best performances in a brilliant high wire act that pays off as you're watching, but even more so with the revelation that gives you a greater sense for the overall accomplishment of his performance.

Best Scene: "You embarrass me"

1. David Gulpilil in Charlie's Country - Good predictions Luke, RatedRStar, Michael McCarthy, Anonymous, Aidan Pittman, Omar, and Mitchell. Gulpilil gives a portrait of just sheer honesty that reflects such a purely genuine person yet endearing in the unique qualities and life within this naturalism.

Best Scene: Seeing his dead friend.
Updated Overall

Next: 2014 Supporting

Wednesday, 10 June 2020

Alternate Best Actor 2014: Tom Cruise in Edge of Tomorrow

Tom Cruise did not receive an Oscar nomination for portraying Major William Cage in Edge of Tomorrow.

Edge of a Tomorrow is a very entertaining action film about a recently demoted officer reliving the say day over and over again just before the last stand against an alien invasion.

Tom Cruise is one of the last true movie stars around in the traditional sense where his name alone carries a certain pull for most viewers, though these days more international than USA viewers, which is isn't always combined with that of an actor. That is sometimes earned particularly in certain action stars, however Cruise was someone who frequently attempted to push himself as an actor even while maintaining a steady of stream of studio blockbusters as well. Now a star who can actually act creates actually a very unique opportunity that only exists with true stars, which is one can play with their expected star presence. This is something we are granted here as the film opens we are not given the typical confidant hero common for current era action Cruise. This as the film opens with his Cage as a professional PR soldier mainly there to sell the idea of the war rather than do any fighting. This is before he meets the main general (Brendan Gleeson) who wants Cage to lead a PR campaign on the front. Cruise is brilliant in this scene. This as any notion of Cruise we had become accustom to is thrown out the window. Cruise instead in a way brings a bit of that early Cruise egotistical swagger with great big grin on his face of disbelief as he hears about the general's idea. Cruise's delivery magnificent in the sort of hollowness that emphasizes a false sincerity of a selling any idea, other than himself going to the front. Cruise though going even further though in showing a different side as that smile, and falsely confident delivery, wavers a tad to reveal just a coward as he explains himself as just an ad man essentially. When the general refuses to waver though Cruise's return to the sleazy confidence as magnificent as selling again with that questionable confidence a blackmail plan to the general, which naturally leads Cage to a more severe punishment.

Cruise in that opening scene wholly subverting what had become expected of him, in such a fantastic way that managed to both grant us the sense of Cage being anything other than a hero while also just being quite entertaining in the approach. This idea continues though as Cage finds himself now setup as a private in a random squad with a particularly unsympathetic drill sergeant (Bill Paxton) watching over him. Cruise continues with the subversion as Cruise most often is seen as the expert of a given thing in most of his action films. Here on the other hand Cruise is wonderful at portraying a man being completely out of his depth. This with his slightly confused expression at his sudden railroading that slowly segues towards intense fear as they actually begin the attack. Cruise is great here because he finds the right balance between showing a guy genuinely out of his element while also being quite hilarious in portraying this befuddlement. This all though having a little extra impact as we see the usually confident Cruise bumbling around his initial action scene, only just lucking out in killing a creature before his own death, though that creature leading him to repeat each day at the time of his death. This leading to his first day back where Cruise is again wonderful this time in a different type of befuddlement that is all the more extreme as in this constant state of deja vu. Cage's initial attempts to use his knowledge of the future are great comic beats, with Cruise being essential in the sort of actual sheepishness he brings at times, as well as the genuine, though hilarious, fear at some of his upcoming demises. Cruise finding the right balance in bringing fun to this guy dying again and again.

Eventually Cage finds seems to find a path via newly minted war hero Rita (Emily Blunt) who previously had the day repeating power before losing it. The chemistry being essential to the success of the film which is not at all standard, particularly not for Cruise. This as Cruise is still this great bumbling fool as she is initially training him, and brings just the right qualities of sleaziness to Cage, personify the old Cage, which Cruise uses to great effect. The best perhaps being Cage's inquiries if the power can be transferred by sex, and Cruise's unabashed delivery of "how many times did you" try is sheer perfection. Cage begins to learn his ways about the battlefield, through much effort in his interactions with Blunt. This with Blunt being the slightly berating quality against Cruise is more sloppy manner. This though that they articulate so well in their chemistry that changes in dynamic and in that we get a greater sense of their relationship. This as Cruise begins to show a greater real confidence within the action scenes, that is particularly well earned here, we also see a greater mutual respect between he and Blunt. Cruise beginning to become the more expected Cruise presence though in a way where we see it as this natural transition to a man with a mission and purpose. This would be already a terrific turn from Cruise, however I am happy to say that it is not the end of really the strength of Cruise's work as he delays setting on Cruise control, fitting to who Cage is.

This is as Cruise's performance as much as he brought out the comedy of the situation of the man living, dying and repeating, we also find the very real hardship that would come from this. This in particular seeing Rita die again and again in each failed attempt. Cruise is outstanding in his moment of just very much moving with action, however in his performance, through his eyes and the sense of frustration  in his voice, we see the very real anguish in each death. Cruise offering a real humanity within the ludicrous idea, in portraying a true sense of the weight of the situation. This though along with Cage getting to know the hard-bitten Rita better. I love how Cruise doesn't portray it at this point with any sleaze, or even a romantic overtone. It is with this almost meek manner he just tries to insert little connections when he can, with this underlying sense that he is trying to find some comfort within his peculiar situation. An amazing scene for Cruise comes when the two seem to get a minor respite at a farm house deep in enemy territory. Cruise is great in this scene by portraying so much towards Blunt rather within himself in the sense, he portrays the whole scene as supportive and comforting as possible towards her rather than anguish within himself. This showing again so effectively this growth in Cage as Cruise effortlessly conveys Cage's emotional pain by the way he is trying to ease her away from her seemingly inevitable demise. Cruise displaying not it as this vague action cliche, but rather this genuine sense of heartbreak of it, that is so beautifully performed by him.

Before the final phase of his performance, there is an excellent scene for Cruise where Cage goes alone to attempt the mission. Cruise doesn't portray this as normal Cruise conviction rather this almost detachment in the determination as his eyes are of a man who has seen so much death that at this point he is trying just to eliminate in almost as this mechanical act. When even that doesn't work a different direction is finally taken towards the right path with Rita to potentially destroy the enemy. Here is where we get Cruise control, but some of the best Cruise control you will see. This as it is wholly earned in his moments as this time lord, and we have that Cruise delivering of Cage's knowledge that just is really this sort of perfected confidence that could only come from a performer with the presence of Cruise. Cruise though still doesn't coast as when Cage finally loses the power, leading him and Rita to have to attempt a final action with full life or death stakes, Cruise brilliantly pulls back a bit. This again showing now Cage as a man, a far better trained and prepared man, but still a man. This though with his sense of fear no longer as this selfish cowardice but rather towards the fate of Rita. This in their final conversation that is again work from Cruise that exceeds expectation. This as he attempts to dissuade her sacrifice Cruise eyes are filled with this very real empathy finally showing a changed man, not as this perfect super hero but a man who cares. This for me even making the kiss between them work not as this declaration of love, but rather a final bit of human connection in a more general, yet very pure, sense. This is a great performance by Tom Cruise. This as it is an exceptional example of him as a star, as he's magnetic, endearing and funny here, but he goes further. This as he never glides over the story of Cage, rather he brings you into each detail of his days, for laughs, but also in crafting a real portrait of a man changing, not at all unlike Bill Murray in Groundhog Day (which SIDE NOTE: I just realized both female companions to the main character are named Rita) which this film is so often compared to for obvious reasons. It's a great star turn, and a great performance, that uses that star quality in a way that would've only been possible with Cruise in the central role. This by subverting the expectation of what we've come to expect from Cruise, while also fulfilling that promise as the film goes along as well. Of course as much as this review is done, I would remiss if I did not mention Cruise's final reaction shot when Cage meets Rita for the first time, and the last time, after succeeding in his mission finally but resetting back in time. His bemused grin is just one of sheer comic perfection as a man whose been through everything, yet doesn't quite know what to say at this point.

Wednesday, 13 May 2020

Alternate Best Actor 2014

And the Nominees Were Not:

Channing Tatum in Foxcatcher

Tom Hardy in The Drop

Shahid Kapoor in Haider

Ethan Hawke in Predestination

Dan Stevens in The Guest

Predict Those Five, These five or both:

Jesse Eisenberg in The Double

Jeremy Renner in Kill the Messenger

Tom Cruise in Edge of Tomorrow

David Gulpilil in Charlie's Country

Oscar Isaac in A Most Violent Year

Thursday, 28 November 2019

Alternate Best Actor 1999: Results

5. Tom Cruise in Eyes Wide Shut - Cruise fulfills the general needs of his performance however never seems ideal for the general needs of his character. 

Best Scene: His confession.
4. Nicolas Cage in Bringing Out the Dead - Cage delivers the more expected extremes of his insomniac paramedic, however it his more subdued moments that perhaps leave the strongest impression.

Best Scene: Saving the dealer.
3. Anthony Hopkins in Titus - Hopkins delivers both the needed gravity for any Shakespearean performance, but with a sense of fun needed for the work that is Titus Andronicus.

Best Scene: Some nice pies.
2. Heath Ledger in Two Hands - Ledger delivers a terrific early star turn that manages to effortlessly balance the romantic, dramatic and comedic elements of his film.

Best Scene: Confronting Pando.
1. Jim Broadbent in Topsy-Turvy - Broadbent gives an absolutely winning turn in his approach as a humorous man who takes himself very seriously.

Best Scene: His inspiration.
Updated Overall

Next Year: 1999 Supporting

Wednesday, 27 November 2019

Alternate Best Actor 1999: Tom Cruise in Eyes Wide Shut

Tom Cruise did not receive an Oscar nomination for portraying Dr. William "Bill" Harford in Eyes Wide Shut.

Eyes Wide Shut is Stanley Kubrick's final film around a man's odyssey after his wife confesses lecherous thoughts to him.  

The pairing of Stanley Kubrick and Tom Cruise from the outset doesn't sound like an ideal pairing. This is with Kubrick often being almost a "prop master" in his use of actors to serve an extremely specific purpose, against Tom Cruise who one can almost say is an auteur actor, in that a Tom Cruise vehicle usually means a specific thing and image. Now to be fair, until his most recent decade, Cruise seemed to attempt to pepper in non-commercial challenges within his overarching famed career of  being a matinee performer. The thing is though Cruise's forays into the non-commercial usually were driven by turns from him that are forceful Cruise turns, showing a different side of his ability, however typically using his known strengths in a way to further his range, like in the same year in Magnolia, later in Collateral, or even in Tropic Thunder. In this film though, Cruise plays our "average man", which one could almost say is a mistake in a sexually charged film that is this. In that Cruise is an actor who doesn't have an innate sexuality onscreen. This is not a commentary on any rumors or the like regarding Cruise,there are many actors without this quality, but in terms of his natural screen presence is that of asexuality. This as the love story rarely is the focal points of any successful Cruise film, not that it is an extreme void, but it isn't what defines Cruise as a performer.

This again all adds up to a strange combination in Tom Cruise in a Stanley Kubrick film, as Tom Cruise in incapable of simply being a man, his own screen presence is too strong for that, being far more ideal for early Kubrick, and for a film about sex, you have Cruise who is not say an early Brando in that regard. I mean then again, perhaps that was all in the grand scheme of Kubrick, who is an infallible genius...to some...who believe he made every decision with such meticulous purpose, even when it seemed like a bad decision. We have that possible here with Cruise who is not an expected choice to see wandering the streets of NY looking for sexual answers. Although then again it does offer that later day Kubrick clinical quality he seemed to love so much, as the film is not particularly raw for being about the base human need. It is instead particularly one can examine when you have Cruise seemingly more a curious observer himself than a man dealing with lusts of every kind. A curiosity then is what the film becomes, as does Bill's journey where he finds himself in strange situations, creepy costume owners, orgies, prostitutes, drug overdoses, sexual fantasies, however in each of these, well except maybe the drug overdose, Bill is but an observer. This in only further emphasized in Cruise's performance which keeps a distance from that material almost at all times. This maintaining that late Kubrickian detachment, intentional perhaps, but the right decision, well that's a different question.

The film itself was made in part as the starring pairing of the then married couple of Nicole Kidman and Cruise, which I would imagine didn't help matters there, but I won't speculate too much. Their interactions are limited however, with the fissure developing between the married couple in the film early on, that propels Bill on his strange journey. Kidman quite frankly is a performer who seems more ideal Kubrick, where Cruise would've perhaps been better served back in the mindset of Kubrick when he was working with Kirk Douglas. This as in their scenes together Kidman stands out more in working within the style of Kubrick, where Cruise does seem a bit lost, although that serves his very lost character. I will say the actual performance that there is beyond looking around looking confused, or looking slightly lustful, are not at all poorly performed by Cruise. The extent of this though is always curiously limited, as the man always keeps himself from going the next step, and in turn we keep Cruise at that distance. There are the two more major moments of interacting with Kidman, first in hearing her confession then making his own. In both Cruise does capture the emotional distress of the situation. The rest of the film Cruise is within that limitation, to the point that even when he is learning about strange things, and eventually finding possible answers, Bill still is the quiet observer. The quiet observer that Cruise doesn't portray poorly by any measure, in that he captures enough of a reality to the strange situations, and anxiety in each moment. It is not a bad performance, even if the character doesn't seem at all ideal for Cruise's strengths as a performer. This may have been intentional as those who view Kubrick as infallible would likely say. This as Cruise could be seen himself placed in situations alien to the performer, reacting with the same distance, as Bill as an alien to his life situations, keeping the same distance. This as neither man takes that next step, neither Cruise fully exiting his comfort zone by going that next step of raw sexuality on screen, nor Bill breaking out of his faithfulness towards his wife. I will however, always contest that casting the charisma absent Ryan O'Neal was a fundamental mistake of Barry Lyndon therefore will not accept the Kubrick as infallible view. This while I don't think Cruise's casting is as detrimental to the character, I too have a difficulty finding that I cannot see a better path with a performer more ideal for the material, the character and indeed the director.

Sunday, 3 November 2019

Alternate Best Actor 1999

 And the Nominees Were Not:

Anthony Hopkins in Titus

Heath Ledger in Two Hands

Nicolas Cage in Bringing Out the Dead

Tom Cruise in Eyes Wide Shut

Jim Broadbent in Topsy-Turvy

And a review Of:

Ralph Fiennes in Sunshine 

Tuesday, 9 September 2014

Alternate Best Actor 2004: Tom Cruise in Collateral

Tom Cruise did not receive an Oscar nomination for portraying Vincent in Collateral.

Tom Cruise type found himself largely unrecognized for this performance while his co-star Jamie Foxx was nominated for several awards for his performance as the average man cabbie max who has the unfortunate luck of picking up Cruise's Vincent. Of course Foxx was nominated, or even won, everywhere for supporting actor so one can blame more than the Academy for swallowing the lie that Foxx is anything but lead in the film. The film is about Max and if one were forced to name out of the two main actors who was more supporting the answer would have to be Tom Cruise who has far less screen time, and when the film diverts its attention it always follows Foxx not Cruise. In fact other than the opening scene where we see Vincent receive his dossier the film never takes his perspective or least never takes it over Foxx's. Whenever Vincent goes inside to do something it stays out in the car with Max it does not follow Vincent. I do think the film is about both men and their relationship making Cruise lead as well, but if someone should have been nominated for Best Supporting Actor for the film it should have been Cruise.

Cruise plays wildly against his usual type of the lone hero here instead playing the villain of the film Vincent. Vincent is a paid assassin tasked with killing five people who are instrumental in a case against a L.A. crime boss (Javier Bardem), and holds Max at gunpoint to go from target to target. The interesting thing about Cruise's performance here is that, even though he is playing a character far different from the usual type he plays, Cruise does not exactly give a performance wholly unlike some of his earlier work. Some Tom Cruise deriders speak of an artifice in that movie star smile of his and Cruise perhaps toys with this idea in a way. Cruise still brings his considerable amount of charisma here as Vincent, but subverting it in a way that's quite striking. He has that smile, although obviously somewhat less extreme here, but it is here that Cruise makes that smile truly something that is artificial and hollow. It really something rather brilliant that Cruise does here as he brings that Tom Cruise star power in the way he presents Vincent yet pulls the rug out from under you to reveal it as only a mask for something else.

That something else being the killer that Vincent is, and Cruise is fantastic in the way he portrays the scenes where Vincent is making sure he takes care of his targets. Cruise does not portray Vincent as some sort of psychopath who takes pleasure in the people he kills rather Cruise always presents Vincent as a true professional in every sense. The problem is Cruise shows Vincent to be so professional that he ends up being quite disturbing in his own way. Cruise is excellent in the action scenes where Vincent takes down the guys as in every instance Cruise plays it as Vincent is all about the utmost precision. He's not trying to kill to make people suffer, but rather simply kill them so he can finish the job. Cruise's physical performance is terrific here because of how well he suggests actually the history of Vincent just through his performance. Cruise's whole manner is so refined in the fight that when the film alludes to Vincent being former special forces this is made absolutely convincing by Cruise. I love the way Cruise can be so chilling despite often keeping such a calm as Vincent.

Cruise is able to bring such a menace to Vincent simply through how to the point he makes Vincent in doing the job. One of my favorite moments of his is when Max is stopped by the cops and Vincent's mission is threatened if they find the body of one of his targets in the taxi's trunk. Cruise is perfect in the moment as he tells Max that the men will die if he does not stop them from searching the car while adding that they probably have families. Cruise is incredibly matter of fact in the way he says it, but it conveys without question that the professionalism of Vincent will ensure that the men will die without question. For the majority of the victims Cruise portrays Vincent's method as absurdly cruel in his manner as he kills them. What is so cruel about is the fact that Cruise shows little emotion about what he does, and the people he kills are barely even allowed his hate before he ends their life. Cruise creates a frightening predictability in Vincent in that you always know that there is absolutely no mercy in his oh so professional approach. 

In between each kill though there is time given to the conversations between Vincent and Max as Vincent presents his world view to Max as they drive along to the next kill. Cruise is brilliant in these scenes as he delivers every one of Vincent's statements with a cruel nihilism. Vincent believes the least in people and Cruise again is very effective in how intensely he makes Vincent's cruel points. What is most compelling about these scenes though is the way Cruise does bring some a very subtle emotionality in Vincent in these scenes. Cruise does not dwell on this often just a brief momentary reaction in his eyes as he speaks, but Cruise suggests more than simply that his world view matches his disregard for human life. Cruise in the very understated emotions he brings behind the nihilism suggests this runs deeper in Vincent. Cruise suggests that the nihilism which is strong in him comes from Vincent own unfortunate childhood. Cruise never lets us in completely into Vincent's mind, but he rather powerfully does offer some insight into it.

Cruise is outstanding in every aspect of this performance as he completely commands the film, controlling every scene he is in, and to be honest I find it hard to see how anyone could see Foxx as the stand out and not Cruise. Cruise dominates here and what I love is how much he does with Vincent past simply being the villain. Of course as the villain Cruise is indeed extremely menacing, but he does even more than that with the way he creates a believable man along with that. One of my favorite moments in Cruise's performance is when in the last target when Max confronts him Vincent actually does hesitate once to challenge Max to actually do something. This might not have worked at all but the way Cruise makes it believable in the way he has built the way Vincent's reactions have changed toward Max. The best scene though I feel is the final moments of his performance as Vincent accepts his defeat. Cruise manages to be even slightly poignant as he shows sadly pondering once more on his view of world as he sees he has nothing left.

Sunday, 25 March 2012

Best Supporting Actor 1999: Results

5. Michael Caine in The Cider House Rules- Caine with a strange accent gives a dull sometimes almost lifeless performance that never seems to bring the genuine emotions one would for a part that seems like it is only ever trying to be emotional.
4. Michael Clarke Duncan in The Green Mile-Duncan achieves this well with his performance by finding just the right sort of characterization for Coffey all the way through the film.
3. Jude Law in The Talented Mr. Ripley-  Law gives an performance effective because he never only seizes one note with his performance and realistically portrays both Dickie's cruel and charming side equally well.
2. Haley Joel Osment in The Sixth Sense- It would have been very easy to lose the human element to the horror that comes into the film, but Osment always is able to keep the humanity in his character alive throughout the film in his performance.
1. Tom Cruise in Magnolia- Cruise might not be my favorite actor, but he is absolutely brilliant here absolutely succeeding with a character that could have gone wrong in a great number of ways but never does. He turns his bizarre guru in a memorable and very intriguing character.
Deserving Performances:
Philip Seymour Hoffman in Magnolia
Alan Rickman in Galaxy Quest

Wednesday, 21 March 2012

Best Supporting Actor 1999: Tom Cruise in Magnolia

Tom Cruise received his third Oscar nomination for portraying Frank T.J. Mackey in Magnolia.

Magnolia depicts a multitude of intersecting stories involving people searching or dealing with many very different problems.

Magnolia is a large ensemble film with many intersecting stories but the only performer nominated from the entire cast was Tom Cruise as the sex self help male domination guru. Cruise certainly gives an audacious performance here that he very different from anything he did before this performance. This is not say Cruise does not use some of the same methods in terms of his acting as some of his earlier performances, but never in support of a character quite like Frank T.J. Mackey the seduce and destroy guru. Cruise though uses some of these common techniques in a vastly different fashion.

Cruise never lets the fact that he is Tom Cruise get in the way of his performance as Frank Mackey. He never apologizes for a moment for his character's beliefs or actions. He absolutely becomes Mackey with the utmost conviction never once winking to the audience otherwise or even acting like underneath the performance he thinks poorly of Mackey, through his whole performance Cruise is utterly devoted with the character and does not waver for even a moment. This devotion of Mackey is shown in every scene particularly in his opening seminar scene.

In his first seminar scene Cruise effectively exudes the confidence in Mackey, and his undying to devotion to his ideas and his cause. Cruise finds the perfect way to portray the methods of Mackey, and just the sort of parody, without ever being a parody, of a self guru with a rather insane concept for what he completely believes in. Cruise is properly magnetic as well as energetic in these moments, and honestly sells the whole rather bizarre concept of Mackey's seminars through his performance. Cruise honestly is the guru and makes the character believable.

The meat of his scenes involve his interview with a female reporter though. Cruise stays effective as he shows even on a one on one interview Mackey still keeps the same style acting like some sort of aggressive animal at all times. In these scenes though Cruise also effectively shows the weaknesses behind his seemingly overflowing confidence. Cruise is terrific here because he does not overdo the weaknesses in Mackey and makes his character's revelations over his past subtle. The small little moments in his performance that suggest the pain and vulnerability of Mackey Cruise infuses well with his far more extroverted moments.

As Mackey when asked about his past Cruise carefully only suggest that he is hiding something. Cruise is interesting here because he basically just goes through his past quickly, but when questioned about Cruise shows that Mackey almost attempts to charm his way through it. Cruise probably has never used that smile of his in a film better than he does here. He shows it as basically almost an attack in Mackey's disposal for both his method, and to avoid facing his past which the interviewer wants him to do. Cruise continues to succeed as Mackey becomes more and more pressured to face what he doesn't want to.

Cruise is interesting as he tones down the charm of Mackey who starts his tactics, and Cruise shows a predator looking for a single weakness while making the smallest attacks. Cruise's smallest facial gestures in the scene are absolutely brilliant as he shows in full view Mackey's rather lowly method that really loses any charm it might of had when he feels attacked. Cruise effectively portrays Mackey's loss of confidence well particularly in his second seminar where he loses any magnetic quality he had before, and just seems much more lost and overly emotional.

His pivotal moments come in his final scene where he finally does face what he was trying to avoid, and that is seeing his dying estranged father (Jason Robards). Cruise does make the most of these final moments as all of Mackey's defenses go away and he talks to his dying father. Cruise is effective in his portrayal of the hatred he feels for his father due to his treatment of his mother. Cruise shows a vulnerability and sadness in Mackey that honestly quite moving despite Mackey previous actions in the film. When also suffering the grief over his father though again Cruise is terrific in his almost silent portrayal near the end effectively realizes the long troubles and issues with his father in a single scene. Cruise might not be my favorite actor, but he is absolutely brilliant here absolutely succeeding with a character that could have gone wrong in a great number of ways but never does.

Tuesday, 20 March 2012

Best Supporting Actor 1999

And the Nominees Were:

Tom Cruise in Magnolia

Jude Law in The Talented Mr. Ripley

Michael Caine in The Cider House Rules

Michael Clarke Duncan in The Green Mile

Haley Joel Osment in The Sixth Sense

Saturday, 20 November 2010

Best Actor 1996: Results

5. Woody Harrelson in The People vs Larry Flynt- Harrelson is absolutely nothing special, and very standard for the first half of his performance but then the second half when he starts trying to imitate Flynt he is terrible.
4. Billy Bob Thornton in Sling Blade- I understand the point and the use of the character but this type of performance does not usually equal great acting to me. Also I never fully believed his character either which does not help a performance like this.

3. Geoffrey Rush in Shine- Rush I think does his mannerisms just fine and are close enough to the real deal, but still his performance never can really be amazing. He does succeed a little when he has the chance to show more but he also fails in his last scene.

2. Ralph Fiennes in The English Patient- I think there is something lacking in his character that holds him back, and I feel he was possibly trying too much at the beginning. Still though he succeeds well with the various aspects of the character. He shows the Count's romance, his struggles, and his end very well.

1. Tom Cruise in Jerry Maguire- I was tempted to go with Fiennes but I felt Cruise's performance was technically a little better despite his lighter material. First he uses his star quality and charisma perfectly well in his performance here, but at the same time he still develops his character along with his usual charm. The changes of the character which are abrupt are handled well, and the notable scene of the film I feel are really notable because Cruise handles them as well as he does.