10. Ethan Hawke in Predestination - Although Hawke ends up being crushed by the machine of his film, he still gives a largely compelling portrayal of grounding mind bending time travel.
Best Scene: Outlining the truth.
9. Jesse Eisenberg in The Double - Eisenberg is less effective as the "confident man", though not bad, but is engaging in presenting his nebbish protagonist dealing with particularly odd circumstances.
Best Scene: Cyrano date
8. Shahid Kapoor in Haider - Although almost static, though sensibly so, in the first half of his performance, Kapoor in the second half unleashes a brilliant atypical take on Hamlet.
Best Scene: Song number
7. Dan Stevens in The Guest - Although his film is lesser than, Stevens is a delight and absolutely captivating as a killer who seems strangely invested in a family.
Best Scene: Bully takedown.
6. Jeremy Renner in Kill the Messenger - Renner gives a powerful portrayal of a man whose convictions slowly destroy him.
Best Scene: Final speech.
5. Tom Cruise in Edge of Tomorrow - Cruise plays with his star persona by brilliantly subverting it in a multitude of ways, but also by living up to it as a natural progression of his character.
Best Scene: You don't make it any further
4. Oscar Isaac in A Most Violent Year - Isaac gives a brilliant portrayal of an atypical character in presenting a man quietly attempting to maintain his morality while also attempting to maintain power as a boss in a cutthroat business.
Best Scene: Confronting the thief.
3. Channing Tatum in Foxcatcher - Tatum shatters any expectations on him through his powerful and intense portrayal of a man who has great potential but only can follow.
Best Scene: Breakdown.
2. Tom Hardy in The Drop - Tom Hardy gives one of his best performances in a brilliant high wire act that pays off as you're watching, but even more so with the revelation that gives you a greater sense for the overall accomplishment of his performance.
Best Scene: "You embarrass me"
1. David Gulpilil in Charlie's Country - Good predictions Luke, RatedRStar, Michael McCarthy, Anonymous, Aidan Pittman, Omar, and Mitchell. Gulpilil gives a portrait of just sheer honesty that reflects such a purely genuine person yet endearing in the unique qualities and life within this naturalism.
Best Scene: Seeing his dead friend.
Updated Overall
Next: 2014 Supporting
Showing posts with label Oscar Isaac. Show all posts
Showing posts with label Oscar Isaac. Show all posts
Friday, 19 June 2020
Tuesday, 19 May 2020
Alternate Best Actor 2014: Oscar Isaac in A Most Violent Year
Oscar Isaac did not receive an Oscar nomination, despite winning NBR, for portraying Abel Morales in A Most Violent Year.
A Most Violent Year follows a businessman attempting to secure a life changing deal for his gas company.
I think the early word on the film, along with its name, perhaps was to the film's detriment in terms of overall recognition in its year. This as it suggested a different film, as the film is a low key study of one man's morality, than a wide scope crime drama you might have expected from its catching name and the comparisons to The Godfather. Now in this we have a very atypical character for leading such a morality tale, and in that Oscar Isaac has a unique challenge. So often in the case of morality in a crime film, it is upon the person who has already gone through corruption or is actively taking part of it, either by will or by circumstance like Michael Corleone in The Godfather. A character in that Isaac's Morales was compared to, it certainly helps with their similar appearance, but I don't believe that quite covers the man that is Morales. This is as Morales's role within this story is a unique one, in that while he's not a straight forward good man within corruption, by way of being a legal force, he is not a corrupted man within corruption. This is as he is trying to make it within the corrupt world of the gas works in NYC, he has a criminal lawyer (Albert Brooks) and a wife (Jessica Chastain) whose family are local criminals. The story is of the man trying to not be this, while existing strictly in that world, almost trying to play the game, but with a hand tied behind his back. Isaac's performance then is one that is to bring to life this alternative conflict, that unfolds not quite in the expected way for such a story.
Now on the surface the similarities to Al Pacino as Michael are easy enough to name. This is where one can easily praise Isaac's performance where he delivers that needed sort of internalized charisma for the part of Abel. He's not a man who wields his power, or attempted power, through broad strokes, but rather through almost this force of will. Isaac's delivers that as his presence offers that sort of sense in one's own conviction that empowers him in some way. Isaac captures this specific kind of control in his performance that grants the right sense of Abel's awareness of what he must do, but also the methods he believes he must take to do that. There are earlier moments within the narrative where Abel explains his plans. This is where Isaac's performance conveys well this clear sense of his purpose. This in calm yet determined voice, and eyes that are fiery with a controlled but very real ambition. Isaac creating the sense of a man who has built upon his intelligence within his field, and is working his way towards a kind of control of his destiny. Isaac's performance crafts the sense of the ambition that then grants the man that certain strength, and in turn a remarkable distinct type of charisma. This as Isaac exudes a man of power, even as we open the film we find someone who is quickly struggling to maintain this power, as he doesn't quite have the money to buy an essential property for his plans, and is dealing with the constant theft of his trucks along with the physical harassment of his employees.
Isaac's performance then becomes one that reveals two burdens within it. The first the more obvious and essentially surface one of the exasperation of his state. This as every time it seems he solves one problem two more come up, not due to his own excess or incompetence, but rather the actions of others. Isaac's performance wears this effectively within the man of just a state of growing frustration. Again though Isaac balancing that with the sense of the man's strength as we don't see it overwhelm him in this sense, rather grants a greater sense of perseverance within the man. This as one deal goes poorly for him, Isaac brings the same determination in speaking within the meeting for the next of a man who will finds his success through the forces against him. The second less so that being within the idea of morality, particularly how it exists for him within his world both for his business and in his personal life. Isaac in this shows a good man, but a man who basically has risen around corruption. This in his earlier moments with the other gas owners, or his own lawyer. Isaac's eyes convey a sense of the knowledge of the man as it is with careful suspicion of their actions. When he himself stands against a DA focusing upon seemingly randomly his company, Isaac's portrayal of Abel's denials of any wrongdoing within his company, is that of that same kind of conviction. Isaac importantly grants no sense of a lingering doubt within himself, rather shows someone who fully is aware that he knows how he has risen not through the corruption that he has been so closely near.
This comes to life even greater though within the side story of one of his workers, Julian (Elyes Gabel), becomes increasingly hostile after becoming wanted by the police for having attempted to defend himself in a robbery through the use of a gun. Isaac's scenes within Julian and his wife, are brilliantly performed this as he grants an essential warmth and empathy within Abel. This as even as he tries to get the man to turn himself into the police, that low key warmth Isaac delivers is again with certainty that he believes this will help the man. There is importantly no sense of selfishness within this, as Isaac instead portrays the man believing he is leading the man to some help after his actions have threatened both their livelihoods. Of course one of the most important complications is in his relationship with his wife. This is where Isaac crafts some very careful chemistry with Chastain, that grants a strong sense of their relationship even though we don't really delve within the details all that closely. Isaac conveys the obvious attraction, if tempered by years of marriage, but at the same time gives us the sense of the underlying frustration at the ease in which his wife displays a more duplicitous side. This alluding to her family history, which I love how Isaac makes this a given in his performance, with almost side eye glances that suggest a knowing man just slightly watching out for the worst tendencies he knows his wife has, without hating her for it.
What the film then becomes is basically a testing of the attempt of Abel to try to do what is right no matter how much the world around him encourages him to do wrong for the purposes of selfishness. Isaac is excellent in the way he finds so much nuance within this struggle, which is never spelled out directly however is found again within his subtle work. This as we see the man who refuses to give in to just violence as even when he tracks down one of the thieves and interrogates him. Isaac is outstanding in this interrogation scene. This as he delivers the intensity of a man who could kill given that sense of determination, however in his verbal reaction of releasing that anger from his frustrations is brilliantly performed. This in showing a man who wants to do the right thing in that release, fighting against the negative urge. Even in this time though we still see the strength of the man when within righteousness when he successfully earns some of his money back from one of his competitors. Isaac owns the scene brilliantly in just exuding that internalized power greater than ever, with the right sense of threat within his words, but still that calm that embodies within itself this unquestioned strength. He seems even more tested as he finds he has one source of income from his wife, from her secretly skimming off the top from Morales's company. Isaac is great though in this being the biggest break as he yells as a man who has put up with this behavior for far too long, and this outrage very much earned from his wife often questionable moral character. Isaac reveals those years in this moment that is of surprise at the sort of betrayal but in his eyes that of also that still knowing as something he knew was possible in his wife. The final sort of challenge comes as Morales has successful made his deal by using the money, really with no alternate option for those funds or for himself, but Julian reappears with gun. Julian though only in a distraught depression where he quickly kills himself seemingly both depressed and jealous towards Morales's success. Isaac's reaction in the moment is perfection as he shows the horror of the moment in his understated reaction still. Isaac finds within though not a shame exactly, rather a disappointment again against the corruption and violence that lead to the act, though he himself was not truly guilty of it. This is an impressive work from Isaac, as was the way for him in his remarkable quartet of performances from 2013-2015, hopefully he'll return to this quality sometime soon. Nonetheless this stands as one of his great performances. This in granting a powerful portrait of an atypical character in a moral dilemma. This as a man attempting, despite all odds, to do what he believes is right in a world filled with wrongs.
A Most Violent Year follows a businessman attempting to secure a life changing deal for his gas company.
I think the early word on the film, along with its name, perhaps was to the film's detriment in terms of overall recognition in its year. This as it suggested a different film, as the film is a low key study of one man's morality, than a wide scope crime drama you might have expected from its catching name and the comparisons to The Godfather. Now in this we have a very atypical character for leading such a morality tale, and in that Oscar Isaac has a unique challenge. So often in the case of morality in a crime film, it is upon the person who has already gone through corruption or is actively taking part of it, either by will or by circumstance like Michael Corleone in The Godfather. A character in that Isaac's Morales was compared to, it certainly helps with their similar appearance, but I don't believe that quite covers the man that is Morales. This is as Morales's role within this story is a unique one, in that while he's not a straight forward good man within corruption, by way of being a legal force, he is not a corrupted man within corruption. This is as he is trying to make it within the corrupt world of the gas works in NYC, he has a criminal lawyer (Albert Brooks) and a wife (Jessica Chastain) whose family are local criminals. The story is of the man trying to not be this, while existing strictly in that world, almost trying to play the game, but with a hand tied behind his back. Isaac's performance then is one that is to bring to life this alternative conflict, that unfolds not quite in the expected way for such a story.
Now on the surface the similarities to Al Pacino as Michael are easy enough to name. This is where one can easily praise Isaac's performance where he delivers that needed sort of internalized charisma for the part of Abel. He's not a man who wields his power, or attempted power, through broad strokes, but rather through almost this force of will. Isaac's delivers that as his presence offers that sort of sense in one's own conviction that empowers him in some way. Isaac captures this specific kind of control in his performance that grants the right sense of Abel's awareness of what he must do, but also the methods he believes he must take to do that. There are earlier moments within the narrative where Abel explains his plans. This is where Isaac's performance conveys well this clear sense of his purpose. This in calm yet determined voice, and eyes that are fiery with a controlled but very real ambition. Isaac creating the sense of a man who has built upon his intelligence within his field, and is working his way towards a kind of control of his destiny. Isaac's performance crafts the sense of the ambition that then grants the man that certain strength, and in turn a remarkable distinct type of charisma. This as Isaac exudes a man of power, even as we open the film we find someone who is quickly struggling to maintain this power, as he doesn't quite have the money to buy an essential property for his plans, and is dealing with the constant theft of his trucks along with the physical harassment of his employees.
Isaac's performance then becomes one that reveals two burdens within it. The first the more obvious and essentially surface one of the exasperation of his state. This as every time it seems he solves one problem two more come up, not due to his own excess or incompetence, but rather the actions of others. Isaac's performance wears this effectively within the man of just a state of growing frustration. Again though Isaac balancing that with the sense of the man's strength as we don't see it overwhelm him in this sense, rather grants a greater sense of perseverance within the man. This as one deal goes poorly for him, Isaac brings the same determination in speaking within the meeting for the next of a man who will finds his success through the forces against him. The second less so that being within the idea of morality, particularly how it exists for him within his world both for his business and in his personal life. Isaac in this shows a good man, but a man who basically has risen around corruption. This in his earlier moments with the other gas owners, or his own lawyer. Isaac's eyes convey a sense of the knowledge of the man as it is with careful suspicion of their actions. When he himself stands against a DA focusing upon seemingly randomly his company, Isaac's portrayal of Abel's denials of any wrongdoing within his company, is that of that same kind of conviction. Isaac importantly grants no sense of a lingering doubt within himself, rather shows someone who fully is aware that he knows how he has risen not through the corruption that he has been so closely near.
This comes to life even greater though within the side story of one of his workers, Julian (Elyes Gabel), becomes increasingly hostile after becoming wanted by the police for having attempted to defend himself in a robbery through the use of a gun. Isaac's scenes within Julian and his wife, are brilliantly performed this as he grants an essential warmth and empathy within Abel. This as even as he tries to get the man to turn himself into the police, that low key warmth Isaac delivers is again with certainty that he believes this will help the man. There is importantly no sense of selfishness within this, as Isaac instead portrays the man believing he is leading the man to some help after his actions have threatened both their livelihoods. Of course one of the most important complications is in his relationship with his wife. This is where Isaac crafts some very careful chemistry with Chastain, that grants a strong sense of their relationship even though we don't really delve within the details all that closely. Isaac conveys the obvious attraction, if tempered by years of marriage, but at the same time gives us the sense of the underlying frustration at the ease in which his wife displays a more duplicitous side. This alluding to her family history, which I love how Isaac makes this a given in his performance, with almost side eye glances that suggest a knowing man just slightly watching out for the worst tendencies he knows his wife has, without hating her for it.
What the film then becomes is basically a testing of the attempt of Abel to try to do what is right no matter how much the world around him encourages him to do wrong for the purposes of selfishness. Isaac is excellent in the way he finds so much nuance within this struggle, which is never spelled out directly however is found again within his subtle work. This as we see the man who refuses to give in to just violence as even when he tracks down one of the thieves and interrogates him. Isaac is outstanding in this interrogation scene. This as he delivers the intensity of a man who could kill given that sense of determination, however in his verbal reaction of releasing that anger from his frustrations is brilliantly performed. This in showing a man who wants to do the right thing in that release, fighting against the negative urge. Even in this time though we still see the strength of the man when within righteousness when he successfully earns some of his money back from one of his competitors. Isaac owns the scene brilliantly in just exuding that internalized power greater than ever, with the right sense of threat within his words, but still that calm that embodies within itself this unquestioned strength. He seems even more tested as he finds he has one source of income from his wife, from her secretly skimming off the top from Morales's company. Isaac is great though in this being the biggest break as he yells as a man who has put up with this behavior for far too long, and this outrage very much earned from his wife often questionable moral character. Isaac reveals those years in this moment that is of surprise at the sort of betrayal but in his eyes that of also that still knowing as something he knew was possible in his wife. The final sort of challenge comes as Morales has successful made his deal by using the money, really with no alternate option for those funds or for himself, but Julian reappears with gun. Julian though only in a distraught depression where he quickly kills himself seemingly both depressed and jealous towards Morales's success. Isaac's reaction in the moment is perfection as he shows the horror of the moment in his understated reaction still. Isaac finds within though not a shame exactly, rather a disappointment again against the corruption and violence that lead to the act, though he himself was not truly guilty of it. This is an impressive work from Isaac, as was the way for him in his remarkable quartet of performances from 2013-2015, hopefully he'll return to this quality sometime soon. Nonetheless this stands as one of his great performances. This in granting a powerful portrait of an atypical character in a moral dilemma. This as a man attempting, despite all odds, to do what he believes is right in a world filled with wrongs.
Wednesday, 13 May 2020
Alternate Best Actor 2014
And the Nominees Were Not:
Channing Tatum in Foxcatcher
Tom Hardy in The Drop
Shahid Kapoor in Haider
Ethan Hawke in Predestination
Dan Stevens in The Guest
Predict Those Five, These five or both:
Jesse Eisenberg in The Double
Jeremy Renner in Kill the Messenger
Tom Cruise in Edge of Tomorrow
David Gulpilil in Charlie's Country
Oscar Isaac in A Most Violent Year
Channing Tatum in Foxcatcher
Tom Hardy in The Drop
Shahid Kapoor in Haider
Ethan Hawke in Predestination
Dan Stevens in The Guest
Predict Those Five, These five or both:
Jesse Eisenberg in The Double
Jeremy Renner in Kill the Messenger
Tom Cruise in Edge of Tomorrow
David Gulpilil in Charlie's Country
Oscar Isaac in A Most Violent Year
Sunday, 7 February 2016
Alternate Best Supporting Actor 2015: Results
10. Idris Elba in Beasts of No Nation - Elba gives a charismatic performance as a godlike military commander, even if his character gets progressively less interesting as the film proceeds.
Best Scene: The Commandant prepares the men to attack.
9. Stanley Tucci in Spotlight - Tucci, much like the majority of the cast of spotlight, gives a realistic portrayal of a man in the film's story, and only stands when it aids this story.
Best Scene: "You don't know the half of it"
8. Adam Driver in Star Wars: The Force Awakens - Driver creates a most unusual yet still very effective and complex villain
Best Scene: Kylo and Han.
7. Emory Cohen in Brooklyn - Cohen gives an extremely charming performance that is essential the film's success, as he flawlessly avoids the various potential pitfalls of his technically simplistic character.
Best Scene: Tony and Ellis the night after the dinner with Tony's family.
6. Michael Sheen in Far From the Madding Crowd - Sheen gives a very moving performance in his portrayal of a man whose emotions reveal themselves, for better or worse, after being shown a hint of love.
Best Scene: Boldwood joins Bathsheba in song.
5. Benicio Del Toro in Sicario - Del Toro is appropriately chilling in his depiction of a cold killer, yet is particularly compelling in revealing the man behind the actions.
Best Scene: A family dinner.
4. Oscar Isaac in Ex Machina - Isaac is wildly entertaining yet also appropriately enigmatic as his odd tech genius who he plays as though he's a real BRO at heart.
Best Scene: "Have you tried dancing with her?"
3. Walton Goggins in The Hateful Eight - Goggins gives quite the impressive performance, as he's hilarious, incisive, and somehow makes a friendship between a racist Sheriff and a black bounty hunter believable.
Best Scene: Reading the Lincoln Letter.
2. Richard Jenkins in Bone Tomahawk - Jenkins is completely unrecognizable in his funny yet heartbreaking portrayal of a real old timer of the old west.
Best Scene: The flea circus.
1. Nicholas Hoult in Mad Max: Fury Road - Good prediction Psifonian. This year is simply amazing, and having to choose between them is absurdly difficult. I could go so many different ways for my winner, since I love all these performances. I could go with any performance in my top 12 and they'd be deserving. My top two came down to the two performances that I've found myself quoting the most incidentally. I could easily switch at any time. Hoult is outstanding in his compelling and entertaining portrayal of zealotry, then is quite heartbreaking in his depiction of a loss of this blindness.
Best Scene: A promised trip to Valhalla.
Overall Rank:
Best Scene: The Commandant prepares the men to attack.
9. Stanley Tucci in Spotlight - Tucci, much like the majority of the cast of spotlight, gives a realistic portrayal of a man in the film's story, and only stands when it aids this story.
Best Scene: "You don't know the half of it"
8. Adam Driver in Star Wars: The Force Awakens - Driver creates a most unusual yet still very effective and complex villain
Best Scene: Kylo and Han.
7. Emory Cohen in Brooklyn - Cohen gives an extremely charming performance that is essential the film's success, as he flawlessly avoids the various potential pitfalls of his technically simplistic character.
Best Scene: Tony and Ellis the night after the dinner with Tony's family.
6. Michael Sheen in Far From the Madding Crowd - Sheen gives a very moving performance in his portrayal of a man whose emotions reveal themselves, for better or worse, after being shown a hint of love.
Best Scene: Boldwood joins Bathsheba in song.
5. Benicio Del Toro in Sicario - Del Toro is appropriately chilling in his depiction of a cold killer, yet is particularly compelling in revealing the man behind the actions.
Best Scene: A family dinner.
4. Oscar Isaac in Ex Machina - Isaac is wildly entertaining yet also appropriately enigmatic as his odd tech genius who he plays as though he's a real BRO at heart.
Best Scene: "Have you tried dancing with her?"
3. Walton Goggins in The Hateful Eight - Goggins gives quite the impressive performance, as he's hilarious, incisive, and somehow makes a friendship between a racist Sheriff and a black bounty hunter believable.
Best Scene: Reading the Lincoln Letter.
2. Richard Jenkins in Bone Tomahawk - Jenkins is completely unrecognizable in his funny yet heartbreaking portrayal of a real old timer of the old west.
Best Scene: The flea circus.
1. Nicholas Hoult in Mad Max: Fury Road - Good prediction Psifonian. This year is simply amazing, and having to choose between them is absurdly difficult. I could go so many different ways for my winner, since I love all these performances. I could go with any performance in my top 12 and they'd be deserving. My top two came down to the two performances that I've found myself quoting the most incidentally. I could easily switch at any time. Hoult is outstanding in his compelling and entertaining portrayal of zealotry, then is quite heartbreaking in his depiction of a loss of this blindness.
Best Scene: A promised trip to Valhalla.
Overall Rank:
- Tom Hardy in The Revenant
- Nicholas Hoult in Mad Max: Fury Road
- Sylvester Stallone in Creed
- Richard Jenkins in Bone Tomahawk
- Walton Goggins in The Hateful Eight
- Mark Rylance in Bridge of Spies
- Samuel L. Jackson in The Hateful Eight
- Oscar Isaac in Ex Machina
- Benicio Del Toro in Sicario
- Michael Sheen in Far From The Madding Crowd
- Emory Cohen in Brooklyn
- Kurt Russell in The Hateful Eight
- Bruce Dern in The Hateful Eight
- Michael Angarano in The Stanford Prison Experiment
- Matthew Fox in Bone Tomahawk
- Adam Driver in Star Wars: The Force Awakens
- Harrison Ford in Star Wars: The Force Awakens
- Sam Elliot in Grandma
- Stanley Tucci in Spotlight
- Josh Brolin in Sicario
- Matthias Schoenaerts in Far From The Madding Crowd
- Liev Schreiber in Spotlight
- Idris Elba in Beasts of No Nation
- Michael Keaton in Spotlight
- Tim Roth in The Hateful Eight
- Joel Edgerton in The Gift
- Jeff Daniels in Steve Jobs
- Roland Møller in Land of Mine
- Ethan Hawke in 10,000 Saints
- Jan Bijvoet in Embrace of the Serpent
- Michael Shannon in 99 Homes
- Toby Jones in Tale of Tales
- Tom Noonan in Anomalisa
- Jason Statham in Spy
- Will Poulter in The Revenant
- Brian d'Arcy James in Spotlight
- Richard Kind in Inside Out
- Louis C.K. in Trumbo
- Domhnall Gleeson in The Revenant
- Michael Madsen in The Hateful Eight
- Rory Cochrane in Black Mass
- James Parks in The Hateful Eight
- Brendan Gleeson in In The Heart of the Sea
- Billy Crudup in The Stanford Prison Experiment
- Peter Sarsgaard in Black Mass
- Sean Harris in Macbeth
- Demian Bichir in The Hateful Eight
- Louis Hofmann in Land of Mine
- W. Earl Brown in Black Mass
- Hugo Weaving in The Dressmaker
- David Morse in Concussion
- Liev Schreiber in Pawn Sacrifice
- Paul Giamatti in Straight Outta Compton
- Tye Sheridan in The Stanford Prison Experiment
- Hugh Keays-Byrne in Mad Max: Fury Road
- John Cusack in Chi-Raq
- Chiwetel Ejiofor in The Martian
- Dave Bautista in Spectre
- Jeremy Renner in Avengers: Age of Ultron
- Seth Rogen in Steve Jobs
- Peter Sarsgaard in Pawn Sacrifice
- Michael Douglas in Ant-Man
- David Harbour in Black Mass
- Forrest Goodluck in The Revenant
- Oscar Isaac in Star Wars: The Force Awakens
- Billy Crudup in Spotlight
- Domhnall Gleeson in Brooklyn
- Sean Bean in The Martian
- Paul Dano in Youth
- Luigi Sciamanna in Embrace of the Serpent
- Mark Strong in Kingsman: The Secret Service
- Jeff Daniels in The Martian
- Nathan Jones in Mad Max: Fury Road
- Richard Jenkins in Spotlight
- Tom Hardy in London Road
- Jack Reynor in Macbeth
- Jim Beaver in Crimson Peak
- Jim Broadbent in Brooklyn
- John Goodman in Trumbo
- Josh Helman in Mad Max: Fury Road
- Lewis Black in Inside Out
- Brendan Gleeson in Suffragette
- Peter Mullan in Sunset Song
- Michael Stuhlbarg in Trumbo
- Bill Camp in Love & Mercy
- Jon Gries in Faults
- Arthur Redcloud in The Revenant
- Lourenço Mutarelli in The Second Mother
- Mikhail Gorevoy in Bridge of Spies
- Tom McCamus in Room
- Mark Rylance in The Gunman
- Corey Stoll in Black Mass
- Samuel L. Jackson in Chi-Raq
- Domhnall Gleeson in Star Wars: The Force Awakens
- Neal Huff in Spotlight
- Chris Ellis in Faults
- Jurgen Prochnow in Remember
- Kit Harington in Testament of Youth
- Vincent Cassel in Tale of Tales
- Paddy Considine in Macbeth
- Ben Whishaw in Spectre
- Bruno Ganz in Remember
- Jude Law in Spy
- Simon Pegg in Mission Impossible: Rogue Nation
- Kurt Russell in Furious 7
- Harvey Keitel in Youth
- Martin Landau in Remember
- Cory Michael Smith in Carol
- Sylvester Groth in The Man From Uncle
- Chris O'Dowd in The Program
- Albert Brooks in Concussion
- Brionne Davis in Embrace of the Serpent
- James Spader in Avengers: Age of Ultron
- John Slattery in Spotlight
- Ben Whishaw in The Lobster
- Franz Rogowski in Victoria
- Michael Cyril Creighton in Spotlight
- Milo Parker in Mr. Holmes
- Paddy Considine in Child 44
- David Arquette in Bone Tomahawk
- Colin Morgan in Testament of Youth
- Colin Quinn in Trainwreck
- Benedict Wong in The Martian
- Alan Rickman in A Little Chaos
- Kurt Egyiawan in Beasts of No Nation
- Jeffrey Donovan in Sicario
- Josh Brolin Everest
- Christian Berkel in Trumbo
- Tom Holland in In The Heart of the Sea
- Forest Whitaker in Southpaw
- Angus Sampson in Mad Max: Fury Road
- Ralph Fiennes in Spectre
- Kobina Amissa-Sam in Beasts of No Nation
- Ryan Gosling in the Big Short
- Ron Livingston in James White
- Stacy Keach in Truth
- Christopher Plummer in Danny Collins
- Bradley Cooper in Joy
- Jesse Plemons in Black Mass
- John Hawkes in Everest
- Bobby Cannavale in Danny Collins
- Taron Egerton in Testament of Youth
- Sebastian Koch in Bridge of Spies
- Paul Giamatti in Love & Mercy
- Brad Pitt in The Big Short
- James Badge Dale in The Walk
- Ben Mendelsohn in Slow West
- Corey Stoll in Ant-Man
- Stephen Root in Trumbo
- Wesley Snipes in Chi-Raq
- John C. Reilly in The Lobster
- Robert Downey Jr. in Avengers: Age of Ultron
- Alec Baldwin in Concussion
- Jamey Sheridan in Spotlight
- Christian Bale in The Big Short
- Taron Egerton in Legend
- Jason Statham in Furious 7
- Sid Haig in Bone Tomahawk
- Jeremy Strong in The Big Short
- Scott Shepherd in Bridge of Spies
- Kyle Chandler in Carol
- Steve Carell in The Big Short
- Derek Jacobi in Cinderella
- Jake Weary in It Follows
- Jake Gyllenhaal in Everest
- Kevin Bacon in Black Mass
- Adewale Akinnuoye-Agbaje in Trumbo
- Hugh Grant in The Man From Uncle
- Ving Rhames in Mission Impossible: Rogue Nation
- Jeremy Renner in Mission Impossible: Rogue Nation
- Bill Hader in Inside Out
- Bobby Cannavale in Spy
- Harry Lennix in Chi-Raq
- Dwayne Johnson in Furious 7
- Jesse Plemons in The Program
- Javier Bardem in The Gunman
- Ed Harris in Run All Night
- Dave Chappelle in Chi-Raq
- Chris Evans in Avengers: Age of Ultron
- Sean Bridgers in Room
- Kid Cudi in James White
- Jim Broadbent in The Woman in the Van
- Michael Stuhlbarg in Steve Jobs
- Norman Lloyd in Trainwreck
- Robert Redford in Truth
- Nonso Anozie in Cinderella
- Bobby Cannavale in Ant-Man
- Mark Ruffalo in Avengers: Age of Ultron
- Graham McTavish in Creed
- Ben Whishaw in In the Heart of the Sea
- Rory McCann in Slow West
- David Thewlis in Legend
- David Thewlis in Macbeth
- Ben Whishaw in The Danish Girl
- Keir Gilchrist in It Follows
- John C. Reilly in Tale of Tales
- Channing Tatum in The Hateful Eight
- Jon Bernthal in Sicario
- John Magaro in The Big Short
- Finn Wittrock in The Big Short
- Chris Hemsworth in Avengers: Age of Ultron
- Hiroyuki Sanada in Mr. Holmes
- Ezra Miller in The Stanford Prison Experiment
- Matthias Schoenaerts in The Danish Girl
- Daniel Bruhl in Woman in Gold
- William H. Macy in Room
- Michael Stuhlbarg in Pawn Sacrifice
- Edgar Ramirez in Joy
- Dennis Quaid in Truth
- Michael Caine in Kingsman: The Secret Service
- Charlie Hunnam in Crimson Peak
- Benedict Cumberbatch in Black Mass
- Donald Glover in The Martian
- Sean Bean in Jupiter Ascending
- Sean Harris in Mission Impossible: Rogue Nation
- Ty Simpkins Jurassic World
- Michael Pena in Ant-Man
- Aaron Taylor-Johnson in Avengers: Age of Ultron
- Ben Kingsley in The Walk
- Adam Scott in Black Mass
- Ben Whishaw in Suffragette
- Alexander Skarsgard in The Diary of a Teenage Girl
- Andy Serkis in Star Wars: The Force Awakens
- Common in Run All Night
- Robert De Niro in Joy
- Mark Ruffalo in Spotlight
- Samuel L. Jackson in Kingsman: The Secret Service
- Michael Pena in The Martian
- John Cena in Trainwreck
- Tony Bellew in Creed
- John Magaro in Carol
- Nick Robinson in Jurassic World
- Lebron James in Trainwreck
- Curtis Jackson in Southpaw
- Anthony Bourdain in The Big Short
- Hugh Jackman in Chappie
- Barry Otto in The Dressmaker
- Vincent D'Onofrio in Jurassic World
- Liam Hemsworth in the Dressmaker
- Richard Thaler in The Big Short
- Miguel Gomez in Southpaw
- Austin Stowell in Bridge of Spies
- David Dastmalchian in Ant-Man
- Christoph Waltz in Spectre
- David James Elliot in Trumbo
- Dean O'Gorman in Trumbo
- Adam DeVine in The Intern
- Nat Wolff in The Intern
- Anders Holm in The Intern
- Caleb Landry Jones in Heaven Knows What
- Andrew Rannells in The Intern
- B.D. Wong in Jurassic World
- Douglas Booth in Jupiter Ascending
- Nat Wolff in Grandma
- Emile Hirsch in 10,000 Saints
- Tom Sturridge in Far From the Madding Crowd
- Jose Pablo Cantillo in Chappie
- Ninja in Chappie
- Joel Kinnaman in Child 44
- Topher Grace in Truth
- Guillaume Canet in The Program
- Quentin Tarantino in The Hateful Eight
- Eddie Redmayne in Jupiter Ascending
Wednesday, 3 February 2016
Alternate Best Supporting Actor 2015: Oscar Isaac in Ex Machina
Oscar Isaac did not receive an Oscar nomination for portraying Nathan Bateman in Ex Machina.
Ex Machina an intriguing film about a programmer Caleb (Domhnall Gleeson) who is "randomly" selected to test the new invention by the CEO of his company.
Oscar Isaac plays the role of the CEO Nathan, and really Oscar Isaac is a bit of chameleon as an actor. Not really in say the Gary Oldman fashion, but rather in the Masayuki Mori fashion. That being he really does not reinvent his accent or anything yet still seems so dissimilar from role to role. Take his output in 2015 for example where he was quite successful in being the hot shot action hero type in Star Wars: The Force Awakens as Poe Dameron, Though his accent is indeed the same he could seem more different as Nathan in this film. Isaac is a bit of a master in knowing how to carry himself differently, in again a very subtle way, yet the physical manner he takes with Nathan makes him seem like a wholly different person than the hot shot pilot from Star Wars. The funny thing both characters are even extroverts with Poe though he was directly extroverted, as in he was purposefully trying to make friends with anyone worthwhile, yet with Nathan Isaac does something very clever in that he's extroverted in a way that never quite seems entirely comfortable. Not that he's not really extroverted, he is, but the way Isaac presents does not make Nathan inherently likable.
Now there is something Isaac seems to be doing at the heart of his work, but I'll get to that later. In terms of the machinations of the plot though Nathan appears as though his constant is that of contradiction. In his very first scene Nathan is working out as well as drinking healthy liquids, but then proceeds to explain it as an attempt to recover from a severe hangover he has from drinking the night before. Isaac takes this idea to his creation of Nathan's personality in terms of his interactions with Caleb, and to a lesser extent his creation an android named Ava (Alicia Vikander). When Caleb first meets Nathan, Isaac plays it up giving Nathan a considerable charm, no doubt needed to be the head of a such a large company, as he suggests someone so excited to let someone else see what it is that he's created. The excitement in Nathan in the moment is extremely persuasive by Isaac as anyone probably would sign the ridiculous non-disclosure agreement that Caleb is forced to, since Isaac suggest only something unforgettable could possibly await. This is only made even easier as at this point, Isaac brings a considerable warmth as though Nathan really only simply wants Caleb to see this world changing invention.
However things begin to change when Caleb begins to conduct Turing tests to see whether or not Ava has true consciousness. From this point on Isaac never leaves Nathan as easy to decipher, instead being a bit of an enigma. There are moments where Nathan tells Caleb about how he actually developed Ava and in these moments Isaac exudes the needed smooth intelligence as well as proposes the sort of underlying passion that would be necessary for someone to create such a thing. Then at the same time whenever Caleb becomes too interested in merely the technical side of what makes Ava works, Isaac rejects the notion of the proper brilliant inventor. In these moments there is a dismissive tone that Isaac finds as though Nathan is almost holding his expertise above Caleb, and he does not want his input on the technical side of things since he does not need it. Isaac is terrific as he makes Nathan always slightly insulting in these moments not only because he seems to be stroking his ego to a certain extent, but also because he seems to purposefully try to turn Caleb's question against Caleb in some way. These are not jarring transitions but rather natural as Isaac presents Nathan as a genius, but does not feel like he always has to act like one.
Isaac is great though in the way he also plays with Nathan's relationship with Caleb, as he'll go like in that initial meeting where he seems to be quite encouraging, as well as seems to really believe in Caleb in some way. That's not always the case though as Caleb's own relationship with Ava continues to develop. Isaac though does not always keep this supportive attitude, especially when Nathan is drunk by making him not a particularly pleasant drunk to be around. However Nathan's nature goes even past this whenever he discusses the possible fate of Ava, and his own relationship with her. Isaac is able to be quite menacing here in a rather understated way as he suggests this certain darkness in Nathan whenever he directly deals with Ava, or it seems Caleb is becoming too concerned about her. Whenever Caleb tells Nathan a lie, Isaac creates this certain feeling of unease towards the film by indicating, mostly just through his reactions, that something is not right. As the film proceeds Isaac gradually makes this certain villainous side of Nathan grow as it slowly seems to become clear that he is the evil man that Ava claims that he is to Caleb.
Of course the masterstroke of this performance comes its revealing finale as the truth comes out about Nathan, that being the actual center of Isaac's work is around the fact that Nathan is just a BRO at heart. Isaac coalesces all lingering threads involving his character with this fact. His whole maniacal scientist routine was purposefully played up just to fool Caleb into helping Ava all the more. His ever changing mood, part put on, part standard potential moodiness of a true Bro. The reason this is behind all of behavior in some way is found in the revelation scene where Nathan shows what he had been up to all along. When he reveals that he's been duping Caleb Isaac is fantastic because he does not depict it as though he's an evil mastermind gloating about it, but rather is pretty casual in his explanation. Oscar's delivery is less "you were a pawn all along" to more of "sorry dude, but I had to make sure my A.I. pure". Of course him being a BRO was never hidden, with his constant dunking and the fact that he did not mind making a crude remark quite often. What I love though is Isaac in the end makes Nathan less than he might have been, but in the best way. He's technically more inconsiderate than outright maniacal My favorite moment in the film already gives this away, when Nathan breaks out into a surprise dance number. Technically Nathan could be doing his evil routine but at this point Isaac shows who Nathan really is as he'd rather just tear up the dance floor at this point. Isaac by embracing the BRO side to the extent that he does not only makes sense of the character's motivations throughout, but also makes this an extremely entertaining performance to watch. It's really a fun approach yet Isaac never compromises the tone or intensity of the film, but instead succeeds in only ever amplifying both.
Ex Machina an intriguing film about a programmer Caleb (Domhnall Gleeson) who is "randomly" selected to test the new invention by the CEO of his company.
Oscar Isaac plays the role of the CEO Nathan, and really Oscar Isaac is a bit of chameleon as an actor. Not really in say the Gary Oldman fashion, but rather in the Masayuki Mori fashion. That being he really does not reinvent his accent or anything yet still seems so dissimilar from role to role. Take his output in 2015 for example where he was quite successful in being the hot shot action hero type in Star Wars: The Force Awakens as Poe Dameron, Though his accent is indeed the same he could seem more different as Nathan in this film. Isaac is a bit of a master in knowing how to carry himself differently, in again a very subtle way, yet the physical manner he takes with Nathan makes him seem like a wholly different person than the hot shot pilot from Star Wars. The funny thing both characters are even extroverts with Poe though he was directly extroverted, as in he was purposefully trying to make friends with anyone worthwhile, yet with Nathan Isaac does something very clever in that he's extroverted in a way that never quite seems entirely comfortable. Not that he's not really extroverted, he is, but the way Isaac presents does not make Nathan inherently likable.
Now there is something Isaac seems to be doing at the heart of his work, but I'll get to that later. In terms of the machinations of the plot though Nathan appears as though his constant is that of contradiction. In his very first scene Nathan is working out as well as drinking healthy liquids, but then proceeds to explain it as an attempt to recover from a severe hangover he has from drinking the night before. Isaac takes this idea to his creation of Nathan's personality in terms of his interactions with Caleb, and to a lesser extent his creation an android named Ava (Alicia Vikander). When Caleb first meets Nathan, Isaac plays it up giving Nathan a considerable charm, no doubt needed to be the head of a such a large company, as he suggests someone so excited to let someone else see what it is that he's created. The excitement in Nathan in the moment is extremely persuasive by Isaac as anyone probably would sign the ridiculous non-disclosure agreement that Caleb is forced to, since Isaac suggest only something unforgettable could possibly await. This is only made even easier as at this point, Isaac brings a considerable warmth as though Nathan really only simply wants Caleb to see this world changing invention.
However things begin to change when Caleb begins to conduct Turing tests to see whether or not Ava has true consciousness. From this point on Isaac never leaves Nathan as easy to decipher, instead being a bit of an enigma. There are moments where Nathan tells Caleb about how he actually developed Ava and in these moments Isaac exudes the needed smooth intelligence as well as proposes the sort of underlying passion that would be necessary for someone to create such a thing. Then at the same time whenever Caleb becomes too interested in merely the technical side of what makes Ava works, Isaac rejects the notion of the proper brilliant inventor. In these moments there is a dismissive tone that Isaac finds as though Nathan is almost holding his expertise above Caleb, and he does not want his input on the technical side of things since he does not need it. Isaac is terrific as he makes Nathan always slightly insulting in these moments not only because he seems to be stroking his ego to a certain extent, but also because he seems to purposefully try to turn Caleb's question against Caleb in some way. These are not jarring transitions but rather natural as Isaac presents Nathan as a genius, but does not feel like he always has to act like one.
Isaac is great though in the way he also plays with Nathan's relationship with Caleb, as he'll go like in that initial meeting where he seems to be quite encouraging, as well as seems to really believe in Caleb in some way. That's not always the case though as Caleb's own relationship with Ava continues to develop. Isaac though does not always keep this supportive attitude, especially when Nathan is drunk by making him not a particularly pleasant drunk to be around. However Nathan's nature goes even past this whenever he discusses the possible fate of Ava, and his own relationship with her. Isaac is able to be quite menacing here in a rather understated way as he suggests this certain darkness in Nathan whenever he directly deals with Ava, or it seems Caleb is becoming too concerned about her. Whenever Caleb tells Nathan a lie, Isaac creates this certain feeling of unease towards the film by indicating, mostly just through his reactions, that something is not right. As the film proceeds Isaac gradually makes this certain villainous side of Nathan grow as it slowly seems to become clear that he is the evil man that Ava claims that he is to Caleb.
Of course the masterstroke of this performance comes its revealing finale as the truth comes out about Nathan, that being the actual center of Isaac's work is around the fact that Nathan is just a BRO at heart. Isaac coalesces all lingering threads involving his character with this fact. His whole maniacal scientist routine was purposefully played up just to fool Caleb into helping Ava all the more. His ever changing mood, part put on, part standard potential moodiness of a true Bro. The reason this is behind all of behavior in some way is found in the revelation scene where Nathan shows what he had been up to all along. When he reveals that he's been duping Caleb Isaac is fantastic because he does not depict it as though he's an evil mastermind gloating about it, but rather is pretty casual in his explanation. Oscar's delivery is less "you were a pawn all along" to more of "sorry dude, but I had to make sure my A.I. pure". Of course him being a BRO was never hidden, with his constant dunking and the fact that he did not mind making a crude remark quite often. What I love though is Isaac in the end makes Nathan less than he might have been, but in the best way. He's technically more inconsiderate than outright maniacal My favorite moment in the film already gives this away, when Nathan breaks out into a surprise dance number. Technically Nathan could be doing his evil routine but at this point Isaac shows who Nathan really is as he'd rather just tear up the dance floor at this point. Isaac by embracing the BRO side to the extent that he does not only makes sense of the character's motivations throughout, but also makes this an extremely entertaining performance to watch. It's really a fun approach yet Isaac never compromises the tone or intensity of the film, but instead succeeds in only ever amplifying both.
Tuesday, 26 January 2016
Alternate Best Supporting Actor 2015
And the Nominees Were Not:
Stanley Tucci in Spotlight
Liev Schreiber in Spotlight
Michael Keaton in Spotlight
Nicholas Hoult in Mad Max: Fury Road
Idris Elba in Beasts of No Nation
Emory Cohen in Brooklyn
Benicio Del Toro in Sicario
Josh Brolin in Sicario
Walton Goggins in The Hateful Eight
Samuel L. Jackson in The Hateful Eight
Kurt Russell in The Hateful Eight
Oscar Isaac in Ex Machina
Richard Jenkins in Bone Tomahawk
Adam Driver in Star Wars: The Force Awakens
Michael Sheen in Far From The Madding Crowd
Matthias Schoenaerts in Far From The Madding Crowd
For Prediction purposes:
Tucci
Hoult
Elba
Cohen
Del Toro
and/or
Goggins
Isaac
Jenkins
Driver
Sheen
Stanley Tucci in Spotlight
Liev Schreiber in Spotlight
Michael Keaton in Spotlight
Nicholas Hoult in Mad Max: Fury Road
Idris Elba in Beasts of No Nation
Emory Cohen in Brooklyn
Benicio Del Toro in Sicario
Josh Brolin in Sicario
Walton Goggins in The Hateful Eight
Samuel L. Jackson in The Hateful Eight
Kurt Russell in The Hateful Eight
Oscar Isaac in Ex Machina
Richard Jenkins in Bone Tomahawk
Adam Driver in Star Wars: The Force Awakens
Michael Sheen in Far From The Madding Crowd
Matthias Schoenaerts in Far From The Madding Crowd
For Prediction purposes:
Tucci
Hoult
Elba
Cohen
Del Toro
and/or
Goggins
Isaac
Jenkins
Driver
Sheen
Wednesday, 19 February 2014
Alternate Best Actor 2013: Results
5. Jake Gyllenhaal in Prisoners- Gyllenhaal gives probably his best performance in his full depiction of a detective investigating a terrible crime in both the official process but also the emotional impact.
Best Scene: Loki rushes to the hospital.
4. Joaquin Phoenix in Her- Phoenix gives a nice counterpoint to his great performance in the Master with his warm and endearing portrayal of a lonely man.
Best Scene: Theodore begins his romantic relationship with Samantha.
3. Tom Hanks in Captain Phillips- Hanks gives an excellent turn underplaying nicely while keeping the intensity of the film, then absolutely bringing the emotional power to his final scene.
Best Scene: Phillips goes into shock.
2. Oscar Isaac in Inside Llewyn Davis- Isaac gives a fantastic performance as a jerk by realizing him fully as a person from the great amount of heart he puts into his music, to his less savory qualities off the stage.
Best Scene: Fare Thee Well
1. James McAvoy in Filth- This year was amazing for lead actor and that's all there is to it. It really explains the strength of the Academy lineup because honestly it was just too difficult to really mess up, although they still managed to ever so slightly, as it seemed everyone was on top their game. Even Christian Bale the weakest of the nominees gave a great performance in Out of the Furnace to make up for it seems. My favorite of all theses great and often career best performances is James McAvoy's performance in Filth. I love every moment of this insane work that is a great achievement in dark comedy, but also an equally tragic turn at the same time.
Best Scene: The ending.
Overall Rank:
Best Scene: Loki rushes to the hospital.
4. Joaquin Phoenix in Her- Phoenix gives a nice counterpoint to his great performance in the Master with his warm and endearing portrayal of a lonely man.
Best Scene: Theodore begins his romantic relationship with Samantha.
3. Tom Hanks in Captain Phillips- Hanks gives an excellent turn underplaying nicely while keeping the intensity of the film, then absolutely bringing the emotional power to his final scene.
Best Scene: Phillips goes into shock.
2. Oscar Isaac in Inside Llewyn Davis- Isaac gives a fantastic performance as a jerk by realizing him fully as a person from the great amount of heart he puts into his music, to his less savory qualities off the stage.
Best Scene: Fare Thee Well
1. James McAvoy in Filth- This year was amazing for lead actor and that's all there is to it. It really explains the strength of the Academy lineup because honestly it was just too difficult to really mess up, although they still managed to ever so slightly, as it seemed everyone was on top their game. Even Christian Bale the weakest of the nominees gave a great performance in Out of the Furnace to make up for it seems. My favorite of all theses great and often career best performances is James McAvoy's performance in Filth. I love every moment of this insane work that is a great achievement in dark comedy, but also an equally tragic turn at the same time.
Best Scene: The ending.
Overall Rank:
- Oscar Isaac in Inside Llewyn Davis
- James McAvoy in Filth
- Matthew McConaughey in Dallas Buyers Club
- Leonardo DiCaprio in The Wolf of Wall Street
- Tom Hanks in Captain Phillips
- Bruce Dern in Nebraska
- Masaharu Fukuyama in Like Father, Like Son
- Chiwetel Ejiofor in 12 Years a Slave
- Joaquin Phoenix in Her
- Christoph Waltz in The Zero Theorem
- Christian Bale in Out of the Furnace
- Simon Pegg in The World's End
- Jake Gyllenhaal in Prisoners
- Michael Shannon in The Iceman
- Ethan Hawke in Before Midnight
- Tye Sheridan in Mud
- Jason Statham in Hummingbird
- Terence Stamp in Song For Marion
- Robert Redford in All is Lost
- Vithaya Pansringarm in Only God Forgives
- Sam Rockwell in A Single Shot
- Colin Firth in The Railway Man
- Sol Kyung-gu in Hope
- Toni Servillo in The Great Beauty
- Domhnall Gleeson in About Time
- Ryan Gosling in The Place Beyond the Pines
- Lee Jung-jae in New World
- Chris Evans in Snowpiercer
- Lembit Ulfsak in Tangerines
- Stephen Dillane in Papadopoulos & Sons
- Richard Dormer in Good Vibrations
- Irrfan Khan in The Lunchbox
- Tahar Rahim in The Past
- Jim Broadbent in Le Week-End
- Jude Law in Side Effects
- Tony Leung Chiu Wai in The Grandmaster
- Steve Coogan in Philomena
- Ali Mosaffa in The Past
- Michael B. Jordan in Fruitvale Station
- Bradley Cooper in The Place Beyond the Pines
- Martin Freeman in The Hobbit
- Ken Watanabe in Unforgiven
- Robert Downey Jr. in Iron Man 3
- Daniel Bruhl in Rush
- Steve Coogan in Alan Patridge: Alpha Papa
- Themis Panou in Miss Violence
- Alden Ehrenreich in Beautiful Creatures
- Leonardo DiCaprio in The Great Gatsby
- Josh Brolin in Oldboy
- Matt Damon in Elysium
- Benedict Cumberbatch in The Fifth Estate
- Dane Dehaan in The Place Beyond the Pines
- Michael Fassbender in The Counselor
- Casey Affleck in Ain't Them Bodies Saints
- Mathieu Amalric in Venus in Fur
- Will Forte in Nebraska
- Tom Cruise in Oblivion
- Ralph Fiennes The Invisible Woman
- Christian Bale in American Hustle
- Tom Hiddleston in Only Lovers Left Alive
- Miles Teller in The Spectacular Now
- Chris Hemsworth in Rush
- Dane Dehaan in Kill Your Darlings
- Chadwick Boseman in 42
- Hugh Jackman in The Wolverine
- Nazif Mujic in An Episode in the Life of An Iron Picker
- Conner Chapman in The Selfish Giant
- Shaun Thomas in The Selfish Giant
- Ben Stiller in The Secret Life of Walter Mitty
- Henry Cavill in Man of Steel
- Chris Hemsworth in Thor 2
- Chris Pine in Star Trek Into Darkness
- Hugh Jackman in Prisoners
- Charlie Hunnam in Pacific Rim
- Denzel Washington in 2 Guns
- Brad Pitt in World War Z
- Tobey Maguire in The Great Gatsby
- Vin Diesel in Fast & Furious 6
- Zachary Quinto in Star Trek Into Darkness
- Idris Elba in Mandela: Long Walk to Freedom
- Mark Wahlberg in Pain & Gain
- Daniel Bruhl in The Fifth Estate
- Forest Whitaker in The Butler
- Dwayne Johnson in G.I. Joe
- Ryan Gosling in Only God Forgives
- Joseph Gordon-Levitt in Don Jon
- Mark Wahlberg in 2 Guns
- Daniel Radcliffe in Kill Your Darlings
- Arnold Schwarzenegger in The Escape Plan
- Arnold Schwarzenegger in The Last Stand
- Sylvester Stallone in The Escape Plan
- Mark Wahlberg in Lone Survivor
- Jason Sudeikis in We're The Millers
- Jaden Smith in After Earth
Friday, 14 February 2014
Alternate Best Actor 2013: Oscar Isaac in Inside Llewyn Davis
Oscar Isaac did not receive an Oscar nomination, despite nominated for a Golden Globe, for portraying Llewyn Davis in Inside Llewyn Davis.
Inside Llewyn Davis is an excellent film that depicts a week in the life of a folk singer in the early 60's.
The last film by the Joel and Ethan Coen to deal with the life of an artist was Barton Fink about a playwright struggling with writer's block while working on a screenplay in Hollywood. In both films they really do not allow the artist to have any pretension. Barton Fink was portrayed as a writer who despite having success decries it for not finding the theater of the people, a place where the common man will tell their story yet he consistently interrupts a seemingly common man when he tries to tell the story. The less successful Llewyn Davis is the artist this time and again there is no pedestal that he is being place on by the film, although in this case it is not for slight delusions of grandeur but rather that Llewyn Davis is not a good man.
This is not a case of a villainous protagonist like Daniel Day-Lewis in There Will Be Blood or Tatsuya Nakadai in The Sword of Doom, but it is perhaps is just as much of a challenge for Oscar Isaac as he must play essentially a jerk. The film stays with Llewyn throughout its course as well, and although there are definitely comic moments in the film that is not the only intent unlike say Leonardo DiCaprio in The Wolf of Wall Street who also played a jerk. Llewyn is a different breed of lout than Jordan Belfort, and Isaac has to meet the requirements of the role which is to make us not only follow Llewyn Davis but as well actually care about him throughout his week long journey depicted in the film which involves Llewyn suffering but as well making plenty of setbacks for himself.
Llewyn is a folk singer who seems to be perhaps on the fringe of some sort of success although part of his potential has been taken away because his old musical partner committed suicide leaving him to have to try and launch a solo career. There are some who recognize he has talents but no one in particularly really wants to pay him for said talents, although there are a few people willing to lend him their couch for him to stay on as he really does not live anywhere himself. Oscar Isaac is actually absolutely perfect in finding just the right way to play Llewyn in the film. He does not try to avoid portraying Llewyn as the questionable sort he is, but rather goes about embracing this factor as honestly as he can. Isaac does not try to make Llewyn sympathetic but rather he tries to make Llewyn just a man that you could actually meet in life.
Isaac simply is the part of a folk singer of the period there is not even a question of that in any regard. Firstly in the various musical scenes of the film Isaac is terrific in being the type of performer that Llewyn should be. As a folk singer this is not about a larger than life stage personality but rather the opposite in sort of purposefully presenting one self as kind of a man on the fringe of things. Isaac is very effective in portraying this style of performance and carries himself in a very authentic feeling fashion. When Llewyn performs Isaac throws himself into the moment in the right fashion. You can see the effort of the musical performance in Isaac's work, and most importantly in these scenes you can see a strong albeit low key passion that Isaac gives Llewyn in these scenes that properly reinforces the idea that Llewyn does care about his music.
Outside of performing Llewyn's songs is when the more obnoxious behavior of Llewyn begins to surface and it would have been very easy for the film to become rather unwatchable because of the fact that Llewyn is a jerk. Isaac does not shirk this fact but he is incredibly watchable, and it is exceedingly easy to follow him throughout the film. Isaac does have his own charisma that is effective and fitting in his folk singer sort of way, but that is not really what makes Isaac's performance work as well as it does. One thing that helps is Isaac's portrayal of the attitude of Llewyn during the film. Llewyn has a somber streak to him to be sure, but Isaac never makes him a man constantly feeling sorry for himself. Instead Isaac shows his behavior is often that he does not reflect on his behavior enough.
Isaac in part does make some of his uncouth behavior such as ignoring the fact that he is not wanted just to continually ask to be able to sleep on a couch. Isaac is funny whenever he needs to be like many of the great performances in Coen Brothers films, but this performance is not chiefly about the laughs, although it definitely is a nice bonus. What is most remarkably about his work is how authentic he is in his portrayal of Llewyn's attitude. He not especially forceful about it all the time rather he is a more realistic jerk in that he has such a relaxed attitude toward his behavior. He does not hesitate to say something, and even further than that Isaac shows Llewyn constant defense of his various actions just that of a man who just rather casually refuses to really look back on how his actions can hurt others.
One thing that really helps Isaac's performance though is that he does not make Llewyn amoral so to speak even though it would have been very easy for him to portrayed as such. Isaac is very careful though to give those very brief moments where it seems Llewyn could turn around. Llewyn never reflects enough on himself to ever say he is sorry, or change his ways, but Isaac is wonderful in showing that Llewyn could always almost do the right thing. One of the strongest moments in his performance is when Llewyn leaves his temporary companion cat behind in car even though its prospects for survival seems slim. Llewyn goes through with this despicable action, but Isaac in only his silent reaction really gives the moment the impact by suggesting that Llewyn does definitely thinks hard about doing the right thing but decides against it.
Isaac even though he plays a questionable character is actually able to make you sympathize with him because of how honest Isaac is with Llewyn Davis. The somber streak I noted earlier is one of these places where it is easy to sympathize with him, and it is the careful way that Isaac plays it. The truly morose moments in Llewyn are all carefully placed by Isaac and they are found when Llewyn has to remember his old partner who committed suicide. The film never says it directly that Llewyn misses his old friend but Isaac establishes this beautifully through his performance. Whenever Llewyn directly remembers something about him you can see in Isaac's portrayal an true reflection in Llewyn for once, and see that Llewyn's loss was more than simply his music career.
This is a great performance by Oscar Isaac, and one that I really just loved watching. Isaac is so naturally part of he atmosphere of the film yet he is never overwhelmed by it. Isaac is amazing in the role because he absolutely merely becomes Llewyn Davis for the course of it. Llewyn is far from a good man, and by the end of the film he really has not really learned any sort of a lesson rather staying as man in his circular pattern he seems to have developed. Watching the journey that Llewyn takes through film though you feel though you have spent time with an actual man in this life. He does not need to learn anything because well he should not really learn anything since it is opposed to a nature of this man, this man that Oscar Isaac vividly brings to life.
Inside Llewyn Davis is an excellent film that depicts a week in the life of a folk singer in the early 60's.
The last film by the Joel and Ethan Coen to deal with the life of an artist was Barton Fink about a playwright struggling with writer's block while working on a screenplay in Hollywood. In both films they really do not allow the artist to have any pretension. Barton Fink was portrayed as a writer who despite having success decries it for not finding the theater of the people, a place where the common man will tell their story yet he consistently interrupts a seemingly common man when he tries to tell the story. The less successful Llewyn Davis is the artist this time and again there is no pedestal that he is being place on by the film, although in this case it is not for slight delusions of grandeur but rather that Llewyn Davis is not a good man.
This is not a case of a villainous protagonist like Daniel Day-Lewis in There Will Be Blood or Tatsuya Nakadai in The Sword of Doom, but it is perhaps is just as much of a challenge for Oscar Isaac as he must play essentially a jerk. The film stays with Llewyn throughout its course as well, and although there are definitely comic moments in the film that is not the only intent unlike say Leonardo DiCaprio in The Wolf of Wall Street who also played a jerk. Llewyn is a different breed of lout than Jordan Belfort, and Isaac has to meet the requirements of the role which is to make us not only follow Llewyn Davis but as well actually care about him throughout his week long journey depicted in the film which involves Llewyn suffering but as well making plenty of setbacks for himself.
Llewyn is a folk singer who seems to be perhaps on the fringe of some sort of success although part of his potential has been taken away because his old musical partner committed suicide leaving him to have to try and launch a solo career. There are some who recognize he has talents but no one in particularly really wants to pay him for said talents, although there are a few people willing to lend him their couch for him to stay on as he really does not live anywhere himself. Oscar Isaac is actually absolutely perfect in finding just the right way to play Llewyn in the film. He does not try to avoid portraying Llewyn as the questionable sort he is, but rather goes about embracing this factor as honestly as he can. Isaac does not try to make Llewyn sympathetic but rather he tries to make Llewyn just a man that you could actually meet in life.
Isaac simply is the part of a folk singer of the period there is not even a question of that in any regard. Firstly in the various musical scenes of the film Isaac is terrific in being the type of performer that Llewyn should be. As a folk singer this is not about a larger than life stage personality but rather the opposite in sort of purposefully presenting one self as kind of a man on the fringe of things. Isaac is very effective in portraying this style of performance and carries himself in a very authentic feeling fashion. When Llewyn performs Isaac throws himself into the moment in the right fashion. You can see the effort of the musical performance in Isaac's work, and most importantly in these scenes you can see a strong albeit low key passion that Isaac gives Llewyn in these scenes that properly reinforces the idea that Llewyn does care about his music.
Outside of performing Llewyn's songs is when the more obnoxious behavior of Llewyn begins to surface and it would have been very easy for the film to become rather unwatchable because of the fact that Llewyn is a jerk. Isaac does not shirk this fact but he is incredibly watchable, and it is exceedingly easy to follow him throughout the film. Isaac does have his own charisma that is effective and fitting in his folk singer sort of way, but that is not really what makes Isaac's performance work as well as it does. One thing that helps is Isaac's portrayal of the attitude of Llewyn during the film. Llewyn has a somber streak to him to be sure, but Isaac never makes him a man constantly feeling sorry for himself. Instead Isaac shows his behavior is often that he does not reflect on his behavior enough.
Isaac in part does make some of his uncouth behavior such as ignoring the fact that he is not wanted just to continually ask to be able to sleep on a couch. Isaac is funny whenever he needs to be like many of the great performances in Coen Brothers films, but this performance is not chiefly about the laughs, although it definitely is a nice bonus. What is most remarkably about his work is how authentic he is in his portrayal of Llewyn's attitude. He not especially forceful about it all the time rather he is a more realistic jerk in that he has such a relaxed attitude toward his behavior. He does not hesitate to say something, and even further than that Isaac shows Llewyn constant defense of his various actions just that of a man who just rather casually refuses to really look back on how his actions can hurt others.
One thing that really helps Isaac's performance though is that he does not make Llewyn amoral so to speak even though it would have been very easy for him to portrayed as such. Isaac is very careful though to give those very brief moments where it seems Llewyn could turn around. Llewyn never reflects enough on himself to ever say he is sorry, or change his ways, but Isaac is wonderful in showing that Llewyn could always almost do the right thing. One of the strongest moments in his performance is when Llewyn leaves his temporary companion cat behind in car even though its prospects for survival seems slim. Llewyn goes through with this despicable action, but Isaac in only his silent reaction really gives the moment the impact by suggesting that Llewyn does definitely thinks hard about doing the right thing but decides against it.
Isaac even though he plays a questionable character is actually able to make you sympathize with him because of how honest Isaac is with Llewyn Davis. The somber streak I noted earlier is one of these places where it is easy to sympathize with him, and it is the careful way that Isaac plays it. The truly morose moments in Llewyn are all carefully placed by Isaac and they are found when Llewyn has to remember his old partner who committed suicide. The film never says it directly that Llewyn misses his old friend but Isaac establishes this beautifully through his performance. Whenever Llewyn directly remembers something about him you can see in Isaac's portrayal an true reflection in Llewyn for once, and see that Llewyn's loss was more than simply his music career.
This is a great performance by Oscar Isaac, and one that I really just loved watching. Isaac is so naturally part of he atmosphere of the film yet he is never overwhelmed by it. Isaac is amazing in the role because he absolutely merely becomes Llewyn Davis for the course of it. Llewyn is far from a good man, and by the end of the film he really has not really learned any sort of a lesson rather staying as man in his circular pattern he seems to have developed. Watching the journey that Llewyn takes through film though you feel though you have spent time with an actual man in this life. He does not need to learn anything because well he should not really learn anything since it is opposed to a nature of this man, this man that Oscar Isaac vividly brings to life.
Sunday, 9 February 2014
Alternate Best Actor 2013
And the Nominees Were Not:
Jake Gyllenhaal in Prisoners
Tom Hanks in Captain Phillips
James McAvoy in Filth
Oscar Isaac in Inside Llewyn Davis
Joaquin Phoenix in Her
Jake Gyllenhaal in Prisoners
Tom Hanks in Captain Phillips
James McAvoy in Filth
Oscar Isaac in Inside Llewyn Davis
Joaquin Phoenix in Her
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