Saturday, 23 October 2021

Alternate Best Supporting Actor 2000: Stephen Tobolowsky in Memento

Stephen Tobolowsky did not receive an Oscar nomination for portraying Sammy Jankins in Memento. 
 
Back when Christopher Nolan's films had things called characters, we'd even have stories within the film telling a bit more about these characters, giving a novel thing called depth. That is the case here in Nolan's breakout film where much of the film we follow our protagonist Leonard (Guy Pearce) as he tracks down his wife's killer in reverse sequencing, however during this time we all see Leonard recounting his past earlier as an insurance claims investigator where he investigated a man who claimed to have anterograde amnesia, the condition Leonard is now suffering from. In short a condition where the person retains their past, however can construct new memories and instead is always attempting to understand where they are and what exactly it is that they are doing. This man who was just a normal man living with his wife (Harriet Sansom Harris), who is struggling with this condition as he tries to live his daily life. I think what one can highlight with character actor Tobolowsky's, most famous for his work in Groundhog Day probably, and to an even greater extent Harris's work, is the old adage of "No small parts". This as Jankins story is supplemental though provides an essential thematic element to the story, which is the simple humanity and tragedy of living with such a condition. Tobolowsky's performance shows the devotion one can bring to even a minor role, and in this we get this in Tobolowsky portraying a man in this state who isn't actively fighting against as Leonard technically is or think he is. This as Tobolowsky's performance is this one of a frequently vacant and confused look of a man. The only change being when he sees someone where this is this knowing smile, however carefully this preconditioned smile, not one for anyone in particular, but rather everyone in particular. Tobolowsky showing a man who just is in this constant state of being lost for himself and in turn unsure of everything in particular. Tobolowsky has two brief, yet pivotal, moments that speak so much to the real trauma of the situation where his wife can no longer can believe that her husband is so lost. In both moments Tobolowsky is heartbreaking in his reactions as he brings such an honest sense of confusion but also care of the husband trying to respond with whatever it is he needs to do, while not having the slightest idea. He delivers the right humanity to the condition, and speaks to a hidden truth that is within our central character's journey the whole time.

67 comments:

Emi Grant said...

"Back when Christopher Nolan's films had things called characters..."

Starting off this one strong, aren't we, Louis?

Emi Grant said...

I gotta say, I've often taken Tobolowsky's work in Memento for granted. Re-watching his performance after hearing more praise for it in this blog has really opened up my eyes to what I've been missing. Very strong work, indeed.

Michael McCarthy said...

Oh damn, is the the first review resulting in a downgrade? I could’ve sworn he was a 4.5 at one point.

Also regarding your quip about Nolan’s characters, have your feelings about Dunkirk changed at all? I still think it’s good, but it definitely wouldn’t be in my top 5 of the year.

Louis Morgan said...

Michael:

No, though I do think that is a film you have to watch in a theater to appreciate (the constant ratio changing alone is actually really distracting on home viewing alone), however I don't think that has to be seen as a flaw. That though I think was a method that worked for that material, and was the most successful version of that approach to a war film, which had been tried less successfully in other instances (Tora Tora Tora, The Longest Day). I think it worked for an alternative perspective on something we've seen previously, but I do think the overall idea is foolhardy to become a creed of any kind. I'll admit I probably came off particularly negative here, which stems from having watched Memento again, and The Prestige fairly recently, and just really wishing we could get that Nolan back again. Films that are just as cinematic, with as compelling of plots (more compelling), but also great complex characters.

Tahmeed Chowdhury said...

Louis: Nice, I see The Prestige has become your #1 film of 2006. Hope that bodes well for Bale going up the overall.

Robert MacFarlane said...

Louis: Have you upgraded Hall in The Prestige?

Shaggy Rogers said...

Say which are the best 2021 so far:
- Picture: CODA
- Director: Julia Ducournau (Titane)
- Lead Actor: Nicolas Cage ((Pig)
- Lead Actress: Jodie Comer (The Last Duel)
- Supporting Actor: Tony Leung Chiu-wai (Shang-Chi)
- Supportig Actress: Ann Dowd (Mass)
- Original Screenplay: Nine Days
- Adapted Screenplay: CODA

Robert MacFarlane said...

Shaggy:

Picture: Bo Burnham: Inside
Director: Bo Burnham for Bo Burnham: Inside
Actor: Bo Burnham in Bo Burnham: Inside
Actress: Jodie Comer in The Last Duel
Supporting Actor: Colman Domingo in Zola
Supporting Actress: Amy Seimetz in No Sudden Move
Original Screenplay: Mass
Adapted Screenplay: The Last Duel

Mitchell Murray said...

Louis: I'm late to the comment on this one, but since you gave your thoughts on the first OP in "Mob Psycho 100", let me assure you that the show is worth a watch.

I may be a bit bias here since it's my favourite Anime series, but I'll gladly place myself on this hill; It's gorgeously animated, consistently offbeat and wierd (which very much appeals to me since I like offbeat and wierd), and at it's core is a genuinely heartfelt story of a middle school kid trying to fit in. Oh, and if your problems about the first song involve it being a bit scattered, the second OP is notably different there.

Robert MacFarlane said...

Mitchell: BTW, I watched the first four seasons of My Hero Academia. My main takeaway is that Bakugo needs his face caved in more often.

Matthew Montada said...

Just got back from watching Dune! Absolutely astonishing, thematically refined, and well-done overall:

Letterboxd review: https://boxd.it/2ekXCP

Cast Ratings:
Timothée Chalamet - 4.5
Rebecca Ferguson - 4.5
Oscar Isaac - 4
Josh Brolin - 3.5
Stellan Skarsgård - 3.5
Dave Bautista - 3
Stephen McKinley Henderson - 3
Zendaya - 3
David Dastmalchian - 2.5
Chang Chen - 3
Sharon Duncan-Brewster - 4
Charlotte Rampling - 3.5
Jason Momoa - 4
Javier Bardem - 3.5

Mitchell Murray said...

Robert: So your basically where I left off on the show (after Endeavor's big fight with the Nomus)...

Multifaceted question but, what would be some of your favourite characters, fights and OPs from the show?

I'll present mine:
Characters - Deku, All Might, Shoto
Fights - All Might Vs Nomu (Season 1), Deku vs Shoto (Season 2), United States of Smash (Season 3)
OPs - Peace Sign > Odd Future > The Day

Mitchell Murray said...

Also, on a somewhat related note, there's a good chance I'll be binging one of three things in the upcoming week: Either the fifth season of MHA, Legend of Korra or the 2004-2006 Justice League Unlimited Series.

Lucas Saavedra said...

Louis: will you watch the film Nine Queens for this year?

Matt Mustin said...

I also was certain that he was a 4.5 at one point, but oh well.

Luke Higham said...

Michael/Matt: I recall him being a 4.5 though that might've been a slip of the tongue I guess.

Calvin Law said...

Shaggy:

Picture: Titane
Director: Julia Ducournau (Titane)
Lead Actor: Franz Rogowski (Great Freedom)/Denzel Washington (The Tragedy of Macbeth)
Lead Actress: Martha Plimpton (Mass)
Supporting Actor: Troy Kotsur (CODA)
Supporting Actress: Ruth Negga (Passing)
Original Screenplay: The Hand of God
Adapted Screenplay: The Last Duel

Anonymous said...

Louis, any rating changes with the cast.

RatedRStar said...

Has anyone seen Only Murders in the Building? its a pretty fun murder mystery =D.

8000S said...

Mitchell: I'm curious, did you watch YYH in Japanese or in English?
Because I feel the English dub has aged very badly.

8000S said...

Louis: What are your thoughts on the cinematography of The Glenn Miller Story? You mentioned how it was a showcase for Mann as a visual stylist. Whenever you get the chance, make sure to watch T-Men, Raw Deal, He Walked by Night, Reign of Terror, Border Incident and Devil's Doorway, shot by John Alton, who seems to be highly regarded by many as the finest noir cinematographer ever. Plus, Raw Deal has Claire Trevor in it. :)

Razor said...

RatedRStar: Yep, it's a pretty comfy watch. The whole cast is pretty fun.

Mitchell Murray said...

8000s: I watched it in Japanese, but I have seen parts of the dubbed version. It's a bit of a mixed bag, I'd say: Hiei's voice is pretty good and some of Yusuke's lines are friggen hilarious, but Kuwabara's english voice doesn't work for me.

8000S said...

Louis: Also, you forgot once to give your thoughts on the idea of Mann doing a Western with John Wayne.

Louis Morgan said...

Also watched Titane, which I'm honestly not sure how I feel about, though I did appreciate that it was an art-house horror film that didn't have abysmal pacing...those are far too rare these days, as it actually moves along at a nice step within all its all its beautifully shot insanity and grotesquery.

Rousselle - 4.5
London - 4

Robert:

Honestly don't remember what I originally gave her, but probably. I also got reminded of why I was decidedly not a fan of a lot of Scarlett Johansson's early work however.

Lucas:

Sure.

Anonymous:

No other changes.

8000's:

Mann with William Daniels's there seemed to be just trying to make every other dance hall and such interesting, particularly in the use of vibrant colors, that they go beyond just in terms of setting and costume, but within lighting. It seems they kind of were aware there was nothing inherently interesting in a band playing, particularly as these scenes were typically shot in the period, and they sought to bring some actual cinematic touches in terms of capturing the crowd in the dynamic compositions, and just the lighting that borders on overtly stylistic at times.

I'll certainly try to make time for those at some point, as Mann has already been a provider of hidden gems.

Louis Morgan said...

8000's:

I would've liked to have seen it, as Wayne was typically at his best when pushed out of his comfort zone in a clever way, which I think Mann likely could've done.

Luke Higham said...

Thoughts on Rousselle and Lindon.

Robert MacFarlane said...

Louis: I think you gave Hall a 4 originally. She’s a 5 for me, and my win.

Calvin Law said...

I can’t see any film topping Titane for me this year, quite frankly.

Matthew Montada said...

Calvin: same here. By the way, i saw on Letterboxd that you watched Bergman Island and Dear Evan Hansen. Ratings for both casts?

Louis Morgan said...

Luke:

Rousselle & Lindon - (Although the film I would categorize as director centric, their performances are essential within the scheme of the film and its frankly deranged tone. Rousselle's work is impressively internalized actually for the extremes the character represents and goes through at every instance. And as bizarre as everything is, the fact that she maintains at every point a degree of tangibility within the performance and the event is rather remarkable. Lindon's performance at its base is less extreme, however there are certainly touches of the extreme as well within the character. Lindon though provides his own curiosity in providing pivotal basic reactions throughout that speak towards something different while also evoking a certain unexpected humanity.)

Robert:

At least a 4.5 for me now then.

Luke Higham said...

I would like to see Rebecca Hall and Olivia Colman play sisters in a film.

Calvin Law said...

Matthew:

Wasikowska - 4
Krieps - 4
Roth - 3.5
Danielsen Lie - 3.5

Platt - impossible to figure out
Adams - 2
Moore - 3
Dever - 4
Stenberg - 3.5
Dodani - 2
Pino - 2

Mitchell Murray said...

So yah, I started the early 2000s "Justice League" animated series today. I'll probably have time for only the first season currently, but I'll offer my initial thoughts upon completing it.

8000S said...

Louis: Your thoughts on the editing and sound design of Rear Window.

Marcus said...

So, judging by the reviews, it seems like Eternals is one of Marvel's films of all time.

Anonymous said...

Louis: Thoughts on the direction of Battle Royale?

Glenn said...

Luke, how many fives do you predict for Best Actor 2021.

Luke Higham said...

On Eternals, it could end up with the lowest rt score for any MCU film to date.

Luke Higham said...

Glenn: I'm predicting double digits for the first time since 2016.

Louis Morgan said...

8000's:

Hitchcock's films at their best are meticulous pieces, Rear Window being one of his very best in this regard as the editing is just this fluid state of progression and intrigue. Here being pivotal though in terms of conveying perspective while also crafting tension and moments of something within seemingly nothing. It is immaculate work in terms of just racketing the tension and while also crafting that tapestry of the world outside of Jeff's window.

The sound design, here one really upon in which so much of the film was built which barely has a score, this creating the atmosphere of the area brilliantly from every street and neighborhood noise, as well as the use of the composer's music, even to the point of giving sound to the distant, while not overdoing the ability to hear the distance. The sound always makes you feel within Stewart's space brilliantly. The highlight of this being Thorwald coming over in the ending, where the tension is built through the sound of each step as he approaches.

Anonymous:

I'll say Fukasaku could've maybe told a few of his performers to tone it down a bit, but otherwise I think he does craft a most memorable dystopian fantasy, the very best of the last man standing game version you'll find. Fukasaku's drifts between a few styles and I think rather artfully for the most part. This in he has moments of genuine humanity that he plays out in a realistic often quiet fashion, however he will just as quickly have moments of overt and brutal horror. These horror settings sometimes more over the top in the stylization, effectively so like anything involving Kazuo, or the picture of the previous Battle Royale winner. There are more subtle horror moments that frankly are more unnerving such as Mitsuko's first murder, or the sudden unexpected poisoning. This as well with moments of honest comedy whether it be in showing the ridiculousness of the situation or so much involved with the deadpan Kitano, particularly his final scene. Fukasaku manages to just balance the lines here, though it is always on the edge of falling apart, and sounds like that was the case with the sequel.

Luke & Marcus:

I'll go into Eternals with an open mind, not that I have any intention to see it in the theater, I just don't have any motivation, however maybe like with Anna Boden & Ryan Fleck, there are some Indie filmmakers who seem an odd fit, and then are an odd fit.

8000S said...

Louis: Not sure if you remember when an Anonymous talked to you about what's realistic acting in a movie and how detractors of Kirk Douglas criticized him for often screaming a performance, claiming it was too unrealistic, but I've also seen people saying how Vivien Leigh's Streetcar is unrealistic as well. I mean, Leigh's performance is a mannered one and done well. The interesting thing is that I've seen many people say that they've met people who are like Leigh's Blanche.

Also, what do you think of Douglas as Jack Torrance for a late 50's or early 60's version of The Shining?

Mitchell Murray said...

So a different note, the versus series I watch "Death Battle" released yet another episode today, this time with a vampiric theme: Dio (Jojo's Bizzare Adventures) Vs Alucard (Helsing).

https://www.youtube.com/watch?v=2Svx4h73n_A

And their next match up is more of a fighting game final boss scenerio: Akuma (Street Fighter) Vs Shao Kahn (Mortal Kombat).

Lucas Saavedra said...

Louis: what directors would you like to see Jennifer Lawrence collaborate with? And your present film roles for Ryan Reynolds?

Ytrewq Wertyq said...

Louis: your 10 best Greg Kinnear and Ben Stiller moments?

Luke Higham said...

Louis: Dune Part II has been greenlit.

Mitchell Murray said...

So incidently, I thought I'd mention that I did finally watch "Black Widow" a couple nights ago...

I concur with Louis in that the first 1/3 to 1/2 is strong, but the latter part of the film doesn't quite stick the landing. Honestly, I do really wish we'd gotten a better ending and a more effective set of villains (what was Ray Winstone doing, exactly?). Nonetheless, the movie's still decent where it counts, namely giving Johansson a worthy sendoff as well as a memorable action role for Pugh - who might be a contender for a live action Black Canary, not gonna lie.

Louis Morgan said...

8000's:

I'll admit I think the terms "realistic" and "unrealistic" tend to be overused by many who might be new to really critically analyzing film. If there's one thing I've learned from this endeavor, that every performance is situational in a way, and some should be realistic, some should be highly stylized, it all depends on the film or even just the character.

I could see him certainly hitting the notes of the descent to be sure.

Lucas:

Jeff Nichols, Chloe Zhao, Alejandro G. Inarritu.

I mean his present roles...

Ytrewq:

Kinnear:

1. Seeing his agent the last time - Auto Focus
2. You're a moron Lady - Mystery Men
3. Questioning the video - Auto Focus
4. Narration of his desires - Auto Focus
5. Outlining his method - Little Miss Sunshine
6. Jealousy - Auto Focus
7. Confronting Grossman - Little Miss Sunshine
8. Asking for a favor - The Matador
9. Calling his parents - As Good as It Gets
10. Understanding Betty - Nurse Betty

Stiller:

1. The Hustler of Money
2. Tough year - The Royal Tenenbaums
3. Defeat - Heavyweights
4. Seduction attempt - Dodgeball
5. Game room - The Royal Tenenbaums
6. Defeat - Dodgeball
7. Magnum - Zoolander
8. Intro - Heavyweights
9. Questioning Craig - Brad's Status
10. I am home - Tropic Thunder

Luke:

It's about damn time when Villneuve puts almost every other blockbuster filmmaker to shame when it comes to see the money actually on screen.

Luke Higham said...

Louis: Your thoughts on The Hustler Of Money.

Lucas Saavedra said...

Louis: I meant present film roles that do you think Ryan Reynolds could have been good in

Marcus said...

Louis: Your favourite examples of "in the moment" performances? (like Mackay's in 1917 or Owen in Children of Men)

8000S said...

Louis: Your thoughts on the "What a future he's got" scene from The Friends of Eddie Coyle.

Anonymous said...

Louis, will you be adding The Virgin Suicides to the 2000 overalls.

BRAZINTERMA said...

From now on I would like to share this blog the curiosity about the names of the titles in which each film receives in a particular country. I'm going to talk about some movies that Brazil named:

- Memento = Amnésia (at the time Nolan was totally unknown, recently Dunkirk and Tenet had their original names kept)
- All the Pretty Horses = Wild Spirit
- Gangster No. 1 = The Gangsters
- Joint Security Area = Risk Zone
- Jaws = Shark

Anyway, if you are from a country that does not speak English, feel free to share this curiosity about movie names.

Tim said...

Brazinterma: you had mostly ones from 2000 there of course, when many titles in Germany were already being either kept or translated literally, so I'm just going to name some from older films right here, as i will not be able to do this very often.


Rope - "Cocktail for a Corpse"
Jaws - "The White Shark"
North By Northwest - "The Invisible Third Man" (this one leads to a LOT of confusion with a certain Carol Reed movie)
Once upon a time in the West - "Play me the Song of Death"
Die Hard - i kid you not: "Die slowly"
The Great Silence - "Corpses pave his way" (That's the coolest right there)
The deer hunter - "Those walking through Hell"
Don't Look Now - "When the Gondolas carry mourning"
The Boondock Saints - "The blood-filled path of God" (why do they waist such an awesome title on such a shitty-ass movie though ...)

and my personal least favorite, one that i usually don't even acknowlegde:
The Holiday (that Kate Winslet Christmas movie) - "Love doesn't need vacation" ...
God, i have to puke just writing that

Mitchell Murray said...

So I finished season one of the original "Justice League" show this morning...and I know I used this clip to summarize "Earth's Mightiest Heroes" but damn if it isn't appropriate.

https://www.youtube.com/watch?v=_AKsJqI2PG8

Michael McCarthy said...

The German title for Backdraft is “Men Who Walk Through Fire” which might be the most German thing I’ve ever heard.

BRAZINTERMA said...

Tim: From these movies that you mentioned, the names of Brazil were like this.

Rope = Diabolic Feast
North By Northwest = International Intrigue
Die Hard = Hard to Kill
The Great Silence = The Silent Avenger
The Deer Hunter = The Franc Shooter
Don't Look Now = Winter of Blood in Venice
The Boondock Saints = Holy Justices
The Holiday = Love Doesn't Take a Vacation
Jaws is one of the few cases where the Brazilian name is better than the original name.

Once upon a time in the West was happily translated literally. Since you mentioned Sergio Leone some of his translated films
A Fistful of Dollars = For a Handful of Dollars
The Good, the Bad and the Ugly = Three Men in Conflict
Duck, You Sucker = When Revenge Explodes

Ytrewq Wertyq said...

Brazinterma: here are some Polish translations

The Postman=The Messenger From the Future

POTC:Dead Men Tell No Tales=POTC: Salazar's Revenge

Dirty Dancing=Swirling Sex (thankfully most of the time the original title was left intact, but unfortunately there were some exceptions)

Finding Forrester=Searching For Myself

Royal Tenenbaums= Ingenious Clan

Die Hard=Glass Trap

Some Like It Hot= Half Jokingly,Half Seriously

Le Grande Illusion= Brothers In Arms

Reality Bites=Orbiting without Sugar

As Good As It Gets= Can't Get Any Better

Dodgeball= Playing With A Ball (translator, you had 1 job here...)

Million Dollar Baby= Whatever It Takes

The Woodsman= A Bad Touch

Terms Of Endearment=Tender Words

Nightmare Before Christmas= The Halloween Town

Duplex=An Old Lady Has To Go (alright, this one I consider to be somewhat of an upgrade)

American History X=A Prisoner of Hatred

The Imaginarium of Dr Parnassus= A Man Who Tricked The Devil

Hangover 2= Drunk Vegas in Bangkok

Good Will Hunting= A Rebel With A Cause

Dallas Buyers Club= Welcome To A Club

Blade Runner=An Android Hunter

Fight Club= An Underground Circle (here's a reason everybody here uses the original title)

The Boondock Saints= The Saints From Boston

Terminator=An Electronic Killer (same case as with Fight Club. Dear Lord)

Into The Wild=Everything For Life

Phantasm=The Killing Balls (can't wait for sex jokes here)

Finding Neverland= A Dreamer

Pain & Gain= Barbell And Cash


Ytrewq Wertyq said...

*Good Will Hunting=A Rebel By Choice. Still sounds strange.

Tim said...

Michael: yeah i love those subtitles. Sometimes they make sense; like Avatar became "Avatar - Departure to Pandora" which sounds cooler in german and makes sense given gow big the tv-show was. But then we also have things like The Hurt Locker which became "Lethal Commando" - The Hurt Locker; which, yeah, it's a hard title to translate, but what did that really add?

Another thing that often happens is like The King's Speech which became "The King's Speech - Die Rede des Königs" (literally just a translation)

Tim said...

yeah, we also call A Fistful of Dollars "For a Handful of Dollars". TG,TBATU became "Two Glorious Scoundrels" and Duck, You Sucker was (thankfully) turned into "Death Melody"


Ytrewq: we have the same name for As Good As It Gets, but i didn't mention it because that's also how it's translated when somebody says that. Don't know about polish, but we don't say as good as it gets verbatim.

And since you brought it up, Terms of Endearment - "Time of Tenderness"

BRAZINTERMA said...

You reminded me of a case of movies that initially wouldn't make any hits that the responsible distributors gave the damn titles. How were the movies:
- Hot Tub Time Machine = The Hangover
- While The Hangover by Todd Phillips = If You Drink, Don't Marry
- Meet the Parents = Getting in Trouble
- Meet the Fockers = Entering an Even Bigger Cold
- Little Fockers = Entering an Even Bigger Cold With the Family

PS: the name of Ben Stiller's character is not Focker and called Pinto (referring to the chick or penis)

Anonymous said...

Louis: Your Alfonso Cuaron ranking?

Louis Morgan said...

Luke:

A star studded bit of hilarity, and really the best thing to come out of the Color of Money if you ask me. Stiller's parody of one of my least favorite Cruise turns, is just spot on perfection of being obnoxiously hilarious. Also love Mahoney in the sketch though particularly as he ends up being literally Paul Newman, and honestly delivers completely on Newman's Oscar scene in joke form, as we know the real hustle in that film was getting that Oscar from the best actor sweeper that year Bob Hoskins.

Lucas:

I mean I could've seen him in the following roles:

Sebastian (La La Land)
Hugh Ransom Drysdale
Cowboy (Near Algodones)

Marcus:

In addition to those:

Harrison Ford - Raiders of the Lost Ark
Tom Hardy - Mad Max: Fury Road
Toshiro Mifune - Yojimbo
Cary Grant - North By Northwest
Humphrey Bogart - The Maltese Falcon
Sean Connery & Michael Caine - The Man Who Would Be King
Clint Eastwood - The Outlaw Josey Wales
James Woods - True Believer

8000's:

Low key one of the saddest scenes of all time and done so matter of factly. It is all in Mitchum's expression showing a guy just looking at his wasted life in a casual conversation, and just so quietly powerful.

Anonymous:

Yes.

Anonymous:

1. Children of Men
2. Gravity
3. Harry Potter and the Prisoner of Azkaban
4. Y Tu Mama Tambien
5. Roma

I should note I he hasn't made a bad film that I have seen, however Roma has not stayed with me one iota.

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