Wednesday, 13 October 2021

Alternate Best Supporting Actor 2000: Song Kang-ho in Joint Security Area

Song Kang-ho did not receive an Oscar nomination for portraying Sgt. Oh Kyung-pil in Joint Security Area. 

2000 seemed just a year where Korean cinema was beginning to reveal so many of its great talents burgeoning with so many of their, now, most essential directors making their start, or continuing their start, and so many of the actors starting to make their name. One such actor was Song Kang-ho who, despite earlier wrongheaded comments on my part, deserves to be mentioned right along with Byung-hun Lee and Choi Min-sik, as the three best Korean actors currently working, and really three of the best working actors of their generation regardless of country. Song in 2000 actually had a particularly great opportunity to explore his range this with his two performances, one in the comedy, with a bit of drama, in Foul King, directed almost paradoxically by Kim Jee-woon, where he got to be a failed banker who becomes a wacky wrestler. The same year though he worked with another of the Korean trio in Park Chan-wook, with the excellent Joint Security Area, about the unlikely friendship between border soldiers from South and North Korea. Where Byung-hun Lee played the senior soldier on the south side, Song plays the senior officer on the North side. And in turn we get a dynamic between the two great actors that helps greatly towards the immense success of this film. 

Now with Song we get a completely different seeming actor from his other work in 2000 frankly as we see his earliest, chronological scene, where we get this calm, frankly powerful, presence of the soldier of a dictatorship. There's just this sort of innate no nonsense strength within Song's work that is remarkable in itself compared to his "silly" work in Foul King, Song here exudes a man who has this innate power of self and is wholly convincing as this career soldier. Although what is fascinating though is in his first chronological scene we get that presence, however we also get a brilliant subversion of it within his performance. This as he stands as the presence of the North at the border, however a visitor losing their hat, the Sergeant hands it back over, and just the slightly facial movement of a near smile suggests powerfully yet so subtly the man within the soldier. This is each of these earliest flashback scenes where Song brings the sort of command of such a soldier, yet what is so essential is the way he does these minor little indications to the real nature of the man. Even a moment of a threat to Sergeant Lee, as they both are at their post, Song delivers the threat with a quietly comical sentiment that makes the threat a true joke, and shows the man enjoying the potential connection with his sworn enemy. 

Song is expectedly wonderful then in crafting the chemistry with Lee, and the two actors with the privates who also join the other two in their border friendship. This as Song just crafts the chemistry with just showing the indication of the nice man beneath it all, openly with these moments of sincere and sweet conversations of the men bonding together. Song is great by playing these scenes really without reservations in terms of the humanity of the character. Even his physical manner delivers this way of the man being embracing and supportive. Song reinforces in every way of his performance just the loving man beneath the soldier ready and willing to get out. The man indicated by the earlier brief moments completely exposed for the joy of life seeking man beneath it all. Song does great work by showing really the confidence within this manner, and showing that as a soldier it isn't even exactly a repression, just a requirement as there is no hesitation in the man when given the chance. One small moment I love is Song playing with this speaking with a sharp determination to speak of his hopes for North Korea to develop proper sweets, though again Song showing really the Sergeant himself actively subverting the expectation of the type of soldier he is. 

Despite the camaraderie we follow as their nations' differences enforce themselves upon the group's conversation, and I love the way that in a way Song shows his Sergeant as the wisest of the group, and clearly the man who has seen the most. This as in each of his deliveries there is a blunt sense of experience and understanding the Sergeant. Song showing a man who knows really the truth of the situation at every point. This including the climatic moment, which the film slowly unwraps, where a North Korean soldier, who is not part of the group, comes in leading to a bloodbath. Song is fantastic throughout the scene as again showing the man who is consistently calm within the conflict, but also trying to be persuasive towards the others for calmness. There is such a palatable sense of empathy in every word that Song brings in his words, but also just in his manner throughout. He never loses that sense of decency even as guns are fired, and his expression of shock at the actions of the others are truly powerful in showing the one man whose decency cannot be shook by anything that occurs. This making just his moment of looking at the shooter of the scene with horror, Song is heartbreaking in granting the real sense of loss by showing the man who despite the circumstance never forgets that they are friends. This as even as the Sergeant takes action to help the men, who have killed his comrades and almost him, Song performs every moment with this intensity but also certainty of a man trying desperately to help his friends despite all that has transpired. This nature is even reinforced in the scenes that take place beyond the incident, such as early one where investigators meet him when he is unwilling to cooperate. Song shows the man putting on the tough soldier in displaying his battle scars, and just trying to ignore the situation. When they bring the two sergeants together again, Song is excellent in showing the subtle sense of recognition of the past so subtly, and then properly is all bluster when frankly putting on the facade of the angry North Korean soldier filled with hate. This is in stark contrast to his final major scene, which is a quiet yet powerful moment. This as Song speaks with a sense of regret for what happened, yet it is still filled with this incredible empathy. An empathy that Song wholly earns by always showing throughout that this is but the innate nature of the man. That as imperfect as the situation is, Song shows the good man who was only seeking friendship throughout. Although less overtly as expressive as Lee's powerful work, Song's contribution is essential in showing a man perhaps more equipped for what their unique situation, but only due to the unshakable nature of his humanity.

95 comments:

Michael McCarthy said...

2 fives for Joint Security Area, BOY does that put a smile on my face.

1. Kyle MacLachlan
2. Malcolm McDowell
3. Emilio Echevarría
4. Sean Connery
5. Stephen Tobolowsky

Anonymous said...

What do you think of these alternate castings?

Meryl Streep-Eva Peron

Angela Bassett-Leticia Musgrove

Luise Rainer-Maria(For Whom the Bell Tolls)

Helena Bonham Carter-Bess McNeill

Charlize Theron, Toni Colette- Roxie Hart

Louis Morgan said...

Anonymous:

Streep - (Would've been too old at the time for that role, in the 80's though sure.)

Bassett - (I think she honestly would've been better and a little less labored at times.)

Rainer - (Would've been a little too old at the time, though I could see her as Pilar, though she technically would've been a little too young for that role.)

Carter - (Well von Trier's standard when it comes to leading actress performances speaks for itself, so I'm sure she probably would've been good if not great, however it is hard to see anyone besting Watson there.)

Theron & Collette - (My understanding is that Theron can't sing so that's a hard no. Collette can sing, and I think is just in that right place of being able to do confident, but doesn't naturally overexude it, so can hit the right spot for Roxie's transition there. So Collette honestly would've been ideal.)

Luke Higham said...

Very happy with this.

Emi Grant said...

Really glad that Song Kang-Ho has another 5 to his name. Loved this performance in particular. He's the MVP of the film to me.

Louis: Where does this one rank on your Top 5 Song Kang-Ho performances?

Luke Higham said...

Louis: Could you do Tobolowsky and Irons for the next pair.

Matt Mustin said...

He's great, of course.

Michael McCarthy said...

Irons is probably my least anticipated review to be honest. Unless Louis does something creative with the format of it, which is always fun.

Matt Mustin said...

Yeah, I'm not even thrilled that Irons is being reviewed at all to be honest.

Matt Mustin said...

Sean: Probably a 4 at best.

Bryan L. said...

1. McDowell
2. Echevarria
3. Connery
4. Tobolowsky
5. Maclachlan

1. Considine
2. Song
3. Phoenix
4. Irons
5. Black

Luke Higham said...

One way or the other, Irons review would be a very entertaining one to write and sometimes you need that from time to time.

HTT said...

Louis:
What is your top 10 nominees for Best Director 2014?

8000S said...

Louis: Regarding Raoul Walsh, I've read an article written by critic Dave Kehr from 1981 where he suggests that Walsh was Scorsese's biggest influence. Thoughts on that idea of him being his biggest influence?

Also, any missed opportunities of Walsh's directorial career in your opinion?

HTT said...

Trier's The Worst Person In The World premieres at my local cinema in Norway tomorrow! Words can't explain how excited I am! I'll make sure to tell you guys what I think of it when I have seen it, as it's my most anticipated film of the year.

Matt Mustin said...

RatedRStar: Oh, I was really hoping we could avoid that on here.

Calvin Law said...

HTT: I am absolutely dying to watch that one, heard nothing but the most amazing things about it.

Robert MacFarlane said...

Matt: I second this.

RatedRStar said...

Matt: Too soon perhaps?

Louis Morgan said...

Htt:

6. Bennett Miller - Foxcatcher
7. Luis Estrada - The Perfect Dictatorship
8. Christopher Nolan - Interstellar
9. Chad Stahelski - John Wick
10. Michael R. Roskam - The Drop

8000's:

Well like someone who was later influenced by Scorsese, PTA, I'd say Scorsese did not have a singular influences, but many, including Walsh that helped towards crafting his signature style that would influence others to create their own as PTA eventually did. For example, if you take Scorsese's most recent film, at the time that article was written, the strongest influence of a director on Raging Bull, was Robert Wise's work with The Set-Up.

I'd say his biggest missed opportunity was losing directing In Old Arizona, his acting career and his eye due to a renegade Jackrabbit. I also imagine it would've been a better film with Walsh at the helm.

Matt Mustin said...

RatedRStar: No. Just gross. Won't discuss it any further.

Robert MacFarlane said...

I ended up loving The Last Duel. Did not expect to. Probably would have recast Damon with Chris Hemsworth.

Luke Higham said...

Robert: What did you think of Comer, Driver and Affleck (From his physical appearance, at least he looks like he can fit in to this type of film whereas Damon sticks out like a sore thumb).

Luke Higham said...

Louis: If you're seeing The Last Duel, thoughts on the film and cast with ratings.

8000S said...

Louis: Yeah, well, I already know that Wise was his inspiration for Raging Bull, but yeah, he did have a lot of directors as inspiration that it's hard to say who inspired him the most.

I also read that aside from Bacall and Rogers, Winters was also considered for Grahame's role in In a Lonely Place. And while he was in his early thirties, how do you know think Mitchum would have fared as Dix Steele, or hell, Cagney or even Stewart in that role?

HTT said...

I just finished watching Joachim Trier's The Worst Person In The World, my most anticipated film of the year!

The film tells it's story through a prologue, 12 chapters, and an epilogue. You could say it's messy, as some chapters are subtle and thoughtful, while others are stylish and all over the place. I myself loved this, and was never bored, but I see if some have a problem with it.

The film examines love and sexuality, and asks if love even exists. It does this through lots of humour and heartbreak, eventually concluding that love does infact exist.

This is a beautiful movie, my favorite movie of the year so far, and the greatest film made in my home country I have ever seen.

10/10

HTT said...

Also, the main actress Renate Reinsve deserved her Cannes for this. I don't know if anyone will top this performance this year. The rest of the cast are also stellar.

Aidan Pittman said...
This comment has been removed by the author.
Matt Mustin said...

Aidan: From what I read it's not entirely his decision. I think he's having some health issues.

Calvin Law said...

HTT: I think Reinsve could be one of those unexpected Oscar noms.

Michael McCarthy said...

I also saw The Last Duel and thought it was pretty great. The first act felt slow but I imagine it would be interesting to examine on a rewatch knowing its context within the film as a whole.

Matthew Montada said...

Michael: ratings for the cast (if you do ratings)?

Louis Morgan said...

Saw the Last Duel, Scott's got a thing with Duels I guess, because I just about loved it. Loved the structure of it (particularly some very minor details and how it plays with those), the aesthetic naturally is terrific, and the titular duel does not disappoint.

Saving Driver and Affleck.

Damon - 3/3.5
Comer - 5
Walter - 4
Parker - 3
Ivanek - 3
Lawther - 3

Robert MacFarlane said...

Anyone else think about what it would have been like with Heath Ledger in the Damon role? Like a dark mirror of A Knight’s Tale?

Louis Morgan said...

8000's:

I mean really my issues with Bogart there probably largely come down to Ray's direction who I think goes way overboard in painting the suspicions, I think that would've presented a challenge for anyone to a degree, however Mitchum, Cagney and Stewart all might've been a bit better equipped to deal with that approach.

Robert:

Definitely yes, I mean in some ways Affleck is playing a sleazier Chaucer.

Luke Higham said...

Louis: Is this Affleck's best role since Hollywoodland and is Comer Lead or Supporting.

Luke Higham said...

I'm so relieved this film has delivered the goods, can't wait to see it.

Louis Morgan said...

Luke:

Well feels like that might be giving something away on the first point, however I think one can probably do the math.

I'm leaning towards Damon, Driver and Comer all being leads.

Robert MacFarlane said...

I described Affleck to someone as "a fuckboy version of Ustinov in Spartacus, and the world is better for it".

Louis Morgan said...

Michael:

Actually thinking about the structure, the first act I think is kind of our expected version of such a medieval tale, the second the Game of Thrones version, and the the third act a subversion of the genre in a we typically don't see, or maybe we haven't seen.

Robert:

Pretty apt.

Luke Higham said...

Whatever happens, review all your 5s in Lead. The Academy can't afford to mess up this year.

Robert MacFarlane said...

Louis: That's exactly how I read the structure. The thing that caught my attention was how much more hastily edited and paced it was. It gives you a picture with several ink blots obfuscating. You just know it's not reliable. Carrouges thinks himself the William Wallace/Maximus of his story. Even before we see his tantrums, pettiness, and cruelty, it lets the audience know this is the storybook version of events.

What struck me about that second portion was how they handled the rape. I was expecting them to depict as an affair from Le Gris's point of view, but the film smartly shows is as unambiguous assault, albeit still skewed as "less violent" than what it could have been.

Then the film REALLY plays its hand with the Comer section and shows us, no, it's just as horrific as you'd imagine. Specifically love how the ending offers no catharsis. In the end, justice was a served, that doesn't make Carrouges honorable or less of a monster.

The film is also incredibly smart in choosing which scenes to replay in each section. Avoids redundancy and bloat. Really am considering this for my Best Editing ballot.

Louis Morgan said...

Robert:

Agreed on every point especially on how the rape was handled with Le Gris's pov, which I took as even he could only delude himself up to a certain point, and Carrouges as this portrait of a legendary "hero", although that does make me wish Russell Crowe was still in shape, as I think if he had played the role it might've made that dissection of the archetype even more potent than it already is.

Bryan L. said...

Louis: Your 1980s cast for The Last Duel (If Ridley had made it back then).

Louis Morgan said...

Bryan:

Carrouges: Sean Connery
Le Gris: Richard Harris
Marguerite: Helen Mirren
Count Pierre: Peter O'Toole
Nicole de Buchard: Wendy Hiller

Matt Mustin said...

Is anyone planning to see Halloween Kills? I just finished watching the 2018 film and I thought it a mixed bag, but I'm interested enough to see where it goes.

Anonymous said...

Louis: Your thoughts on the cast of The Last Duel, and is it your favorite of the year so far.

Luke Higham said...

Louis: What are your thoughts on Last Resort and the cast with ratings.

8000S said...

Louis: While he did make his own movie about Hollywood two years ago with Sunset Boulevard, what do you think of Wilder writing and directing The Bad and the Beautiful?

Also, what do you think of either Kazan or Wyler directing Some Came Running instead of Minnelli? The funny thing is that Brando was also considered for Sinatra's role.

Tim said...

8000S: well, TBntB would probably have had an actual ending then

HTT said...

My review of Vertigo is finally out! Those who want to read it should feel free to.

8000S said...

HTT: Good review.

I always like to compare the use of color in Vertigo to the use of black and white in Psycho.

HTT said...

8000S:
I was planning on writing about the colour symbolism, but I couldn't find a way to fit it in. When it comes to use of colour, Vertigo is one of the best.

Matthew Montada said...

Matt: ratings for the cast of Halloween Kills?

Calvin Law said...

Matthew: He said he hasn't seen it yet.

Matthew Montada said...

Calvin: oh, I must’ve misread what he said. My bad.

Louis Morgan said...

Anonymous:

Yes.

Walter - (I mean in so many ways this is her character from Succession though in medieval form. As with her Succession work though she is very effective at the brutal cutting remake. She makes the most of her additional moments though suggest the trauma that really defines the character's vicious bitterness.)

Parker & Ivanek - (Along with all the minor roles, everyone does a fine functional job of delivering the exposition. Ivanek in particular I liked kind of his actually tired delivering showing a guy with little real interest in an actual trial over such a matter.)

Lawther - (Perhaps underutilized you could argue though effective in portraying a bit of derangement hidden behind the most thin of regal poise.)

Damon - (Unlike Driver and more surprisingly Affleck, Damon never entirely becomes comes part of the world seeming appropriately in period, or the period as Scott so artfully crafts. Also not sure why he's always sucking on a lemon in the latter half of the film. Having said that, I actually think Damon's awkwardness actually works in creating the purpose of the character, particularly in the later scenes where his character is far less than he believes himself to be, and seen as this man who perhaps defines himself far too greatly as this great warrior. I think the missed opportunity lies in the early scenes, as I think Damon's presence does serve the later intention very well, as I think should've been more convincing early on, though I don't think Damon is bad ever. I think he brings the right sort of stoic determination, though I think that could've come across better with another actor where that would've come more naturally while seeming in period.)

Louis Morgan said...

Comer - (First I mean loved this performance but I would recommend not reading further, as part of the joy of the film is seeing it unravel itself as it does. Anyway I would be all in for her going the distance, in lead or supporting, though the latter would probably be easier, the former is more honest though this is one of those lighter screen time leads so to speak. She's extraordinary though in that she manages to craft a magnificent impact in the early acts, despite purposeful limitations put upon her. This though Comer in the first act is great at being seemingly the most ideal of supportive wives. This just carrying this striking warmth and seeming that perfect companion for her husband in every way imaginable. Comer is wonderful in she slyly plays with the limitation to be both more and in a certain way less, this as this ideal that is just that, while also showing it as this ideal. The second act though a different ideal, the perfect seeming lover you would seem and Comer is that. This in a greater sultriness and eagerness it would seem. She again is wonderful in painting this other kind of man's ideal. She was both fantastic in both of those, but that is nothing compared to the last portion where we see the truth of all that she is as a whole portion. Comer is amazing then as she reveals the greater depth to every moment, and the nuance beyond those moments. Giving this impeccably detailed performance and sympathetic one where we feel we wholly know her Marguerite at such an intimate level. This as we get the moments of fulfilling the expectations of the life, and showing the struggle in this. We see the genuine compassion which Comer so naturally realizes with such humble earnestness. Then we just have these moments of her being just herself that particularly distinguish from the other versions of her character, and love what she does with them. In the film's turn then she delivers the horror of the pivotal moment, and in turn is heartbreaking in showing the trauma which she receives no empathy. She is then outstanding though every moment of the finale in creating the sense of injustice of every regard in her very potent fears, but also the sheer intensity in her moments of disregard for that society, with her delivery of every moment of her refusal to bend to the expectation of society or her husband. She is extraordinary as every moment rings with such ferocity due to Comer's delivery, that naturally earns this sense of cathartic exasperation with everything she has gone through.)

Louis Morgan said...

Luke:

Again still ask for the results for sake of ease reference.

8000's:

I mean he would've done something wholly different and Douglas's character would've gotten far less of a break.

Kazan would've been the most ideal of those three, as he had a better way with melodrama then most, and I think he could've found something within the material that Minnelli I think struggled most with.

Matthew:

Well I saw it, complete trash. Really the only "appeal" is if you want to see a lot of gore. The film is a complete mess in terms of its storytelling, and just keeps repeating the same lines/moment throughout. When it gets philosophical to the situation is when it gets really atrocious, with just abysmal dialogue which seemed prepped for trailers. There is no suspense whatsoever in this one, as Michael thrives on all his victims being incredibly dumb, even for a slasher movie. I frankly hated it.

Everyone wavers from a 2.5 to a 2, except Judy Greer who is especially bad and I'd give a 1 to.

Luke Higham said...

I saw The Last Duel. Loved it. This is turning out to be a great year for Medieval films.

Damon - 3
Driver - 5 (An amazing performance again from him)
Comer - 5 (Incredible work and it'll be interesting to see who takes Leading Actress this year)
Affleck - 5 (I enjoyed the hell out of his work here and honestly I'm not entirely surprised since he did have Shakespeare In Love prior to this. I've felt bad for him these past few years and I'm glad that he managed to prove himself again)
Walter - 4 (As good as I expected given her work in Succession and The Spanish Princess)

Luke Higham said...

Louis: Your thoughts on the makeup and hairstyling in The Last Duel.

Luke Higham said...

Louis: And what are your bottom 7 films of 2021 so far.

Luke Higham said...

And bring Kitbag on. They need to do one hell of a makeup job on Comer to convince me that she's well suited for Josephine but we shall have to wait and see.

Louis Morgan said...

Luke:

Impressive work across the board. Strong just general kind of scaring, particularly on Damon, and the like. The hair styling though does deserve special credit though adding something to each character, whether it be just how eye catching it is on Comer, to how with Driver, Affleck and Damon, each of their hair/facial hair adds a bit more to they are from Driver's flowing locks of someone who fashions himself as his own romantic hero, to Damon's short look for a man who is to the point to fault, to Affleck's golden locks that are ideal for fancy party boy. Green Knight still stands supreme, but this would be an extremely deserving nominee at this venture.

Bottom 7:

1. Music (Hopefully untouchable)
2. Malcolm & Marie
3. Space Jam: A New Legacy
4. Those Who Wish Me Dead
5. Cherry
6. Coming 2 America
7. Mortal Kombat

Luke Higham said...

Louis: Your thoughts on Space Jam and Those Who Wish Me Dead (Can't recall if you've given thoughts already).

Calvin Law said...

Louis: thoughts and rating for Steven Yeun in Space Jam: A New Legacy, or are you saving him? Lol

Also, watched The Last Duel, I might not be AS enthusiastic as most of you (though I did like its a great deal), but also cosign completely on Comer, she's marvellous.

Calvin Law said...

Luke: He gave his thoughts on that one awhile back, I'll try to find them.

Luke Higham said...

Rating and thoughts on LeBron James as well.

Matthew Montada said...

Calvin: your ratings for the cast of The Last Duel?

Matthew Montada said...

Louis: your ratings and thoughts for the following (let me if you’ve covered them already):

Zendaya & John David Washington in Malcolm and Marie
Tom Holland in Cherry

Anonymous said...

Matthew: He gave Holland a 4.

Matthew Montada said...

Anonymous: thank you :)

Louis Morgan said...

Luke & Matthew:

I have no desire to waste any time talking about the most soulless corporate product I've ever seen (there's reason I made no mention of having seen it when it came out), or some of the most self-indulgent trash I've ever seen.

Matthew Montada said...

Louis: got it. Thanks.

Luke Higham said...

Louis: Thoughts on the DC trailers.

Robert MacFarlane said...

The Batman's trailer fucking ruled.

Luke Higham said...

Having watched the trailers, DC's output on the whole is way more intriguing than Marvel's.

Robert MacFarlane said...

I suppose it helps that DC doesn't require a mud-filtered, flatly shot "house style" to all they're films, regardless of director.

Luke Higham said...

I haven't seen any Marvel since Far From Home, the sheer amount of content since then was too much for me to digest.

Calvin Law said...

I really enjoyed Shang-Chi, but I'll admit the more I think about it the more it's probably just cause of Tony Leung and the relative dearth of high-profile Asian American projects to celebrate this year. MCU is oversaturating the market a bit.

RatedRStar said...

I'm I the only person who wants The Batman to succeed purely because of Robert Pattinson? I wouldn't care about the film otherwise.

Luke Higham said...

Mark my words, Pattinson, Dano and Farrell will be brilliant.

Calvin Law said...

Farrell isn't going to be in it a lot I think, but I have full confidence that Dano is going to be something special.

Mitchell Murray said...

RatedRStar: I've said this from the begining, but Pattinson is a bit younger (or at least looks younger) than some of the actors I would've cast for Bruce Wayne; Again, I can't help but see Pattinson as the perfect Nightwing.

Nevertheless, I do think he'll be at least solid in the role given his strength with the American accent, his intensity and his deceptive emotional range. He could basically be like Keaton in that regard; not my choice, per say, but not a bad one.

Mitchell Murray said...

Speaking of DC castings, who would everyone here cast as a live action Dinah Lance AKA Black Canary?

I find her to be a very badass character from what I've seen/read, and while Smollett was a lesser problem in "Birds of Prey", there was a lot more that could've been mined from the part.

Matt Mustin said...

First shot of The Batman trailer looked like Blade Runner to me, which is about the aesthetic I was hoping for, so I'm all for this. REALLY worried about Colin Farrell though.

Michael Patison said...

Mitchell: I think I might go for somebody like Ana de Armas, but I'm not sure.

All I know is that Katie Cassidy was appalling.

Anonymous said...

Louis: How about your bottom 7 performances of the year (so far)?

Louis Morgan said...

Luke:

The Batman looks impressive and most importantly unique from the other versions we've seen, so I'm definitely in on that one. Hard to take much from the rest of the trailers however.

Mitchell:

1. Maddie Ziegler - Music
2. David Dencik - No Time to Die
3. Kate Hudson - Music
4. Ben Schwartz - Music
5. Garrett Hedlund - The United States vs. Billie Holiday
6. Judy Greer - Halloween Kills
7. Lewis Tan - Mortal Kombat

And yes the Wiseau scale is its own mysterious thing, however I'd much rather watch Malek's performance again (as much as its result is the opposite of its intention than any of those listed.)

Calvin Law said...

Saw The Tragedy of Macbeth today which I adored, and Benedetta which I rather liked.

Anonymous said...

Calvin: Your ratings for the cast of The Tragedy of Macbeth and Benedetta (and The Last Duel which you didn't give ratings for)?

Calvin Law said...

Washington: 5
McDormand: 4.5
Gleeson: 3
Melling: 3.5
Hawkins: 4
Carvel: 3.5
Ingram: 3
Hunter: 4
Hassell: 4/4.5
Root: 3

Efira: 4.5
Wilson: 4
Patakia: 4.5
Rampling: 5
Chevillotte: 4
Everyone else: 3/3.5

Damon: 3.5
Driver: 4
Comer: 5
Affleck: 4
Walter: 3.5
Everyone else: 3

Marcus said...

Louis: Your thoughts on Adam Driver's performance in this scene from the season 1 finale of 'Girls'?

https://youtu.be/glaplW3daEw

Luke Higham said...

Louis: Have you re-watched The Green Knight.

Louis Morgan said...

Marcus:

I mean Driver is terrific at emotional rage, this is no different.

Luke:

No, however I'm aware of my minor reservation towards the film, which is the pacing falls into slow rather gradual just occasionally.