Alternate Best Supporting Actor 1987: Will Patton in No Way Out

Will Patton did not receive an Oscar nomination for portraying Scott Pritchard in No Way Out.

No Way Out is a mostly decent remake of The Big Clock, despite its ludicrous bookends, about a naval officer in intelligence, Tom Farrell (Kevin Costner), finding himself in the middle of a duplicitous conspiracy.

As a remake No Way Out makes several changes to its "wrong man" plot, however the one major consistency is that there is a powerful man who has killed his mistress which his assistant decides to coverup by framing the man the mistress was with. In this version the powerful man is the secretary of defense named David Brice played by Gene Hackman. A major difference though is in this assistant here played by another "that guy" actor, in Will Patton. The character is expanded with his Scott Pritchard actually being responsible for bringing Costner's Farrell into the U.S. intelligence fold. Patton's performance here is heavily mannered, though in a wholly brilliant way that I'd say alludes less to the character's homosexuality and more so to his fastidiousness. Patton portrays Pritchard with a very exact presentation in every way, showing a man who seems to emphasize an exact control of the situation. The way he stands and conducts himself is with sly incisiveness, and a strict confidence about him. Patton grants an innate consistency with this, and specific method to this as even he blinks in a specific way of a man who knows exactly how he must conduct himself to best serve his boss.

Patton's setup I'll admit is already intriguing alone, and it is fascinating just to watch him here. This is an example of a great mannered performance to be sure as everything Patton does feel lived in within the character, and creates this as the natural state of the man Pritchard at the very least believes himself to be. He is atypical to be sure, but atypical in such a compelling way that never feels forced either. Patton is marvelous to watch, but he is also essential in creating this very specific operator within the film. This is even as we first meet him as he just simply introducing his old college acquaintance Farrell to some people around Washington D.C. Patton has a forcefulness even in this simple task. This is particularly remarkable in the way Patton maintains such a careful, technically affected, delivery with his voice that sounds almost Truman Capoteesque. Now this one can certainly say alludes to the character's homosexuality, however what is so notable about what Patton does is how he uses this so effectively in his work. The character carries an innate power in the way Patton fashions this altogether as very much the operative protocol for the man, that gives him a real menace even though he's not the typically menacing sort.

Of course when Pritchard really steps up is when Hackman's Brice kills his mistress (Sean Young), who is also seeing Farrell. Brice goes to Pritchard for a personal counsel supposedly before going to confess to the police this crime. Patton is downright brilliant in this scene as he portrays a geninue concern in Pritchard, but also shows that gear kick in. He is not simply listening to the confession rather Patton shows the wheels turning in the man's head, making it when he suddenly springs in with an alternate path by making the murder seem to be part of a conspiracy of a secret Russian agent that they'll say was the last man to see the mistress alive. Again what is brilliant about what Patton does in this scene though is make it more than just a determined underling doing his job. That concern Patton mixes in with this wholly honest passion to helping his boss that he is firmly devoted to. A devotion that creates the essential motivation within the character of Pritchard as he is far from a typical sycophant. Now the film actually I would say as written seems to try to simplify this towards Pritchard being in love with Brice. I appreciate how Patton uses that partially but takes it much further. In that he creates this determined sense of respect as he speaks about Brice early on that shows that it isn't some simple lust, but rather Patton depicts Pritchard as caring about Brice on a deep personal level. 

This leads Brice and Pritchard to develop a manhunt, that they have Farrell ironically lead to find the "Russian agent" therefore finding a fall man for the murder. Meanwhile Farrell attempts to find something to incriminate Brice with in a race against time. This is where again Patton's performance is an essential facet to the film, and really quite the most compelling aspect of it. On one hand he is needed to be a proper villain for the thriller, as Brice is shown as hesitant towards the whole idea of the coverup initially, but the devoted Pritchard stands by the idea. I love again that passion Patton brings towards the investigation, though carefully placed within the calculated personal style of the character, that becomes so overwhelming that it creates a needed palatable sense of danger to the proceedings. Patton though is simply, again, just fascinating to watch particularly his physical performance where he slowly creates a greater strain on the man's style alluding so effectively that perhaps the weight of the gamble is even too much for him. A most riveting example of this is when Pritchard learns about Farrell connections to the woman, and knowledge of Brice's hands in the murder. Patton makes just the act of a few too many blinks, and slight raise of the voice have an impact, showing the man nearly breaking. His violent act being portrayed essentially his method of returning to his needed calm equilibrium. This ends up being but slight reprieve in the final confrontation between Farrell, Brice and Pritchard. Patton is downright brilliant in this scene as he begins with that controlled manner, now so painfully repressed and artificial in Patton's manner. This being something he quickly breaks once Farrell presents his evidence, and Patton brings such desperation as Pritchard tries to take hold of the situation. Sadly for him Brice decides to instead switch Pritchard to the scapegoat. Patton again is outstanding as he plays it as far more meaningful to Pritchard than just his boss abandoning him. Patton loses all control in manner and voice, showing a man whose world has come crashing around him. Patton conveys such a powerful sense of anguish that his friend he so deeply respected, and really loved has betrayed him, that I have to admit I actually felt sympathy for his villain. This is a great performance by Will Patton, as he takes the little nuggets of complexity in the part and expands them so effectively. He avoids turning into just a plot device, or a one note stereotype, but rather steals the film entire in what could've been just a role there to move the plot forward.