Showing posts with label Tim Robbins. Show all posts
Showing posts with label Tim Robbins. Show all posts

Wednesday, 14 October 2026

Alternate Best Actor 1990: Results

10. Jacky Cheung in Bullet in the Head - I unfortunately I found Leung progressively less convincing as the film went on. 
 
Best Scene: Arriving at the wedding.  
9. Al Pacino in The Godfather Part III - Pacino has some good scenes throughout unfortunately he's saddled with a script that doesn't do Michael justice for the most part.
 
Best Scene: Confession. 
8. Robin Williams in Awakenings - Williams gives a modest and moving portrayal of a caring doctor that better sells the sentiment of the film than anyone else. 
 
Best Scene: Discovering the first awakening.  
 
7. Danny Glover in To Sleep With Anger - Glover gives an effectively unnerving portrayal of a man who seems to only speak in poison. 
 
Best Scene: Conversation about his past.  
 
6. John Lone in Shadow of China - Lone consistently elevates his inconsistent material, convincingly playing both the cold businessman his character is and the caring revolutionary he used to be. 
 
Best Scene: Reunion.  
5. Wojciech Pszoniak in Korczak - Pszoniak offers a moving portrayal of a man who adamantly gives warmth and decency in the most cold and indecent of times.  
 
Best Scene: Long march. 
 
4. Tim Robbins in Jacob's Ladder - Robbins manages to balance the tones of his film effectively by portraying both a sense of the real horror and a genuine emotional pathos. 
 
Best Scene: The ladder.  
 
3. Nicolas Cage in Wild At Heart - Cage wonderfully goes out on a limb that quite effectively matches the eccentricity of his director. 
 
Best Scene: Injured motorist.  
2. Jason Patric - After Dark, My Sweet - Patric gives a great performance that manages to so convincingly portray the truly damaged psyche of his character in so many different compelling ways. 
 
Best Scene: Ending.  
 
1. Gabriel Byrne in Miller's Crossing -  Good prediction Brazinterma, Robert & Shaggy, Byrne gives a brilliant portrayal of every different side of his Tom, the real, the fake, and the often in-between. 
 
Best Scene:  "What heart?"
 
Next: 1990 Supporting 

Wednesday, 9 September 2026

Alternate Best Actor 1990: Tim Robbins in Jacob's Ladder

Tim Robbins did not receive an Oscar nomination for portraying Jacob "Professor" Singer in Jacob’s Ladder.

Jacob’s Ladder follows a former Vietnam vet as he is beset with disturbing visions while living in New York. 

Tim Robbins plays the titular Jacob where we enter the film seeming at the point in any Vietnam war film where things are about to go horribly wrong, which is when everyone has a good time. Robbins portrays largely a sense of camaraderie albeit briefly before all hell breaks loose and everyone seems brutally injured including Jacob himself, where Robbins provides immediate contrast from the warmth of the men joking with one another to viscerally seething pain of Jacob on the ground. We quickly cut to the future where Jacob is alone on a NYC subway and we begin to follow the path of the film. Robbins frequently is very much the average man in this situation and it is not a surprise that Frank Darabont wanted to cast Robbins for The Shawshank Redemption based on this film. Where Shawshank dealt with the immediate real horror of living in prison for a crime you did not commit, this film deals seemingly with something more existential, however in both Robbins’s work excels in offering an essential anchor of humanity. Robbins is the emotional guide for the film, something that is immediately tested when the tired man coming home from work is struck by seemingly a strange growth coming out of another subway passenger before seeing haunting images within the subway after he escapes the situation. Robbins importantly grounds these horrors which will be throughout the film through creating the progression of the situation as we see in his reactions, the first just considerable unease that jumps to more overt horror, but still as a man who thinks he just might be seeing something. 

Although not all seems to be going poorly for Jacob as he seems in a rather steamy relationship with a woman Jezzie (Elizabeth Peña), who seems to want to soothe Jacob. And for this moment it seems normal enough of a loving couple and I’d say it is important that Robbins brings this sense of normalcy in these moments as though Jacob is just living his life. There’s almost an immediate complication when shown a picture of his old family that died in the war. Robbins is truly great in the moment of looking at the picture and talking about them because almost instantly he brings such a strong sense of both the grief of their loss but also the comfort in their loss. His reaction isn’t just sadness, there's a palatable sense of love in every word of his delivery and his eyes. This makes the immediacy in which Jezzie decides to incinerate the picture more than a little questionable though she claims she essentially doesn’t like things that make him sad. We then follow Jacob as he tries to exist with a certain strangeness to everything, even seeing his chiropractor Louie (Danny Aiello) while friendly and warm seems almost a bit too ethereal. Although Jacob should wish for the ethereal back specialist when he begins to see one strange sight after another in the streets. In each instance Robbins’s performance captures the sheer intensity of the sights and the immediacy of their horror. 

The film then progresses in a state of insanity essentially as we suddenly shift between disparate elements. Occasionally we will have Jezzie concerned about Jacob, another she’s dancing with a literal demon, we will suddenly be in the memory of his old comforting home life with his deceased family, before being back to the horror. The sort of through line within this is Jacob’s character believing he and his other fellow survivors were part of some sort of government experiment that has left them broken. Robbins to his credit manages to weave all of this together to a core of a convincing performance where he embodies a distinct human element that could’ve been lost if we did not believe Jacob as a person going through all this above all else. Robbins brings a differentiation between moments of the more subtle horror where he finds this seething anxiety within his expression, that in a way seems the most terrifying. Robbins finds that sense in his reactions of just not feeling right like when he finds that his old mental health doctor apparently died in an explosion. Contrasting that though he is as believable in his bigger, but earned, reactions to the more overt horror by matching that more overt horror in his eyes as a man who has seen such strange terrible things. Yet he succeeds in being just the believable man suffering potentially from PTSD in the scenes with Jezzie at home where he brings a quieter vulnerability, or the moments with the old family where Robbins is quite moving in creating the real sense of warmth in those scenes. 

The film becomes a build then in overt horror and the intensity behind the trauma, the conspiracy and the horror. Where Robbins is effective in going from 10 to 11 as Jacob begins to fully lose it, sometimes with just a convincing frustration such as when he demands to know why his lawyer (George Costanza) has decided to drop the case to investigate the government, or eventually the truly petrifying fear when a hospital visit becomes seemingly a literal descent into hell. Robbins brings throughout that sequence, Rock Hudson in Seconds, a raw rush of rabid emotions that become all the more intense within the state of being held in place in his horror. Where Robbins elevates the imagery by matching the horror of it with his own expressions of a man going through this place. Robbins earns the growing tension up till a point of someone totally lost and in turn providing true relief when it seems like he saved by Louie who tells him he must spoilers accept his own death in order to escape the demons. I would say this whole aspect of the film is probably where Robbins is most essential as the imagery could carry much but there needs to be something genuine in the acceptance of death. Robbins delivers on this while also not seeming to light comparatively. In the scene where he climbs the titular ladder with his deceased son, Robbins has a deft touch in realizing the combination of sorrow and sincerity. Robbins shows the grief of all that is lost including himself as he speaks to his son, yet this is naturally softened where Robbins portrays the real connection and warmth within the relationship with his son. Robbins earns the moment of solace and turning a theoretical horror ending into something a bit more hopeful. 

Monday, 3 August 2026

Alternate Best Actor 1990

And the Nominees Were Not:
 
Jacky Cheung in Bullet in the Head
 
Danny Glover in To Sleep With Anger 
 
Al Pacino in The Godfather Part III
 
Wojciech Pszoniak in Korczak
 
Gabriel Byrne in Miller's Crossing
 
Feel Free to Predict These Five, Those Five or Both.  
 
Tim Robbins in Jacob's Ladder
 
John Lone in Shadow of China
 
Jason Patric in After Dark, My Sweet
 
Nicolas Cage in Wild At Heart
 
Robin Williams in Awakenings 

Friday, 12 July 2013

Alternate Best Actor 1994: Results

5. Tony Leung Chiu-Wai in Chungking Express- Tony Leung gives a nice charming performance even if it is fairly simplistic.

Best Scene The Cop reveals he has bought the snack shop.
4. Ralph Fiennes in Quiz Show- Fiennes gives a strong performance showing both the man performing to become a media sensation, but as well the very well real man whose fairly reasonable desires suck him into creating the false image of himself.

Best Scene: Charles Van Doren confesses to his father.
3. Johnny Depp in Ed Wood-Depp gives a very good performance by creating a genuine character who always stays optimistic no matter how bad he is at his true passion.

Best Scene: Ed talks Bela out of suicide. 
2. Tim Robbins in The Shawshank Redemption- Robbins gives a great performance where he works with the film to create some truly beautiful scenes throughout.

Best Scene: Andy tells Red how he "killed" his wife.
1. Gary Oldman in Immortal Beloved- This one was difficult for me to choose this is one where I won't say this is necessarily final Robbins who is great in a great film, Oldman is a my winner who is great in a sometimes problematic film. Oldman overcomes his film's problems creating a fascinating portrait of Ludvig Van Beethoven, and he manages to be compelling even when the film itself falters.

Best Scene: Beethoven on his death bed. 
Overall Rank:
  1. Tim Robbins in The Shawshank Redemption
  2. Samuel L. Jackson in Pulp Fiction  
  3. Gary Oldman in Immortal Beloved
  4. Ben Kingsley in Death and the Maiden
  5. Morgan Freeman in The Shawshank Redemption
  6. Nigel Hawthorne in The Madness of King George
  7. Xia Yu in In The Heat of the Sun
  8. Johnny Depp in Ed Wood
  9. Ralph Fiennes in Quiz Show
  10. Jim Carrey in Dumb and Dumber  
  11. Temuera Morrison in Once Were Warriors
  12. Gerard Depardieu in A Pure Formality
  13. John Travolta in Pulp Fiction
  14. Takeshi Kaneshiro in Chungking Express 
  15. Tom Cruise in Interview With the Vampire 
  16. Bruce Greenwood in Exotica
  17. Paul Newman in Nobody's Fool 
  18. Terence Stamp in The Adventures of Priscilla, Queen of the Desert
  19. Jean Reno in Leon: The Professional 
  20. Roman Polanski in A Pure Formality 
  21. Christopher Eccleston in Shallow Grave
  22. Elias Koteas in Exotica
  23. Albert Finney in The Browning Version
  24. David Strathairn in The River Wild
  25. Zbigniew Zamachoswki in Three Colours: White
  26. Tony Leung Chiu Wai in Chungking Express
  27. Bruce Willis in Pulp Fiction 
  28. Oleg Menshikov in Burnt by The Sun
  29. Ge You in To Live
  30. Jack Thompson in The Sum of Us
  31. Guy Pearce in The Adventures of Priscilla, Queen of the Desert 
  32. Stephen Dorff in Backbeat
  33. Jeff Daniels in Dumb and Dumber 
  34. Hugo Weaving in The Adventures of Priscilla, Queen of the Desert 
  35. Russell Crow in The Sum of Us
  36. Wallace Shawn in Vanya on 42nd Street
  37. Kevin Bacon in The River Wild 
  38. Brandon Lee in The Crow
  39. Sihung Lung in Eat Drink Man Woman 
  40. Michael Keaton in The Paper
  41. Shah Rukh Khan in Kabhi Ha Kabhi Na
  42. Mel Gibson in Maverick 
  43. Ewan McGregor in Shallow Grave
  44. Sean Nelson in Fresh
  45. John Turturro in Quiz Show 
  46. Nikita Mikhalkov in Burnt by the Sun
  47. Philippe Noiret in Il Postino 
  48. Tim Roth in Little Odessa 
  49. Vincent Perez in La Reine Margot
  50. Woody Harrelson in Natural Born Killers 
  51. Leslie Cheung in Ashes of Time
  52. Jim Carrey in The Mask 
  53. Robert De Niro in Mary Shelley's Frankenstein
  54. Tommy Lee Jones in Blue Sky
  55. Jeremy Davies in Spanking the Monkey
  56. Tom Hanks in Forrest Gump
  57. Ian Hart in Backbeat
  58. Andy Garcia in When a Man Loves a Woman
  59. Edward Furlong in Little Odessa
  60. Larry Pine in Vanya on 42nd Street 
  61. Jackie Chan in Legend of the Drunken Master
  62. Harrison Ford in Clear and Present Danger 
  63. Hugh Grant in Four Weddings and A Funeral
  64. Patrick Stewart in Star Trek Generations
  65. Danny Dun in Confucian Confusion
  66. Tony Leung Ka-Fai in Ashes in Time
  67. Tim Allen in The Santa Clause   
  68. Leslie Nielsen in Naked Gun 3 1/3
  69. Keanu Reeves in Speed  
  70. Brad Pitt in Interview with The Vampire
  71. Stuart Wilson in Death and the Maiden
  72. Kurt Russell in Stargate
  73. Arnold Schwarzenegger in True Lies
  74. Tim Robbins in The Hudsucker Proxy
  75. Rob Morrow in Quiz Show
  76. John Cusack in Bullets Over Broadway 
  77. Tim Robbins in IQ 
  78. Jason Scott Lee in The Jungle Book
  79. Massimo Troisi in Il Postino 
  80. Kevin Costner in Wyatt Earp
  81. Jeff Anderson in Clerks
  82. James Spader in Stargate  
  83. Lee Kang-sheng in Vive L'Amour
  84. Chen Chao-jung in Vive L'Amour
  85. Mackenzie Astin in Iron Will
  86. Billy Crystal in City Slickers II
  87. Jim Carrey in Ace Ventura Pet Detective
  88. Eddie Murphy in Beverly Hills Cop III
  89. Alec Baldwin in The Shadow  
  90. Allen Payne in Jason's Lyric
  91. Joseph Gordon-Levitt in Angels in The Outfield 
  92. Rick Moranis in Little Giants 
  93. Tommy Lee Jones in Cobb 
  94. Brian O'Halloran in Clerks
  95. John Goodman in The Flintstones 
  96. Willem Dafoe in Tom & Viv
  97. Macaulay Culkin in Richie Rich  
  98. Peter Berg in The Last Seduction
  99. Nicolas Cage in Guarding Tess
  100. Kenneth Branagh in Mary Shelley's Frankenstein 
  101. Brad Pitt in Legends of the Fall
  102. Liam Neeson in Nell 
  103. Jean Claude Van Damme in Street Fighter 
  104. Jeff Bridges in Blown Away
  105. Macaulay Culkin in The Pagemaster
  106. Dylan McDermott in Miracle on 34th Street
  107. Luke Edwards in Little Big League
  108. Brad Renfro in The Client
  109. Michael Patrick Carter in Milk Money 
  110. Robert Wuhl in Cobb
Next Year: 1994 Supporting

Thursday, 11 July 2013

Alternate Best Actor 1994: Tim Robbins in The Shawshank Redemption

Tim Robbins did not receive an Oscar nomination, despite being nominated for Sag, for portraying Andy Dufresne in The Shawshank Redemption.

Despite the Shawshank Redemption having been nominated for best picture and the secondary lead/narrator Morgan Freeman being nominated for best actor, Tim Robbins who plays the primary lead was not Oscar nominated. This in part may have been due to the nature of the character of Andy Dufresne and the way that Robbins plays him. Robbins plays a man who is convicted of the murder of his wife and her lover and is sentenced to life in prison even though he is in fact innocent. Even though that is the case Robbins does not actually go out of his way to make Dufresne likable and in fact shows why he would be unable to gain sympathy from the judge and jury as well why some prisoners would see him as stuck up. 

Tim Robbins does not make Andy the traditional hero of the institution in same way Paul Newman did Cool Hand Luke or Jack Nicholson in One Flew over the Cuckoos Nest, instead Robbins makes Andy a much colder hero who tries to find life in the prison not so much through a intense radical energy, but instead through far more deliberate and precise action. Robbins colder take is the right approach as it allows there to be a mystery in Andy as a character, and not just in regards to whether or not he committed the murder. Robbins as well allows a certain mystery in terms of the motivation of his action within the prison that only adds to his character without making him seem underdeveloped.

Andy Dufresne is not like the rest of the prisoners and Robbins is very effective in portraying this. It is not just because he is an actually innocent man, but Robbins gets across the way Defresne is never just another one of the men. This is not to say he is apart from them or anything close to being a snob as some of the men believe him to be. Instead Robbins brings about this resilience in Andy that is tremendous. It is something quite subtle in his performance, and not really something that stands right out. It is always there in his portrayal though of Andy as there is that extra element in the man that keeps his soul alive even while his body is imprisoned.

Robbins though does not make Dufrense some sort of immortal man, or some otherworldly creature who has a supernatural barrier around. Robbins makes him still a man in a horrible situation, even if he does have that resolve in him not to ever be destroyed by it. He physically captures the role though in the scenes of distress particularly when he is abused by the guards, other prisoners, and the evil warden. The strength in Andy is shown in Robbins's performance by the fact that Andy is never full defeated. There is something within him always that keeps his head above the water, something that always allows him to overcome any hardship that he faces in the prison.

The crux of his performance though is his chemistry with Morgan Freeman's Red the long time prisoner who is also the prison scrounger. Their relationship is interesting one because although the friendship is very understated yet so very poignant. There discussions about life in and outside of the prison are always quiet, but always just so absolutely genuine in the connection Robbins and Freeman portray between the two men. In these conversations Robbins also gets to reveal more to Andy as a character. There is not a lot about his past but in the parts he reveals he is very moving in showing the regrets in the man not due to the murder he was accused of, but due to the mistakes he had made in his past.

Robbins has a certain flow with the material here that brings to life the power of the story wonderfully. It is rather interesting in for the most par this is not one of those loud passionate performances that enforces the theme of the film. Robbins's performance is largely underplayed and his performance works in tandem with Frank Darabont's direction. There are so many beautiful moments in the film and most are a combination of visual, story, music, character, and the performances. Not a single one of these elements overwhelms the other making such an emotional impact. Where Robbins stands within them is in that face of satisfaction, a purely good satisfaction from the humanity Andy manages to bring back to the men within the institution.

Friday, 5 July 2013

Alternate Best Actor 1994

And the Nominees Were Not:

Gary Oldman in Immortal Beloved

Tony Leung Chiu-Wai in Chungking Express

Tim Robbins in The Shawshank Redemption

Ralph Fiennes in Quiz Show

Johnny Depp in Ed Wood

Saturday, 5 January 2013

Alternate Best Supporting Actor 1988: Results

5. Tim Robbins in Bull Durham- Robbins gives an entertaining performance finding the endearing qualities within his rather unintelligent character.

Best Scene: Nuke offers his words of "wisdom".
4. Philippe Noiret in Cinema Paradiso- Noiret gives a moving performance that nicely conveys the warmth and wisdom his character has.

Best Scene:  Alfredo says goodbye to Toto.
3. Christopher Lloyd in Who Framed Roger Rabbit- Lloyd gives an effective villainous turn by putting so much conviction in his performance even when saying the most absurd things.

Best Scene: The Freeway speech. 
2. Alan Rickman in Die Hard- Rickman creates a deliciously evil villain and is effectively amusing and imposing sometimes even in the same scene.

Best Scene: Hans pretends to be a hostage. 
1. Michael Palin in A Fish Called Wanda- Good Prediction Lezlie. My favorite this whole year is Michael Palin, although it was close between his Oscar winning co-star and Alan Rickman. Despite loving all three though Palin's performance, which succeeds in making assassination and dog killing funny, is my favorite.

Best Scene: Fish and Chips.
Overall Rank:
  1. Michael Palin & Kevin Kline in A Fish Called Wanda (TIE)
  2. Alan Rickman in Die Hard
  3. John Lone in The Moderns
  4. Christopher Lloyd in Who Framed Roger Rabbit
  5. Michael Keaton in Beetlejuice 
  6. Philippe Noiret in Cinema Paradiso
  7. Martin Landau in Tucker: The Man and his Dream
  8. Jacques Perrin in Cinema Paradiso
  9. Salvatore Cascio in Cinema Paradiso
  10. Dean Stockwell in Tucker: The Man and His Dream
  11. Raul Julia in Moon Over Parador
  12. M. Emmet Walsh in Clean and Sober
  13. Douglas Seale in Ernest Saves Christmas 
  14. Giancarlo Esposito in School Daze
  15. Tim Robbins in Bull Durham 
  16. Jacky Cheung in As Tears Go By
  17. Reginald VelJohnson in Die Hard  
  18. Michael Wincott in Talk Radio
  19. Williem Dafoe in Mississippi Burning 
  20. Pete Postlethwaite in Distant Voices, Still Lives 
  21. Eric Idle in The Adventures of Baron Munchausen 
  22. Harvey Keitel in The Last Temptation of Christ
  23. Raul Julia in Tequila Sunrise
  24. Charles Fleischer in Who Framed Roger Rabbit
  25. David Strathairn in Eight Men Out
  26. John Forsythe in Scrooged
  27. John Amos in Coming to America 
  28. Harry Dean Stanton in The Last Temptation of Christ 
  29. Gene Hackman in Another Woman
  30. Christopher Lloyd in Eight Men Out
  31. Kevin J. O'Connor in The Moderns 
  32. David Suchet in A World Apart
  33. Morgan Freeman in Clean and Sober 
  34. Ian Holm in Another Woman
  35. Tom Georgeson in A Fish Called Wanda
  36. John Cusack in Eight Men Out 
  37. John Houseman in Another Woman
  38. Wallace Shawn in The Moderns
  39. John Mahoney in Eight Men Out
  40. Yaphet Kotto in Midnight Run  
  41. Laurence Fishburne in School Daze
  42. John Glover in Scrooged
  43. Brad Dourif in Mississippi Burning
  44. Dean Stockwell in Married to the Mob
  45. Robert Mitchum in Scrooged
  46. Judd Hirsch in Running on Empty
  47. David Johansen in Scrooged 
  48. Alex Man in As Tears Go By
  49. William Atherton in Die Hard 
  50. Robert Loggia in Big 
  51. Robert Prosky in Things Change
  52. Stephen Tobolowsky in Mississippi Burning
  53. Michael Rooker in Eight Men Out 
  54. Clancy Brown in Shoot to Kill
  55. John Ashton in Midnight Run
  56. John Murray in Scrooged 
  57. Richard Masur in Shoot to Kill
  58. Harrison Ford in Working Girl 
  59. Lloyd Bridges in Tucker: A Man and His Dream 
  60. Spike in School Daze
  61. David Strathairn in Dominick and Eugene
  62. Alexander Godunov in Die Hard
  63. George Kennedy in The Naked Gun
  64. Arsenio Hall in Coming to America 
  65. Lou Diamond Phillips in Stand and Deliver
  66. Charles Durning in Cop 
  67. Jeffrey Jones in Beetlejuice 
  68. Andre Gregory in The Last Temptation of Christ
  69. Bobcat Goldthwait in Scrooged
  70. R L. Ermey in Mississippi Burning
  71. Jonathan Pryce in The Adventures of Baron Munchausen
  72. Fernando Guillen in Woman on the Verge of a Nervous Breakdown
  73. Elias Koteas in Tucker: A Man And His Dream
  74. Marco Leonardi in Cinema Paradiso 
  75. Val Kilmer in Willow 
  76. Frederic Forrest in Tucker: A Man And His Dream 
  77. Ricky Jay in Things Change 
  78. Raymond J. Barry in Cop
  79. Alan Tilvern in Who Framed Roger Rabbit  
  80. Charles McKeown in The Adventures of Baron Munchausen
  81. Keith David in They Live  
  82. Robin Williams in The Adventures of Baron Munchausen
  83. Glenn Shadix in Beetlejuice
  84. Brian Kerwin in Torch Song Trilogy
  85. Jason Robards in Bright Lights Big City
  86. Erland Josephson in Hanussen
  87. Oliver Reed in The Adventures of Baron Munchausen
  88. Bryan Brown in Gorillas in the Mist
  89. Bill Pullman The Accidental Tourist 
  90. Donald Moffat in The Unbearable Lightness of Being 
  91. Kiefer Sutherland in Bright Lights Big City 
  92. Matthew Broderick in Torch Song Trilogy
  93. Antonio Banderas in Woman on the Verge of a Nervous Breakdown
  94. JT Walsh in Tequila Sunrise
  95. John Mahoney in Frantic
  96. Tray Wilson in Bull Durham
  97. Christian Slater in Tucker: A Man And His Dream
  98. Robert Wuhl in Bull Durham
  99. Paul Gleason in Die Hard
  100. Gérard Depardieu in Camille Claudel
  101. John Kapelos in The Boost
  102. Bernie Coulson in The Accused
  103. Liam Neeson in The Dead Pool
  104. John Heard in Big 
  105. Steven Hill in The Boost
  106. Leo Rossi in The Accused
  107. Todd Graff in Dominick and  Eugene
  108. Joe Pesci in Moonwalker
  109. Jim Carrey in The Dead Pool
  110. Keanu Reeves in Dangerous Liaisons
Next Year: 1973 Leading

Thursday, 3 January 2013

Alternate Best Supporting Actor 1988: Tim Robbins in Bull Durham

Tim Robbins did not receive an Oscar nomination for portraying Ebby Calvin "Nuke" LaLoosh in Bull Durham.

Bull Durham is an enjoyable enough film about a wise but not especially talented minor league player Crash Davis (Kevin Costner), who tries to teach a talented but brash player to be truly great, while both of them seek the affection of a baseball groupie Annie (Susan Sarandon).

Tim Robbins plays the brash pitcher Nuke LaLoosh who can throw a ball fast, but has some serious problems when it comes to efficiently aiming the ball in the right direction. Robbins portrays Nuke as a brash overly confidant sort, but above all a doofus. The simple thing is that Nuke just is not very smart, and even when told what he is doing is wrong it is a bit hard for him to understand. Robbins although at first wears on you a little at the very beginning as Nuke, but once Costner's character shows up and knocks him down a notch Nuke becomes far more tolerable. 

That is not really a problem with Robbins's performance because at that point you are not really suppose to like him all that much at first, and he properly leaves room for certain changes to occur. Also Robbins does not make the mistake many actors make well playing an obnoxious character by nature. Robbins certainly does play up the obnoxiousness to the right degree without going over board. Importantly what he also shows is a certain childlike enthusiasm with his performance that manages to make Nuke endearing even though Robbins never does stray from the brashness of Nuke either. 

What really changes his character from his lunkhead approach to throwing though his relationship with Annie and Crash. Annie being a baseball groupie takes it as her duty almost to sleep with Nuke to reach his full potential for the team. Robbins and Sarandon are good together although not through some sort of normal warm filled chemistry, but rather between lust filled student of sorts and a lust filled teacher of sorts. Robbins though is quite enjoyable about how unabashed he is in Nuke's lust for Annie. Robbins is appropriately hapless as there is nothing romantic about his scenes with Sarandon rather the two create the scene amusingly as sex with lessons about how to be a better pitcher.

His relationship with Crash is one of almost pure antagonism at first, although Crash tries to make him hone in his game through tips he gives throughout. Robbins and Costner play this pretty well as the two basically ease on their dislike for each other, and Robbins is particularly effective in portraying Nuke slowly getting over himself. Robbins does not rush it but eases into it well that makes it an enjoyable journey, but as well a believable one. He and Costner are entertaining together as the two mentor/student role grows even to the point in which Crash convinces Nuke to stop sleeping with Annie since he says it will break his winning streak.

Robbins gives a good performance here as Nuke playing up nicely his character's lacking qualities in which a way he still can have a certain likability particularly as he slowly seems to learns how play better. What is important is that Robbins does not show Nuke to really get all that much smarter in in the end, but rather just he portrays Nuke as more of learning to do exactly what he is told to do more than anything else. He does this with a great degree of earnestness that works very well for the part.

Tuesday, 1 January 2013

Alternate Best Supporting Actor 1988

And the Nominees Were Not:

Michael Palin in A Fish Called Wanda

Tim Robbins in Bull Durham

Philippe Noiret in Cinema Paradiso

Alan Rickman in Die Hard

Christopher Lloyd in Who Framed Roger Rabbit

Friday, 24 August 2012

Alternate Best Actor 1992: Results

5. Tim Robbins in The Player- Robbins gives a good performance in a somewhat limited role effectively bringing along with him through the great satire that is the Player.
4. Harvey Keitel in Reservoir Dogs- Keitel gives a good performance here portraying both the professionalism as well as the humanity within his career criminal.
3. Gary Oldman in Bram Stoker's Dracula- A mixed bag from Oldman here with his somewhat uninteresting although adequate scenes as the younger looking Dracula, but he has as well extremely entertaining moments as the older looking Dracula. 
2. Jack Lemmon in Glengarry Glen Ross- Lemmon is amazing in the role he is always believable as the salesman past his prime, and completely heartbreaking in his realization of this tragic character.
1. Harvey Keitel in Bad Lieutenant- A difficult year to choose both the winner between Kietel and Lemmon and Eastwood. All three are amazing in their roles, but I will have to settle for one and at the moment Keitel is my choice. Kietel gives an incredible performance here as the titular dirty cop. Keitel portrays him in an effective down to earth fashion showing there is nothing special about this man, leading to an powerful ending where the Lieutenant must face his flaws.
Overall Rank:
  1. Clint Eastwood in Unforgiven
  2. Harvey Keitel in Bad Lieutenant
  3. Stephen Rea in The Crying Game
  4. Jack Lemmon in Glengarry Glen Ross
  5. Robert Downey Jr. in Chaplin
  6. Joe Pesci in My Cousin Vinny
  7. Willem Dafoe in Light Sleeper 
  8. Peter Coyote in Bitter Moon
  9. Joe Pesci in The Public Eye
  10. Michael Caine in The Muppet Christmas Carol 
  11. Russell Crowe in Romper Stomper
  12. Laurence Fishburne in Deep Cover
  13. Daniel Day-Lewis in The Last of the Mohicans
  14. Benoît Poelvoorde in Man Bites Dog
  15. Tony Leung Chiu-Wai in Hardboiled
  16. Chow Yun-Fat in Hardboiled
  17. Gary Oldman in Bram Stoker's Dracula
  18. Jeremy Irons in Damage
  19. Denzel Washington in Malcolm X
  20. Steve Buscemi in In the Soup
  21. Eric Stoltz in The Waterdance 
  22. Tim Robbins in Bob Roberts
  23. Daniel Auteuil in A Heart in Winter
  24. Tom Cruise in A Few Good Men 
  25. Woody Harrelson in White Men Can't Jump
  26. Wesley Snipes in White Men Can't Jump
  27. Tim Roth in Reservoir Dogs
  28. Harvey Keitel in Reservoir Dogs
  29. Gary Sinise in Of Mice and Men 
  30. Anthony Hopkins in Howard's End 
  31. Bill Paxton in One False Move
  32. Tim Robbins in The Player 
  33. Ethan Hawke in A Midnight Clear
  34. Edward James Olmos in American Me
  35. Brendan Fraser in School Ties
  36. John Lithgow in Raising Cain
  37. Al Pacino in Scent of a Woman
  38. Harrison Ford in Patriot Games
  39. John Malkovich in Of Mice and Men 
  40. Campbell Scott in Singles
  41. Bruce Campbell in Army of Darkness
  42. Daniel Pollock in Romper Stomper
  43. Mike Myers in Wayne's World
  44. Charles Grodin in Beethoven 
  45. Robert Redford in Sneakers
  46. Michael Keaton in Batman Returns 
  47. Brad Pitt in A River Runs Through It 
  48. Val Kilmer in Thunderheart
  49. Timothy Balme in Dead Alive 
  50. Michael Douglas in Basic Instinct  
  51. Emilio Estevez in The Mighty Ducks
  52. Danny DeVito in Hoffa 
  53. Bruce Willis in Death Becomes Her
  54. Matt Dillon in Singles
  55. Dennis Haysbert in Love Field 
  56. Gerard Depardieu in 1492 Conquest of Paradise
  57. Tom Cruise in Far and Away   
  58. Chris O'Donnell in Scent of a Woman  
  59. Jack Nicholson in Hoffa 
  60. Rick Moranis in Honey I Blew Up the Kid
  61. Kurt Russell in Captain Ron 
  62. Sean Astin in Encino Man
  63. Martin Short in Captain Ron
  64. Jonathan Brandis in Sidekicks
  65. Scott Weinger in Aladdin 
  66. Brendan Frasier in Encino Man
  67. Rodney Dangerfield in Ladybugs
  68. Luke Perry in Buffy the Vampire Slayer
  69. Craig Sheffer in A River Runs Through It
  70. Nick Nolte in Lorenzo's Oil
  71. Macaulay Culkin in Home Alone 2 
  72. Hugh Grant in Bitter Moon
  73. Billy Crystal in Mr. Saturday Night
Next Year: 1984

Monday, 20 August 2012

Alternate Best Actor 1992: Tim Robbins in The Player

Tim Robbins did not receive an Oscar nomination for portraying Griffin Mill in The Player.

The Player is an excellent satire on Hollywood about an executive who murders a writer he believes was sending him death threats.

Tim Robbins portrays the executive who does the murdering and I must say watching this film the very first time I frankly expected a bit more of a sleazy portrayal than the one that Robbins provides. Robbins actually pretty much at first shows Griffin Mill to be pretty much just in the role of the Hollywood executive. Robbins does not really show him to be really evil just a Hollywood executive always thinking about the money involved in the process of course, but really he never is obviously implying that Griffin only cares about that.

Robbins plays Griffin basically how a character actor would portray a studio executive in a different movie. Robbins is in many simple in his approach and the only major difference is that he does convey Griffin's sense of paranoia over the death threats quite well. He doesn't overplay this as they are not driving him crazy but rather they are something just pressing on his mind and making him slightly nervous and Robbins portrays this fairly effectively by still keeping it downplayed.

The Player though I feel is very much a directors and writers films as the actors are just players in the story, and many of them are used for a quick satirical puns, particularly the numerous cameos by various actors. Robbins is many ways is just the figure we follow thorough to enjoy the satire, which does not have a great deal to with his performance. Really what makes The Player the great satire it is is almost in entirely in writing and the direction most of the performance really do just play it straight.

Robbins though is perfectly fine in the role as the executive though, and certainly allows all the satire to occur by not overplaying the part. There is a bit more to his character though in that the film does partially cause him to become in a way more ruthless, but as well as slowly more disheveled over murdering the writer. This though is less overarching than one might think, and it all goes along at natural enough pace as portrayed by Robbins but it also never is really made all that substantial in terms of the film overall.

This is a good performance by Tim Robbins but I can't quite say it is an amazing one. There is not anything wrong at all with his performance, but it never really is a powerhouse tour de force though. The slow decay into being a worse person that Griffin is by the end of the film is well enough handled, but frankly the impact just is not there. At the same time I must say Robbins certainly still fulfills the role as the man we follow through the great satire that is the Player.

Thursday, 16 August 2012

Alternate Best Actor 1992

And the Nominees Were Not:

Harvey Keitel in Bad Lieutenant 

Harvey Keitel in Reservoir Dogs

Jack Lemmon in Glengarry Glen Ross

Gary Oldman in Bram Stoker's Dracula

Tim Robbins in The Player

Wednesday, 28 July 2010

Best Supporting Actor 2003: Results

5. Benicio Del Toro in 21 Grams- Del Toro surprised me how little he did with his performance here and I never felt he made any sort of emotional connection ever in the film with this performance.

4. Djimon Hounsou in In America- Hounsou gives his usual two setting of performance, which is either speaking in a whisper or yelling wildly.
3. Alec Baldwin in The Cooler- Baldwin is completely competent throughout the film but what he does never makes much of an impact.
2. Tim Robbins in Mystic River-Robbins work never quite overcomes the surface posturing, yet there is some power found in the more subtle elements of his performance.
1. Ken Watanabe in The Last Samurai- A good performance that makes the strongest impact within the film, giving an entertaining yet moving portrayal of his charismatic leader.

Tuesday, 27 July 2010

Best Supporting Actor 2003: Tim Robbins in Mystic River

Tim Robbins won his Oscar from his first acting nomination for portraying Dave Boyle a Boston man who was traumatized as a child in Mystic River.

Tim Robbins has a few problems with his performance. One problem is that his voice he uses for the film is a bit odd. He does like a child's voice mixed in with the Boston accent that seems like a forced way to show the past of the character. This voice he uses is a mistake I believe but it does not ruin his performance. The other problem with his performance I feel is that some of his scenes I feel are the worst directed scenes by Clint Eastwood. Robbins plays very much into the overt acting that is featured heavily by too many members of the cast, particularity Sean Penn, which is ill-fitting against the gritty tone of the story. The performances of Kevin Bacon, and Laurence Fishburne reflect far closer to what should be the tone of the film.

Despite these hindrance of the starting Robbins doesn't give a entirely ineffective performance.. There is the overt and forced method of showing his character's mental trauma that is always there that keeps his performance at a certain distance. There is subtly to this performance as Robbins does show the man's problems through his eyes that show he always has been and  what he was as a child, and that everyday is a challenge to get by because of what happened to him. There is an internalization of this by Robbins that moves past the surface posturing at least to some extent. It leaves his performance still not as natural as it should be, but there is some needed naturalism in there.

Robbins carefully does bring at least more in portraying the other sides past that trauma even though that is always a constant factor. I find Robbins does do a great job in making Dave seem three dimensional since his only character trait is not the trauma, he is a fully rounded man, that is just one of his features not his whole being. Robbins does find some honesty there, even with his mannered accent, even in the overly directed vampire scene Robbins still stays very strong as Dave. His best scene I feel though is at the very end where he can barely comprehend his situation. Robbins handles this scene well by showing the fear and trauma of Dave. There are moments still of just too much, but there is some power found in there. It also helps that Sean Penn actually dials it back a bit even for that scene. Robbins's performance overall has weaknesses as it is part of the ACTING that infects the film with so many of the performers. He is the best of the ACTORS though as he does find more in there, even if the method still is a touch too obvious.

Saturday, 24 July 2010

Best Supporting Actor 2003

 And the Nominees Were:

Ken Watanabe in The Last Samurai

Alec Baldwin in The Cooler

Tim Robbins in Mystic River

Benicio Del Toro in 21 Grams

Djimon Hounsou in In America 

Who do you pick? What do you predict my ranking will be?