Showing posts with label Danny Glover. Show all posts
Showing posts with label Danny Glover. Show all posts

Wednesday, 14 October 2026

Alternate Best Actor 1990: Results

10. Jacky Cheung in Bullet in the Head - I unfortunately I found Leung progressively less convincing as the film went on. 
 
Best Scene: Arriving at the wedding.  
9. Al Pacino in The Godfather Part III - Pacino has some good scenes throughout unfortunately he's saddled with a script that doesn't do Michael justice for the most part.
 
Best Scene: Confession. 
8. Robin Williams in Awakenings - Williams gives a modest and moving portrayal of a caring doctor that better sells the sentiment of the film than anyone else. 
 
Best Scene: Discovering the first awakening.  
 
7. Danny Glover in To Sleep With Anger - Glover gives an effectively unnerving portrayal of a man who seems to only speak in poison. 
 
Best Scene: Conversation about his past.  
 
6. John Lone in Shadow of China - Lone consistently elevates his inconsistent material, convincingly playing both the cold businessman his character is and the caring revolutionary he used to be. 
 
Best Scene: Reunion.  
5. Wojciech Pszoniak in Korczak - Pszoniak offers a moving portrayal of a man who adamantly gives warmth and decency in the most cold and indecent of times.  
 
Best Scene: Long march. 
 
4. Tim Robbins in Jacob's Ladder - Robbins manages to balance the tones of his film effectively by portraying both a sense of the real horror and a genuine emotional pathos. 
 
Best Scene: The ladder.  
 
3. Nicolas Cage in Wild At Heart - Cage wonderfully goes out on a limb that quite effectively matches the eccentricity of his director. 
 
Best Scene: Injured motorist.  
2. Jason Patric - After Dark, My Sweet - Patric gives a great performance that manages to so convincingly portray the truly damaged psyche of his character in so many different compelling ways. 
 
Best Scene: Ending.  
 
1. Gabriel Byrne in Miller's Crossing -  Good prediction Brazinterma, Robert & Shaggy, Byrne gives a brilliant portrayal of every different side of his Tom, the real, the fake, and the often in-between. 
 
Best Scene:  "What heart?"
 
Next: 1990 Supporting 

Wednesday, 5 August 2026

Alternate Best Actor 1990: Danny Glover in To Sleep With Anger

Danny Glover did not receive an Oscar nomination, despite winning an Independent Spirit Award, for portraying Harry in To Sleep With Anger. 

To Sleep With Anger follows the growing discord within a family in Los Angeles while being visited by an old friend from the south. 

Danny Glover plays the enigmatic visitor whose nature as someone from the south and this force of chaos immediately makes one think of the likes of Ray Milland in Alias Nick Beal or Max von Sydow in Needful Things. It is never quite as overt as those films in the implication but Glover’s performance is a natural fit in that type. As like those performances Glover comes in with a very welcoming smile as he enters into the home. Glover brings a theoretical warmth within that as he seems to want to want to be the best guest towards everyone and seemingly get to know everyone related to the house or reintegrate himself with the people. Glover has a definite charm within Harry as he brightens up every little bit of screentime as this focal point within the film, and I don’t mind placing him lead like those aforementioned performances as he serves a similar prodding role even though he isn’t obviously the main character in a traditional sense. Glover’s quite effective as well in the way we get the first instance that there’s something off about Harry as we see him looking over and touching the family pictures and messing with the clock on the mantle. Where Glover was naturally charming in his entrance, in this moment there’s a very strange manner that effectively makes Harry off, not in an overt way, but one where you do sense there’s something not on the level about him. 

Harry continues as he meets the younger generation where he presents himself as an outgoing “modern” man who doesn’t go on about sin as he shows off his knife. Glover in the sequence very much evokes Robert Mitchum in Night of the Hunter as he speaks about the nature of good and evil. Glover is quite captivating in his folksy way of telling about his “travels” and his keepsakes, though with these little changes there's the sudden sinister glint that switches for a moment and a sadism occasionally. One particular moment where he’s asked if he’s ever used his knife, Glover’s delivery is amazing as he goes from seeming wholly to deliver himself when he says it was for “bad monkeys” before then his voice switching to a lighthearted follow up joke. Glover effectively keeps this certain combination between the facade of normalcy and the real nefarious nature that pierces out in key moments. A continuation when he speaks to the husband and wife of one of the younger couples about their charity habits. Speaking first in glowing terms of support before cutting it down with his own hideous logic and expectation as though to eliminate the idea of goodness. Glover again so effectively doing this coin flip from the friendly visitor to the truly devious man who thrives on cultivating darkness in others.  

Harry is perhaps his most obvious with the older people, including a woman Hattie who knew Harry well and has since changed substantially, or when he’s discussing two men who died including one who was lynched, that it is speculated on that it was only meant to look like a lynching. In both of these scenes Glover’s performance seems to shed any notion of the disguise and rather seems as though in these moments Harry is directly feeding on what fits more directly in his morality. His voice becomes deeper, his eyes entirely filled with that sinister glow of someone truly in his element. In this moment Glover makes the most of the devil seemingly coming out as he seems to want to pull the sin out of one and almost glory in the deaths that seem potentially connected to him. Glover presents just the wolf in these moments as an effective contrast to his scenes with the younger people, where we see his quiet manipulations to push everyone towards bad behaviors and potential bad ends. Where Glover succeeds in creating a convincing quality to the manipulations of the man going along with what anyone is saying, but then just with a quick smile and work twisting it effectively around towards to take something innocuous and make it insidious. I suppose the simple nature of his entrance, Glover’s exit and Harry losing his influence is pretty subtle, and even darkly comical in the immediacy of it. Although kind of a simple choice, Glover’s presentation of this sort of meek acceptance of his need to “leave” suggests more than anything a limitation of what Harry can do if no one is listening. Glover delivers a captivating turn here in successfully playing the little layers of his mischievous fiend knowing exactly when to deliver the smile of a false love and the smile of a real hate. 

Monday, 3 August 2026

Alternate Best Actor 1990

And the Nominees Were Not:
 
Jacky Cheung in Bullet in the Head
 
Danny Glover in To Sleep With Anger 
 
Al Pacino in The Godfather Part III
 
Wojciech Pszoniak in Korczak
 
Gabriel Byrne in Miller's Crossing
 
Feel Free to Predict These Five, Those Five or Both.  
 
Tim Robbins in Jacob's Ladder
 
John Lone in Shadow of China
 
Jason Patric in After Dark, My Sweet
 
Nicolas Cage in Wild At Heart
 
Robin Williams in Awakenings 

Tuesday, 9 October 2012

Alternate Best Supporting Actor 1985: Results

5. Danny Glover in The Color Purple- Glover is properly intense in his brutality in his role as an abusive husband, but he is unable to get past the restrictions of the part.

Best Scene: Mister is ridiculed by his father. 
4. Wilford Brimley in Cocoon- Brimley gives the best performance of the cast being the quietly commanding presence of the group, as well as creating the greatest emotional impact of the various stories.

Best Scene: Ben tells his grandson he's going away. 
3. M. Emmet Walsh in Blood Simple- Walsh creates a deliriously evil and memorable villain by beautifully playing up the sleaze and menace of his slimy private detective.

Best Scene: Visser double crosses Marty. 
2. Crispin Glover in Back to The Future- Glover gives my second favorite supporting turn of the year in his absolutely hilarious, but when it needs to be moving turn as the spineless George McFly.

Best Scene: George stands up to Biff. 
1. Christopher Lloyd in Back to the Future-Well Good predictions to Paoloduncan, and Lezlie please throw out a year and a performance. Lloyd wins this year as it came to the two Back to the Future performances which I love both. I have to choose one so I will choose Lloyd manic and funny turn creating Doc Brown into a truly memorable character.

Best Scene: Doc reveals he did read the letter after all. 
Overall Rank:
  1. Christopher Lloyd in Back To The Future
  2. Treat Williams in Smooth Talk
  3. Daniel Day-Lewis in My Beautiful Laundrette
  4. Ian Holm in Dreamchild
  5. Crispin Glover in Back To The Future
  6. Michael Mckean in Clue
  7. Martin Mull in Clue
  8. Christopher Lloyd in Clue
  9. M. Emmet Walsh in Blood Simple
  10. John Lone in Year of the Dragon
  11. Roddy McDowall in Fright Night
  12. Dan Hedaya in Blood Simple  
  13. Michael Palin in Brazil
  14. Chris Sarandon in Fright Night
  15. Tim Curry in Legend
  16. Robert De Niro in Brazil
  17. Wilford Brimley in Cocoon
  18. Willem Dafoe in To Live and Die in LA
  19. Klaus Maria Brandauer in Out of Africa
  20. John Gielgud in The Shooting Party
  21. Thomas F. Wilson in Back to the Future  
  22. Roshan Seth in My Beautiful Laundrette
  23. Stephen Geoffreys in Fright Night 
  24. Jan Rubes in Witness
  25. Peter Vaughan in Brazil 
  26. David Gale in Re-Animator
  27. Lucas Haas in Witness
  28. Brian Dennehy in Cocoon  
  29. John Heard in Trip to the Bountiful 
  30. Saeed Jaffrey in My Beautiful Laundrette
  31. Bob Hoskins in Brazil   
  32. Mark Holton in Pee Wee's Big Adventure
  33. Ian Holm in Brazil
  34. John Pankow in To Live and Die in LA
  35. Danny Glover in The Color Purple
  36. Josef Summer in Witness 
  37. Ian Holm in Wetherby
  38. Paul Gleason in The Breakfast Club 
  39. Hume Cronyn in Cocoon 
  40. Nicol Williamson in Return to Oz
  41. John Turturro in To Live and Die in LA   
  42. Jim Broadbent in Brazil 
  43. Ken Wantanabe in Tampopo 
  44. Shinnosuke Ikehata in Ran
  45. Dean Stockwell in To Live and Die in LA 
  46. Gary Marshall in Lost in America 
  47. Tom Wilkinson in Wetherby
  48. Curtis Armstrong in Better Off Dead
  49. Masayuki Yui in Ran
  50. John Heard in After Hours 
  51. Hisashi Igawa in Ran
  52. Jack Gilford in Cocoon 
  53. Leo McKern in Ladyhawke 
  54. Jonathan Stark in Fright Night 
  55. Hector Alterio in The Official Story
  56. Sam Elliott in Mask 
  57. Daisuke Ryu in Ran 
  58. David Ogden Stiers in Better Off Dead
  59. Christopher Walken in A View To Kill
  60. Adolph Caesar in The Color Purple 
  61. John Hurt in The Black Cauldron
  62. John Kapelos in The Breakfast Club
  63. Charles Napier in Rambo First Blood Part II 
  64. Gordon Jackson in The Shooting Party
  65. Richard Crenna in Rambo First Blood Part II 
  66. Freddie Jones in Young Sherlock Holmes
  67. Derrick Branche in My Beautiful Laundrette 
  68. Armin Mueller-Stahl in Colonel Redl
  69. Brian Dennehy in Twice in a Lifetime 
  70. Sean Barrett in Return to Oz
  71. Nigle Hawthorne in The Black Cauldron 
  72. Brian Henson in Return to Oz
  73. Roger Ashton-Griffiths in Young Sherlock Holmes
  74. John Russell in Pale Rider
  75. Jinpachi Nezu in Ran
  76. Akira Terao in Ran 
  77. Robert Loggia in Jagged Edge
  78. Freddie Jones in The Black Cauldron
  79. Will Patton in After Hours 
  80. Edward Fox in The Shooting Party
  81. Robert Sampson in Re-Animator
  82. Michael Moriarty in Pale Rider 
  83. James Cromwell in Explorers
  84. Tommy Chong in After Hours
  85. Cheech Marin in After Hours
  86. Danny Glover in Witness
  87. Dennis Dun in Year of the Dragon
  88. Chris Penn in Pale Rider 
  89. Robert Picardo in Explorers
  90. Robert Hardy in The Shooting Party  
  91. Richard Dysart in Pale Rider
  92. Peter Coyote in Jagged Edge 
  93. Raymond J. Barry in Year of the Dragon
  94. Dolph Lundgren in Rocky IV 
  95. Pat Hingle in The Falcon and the Snowman 
  96. Peter Gallagher in Dreamchild 
  97. Stephen Lang in Twice in A Lifetime
  98. Anthony  Higgins in Young Sherlock Holmes
  99. Richard Dysart in Mask  
  100. William Hickey in Prizzi's Honor
  101. Don Ameche in Cocoon
  102. Burt Young in Rocky IV
  103. John Wood in Ladyhawke
  104. John Lithgow in Santa Clause
  105. Steve Guttenberg in Cocoon 
  106. John Byner in The Black Cauldron
  107. Eric Roberts in Runaway Train
Next Year: 1960 Supporting

Monday, 8 October 2012

Alternate Best Supporting Actor 1985: Danny Glover in The Color Purple

Danny Glover did not receive an Oscar nomination for portraying Mister Albert Johnson in The Color Purple. 

The Color Purple is a film about the trials of a young African American woman Celie (Whoopi Goldberg).

To say the men depicted in The Color Purple are cruel would probably be a bit of an understatement. Most of the men depicted are easily angered individuals not opposed to severely beating women or raping them without hesitation. They are creeps, and Glover gets the biggest role of the creeps as the man who basically buys Celie for a wife that he wants to merely take care of his house, and keep his kids in line. Mister, as he is referred to, is not a nice man and that is the way Glover portrays him without really trying to make any silver lining to the character.

Almost all of his scenes with Goldberg Glover portrays Mister in really one of two ways. One is the more explosively violent abusive side of Mister as he constantly yells at her, hits her if  he so chooses, and does not take a second thought about the whole affair. Glover certainly is blunt and unapologetic as Mister who brings the brutality of Mister to life fairly well. I would say his other way though is perhaps just as brutal which is when he not being as openly hostile.

When he is not being hostile though Glover plays it as though Mister barely recognizes her as a person. Glover has Mister barely look at her or acknowledge her in anyway even during sex, which he does well in showing that Mister does not really see Celie as anything to him. In these moments when Mister notices her at all he only acts in a quick violent manner to get her to do something for her. Glover is actually quite good in portraying that no matter what if Mister is not directly abusing her, he is always ready to.

There is another side to Mister also seen that is not really much better than his violently abusive side which instead is a constantly lustful side. Here really is where one would maybe expect a little more depth from Glover's performance as he lusts after women, but really it is pretty much on the surface again. There is not anything special about him here he just wants the women he wants and tries to smile into his way to get them where he wants them. The fact that his charm is really a joke is actually a fine enough way to portray Mister, but never makes him particularly interesting.

One of the underlying ideas in this film is the way the abused can easily become abusers themselves. Mister himself his abused by his father verbally in one scene, and Glover is rather effective in this scene showing Mister as the one without the power for once. Glover handles it well by losing all of his intensity of before in this scene and almost seeming to become a child in this scene as Mister becomes shy and filled with hesitations to say anything to his father's angry attacks against him.

Mister though is a fairly repetitive character as he stays abusive until near the end of the film after Celie leaves him, and he becomes a pathetic mess of a man. Again Glover could have the chance for to really make a great impression with his performance, but really he stays fine in the part. His final scenes Glover portrays it as less of a transformation for Mister, but more him becoming that shy child again without power, who know might as well do something right since he no longer has the power to do something wrong.

To be perfectly fair to Danny Glover as written Mister Albert Johnson is a pretty thin character, and he mostly is there to be the terrible force that Celie wants to get away from. Glover actually is fine in being brutal, and intense in a believable fashion as it would have been really easy to go way too over the top with this character. This never becomes a particularly fascinating sort of characterization and as the story wants it Mister is always overshadowed by the female characters, and Glover is overshadowed by the female performances.

Wednesday, 3 October 2012

Alternate Best Supporting Actor 1985

And the Nominees Were Not:

Crispin Glover in Back to the Future

Christopher Lloyd in Back to the Future

M. Emmet Walsh in Blood Simple 

Wilford Brimley in Cocoon

Danny Glover in The Color Purple