5. Anthony Wong in The Mission - Wong manages to give a particularly impressive turn, as he manages to find depth in a paper thin role.
Best Scene: Relief after confrontation.
4. Gary Cole in Office Space - Gary Cole masters the art of malevolent indifference through his consistently hilarious turn.
Best Scene: Meeting the two Bobs.
3. Harry Lennix in Titus - Lennix gives a terrific turn as he revels in the insanity of his story and makes the most of his villainous part.
Best Scene: The Moor's confession
2. John C. Reilly in Magnolia - Reilly gives a beautiful turn managing
to find such a genuine heart in his portrayal of a caring but lonely
officer of the peace.
Best Scene: The date.
1. Robert Carlyle in Ravenous - Good prediction Michael McCarthy. Carlyle gives essentially several
different brilliant performances in one. This as a haunted victim, a
rabid scoundrel, a devious fiend or as a most peculiar philosopher.
Best Scene: Calqhoun goes loco.
Updated Overall
Next: Going on semi-hiatus until the Oscar nominations, though as is becoming tradition, I'd appreciation any recommendations for films from this year, years I've already covered or animated, TV films or documentaries from any year.
Showing posts with label Anthony Wong. Show all posts
Showing posts with label Anthony Wong. Show all posts
Saturday, 21 December 2019
Thursday, 19 December 2019
Alternate Best Supporting Actor 1999: Anthony Wong in The Mission
Anthony Wong did not receive an Oscar nomination for portraying Curtis in The Mission.
The Mission follows a group of hitmen hired as bodyguards for a marked for death triad boss. The film certainly has style, potentially a compelling plot even, but sadly it is a far too thin on character.
The idea of the hitmen working together seems prime for some colorful characters and some great interactions. Well unfortunately that's is not the case with either the former or the latter. All the hit-men are painfully underdeveloped with barely even a minor gimmick to set each one apart. The most compelling of them is Wong's Curtis, not because he's written any better or because there is anything particularly different about him in terms of the scenario, rather it is because he's played by Anthony Wong. Wong's a naturally magnetic actor so that helps of course, but it is really everything about his performance that grants the slightest hint of a substance to Curtis. There is nothing in the dialogue or anything more, but Wong manages to fashion a world weariness in his manner that grants a history to him in every scene. This is as he brings the ease of the true professional but the way he maneuvers in the group he grants a sense of separation and exasperation of a man whose been through before, perhaps too many times. There is both of sense of cool that Wong brings to this, but also that sense of wear. Wong delivers so much in his eyes, in just the way he examines a situation and looks upon the other hit men. You see Curtis quietly examining the men and the situation, and again evokes the sense of the man's long time in the business. Of course none of this is actually seems to be in the script. Wong just seems to making the character up really with just some extremely perfunctory lines to go with, which are largely stand around and say one line of action or exposition. Wong though does everything in his power to make something of his part of the film, this includes the completely unearned climax where the hitmen have to face one another. Wong's emotional intensity in the scene is terrific and reflects a substance we sadly are not warranted in the film. His final scene is also a brilliant piece of acting of the face of satisfaction of the man finally being allowed to lose through the tension of the job and the situation, while being able to do so with his head held high. I have to commend Wong here, because he makes something out of nearly nothing and one can only imagine the great performance he could have delivered with an actual three dimensional character.
The Mission follows a group of hitmen hired as bodyguards for a marked for death triad boss. The film certainly has style, potentially a compelling plot even, but sadly it is a far too thin on character.
The idea of the hitmen working together seems prime for some colorful characters and some great interactions. Well unfortunately that's is not the case with either the former or the latter. All the hit-men are painfully underdeveloped with barely even a minor gimmick to set each one apart. The most compelling of them is Wong's Curtis, not because he's written any better or because there is anything particularly different about him in terms of the scenario, rather it is because he's played by Anthony Wong. Wong's a naturally magnetic actor so that helps of course, but it is really everything about his performance that grants the slightest hint of a substance to Curtis. There is nothing in the dialogue or anything more, but Wong manages to fashion a world weariness in his manner that grants a history to him in every scene. This is as he brings the ease of the true professional but the way he maneuvers in the group he grants a sense of separation and exasperation of a man whose been through before, perhaps too many times. There is both of sense of cool that Wong brings to this, but also that sense of wear. Wong delivers so much in his eyes, in just the way he examines a situation and looks upon the other hit men. You see Curtis quietly examining the men and the situation, and again evokes the sense of the man's long time in the business. Of course none of this is actually seems to be in the script. Wong just seems to making the character up really with just some extremely perfunctory lines to go with, which are largely stand around and say one line of action or exposition. Wong though does everything in his power to make something of his part of the film, this includes the completely unearned climax where the hitmen have to face one another. Wong's emotional intensity in the scene is terrific and reflects a substance we sadly are not warranted in the film. His final scene is also a brilliant piece of acting of the face of satisfaction of the man finally being allowed to lose through the tension of the job and the situation, while being able to do so with his head held high. I have to commend Wong here, because he makes something out of nearly nothing and one can only imagine the great performance he could have delivered with an actual three dimensional character.
Thursday, 28 November 2019
Alternate Best Supporting Actor 1999
And the Nominees Were Not:
Harry Lennix in Titus
Robert Carlyle in Ravenous
John C. Reilly in Magnolia
Gary Cole in Office Space
Anthony Wong in The Mission
With Additional Reviews of:
Bryan Brown in Two Hands
Peters Sarsgaard in Boys Don't Cry
Harry Lennix in Titus
Robert Carlyle in Ravenous
John C. Reilly in Magnolia
Gary Cole in Office Space
Anthony Wong in The Mission
With Additional Reviews of:
Bryan Brown in Two Hands
Peters Sarsgaard in Boys Don't Cry
Tuesday, 17 January 2017
Alternate Best Actor 1993: Results
5. Anthony Wong in The Untold Story - Wong manages to stay just above the terrible film he's in by having just enough fun with the material while still managing to create a cohesive character.
Best Scene: His confession.
4. Jesse Bradford in The King of the Hill - Bradford gives an unassuming yet moving performance, realizing a young boy's perspective through a tumultuous time.
Best Scene: At the party.
3. Leslie Cheung in Farewell My Concubine - Cheung's silent work is a powerful portrait of internalized turmoil within a graceful performer.
Best Scene: Cheng recovers from his opium addiction.
2. Daniel Day-Lewis in The Age Of Innocence - Daniel Day-Lewis gives his second brilliant performance from 93, this one being a heartbreaking portrayal of a deeply emotional man repressed by society.
Best Scene: The Ending.
1. Anthony Hopkins in Shadowlands - Good predictions Luke, Maciej, mcofra7, and Varun. Anthony Hopkins gives one of his best performances in his harrowing yet heart warming portrayal of not only of the creative spirit, but also a unique journey of a man coming to terms with both love and death.
Best Scene: Lewis finally pledges his real love for Joy.
Updated Overall
Next Year: Hmmm I might just wait, but I would also like to hear the suggestions for 1993 supporting, in order to see whether or not there is really a five to begin with.
Best Scene: His confession.
4. Jesse Bradford in The King of the Hill - Bradford gives an unassuming yet moving performance, realizing a young boy's perspective through a tumultuous time.
Best Scene: At the party.
3. Leslie Cheung in Farewell My Concubine - Cheung's silent work is a powerful portrait of internalized turmoil within a graceful performer.
Best Scene: Cheng recovers from his opium addiction.
2. Daniel Day-Lewis in The Age Of Innocence - Daniel Day-Lewis gives his second brilliant performance from 93, this one being a heartbreaking portrayal of a deeply emotional man repressed by society.
Best Scene: The Ending.
1. Anthony Hopkins in Shadowlands - Good predictions Luke, Maciej, mcofra7, and Varun. Anthony Hopkins gives one of his best performances in his harrowing yet heart warming portrayal of not only of the creative spirit, but also a unique journey of a man coming to terms with both love and death.
Best Scene: Lewis finally pledges his real love for Joy.
Updated Overall
Next Year: Hmmm I might just wait, but I would also like to hear the suggestions for 1993 supporting, in order to see whether or not there is really a five to begin with.
Wednesday, 21 December 2016
Alternate Best Actor 1993: Anthony Wong in The Untold Story
Anthony Wong did not receive an Oscar nomination for portraying Wong Chi-hang in The Untold Story.
The Untold story tells the true story of a serial killer cook, although this
version of the story is the type you might find within a dirty copy of a sleazy
gossip rag in the trash of a smelly bus station bathroom.
The film though is acutely aware of this as it goes for pure exploitation here. The film would be like if in Zodiac you spent half the film watching Mark Ruffalo and Anthony Edwards ogle their boss’s girlfriend and mock their female coworker for her lack of ample breasts. That's half the film as the investigators are portrayed to be utter buffoons in sequences of rather broad comedy. In rest of the time, we are with Anthony Wong, which are even more ridiculous if you can believe it, despite winning the Hong Kong Film Award for Best Actor that would be like if Terry O'Quinn won the Academy Award for The Stepfather. Here's the thing though as proven by his work in Hardboiled, Infernal Affairs, and especially Beast Cops Anthony Wong is a higher caliber of actor. He's not a simple exploitation actor in terms of talent, which means he offers a little more than you might expect. That's not to say Wong gives this serious performance, quite the contrary, Wong knows the type of film he's in and he embraces it to its fullest.
It needs to be said that this performance is technically just
as insane as the rest of the film, yet Wong's approach elevates it beyond through
his understanding of the material. Unlike the majority of the rest of
the cast, who are pretty bad in their goofy performances, Wong knows how to
play into his material while not being wholly consumed by it. Wong knows
the intentions of the part and decides to be as entertaining as
he can be with that in mind. After all, past his prologue, Wong's
first appearance is as he is chopping meat at his restaurant while watching his waitress. Wong's does not hold back in the sweaty sleaze he brings to his
manner. He blares his eyes wide open watching her, and makes his mouth tight as
he really emphasizes just how disgusting his character is. Wong though is
careful in his performance to just chomp around on the scenery in the
right ways. It's a curiously mesmerizing performance to watch at times, as Wong
brings certain unpredictability to the madness he inflicts not only the
character but his whole performance with.
Wong is at times downright hilarious as he goes about amplifying the film
any way in which he can through his unrepentant depiction of the killer.
Whether this is the murder scene which Wong relishes in as his
namesake goes about killing people in a variety of ways, which Wong depicts with
the utmost glee. Whether this is setting fire to a man or beating a man to
death with a ladle. Or his portrayal of the other side of Wong as he
brings such haphazard awkwardness to the man as he sloppily
attempts to cover his tracks. Wong's delivery is so enjoyably inept,
intentionally inept that is, of a man whose arrest is simply an
inevitable. I have to admit I have an especial affection for Wong's
dramatic turn he employs after the waitress begins to tell the cops about how suspicious
her employer is. Now technically speaking nothing within these scenes
stops being exploitative, in fact I am going to say most would find
these scenes are downright distasteful especially given that they are
based on real events. However Wong does his best to alleviate this best he can
by playing up this silliness in an effective fashion.
Now again much of this is dependent on Wong's talent, which actually does
suggest that he could have played a more realistic depiction of the
character. Technically in the murder scenes, which get pretty brutal, Wong has
the needed intensity for such scenes though apparently knowing
the film's direction he takes this up just another notch to derive
some actual levity among the grotesque. Again Wong shows the potential for
something else, if the film had required it, particularly in the scenes
where Wong attempts to commit suicide. Wong does bring the gravity
of the situation within his eyes as he begins the act, but again playing
into the film's tone he just takes a step further. Making the distress
seems less that of a lost soul on the last lengths but rather a pathetic act of
a vicious monster. Now because of that Wong's best scene is probably his
confession where he gets the unabashedly embrace the character’s
wretchedness. Wong brings such psychotic joy into his devious smile as he
boasts about his accomplishments, spending an extra bit of time
to note that he made his victims into food which he then fed to the very
cops investigating him. This is not a great performance by any
means. It is a lot of dark fun from a good actor really slumming it though.
The film though is acutely aware of this as it goes for pure exploitation here. The film would be like if in Zodiac you spent half the film watching Mark Ruffalo and Anthony Edwards ogle their boss’s girlfriend and mock their female coworker for her lack of ample breasts. That's half the film as the investigators are portrayed to be utter buffoons in sequences of rather broad comedy. In rest of the time, we are with Anthony Wong, which are even more ridiculous if you can believe it, despite winning the Hong Kong Film Award for Best Actor that would be like if Terry O'Quinn won the Academy Award for The Stepfather. Here's the thing though as proven by his work in Hardboiled, Infernal Affairs, and especially Beast Cops Anthony Wong is a higher caliber of actor. He's not a simple exploitation actor in terms of talent, which means he offers a little more than you might expect. That's not to say Wong gives this serious performance, quite the contrary, Wong knows the type of film he's in and he embraces it to its fullest.
Monday, 19 December 2016
Alternate Best Actor 1993
And the Nominees Were Not:
Daniel Day-Lewis in The Age of Innocence
Anthony Wong in The Untold Story
Anthony Hopkins in Shadowlands
Jesse Bradford in King of the Hill
Leslie Cheung in Farewell My Concubine
And finally a review of:
Jeff Daniels in Gettysburg
Daniel Day-Lewis in The Age of Innocence
Anthony Wong in The Untold Story
Anthony Hopkins in Shadowlands
Jesse Bradford in King of the Hill
Leslie Cheung in Farewell My Concubine
And finally a review of:
Jeff Daniels in Gettysburg
Sunday, 30 November 2014
Alternate Best Actor 1998: Results
5. Tony Leung Chiu Wai in The Longest Nite - Leung's role is underwritten but he gives an effective portrayal of the cold brutality of a corrupt cop.
Best Scene: Sam and Tony in the prison cell.
4. Anthony Wong in Beast Cops - Wong gives an entertaining and sometimes moving portrayal of a lazy corrupt cop who tries to redeem himself.
Best Scene: Tung attempts his redemption.
3. Jeff Bridges in The Big Lebowski - Bridges gives an enjoyable performance as both a funny slacker but as well a straight man in the role he was apparently born to play.
Best Scene: The two Lebowskies meet.
Best Scene: Sam and Tony in the prison cell.
4. Anthony Wong in Beast Cops - Wong gives an entertaining and sometimes moving portrayal of a lazy corrupt cop who tries to redeem himself.
Best Scene: Tung attempts his redemption.
3. Jeff Bridges in The Big Lebowski - Bridges gives an enjoyable performance as both a funny slacker but as well a straight man in the role he was apparently born to play.
Best Scene: The two Lebowskies meet.
2. Ian McKellen in Apt Pupil - McKellen's film is terrible as the
film's direction stays in one direction while the writing goes in a
completely different way. McKellen though matches the two opposing sides
with his performance. The first side giving a chilling portrayal of an
evil man given the chance to reflect on his evil deeds. The second being
an entertaining portrayal of an evil Nazi. McKellen stays above the
film by taking his own path apart from the film.
Best Scene: Dussander visits Todd's family.
1. Brendan Gleeson in The General - Gleeson gives an endearing portrayal
of the "folk hero" side of his character, but is also effective in his
portrayal of the growing desperation of man whose world is closing in on
him.
Best Scene: Cahill and the Inspector's last meeting.
Best Scene: Cahill and the Inspector's last meeting.
Overall Ranking:
- Matthew Lillard in SLC Punk!
- Nick Nolte in Affliction
- James Woods in Another Day in Paradise
- Jeff Bridges in The Big Lebowski
- Brendan Gleeson in The General
- Edward Norton in American History X
- Anthony Wong in Beast Cops
- Peter Mullan in My Name is Joe
- Ian McKellen in Gods and Monsters
- Rufus Sewell in Dark City
- Ulrich Thomsen in Festen
- Shah Rukh Khan in Dil Se...
- Bob Hoskins in TwentyFourSeven
- John Hurt in Love and Death on Long Island
- Vincent Gallo in Buffalo '66
- Ian McKellen in Apt Pupil
- Tom Hanks in Saving Private Ryan
- Han Suk-kyu in Christmas in August
- Tony Leung Chiu Wai in The Longest Nite
- Jacques Villeret in The Dinner Game
- Christopher Lee in Jinnah
- Hugo Weaving in the Interview
- Teruyuki Kagawa in Serpent's Path
- Jim Carrey in The Truman Show
- Antonio Banderas in The Mask of Zorro
- Anthony Hopkins in The Mask of Zorro
- Clive Owen in Croupier
- George Clooney in Out of Sight
- Shô Aikawa in Serpent's Path
- James Woods in Vampires
- Billy Crudup in Without Limits
- Richard Lintern in Jinnah
- Eamonn Owens in The Butcher Boy
- Martin Donovan in The Opposite of Sex
- Campbell Scott in The Spanish Prisoner
- Tony Leung Chiu Wai in Flowers of Shanghai
- David Wenham in The Boys
- Denzel Washington in He Got Game
- Lau Ching Wan in The Longest Nite
- Bill Paxton in A Simple Plan
- Ben Stiller in Permanent Midnight
- Thomas Jay Ryan in Henry Fool
- Robert Redford in The Horse Whisperer
- Jason Schwartzman in Rushmore
- Derek Jacobi in Love is the Devil: Study For a Portrait of Francis Bacon
- Pruitt Taylor Vince in The Legend of 1900
- Johnny Depp in Fear and Loathing in Las Vegas
- Bill Pullman in Zero Effect
- Don McKellar in Last Night
- Nicolas Cage in Snake Eyes
- John Travolta in A Civil Action
- James Urbaniak in Henry Fool
- Fernando Fernán Gómez in The Grandfather
- Samuel L. Jackson in The Negotiator
- Will Smith in Enemy of the State
- Matt Damon in Rounders
- Kevin Spacey in The Negotiator
- Danny Glover in Beloved
- Dougray Scott in Ever After
- Daniel Craig in Love is the Devil: Study for a Portrait of Francis Bacon
- Kieran Culkin in The Mighty
- Evan Adams in Smoke Signals
- Bruno Ganz in Eternity and A Day
- Mel Gibson in Lethal Weapon 4
- Robert De Niro in Ronin
- Hiroyuki Sanada in Ring
- Elden Henson in The Mighty
- Sean Gullette in Pi
- VinÃcius de Oliveira in Central Station
- Liam Neeson in Les Miserables
- Danny Glover in Lethal Weapon 4
- Geoffrey Rush in Les Miserables
- Chris Tucker in Rush Hour
- Adam Beach in Smoke Signals
- Adam Sandler in The Wedding Singer
- Tony Ho in The Longest Summer
- Wesley Snipes in Blade
- Anthony Hopkins in Meet Joe Black
- Tommy Lee Jones in U.S. Marshals
- Ian Bannen in Waking Ned Devine
- Joseph Mazzello in Simon Birch
- Woody Allen in Antz
- John Travolta in Primary Colors
- Ian Michael Smith in Simon Birch
- Patrick Stewart in Star Trek Insurrection
- Ben Stiller in There's Something About Mary
- Joseph Fiennes in Shakespeare in Love
- Denzel Washington in The Siege
- Sean Penn in Hurlyburly
- Val Kilmer in The Prince of Egypt
- Tony Martin in The Interview
- Trey Parker in Baseketball
- Matt Stone in Baseketball
- Matt Dillon in Wild Things
- Thierry Lhermitte in The Dinner Game
- Dave Foley in A Bug's Life
- Jackie Chan in Rush Hour
- Wesley Snipes in U.S. Marshals
- Adrian Lester in Primary Colors
- Henry Thomas in Niagara Niagara
- Eddie Murphy in Doctor Dolittle
- Tim Roth in The Legend of 1900
- Vincent Kartheiser in Another Day in Paradise
- Brendan Fraser in Gods and Monsters
- Leslie Nielsen in Wrongfully Accused
- Ralph Fiennes in The Avengers
- Warren Beatty in Bulworth
- Elijah Wood in The Faculty
- Bruce Willis in Armageddon
- Michael Caine in Little Voice
- Cary Elwes in Quest for Camelot
- Harrison Ford in Six Days Seven Nights
- Elijah Wood in Deep Impact
- Ethan Hawke in Great Expectations
- Jared Leto in Urban Legend
- Michael Keaton in Jack Frost
- Robin Williams in Patch Adams
- Kenneth Branagh in The Gingerbread Man
- Nicolas Cage in City of Angels
- Gregory Smith in Small Soldiers
- Tobey Maguire in Pleasantville
- James Marsden in Disturbing Behavior
- Brad Pitt in Meet Joe Black
- Bill Paxton in Mighty Joe Young
- Norm MacDonald in Dirty Work
- William Hurt in Lost in Space
- Ben Affleck in Armageddon
- Leonardo DiCaprio in The Man in the Iron Mask
- Eddie Murphy in Holy Man
- Michael Wong in Beast Cops
- Robin Williams in What Dreams May Come
- Kenneth Branagh in Celebrity
- Scott Bakula in Major League: Back to the Minors
- Jay Mohr in Jane Austen's Mafia
- Ray Allen in He Got Game
- Adam Sandler in The Waterboy
- Jay Mohr in Paulie
- Matthew Broderick in Godzilla
- Ryan Phillippe in 54
- Brad Renfro in Apt Pupil
- Vince Vaughn in Psycho
Monday, 24 November 2014
Alternate Best Actor 1998: Anthony Wong in Beast Cops
Anthony Wong did not receive an Oscar nomination for portraying Tung in Beast Cops.
Beast Cops is a bit of an odd film to be sure. It's much more of an odd couple type of comedy about three very different cops living in the same apartment than it is about the power struggle of a local Triad. I rather enjoyed the film for its oddness actually even though it does have a very bland lead performance, and some pretty unintentionally funny sound effects.
The bland lead performance belongs to Michael Wong who plays the new officer of the group Michael Cheung. Wong's always slightly awkward performance, that involves some truly random moments where he speaks English, is not quite as detrimental to the film as it could have been because at least Cheung is suppose to be an extreme straight arrow, but this does leave the character wholly overshadowed by Officer Tung played by Anthony Wong the true star of the film. It's too bad there's no Lieutenant in the Hong Kong Police because Tung wouldn't fit too badly into the mold of a bad lieutenant, although closer to Nicolas Cage's version rather than Harvey Kietel's. Although he might be best described as lazy Lieutenant, as his corruption seems from mostly a lack of caring but Tung's life as a cop certainly involves drinking, using drugs, some prostitution, very casually taking bribes, and having far too comfortable of a relationship with the local Triad members.
Anthony Wong is in top form from the first scene by not being in particularly top form. Wong was apparently actually ill while filming the movie and this only contributes in making Tung the spent type of cop he is. In the opening scenes he's barely at all interested in doing what is required of a cop as Wong is very good in portraying Tung's manner of just basically going through the motions of being a cop. Wong is great though because he does not make Tung just a big nothing though and he's particularly good in portraying the sorta attempted manner to be the cop while failing to really fulfill his duties. Wong brings that certain boisterousness about Tung as if Tung is still the king of his neighborhood, and has any importance at all in his position even though he's basically nothing. Wong brings the right sort of wholly pathetic quality about Tung's routine as he feigns getting involved in a triad murder, but in fact just goes along and warns his friend in the Triad to get out of town.
We are then introduced to the other Wong's character who first meets Tung at a nightclub. Wong, the better Wong that is, is actually quite funny in his scenes where Tung is doing his best to kinda maneuver around his new boss and make him feel comfortable in his own way. Tung's first attempt is to make him not notice his considerable corruption by trying to have him as good of a time as possible. Wong's quite the delight as he portrays Tung over enthusiastic manner as he brings so much energy in Tung's attempt at making everything just too good for his new boss. I particularly love the moment where Tung abruptly stops his crusade when he hears that Cheung needs a place to stay. Wong is hilarious as he so abruptly shifts to a more serious tone, of sorts, as Tung offers his own room to Cheung. This is only the beginning for their weird partnership, and I have to say I only wish the other Wong was a better straight man for Anthony Wong, since I think these scenes could have reached an even higher height.
The hijinks only continue in their scenes where Cheung and Tung go on patrol and Cheung expects a bit more discipline in his unit than they are used to. Wong again is great as he portrays the mostly brainless attempt by Tung to seem like he's doing something when randomly beats up someone to show his measure. The best moment though is when a real crime is occurring right near him and Wong's reaction is rather hilarious as Tung's first question is to ask if someone is filming around there. Wong continues to be quite entertaining though when we see Cheung and Tung in their apartment together, where Wong has to make occasional requests of his old bedroom in order to have his time with his prostitute relationship he's having. Wong always manages to make Tung's antics surprisingly endearing as brings such an earnestness to his foolishness, that is made only funnier because Tung is a cop.
The film shifts to a more serious tone though when Cheung stops actually doing his job trying to take down the local Triad. Although I don't think the other Wong gets along all the well with the tonal shift, the better Wong thrives along with it despite being the funniest performer in the humorous scenes. Wong has a terrific short moment where Tung threatens the under boss for an attack on Cheung which causes the under boss to remind Tung of his corruption. Wong's brings the intensity of the moment to life especially as he quickly reflects the guilt and forced hesitation as Tung basically recognizes what he is for a moment. Things only get worse though when the Triad boss, who had been on the run, is killed in a power struggle leaving Tung to finally take action. Tung pumps himself on all sorts of things and basically goes into kill the man making for one amazing scene for Anthony Wong.
Wong is outstanding in this scene as he becomes almost a personification of vengeance as Tung finally decides to try to make things right. Wong though still makes him the same Tung, and in this he shows it as a bit of a madness in Tung which is only additionally made worse by the drugs and alcohol in his system. What makes Wong so effective is how he shows the substances as part of Tung's madness as he becomes almost like a terminator as he shrugs off various stabbings to try to corner the man he's after. It's a brilliant scene for Wong since he makes the insanity of the scene so absolutely the Tung he created for the rest of the film, and he successfully bridges the character to this point. Wong I would say is easily the highlight of the entire film as he just goes with the material in a way that any of the actors are not able to compete with. Wong makes Tung quite the memorable and rather likable dirty cop to follow through the film and he's especially good due to the way he manages to mediate between the humor and the drama of the material so well.
Beast Cops is a bit of an odd film to be sure. It's much more of an odd couple type of comedy about three very different cops living in the same apartment than it is about the power struggle of a local Triad. I rather enjoyed the film for its oddness actually even though it does have a very bland lead performance, and some pretty unintentionally funny sound effects.
The bland lead performance belongs to Michael Wong who plays the new officer of the group Michael Cheung. Wong's always slightly awkward performance, that involves some truly random moments where he speaks English, is not quite as detrimental to the film as it could have been because at least Cheung is suppose to be an extreme straight arrow, but this does leave the character wholly overshadowed by Officer Tung played by Anthony Wong the true star of the film. It's too bad there's no Lieutenant in the Hong Kong Police because Tung wouldn't fit too badly into the mold of a bad lieutenant, although closer to Nicolas Cage's version rather than Harvey Kietel's. Although he might be best described as lazy Lieutenant, as his corruption seems from mostly a lack of caring but Tung's life as a cop certainly involves drinking, using drugs, some prostitution, very casually taking bribes, and having far too comfortable of a relationship with the local Triad members.
Anthony Wong is in top form from the first scene by not being in particularly top form. Wong was apparently actually ill while filming the movie and this only contributes in making Tung the spent type of cop he is. In the opening scenes he's barely at all interested in doing what is required of a cop as Wong is very good in portraying Tung's manner of just basically going through the motions of being a cop. Wong is great though because he does not make Tung just a big nothing though and he's particularly good in portraying the sorta attempted manner to be the cop while failing to really fulfill his duties. Wong brings that certain boisterousness about Tung as if Tung is still the king of his neighborhood, and has any importance at all in his position even though he's basically nothing. Wong brings the right sort of wholly pathetic quality about Tung's routine as he feigns getting involved in a triad murder, but in fact just goes along and warns his friend in the Triad to get out of town.
We are then introduced to the other Wong's character who first meets Tung at a nightclub. Wong, the better Wong that is, is actually quite funny in his scenes where Tung is doing his best to kinda maneuver around his new boss and make him feel comfortable in his own way. Tung's first attempt is to make him not notice his considerable corruption by trying to have him as good of a time as possible. Wong's quite the delight as he portrays Tung over enthusiastic manner as he brings so much energy in Tung's attempt at making everything just too good for his new boss. I particularly love the moment where Tung abruptly stops his crusade when he hears that Cheung needs a place to stay. Wong is hilarious as he so abruptly shifts to a more serious tone, of sorts, as Tung offers his own room to Cheung. This is only the beginning for their weird partnership, and I have to say I only wish the other Wong was a better straight man for Anthony Wong, since I think these scenes could have reached an even higher height.
The hijinks only continue in their scenes where Cheung and Tung go on patrol and Cheung expects a bit more discipline in his unit than they are used to. Wong again is great as he portrays the mostly brainless attempt by Tung to seem like he's doing something when randomly beats up someone to show his measure. The best moment though is when a real crime is occurring right near him and Wong's reaction is rather hilarious as Tung's first question is to ask if someone is filming around there. Wong continues to be quite entertaining though when we see Cheung and Tung in their apartment together, where Wong has to make occasional requests of his old bedroom in order to have his time with his prostitute relationship he's having. Wong always manages to make Tung's antics surprisingly endearing as brings such an earnestness to his foolishness, that is made only funnier because Tung is a cop.
The film shifts to a more serious tone though when Cheung stops actually doing his job trying to take down the local Triad. Although I don't think the other Wong gets along all the well with the tonal shift, the better Wong thrives along with it despite being the funniest performer in the humorous scenes. Wong has a terrific short moment where Tung threatens the under boss for an attack on Cheung which causes the under boss to remind Tung of his corruption. Wong's brings the intensity of the moment to life especially as he quickly reflects the guilt and forced hesitation as Tung basically recognizes what he is for a moment. Things only get worse though when the Triad boss, who had been on the run, is killed in a power struggle leaving Tung to finally take action. Tung pumps himself on all sorts of things and basically goes into kill the man making for one amazing scene for Anthony Wong.
Wong is outstanding in this scene as he becomes almost a personification of vengeance as Tung finally decides to try to make things right. Wong though still makes him the same Tung, and in this he shows it as a bit of a madness in Tung which is only additionally made worse by the drugs and alcohol in his system. What makes Wong so effective is how he shows the substances as part of Tung's madness as he becomes almost like a terminator as he shrugs off various stabbings to try to corner the man he's after. It's a brilliant scene for Wong since he makes the insanity of the scene so absolutely the Tung he created for the rest of the film, and he successfully bridges the character to this point. Wong I would say is easily the highlight of the entire film as he just goes with the material in a way that any of the actors are not able to compete with. Wong makes Tung quite the memorable and rather likable dirty cop to follow through the film and he's especially good due to the way he manages to mediate between the humor and the drama of the material so well.
Saturday, 22 November 2014
Alternate Best Actor 1998
And the Nominees Were Not:
Anthony Wong in Beast Cops
Tony Leung Chiu Wai in The Longest Nite
Jeff Bridges in The Big Lebowski
Brendan Gleeson in The General
Ian McKellen in Apt Pupil
Anthony Wong in Beast Cops
Tony Leung Chiu Wai in The Longest Nite
Jeff Bridges in The Big Lebowski
Brendan Gleeson in The General
Ian McKellen in Apt Pupil
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