5. Anthony Wong in The Mission - Wong manages to give a particularly impressive turn, as he manages to find depth in a paper thin role.
Best Scene: Relief after confrontation.
4. Gary Cole in Office Space - Gary Cole masters the art of malevolent indifference through his consistently hilarious turn.
Best Scene: Meeting the two Bobs.
3. Harry Lennix in Titus - Lennix gives a terrific turn as he revels in the insanity of his story and makes the most of his villainous part.
Best Scene: The Moor's confession
2. John C. Reilly in Magnolia - Reilly gives a beautiful turn managing
to find such a genuine heart in his portrayal of a caring but lonely
officer of the peace.
Best Scene: The date.
1. Robert Carlyle in Ravenous - Good prediction Michael McCarthy. Carlyle gives essentially several
different brilliant performances in one. This as a haunted victim, a
rabid scoundrel, a devious fiend or as a most peculiar philosopher.
Best Scene: Calqhoun goes loco.
Updated Overall
Next: Going on semi-hiatus until the Oscar nominations, though as is becoming tradition, I'd appreciation any recommendations for films from this year, years I've already covered or animated, TV films or documentaries from any year.
Showing posts with label Robert Carlyle. Show all posts
Showing posts with label Robert Carlyle. Show all posts
Saturday, 21 December 2019
Saturday, 7 December 2019
Alternate Best Supporting Actor 1999: Robert Carlyle in Ravenous
Robert Carlyle did not receive an Oscar nomination for portraying F.W. Colqhoun or does he...in Ravenous.
Watching Ravenous once again, it once cemented itself as one of my favorite relatively modern films that was critically panned. This in its realization of a tone that tips towards just the right type of ridiculousness while still effectively telling this horror tale/western of sorts. Where I already covered Guy Pearce in his essential straight man performance as the conflicted Captain Boyd who is sent off to a remote army base after an act of heroism/cowardice in the Mexican-American War, I did not give the time to Robert Carlyle who first appears as a stranger who wanders into the base late into the night. A man who claims to be a survivor of an ill-fated trek into the mountains which led to cannibalism. Carlyle, using his natural Scottish, brogue at this point is merely the beginning of his brilliant performance that will stand on a ledge, however here though that doesn't appear to be the case This is as Carlyle delivers Colqhoun's recitation with the absolute sincerity and honesty. The crippling fear is real and grants the tale a truly haunting quality. This in his eyes of presenting a man who has seen an absolute horror in this experience and a man nearly broken by the experience. There is no reason to suspect anything is afoot with Colqhoun as not only do the character's words seem to ring true, as does Carlyle's performance which seems to be that of a damaged survivor. Of course the soldiers who decide to go to the cave where the horror occurs, as well as the viewer have no idea just what Carlyle has in store for them.
The first inkling comes as Colqhoun comes in with the most unexpected behavior of licking the wounds of one of the soldiers on the trek to the cave. This even though Carlyle portrays this effectively as a madness related to a trauma. Again though Carlyle depicts this with earnestness of this through expressions of a self-loathing and fear of the spoken action. An anguished admission of a man pained by seemingly this overwhelming guilt, more than willing to be bound by the man to ensure their safety. When they arrive to the cave of cannibalism and murder, we see Colqhoun fall upon his knees in gripping terror, which again Carlyle presents as the sheer truth of it that disarms any concerns. This becomes a fantastic bit of physical performance by Robert Carlyle though as this initial writhing of a man earnestly in pain slowly segues to this strange madness. This as grips this animalistic, wolf like, manner in his flaying hands, an jutting motions that is just great in creating this transformation in the man, as it is revealed that he is in fact the murderer and cannibal having led the man into a trap. That it is just hunting season for the man, and just fair game for a bit of insane entertainment in Carlyle's wild performance. This as he quite fittingly becomes quite rabidness, practically drooling as he bears his teeth in great delight to literally seek the blood of the men.
I love Carlyle's balance here as he does purposefully go into the heightened, to the point though that it is just is marvelous for the film's intentions. This as he does carry a genuine menace as he reveals himself as this monster, but is also just a blast to watch as he goes about it. This in that amazing grin that bears his face, and darting eyes that are both of a blood thirsty psychopath, and a man having the time of his life. What makes it so special to me though is it is a brilliant darkly comic performance all at the same time, with he exact timing of reactions. I especially adore his wild smirk just after the man revives from a gun shot that should've killed or at least severely injured a normal man. The Carlyle's sheer joy is that of perhaps the joy of performance, but also just a perfect fit for this cannibal enjoying every last moment of the hunt. Essential in the success of this I feel though is Carlyle doesn't become one note, as extreme and potentially, and somewhat purposefully, absurd of a note he is working with. Carlyle though knows exactly how to play with this absurdity, by offering that balance and knowing exactly when to amp it up and tone it down a bit. Another favorite of mine of the sequence being his hilarious delivery of "that is so annoying" when a gun misfires on his target, that Caryle brings such a great casual manner to, before returning to his diabolical predator eyeing his kill before telling him to "run".
I mean I would probably already be satisfied with Carlyle's performance here as he already delivered the believable portrait of a survivor, then a completely deranged turn as a man consumed with animal lust for humans, but Carlyle still has not one but two more shades to play. This is after Pearce's Boyd, the sole survivor, returns to the camp, and finds that his new commanding officer is one Colonel Ives, who just happens to be Colqhoun. Carlyle is fantastic in demonstrating yet another character here portraying a cool and collected manner, further amplified by now fashioning a refined accent for a proper soldier it would seem. Of course no one believes Boyd's outlandish stories, leaving him as the only one to accuse Ives of being the psychopathic cannibalistic murderer. Carlyle is once again quietly hilarious in his overly unassuming manner as the "innocent" Ives just seems confused by the questions and suspicions of Boyd. Again though I love how Carlyle moves between the face of such innocence, to these perfect little knowing glances towards Pearce, saying without saying "Yes, I know exactly what I'm doing here, and you can't do a thing about it". This eventually leaves Boyd in the sparsely populated camp with Ives as the commanding officer, and it is in this where we get what might be my favorite single "performance" of Carlyle within this performance, although that's hard to say for certain. Carlyle nonetheless is amazing as he portrays the man in his most devious form, though also seemingly most civilized no longer burdened by a fake anguish nor currently lusting after blood, being quite satiated at the moment.Carlyle though now fashion almost a whole new villain, even if it feels like a natural extension of the rabid cannibal we had met before, in portraying this sinister charisma as he essentially preaches the worth of eating other humans. Carlyle is magnificent in that he brings such understated yet palatable passion and conviction within these statements. He absolutely dominates these scenes with this overwhelming presence of a man with far greater power at his disposal. This creating a sense of an absolute command of a man truly made virile by his most unorthodox means, and now quite assured in his path to conquer through cannibalistic ways. This as he attempts to tempt Boyd into joining him, while also mocking him a bit, which Carlyle portrays with such maniacal glee. This is again as it is just fun to watch Carlyle perform here, even as he also completely sells this completely ridiculous idea in a way that works for the film and for creating a truly striking and memorable villain. This is every phase of the characters though as Carlyle gives a great performance whether he is the broken man, the growling monster, the confused soldier, and the uh...life style guru.
Watching Ravenous once again, it once cemented itself as one of my favorite relatively modern films that was critically panned. This in its realization of a tone that tips towards just the right type of ridiculousness while still effectively telling this horror tale/western of sorts. Where I already covered Guy Pearce in his essential straight man performance as the conflicted Captain Boyd who is sent off to a remote army base after an act of heroism/cowardice in the Mexican-American War, I did not give the time to Robert Carlyle who first appears as a stranger who wanders into the base late into the night. A man who claims to be a survivor of an ill-fated trek into the mountains which led to cannibalism. Carlyle, using his natural Scottish, brogue at this point is merely the beginning of his brilliant performance that will stand on a ledge, however here though that doesn't appear to be the case This is as Carlyle delivers Colqhoun's recitation with the absolute sincerity and honesty. The crippling fear is real and grants the tale a truly haunting quality. This in his eyes of presenting a man who has seen an absolute horror in this experience and a man nearly broken by the experience. There is no reason to suspect anything is afoot with Colqhoun as not only do the character's words seem to ring true, as does Carlyle's performance which seems to be that of a damaged survivor. Of course the soldiers who decide to go to the cave where the horror occurs, as well as the viewer have no idea just what Carlyle has in store for them.
The first inkling comes as Colqhoun comes in with the most unexpected behavior of licking the wounds of one of the soldiers on the trek to the cave. This even though Carlyle portrays this effectively as a madness related to a trauma. Again though Carlyle depicts this with earnestness of this through expressions of a self-loathing and fear of the spoken action. An anguished admission of a man pained by seemingly this overwhelming guilt, more than willing to be bound by the man to ensure their safety. When they arrive to the cave of cannibalism and murder, we see Colqhoun fall upon his knees in gripping terror, which again Carlyle presents as the sheer truth of it that disarms any concerns. This becomes a fantastic bit of physical performance by Robert Carlyle though as this initial writhing of a man earnestly in pain slowly segues to this strange madness. This as grips this animalistic, wolf like, manner in his flaying hands, an jutting motions that is just great in creating this transformation in the man, as it is revealed that he is in fact the murderer and cannibal having led the man into a trap. That it is just hunting season for the man, and just fair game for a bit of insane entertainment in Carlyle's wild performance. This as he quite fittingly becomes quite rabidness, practically drooling as he bears his teeth in great delight to literally seek the blood of the men.
I love Carlyle's balance here as he does purposefully go into the heightened, to the point though that it is just is marvelous for the film's intentions. This as he does carry a genuine menace as he reveals himself as this monster, but is also just a blast to watch as he goes about it. This in that amazing grin that bears his face, and darting eyes that are both of a blood thirsty psychopath, and a man having the time of his life. What makes it so special to me though is it is a brilliant darkly comic performance all at the same time, with he exact timing of reactions. I especially adore his wild smirk just after the man revives from a gun shot that should've killed or at least severely injured a normal man. The Carlyle's sheer joy is that of perhaps the joy of performance, but also just a perfect fit for this cannibal enjoying every last moment of the hunt. Essential in the success of this I feel though is Carlyle doesn't become one note, as extreme and potentially, and somewhat purposefully, absurd of a note he is working with. Carlyle though knows exactly how to play with this absurdity, by offering that balance and knowing exactly when to amp it up and tone it down a bit. Another favorite of mine of the sequence being his hilarious delivery of "that is so annoying" when a gun misfires on his target, that Caryle brings such a great casual manner to, before returning to his diabolical predator eyeing his kill before telling him to "run".
I mean I would probably already be satisfied with Carlyle's performance here as he already delivered the believable portrait of a survivor, then a completely deranged turn as a man consumed with animal lust for humans, but Carlyle still has not one but two more shades to play. This is after Pearce's Boyd, the sole survivor, returns to the camp, and finds that his new commanding officer is one Colonel Ives, who just happens to be Colqhoun. Carlyle is fantastic in demonstrating yet another character here portraying a cool and collected manner, further amplified by now fashioning a refined accent for a proper soldier it would seem. Of course no one believes Boyd's outlandish stories, leaving him as the only one to accuse Ives of being the psychopathic cannibalistic murderer. Carlyle is once again quietly hilarious in his overly unassuming manner as the "innocent" Ives just seems confused by the questions and suspicions of Boyd. Again though I love how Carlyle moves between the face of such innocence, to these perfect little knowing glances towards Pearce, saying without saying "Yes, I know exactly what I'm doing here, and you can't do a thing about it". This eventually leaves Boyd in the sparsely populated camp with Ives as the commanding officer, and it is in this where we get what might be my favorite single "performance" of Carlyle within this performance, although that's hard to say for certain. Carlyle nonetheless is amazing as he portrays the man in his most devious form, though also seemingly most civilized no longer burdened by a fake anguish nor currently lusting after blood, being quite satiated at the moment.Carlyle though now fashion almost a whole new villain, even if it feels like a natural extension of the rabid cannibal we had met before, in portraying this sinister charisma as he essentially preaches the worth of eating other humans. Carlyle is magnificent in that he brings such understated yet palatable passion and conviction within these statements. He absolutely dominates these scenes with this overwhelming presence of a man with far greater power at his disposal. This creating a sense of an absolute command of a man truly made virile by his most unorthodox means, and now quite assured in his path to conquer through cannibalistic ways. This as he attempts to tempt Boyd into joining him, while also mocking him a bit, which Carlyle portrays with such maniacal glee. This is again as it is just fun to watch Carlyle perform here, even as he also completely sells this completely ridiculous idea in a way that works for the film and for creating a truly striking and memorable villain. This is every phase of the characters though as Carlyle gives a great performance whether he is the broken man, the growling monster, the confused soldier, and the uh...life style guru.
Thursday, 28 November 2019
Alternate Best Supporting Actor 1999
And the Nominees Were Not:
Harry Lennix in Titus
Robert Carlyle in Ravenous
John C. Reilly in Magnolia
Gary Cole in Office Space
Anthony Wong in The Mission
With Additional Reviews of:
Bryan Brown in Two Hands
Peters Sarsgaard in Boys Don't Cry
Harry Lennix in Titus
Robert Carlyle in Ravenous
John C. Reilly in Magnolia
Gary Cole in Office Space
Anthony Wong in The Mission
With Additional Reviews of:
Bryan Brown in Two Hands
Peters Sarsgaard in Boys Don't Cry
Monday, 17 March 2014
Alternate Best Supporting Actor 1996: Results
5. Gene Hackman in The Birdcage- Hackman steals the film with his hilarious dead pan performance.
Best Scene: Senator Keeley talks about foliage.
4. Pete Postlethwaite in Brassed Off- For most of the film Postlethwaite gives a very enjoyable performance in bringing such a conviction and pride in something so seemingly small, and then he successfully transitions to a true emotional poignancy at the end of the film.
Best Scene: Final speech.
3. Robert Carlyle in Trainspotting- Carlyle gives a very entertaining and intense portrayal of man who gets his kicks out of kicking a certain something out of any unlucky fellow in his way.
Best Scene: Begbie's final bar breakdown.
2. Derek Jacobi in Hamlet- Claudius easily could have been a throwaway role but Jacobi gives an excellent portrayal of Claudius as both an imposing villain but as well an honest the portrayal of guilt.
Best Scene: Claudius asks for forgiveness.
1. Steve Buscemi in Fargo- Good Prediction koook160. Steve Buscemi gives a great portrait of idiotic criminal and is terrific in every one of his scenes, and it's only better due to his perfect chemistry with his partner in crime played by Peter Stormare who is also my very close number two for this year.
Best Scene: Carl negotiates with Wade.
Overall Rank:
Best Scene: Senator Keeley talks about foliage.
4. Pete Postlethwaite in Brassed Off- For most of the film Postlethwaite gives a very enjoyable performance in bringing such a conviction and pride in something so seemingly small, and then he successfully transitions to a true emotional poignancy at the end of the film.
Best Scene: Final speech.
3. Robert Carlyle in Trainspotting- Carlyle gives a very entertaining and intense portrayal of man who gets his kicks out of kicking a certain something out of any unlucky fellow in his way.
Best Scene: Begbie's final bar breakdown.
2. Derek Jacobi in Hamlet- Claudius easily could have been a throwaway role but Jacobi gives an excellent portrayal of Claudius as both an imposing villain but as well an honest the portrayal of guilt.
Best Scene: Claudius asks for forgiveness.
1. Steve Buscemi in Fargo- Good Prediction koook160. Steve Buscemi gives a great portrait of idiotic criminal and is terrific in every one of his scenes, and it's only better due to his perfect chemistry with his partner in crime played by Peter Stormare who is also my very close number two for this year.
Best Scene: Carl negotiates with Wade.
Overall Rank:
- Steve Buscemi in Fargo
- Peter Stormare in Fargo
- Edward Norton in Primal Fear
- Derek Jacobi in Hamlet
- Tony Jay in The Hunchback of Notre Dame
- Robert Carlyle in Trainspotting
- Charlton Heston in Hamlet
- Harry Belafonte in Kansas City
- Ed Harris in The Rock
- Pete Postlethwaite in Brassed Off
- Gene Hackman in The Birdcage
- Paul Scofield in The Crucible
- Clifton James in Lone Star
- Richard Jenkins in Flirting With Disaster
- Jean Rochefort in Ridicule
- Andre Braugher in Get on the Bus
- Matthew McCounaughey in Lone Star
- Edward Norton in The People vs. Larry Flynt
- Eric Tsang in Comrades: Almost A love Story
- David Bowie in Basquiat
- Jared Harris in I Shot Andy Warhol
- Ossie Davis in Get on the Bus
- Bain Beohlke in Fargo
- Michael Wincott in Basquiat
- Bill Murray in Kingpin
- Kevin McKidd in Trainspotting
- Gary Sinise in Ransom
- Dwight Yoakam in Sling Blade
- Armin Mueller-Stahl in Shine
- Harve Presnell in Fargo
- Mads Mikkelsen in Pusher
- Paul Kandel in The Hunchback of Notre Dame
- Robert Duvall in Phenomenon
- Stephen Dorff in I Shot Andy Warhol
- Lucas Black in Sling Blade
- Kiefer Sutherland in Freeway
- Kevin Pollak in That Thing You Do
- Ernst Jacobi in Hamsun
- Olivier Gourmet in La Promesse
- Pete Postlethwaite in Romeo + Juliet
- Martin Donovan in The Portrait of a Lady
- Robert De Niro in Sleepers
- Samuel L. Jackson in A Time To Kill
- Edgar Selge in Hamsun
- James Cromwell in Star Trek: First Contact
- Matthew McCounaughey in Larger Than Life
- Christopher McDonald in Happy Gilmore
- Harvey Keitel in From Dusk Till Dawn
- Zlatko Buric in Pusher
- Sverre Anker Ousdale in Hamsun
- Charles S. Dutton in Get on the Bus
- Benicio Del Toro in Basquiat
- Stephen Rea in Michael Collins
- Robert Duvall in Sling Blade
- Brian Blessed in Hamlet
- Willem Dafoe in The English Patient
- Brent Spiner in Star Trek: First Contact
- John Hawkes in From Dusk Till Dawn
- Kevin Spacey in A Time To Kill
- Dave Chapelle in The Nutty Professor
- Ian Holm in Big Night
- Scott Glenn in Carla's Song
- Kevin Bacon in Sleepers
- Stephen Tompkinson in Brassed Off
- Jonny Lee Miller in Trainspotting
- Steve Park in Fargo
- Jeremy Northam in Emma
- Kurtwood Smith in Citizen Ruth
- Alan Rickman in Michael Collins
- Tom Hanks in That Thing You Do
- Ewan McGregor in Emma
- Carl Weathers in Happy Gilmore
- Josh Brolin in Flirting With Disaster
- Samuel Le Bihan in Captain Conan
- Nicholas Farrell in Hamlet
- Scott Wilson in Shiloh
- Richard Attenborough in Hamlet
- Forest Whitaker in Phenomenon
- Chris Cooper in A Time to Kill
- Vince Vaughn in Swingers
- James Woods in Ghosts of Mississippi
- Kris Kirstofferson in Lone Star
- J.T. Walsh in Sling Blade
- Steve Zahn in That Thing You Do
- Robert Musgrave in Bottle Rocket
- Peter Vaughan in The Crucible
- John Astin in The Frighteners
- James Caan in Eraser
- Ewan Bremner in Trainspotting
- Jon Voight in Mission: Impossible
- Larry Brandenberg in Fargo
- John Ritter in Sling Blade
- Ron Canada in Lone Star
- Johnathon Shaech in That Thing You Do
- Wendell Pierce in Get on the Bus
- Vic Morrow in Mother
- Billy Crystal in Hamlet
- Jeff Goldblum in Independence Day
- James Caan in Bottle Rocket
- Roger Guenveur Smith in Get on the Bus
- Ewan McGregor in Brassed Off
- Kevin Kline in The Hunchback of Notre Dame
- Bruce Davison in The Crucible
- John Carroll Lynch in Fargo
- Elias Koteas in Crash
- Larry Miller in The Nutty Professor
- Ving Rhames in Mission: Impossible
- Andre Braugher in Primal Fear
- Tony Denman in Fargo
- Matt Damon in Courage Under Fire
- Pete Postlethwaite in Dragonheart
- Jim Carter in Brassed Off
- Brad Renfro in Sleepers
- Timothy Spall in Hamlet
- Gabriel Casseus in Get on the Bus
- John Ales in The Nutty Professor
- George Segal in Flirting With Disaster
- Bokeem Woodbine in Freeway
- John Gielgud in Shine
- Michael Biehn in The Rock
- Philip Seymour Hoffman in Twister
- Viggo Mortensen in The Portrait of a Lady
- John Ryan in Bound
- David Patrick Kelly in Flirting With Disaster
- Richard Briers in Hamlet
- Delroy Lindo in Ransom
- Michael Parks in From Dusk Till Dawn
- Christopher Meloni in Bound
- Aidan Quinn in Michael Collins
- Benicio Del Toro in The Funeral
- Philip Jackson in Brassed Off
- Robert De Niro in Marvin's Room
- William Forsythe in The Rock
- Thomas Jefferson Byrd in Get on the Bus
- Ron Livingston in Swingers
- Chris Penn in The Funeral
- Alan Cumming in Emma
- Gary Lewis in Carla's Song
- Brad Pitt in Sleepers
- Treat Williams in The Phantom
- Bill Murray in Space Jam
- Jonathan Pryce in Evita
- Phil Hartman in Sgt. Bilko
- Michael Moriarty in Shiloh
- Tom Savini in From Dusk Till Dawn
- Michael Douglas in The Ghost and the Darkness
- David Arquette in Scream
- Alan Alda in Flirting With Disaster
- Ben Stiller in The Cable Guy
- Dustin Hoffman in Sleepers
- Alan Alda in Everyone Says I Love You
- Dan Hedaya in Marvin's Room
- Steve Buscemi in Kansas City
- Viggo Mortensen in Daylight
- James Cromwell in The People vs. Larry Flynt
- Donald Sutherland in A Time to Kill
- Danny DeVito in Matilda
- Rob Campbell in The Crucible
- Patrick McGoohan in The Phantom
- Burt Reynolds in Citizen Ruth
- Paul Reubens in Dunston Checks In
- Dan Aykroyd in Sgt. Bilko
- Wayne Knight in Space Jam
- Stan Shaw in Daylight
- Leonardo DiCaprio in Marvin's Room
- James Coburn in The Nutty Professor
- Keith David in Larger Than Life
- Rufus Sewell in Hamlet
- Owen Wilson in The Cable Guy
- James Rebhorn in Independence Day
- Hill Harper in Get on the Bus
- Hank Azaria in The Birdcage
- Richard Paul in The People vs. Larry Flynt
- Dan Hedaya in The First Wives Club
- Gerard Depardieu in Hamlet
- Gary Busey in Black Sheep
- Harry Lennix in Get on the Bus
- Christopher Lee in The Stupids
- Matthew Lillard in Scream
- Phil Hartman in Jingle All The Way
- Jack Black in The Cable Guy
- Dan Hedaya in Freeway
- Colin Firth in The English Patient
- Michael Murphy in Kansas City
- Woody Allen in Everyone Says I Love You
- Robin Williams in Hamlet
- Joe Morton in Lone Star
- Lou Diamond Phillips in Courage Under Fire
- Richard Belzer in Get on the Bus
- John Spencer in The Rock
- Tim Roth in Everyone Says I Love You
- David Thewlis in Dragonheart
- William Atherton in Bio-Dome
- Cary Elwes in Twister
- Skeet Ulrich in Scream
- Randy Quiad in Independence Day
- Harold Gould in Killer: A Journal of Murder
- Tim Matheson in Black Sheep
- Bob Odenkirk in Cable Guy
- Paul Sorvino in Romeo + Juliet
- Emilio Estevez in D3
- Peter Dobson in The Frighteners
- Brian Dennehey in Romeo + Juliet
- Cuba Gooding Jr. in Jerry Maguire
- Fred Williamson in From Dusk Till Dawn
- Judd Hirsch in Independence Day
- James Belushi in Jingle All The Way
- Bill Cosby in Jack
- Ruper Everett in Dunston Checks In
- Beau Bridges in Jerry Maguire
- Bronson Pinchot in The First Wives Club
- Robert John Burke in Killer: A Journal of Murder
- James Naughton in First Kid
- Eugene Levy in Multiplicity
- Glenn Shadix in Dunston Check In
- Edward Norton in Everyone Says I Love You
- Jack Lemmon in Hamlet
- Dash Mihok in Romeo + Juliet
- Brian Kerwin in Jack
- Victor Garber in The First Wives Club
- Robert Guillaume in First Kid
- Stephen Collins in The First Wives Club
- James Acheson in Kazaam
- Harold Perrineau in Romeo + Juliet
- Jerry O'Connell in Jerry Maguire
- Dan Futterman in The Birdcage
- Sinbad in Jingle All The Way
- Crispin Glover in The People vs. Larry Flynt
- Kiefer Sutherland in A Time to Kill
- Quentin Tarantino in From Dusk Till Dawn
- Michael Maloney in Hamlet
- John Costelloe in Kazaam
- Bug Hall in The Stupids
- John Leguizamo in Romeo + Juliet
- Jake Lloyd in Jingle All The Way
Thursday, 13 March 2014
Alternate Best Supporting Actor 1996: Robert Carlyle in Trainspotting
Robert Carlyle did not receive an Oscar nomination for portraying Francis "Franco" Begbie in Trainspotting.
Robert Carlyle plays Begbie the only member of the group of friends in the film who is never uses heroine throughout the course of the film. This hardly makes Begbie the most sympathetic or most intelligent of the friends though in fact it is quite the opposite. Although Begbie avoid heroine he instead enjoys a quite a lot of hard drinking, and all that seems to come from hard drinking. Carlyle performance early on is instantly striking in his portrayal of the one friend who never seems to retire from anything, certainly not from reality in at least the way the others do. Begbie is an extremely different man from the rest of them and Carlyle absolutely makes the makes the most of Begbie's uniqueness.
Carlyle plays Begbie as a constant time bomb of sorts who seems to be tightly wound even when he hanging out with the bloke. Carlyle is not even a particularly imposing man all by himself but in a very Joe Pesci sort of way there is always a volcano about the erupt. Carlyle makes Begbie unpredictable in his manner and frankly a slightly uncomfortable man to be around because the way he plays him you don't know exactly when he's going to snap as he always keeps the possibility open even when he seems to be calm. In his calm seems Carlyle is very good in being the big talker though and even the way he seems to look suggests an incredible self absorption on his part. Whenever Begbie is going on about something Carlyle makes it clear that no should ever interrupt Begbie as his mindset is set firmly in place.
Everyone one of Begbie barroom tantrums are a highlight of both Carlyle's performance as well as the film. Carlyle pretty much makes it his picture in every scene where he a very specific manner he takes as Begbie gets ready to beat down an unknowing bystander. Carlyle plays the scenes brilliantly as every part of it seems part of an exquisite plan that Begbie has in mind. This could seem overly mannered but it's not for two reasons one being that Begbie does definitely have a certain plan when he does this but as well Carlyle makes the whole process completely natural to the man he creates. Carlyle in these scenes fires on every cylinder in his performance. Firstly these scenes are extremely entertaining as Carlyle brings such a powerful flamboyance that is fun to watch, and it works because Begbie definitely wants everyone to notice him.
Within the intensity of his anger though Carlyle is careful, in the barroom brawls, to really bring the joy of Begbie's own performance into it as he has a strong sadistic streak. Carlyle is particularly good in those moments where Begbie handles his knife showing the great pride he has with what he does with it, or chooses not to do with it. Begbie's outbursts are his highs, and Carlyle brilliantly establishes this fact. Importantly when he just threatens one of his friends Carlyle rids himself of the joy though showing that towards his friends his anger is strictly basically his only emotional response he really knows. In his attacks though Carlyle also brings a constant command and pompousness in his manner showing that Begbie is as well trying to prove his dominance with his actions, and attempt to prove himself as something greater than he is.
Carlyle is given several of the big acting scenes of the film, and he does not waste his opportunities. Everyone of his scenes he takes to the fullest and gives a particularly striking performance. What is great about what he does is that he does not go over the top really, because Begbie is an over the top guy so technically speaking Carlyle is only being entirely natural to Begbie as himself. This might have not all worked or just have been enjoyable but unfitting moments but Carlyle brings it altogether in the way he plays Begbie in every scene. Due to Carlyle keeping that intensity always a factor these scenes are only ever the right transition for who Begbie is. Carlyle is excellent here because he sets himself clearly as one of the best parts of the film, and distinguishes himself clearly from the rest of the cast.
Robert Carlyle plays Begbie the only member of the group of friends in the film who is never uses heroine throughout the course of the film. This hardly makes Begbie the most sympathetic or most intelligent of the friends though in fact it is quite the opposite. Although Begbie avoid heroine he instead enjoys a quite a lot of hard drinking, and all that seems to come from hard drinking. Carlyle performance early on is instantly striking in his portrayal of the one friend who never seems to retire from anything, certainly not from reality in at least the way the others do. Begbie is an extremely different man from the rest of them and Carlyle absolutely makes the makes the most of Begbie's uniqueness.
Carlyle plays Begbie as a constant time bomb of sorts who seems to be tightly wound even when he hanging out with the bloke. Carlyle is not even a particularly imposing man all by himself but in a very Joe Pesci sort of way there is always a volcano about the erupt. Carlyle makes Begbie unpredictable in his manner and frankly a slightly uncomfortable man to be around because the way he plays him you don't know exactly when he's going to snap as he always keeps the possibility open even when he seems to be calm. In his calm seems Carlyle is very good in being the big talker though and even the way he seems to look suggests an incredible self absorption on his part. Whenever Begbie is going on about something Carlyle makes it clear that no should ever interrupt Begbie as his mindset is set firmly in place.
Everyone one of Begbie barroom tantrums are a highlight of both Carlyle's performance as well as the film. Carlyle pretty much makes it his picture in every scene where he a very specific manner he takes as Begbie gets ready to beat down an unknowing bystander. Carlyle plays the scenes brilliantly as every part of it seems part of an exquisite plan that Begbie has in mind. This could seem overly mannered but it's not for two reasons one being that Begbie does definitely have a certain plan when he does this but as well Carlyle makes the whole process completely natural to the man he creates. Carlyle in these scenes fires on every cylinder in his performance. Firstly these scenes are extremely entertaining as Carlyle brings such a powerful flamboyance that is fun to watch, and it works because Begbie definitely wants everyone to notice him.
Within the intensity of his anger though Carlyle is careful, in the barroom brawls, to really bring the joy of Begbie's own performance into it as he has a strong sadistic streak. Carlyle is particularly good in those moments where Begbie handles his knife showing the great pride he has with what he does with it, or chooses not to do with it. Begbie's outbursts are his highs, and Carlyle brilliantly establishes this fact. Importantly when he just threatens one of his friends Carlyle rids himself of the joy though showing that towards his friends his anger is strictly basically his only emotional response he really knows. In his attacks though Carlyle also brings a constant command and pompousness in his manner showing that Begbie is as well trying to prove his dominance with his actions, and attempt to prove himself as something greater than he is.
Carlyle is given several of the big acting scenes of the film, and he does not waste his opportunities. Everyone of his scenes he takes to the fullest and gives a particularly striking performance. What is great about what he does is that he does not go over the top really, because Begbie is an over the top guy so technically speaking Carlyle is only being entirely natural to Begbie as himself. This might have not all worked or just have been enjoyable but unfitting moments but Carlyle brings it altogether in the way he plays Begbie in every scene. Due to Carlyle keeping that intensity always a factor these scenes are only ever the right transition for who Begbie is. Carlyle is excellent here because he sets himself clearly as one of the best parts of the film, and distinguishes himself clearly from the rest of the cast.
Wednesday, 12 March 2014
Alternate Best Supporting Actor 1996
And the Nominees Were Not:
Steve Buscemi in Fargo
Pete Postlethwaite in Brassed Off
Derek Jacobi in Hamlet
Robert Carlyle in Trainspotting
Gene Hackman in The Birdcage
Steve Buscemi in Fargo
Pete Postlethwaite in Brassed Off
Derek Jacobi in Hamlet
Robert Carlyle in Trainspotting
Gene Hackman in The Birdcage
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