Sunday, 7 October 2012

Alternate Best Supporting Actor 1985: Christopher Lloyd in Back to the Future

Christopher Lloyd did not receive an Oscar nomination for portraying Doctor Emmett "Doc" Brown in Back to the Future.

Christopher Lloyd portrays Doctor Emmet Brown who is the actual inventor of the time machine that Marty McFly uses to go back to 1955. Lloyd creates a very unique performance as the scientist. Lloyd certainly takes risk with his portrayal. He takes a very manic approach to portraying the just slightly off his rocker Doc. He creates an undeniable impression from his very first scene where he finally tries the time travel device, and shows it off to Marty. It is an interesting take that Lloyd takes on Brown as he almost plays him as more down to earth average sort of man scientist.

Lloyd in his first scenes shows off a manic approach to Doc Brown, that is a very enjoyable and endearing method to his performance. Every line he says has an incredible energy behind it, as does the physical aspect of his performance. There is something very special to Lloyd take on Brown's style that never seems forced, and effectively helps to amplify the idea that his character is the eccentric scientist. He never overplays the mannerisms, but rather he works all of them within his performance wonderfully to help make Doc Brown as memorable of a character as he is.

Lloyd just makes an endearing character in the wacky but goodhearted Doc, and he makes Doc very likable from the instant we see him. There is just a charm he brings out to his performance that like Crispin Glover, and Michael J. Fox in this film he does this by adding a great deal of humor in his performance as well. A great example of how this works is when he forces Marty to video tape the time travel experiment directly in front of the car which will run them over if his experiment does not work. His reaction as he looks at Marty to stand properly in line, although technically devious never feels so due to just how amusing Lloyd's look is.

One of the best aspects of Lloyd's performance is the pride in his character, but just as well as the way he shows that really Brown is not much of a scientist, and just happened to be able to invent the time machine. There is though a profound wonderment when he first sees his machine work, as well as when the past version of himself finds out that he has actually discovered something has work that Lloyd brings to life with a great deal of joy, but always wonderment that he actually could invent something in the end. After all one of my favorite moments in his performance is when he tries a clearly shoddy machine, and his hilarious frustration at it shows a long standing history of such frustrations.
 
One of the most important parts of his performance though is his relationship with Marty played by Michael J. Fox. As I said in Fox's review the two absolutely make this friendship work together as well as it could. Although again there is no explanation between Marty and Doc, the two just have a natural chemistry together that absolutely makes the most of it. Although the idea of the friendship might of seemed unbelievable in the hands of any other pair of actors, the two absolutely do not leave the viewer questioning the friendship between the two. They succeed together both in a comedic fashion, as well as even in a more serious fashion.

Together the two play off each other wonderfully with Lloyd playing it up and Fox playing it down, as well as in the past Lloyd playing up the 50's sentiments, and Fox playing up the 80's. Both actors just match each other perfectly every reaction and line that work off each other just hits the mark. For example the exchange between the two as Marty says their situation is heavy, and Doc question the statement believing there something to be wrong with the earth's gravitational pull, to Marty ending it with a huh. The two just have excellent timing and they just are an excellent duo, it is no wonder they continued for two more films after this.

Lloyd and Fox just as easily create an honestly moving relationship between the two which is largely based on that Marty knows that Doc was killed just before he went back in time. Although at first somewhat hostile due to a humorous disbelief as portrayed by Lloyd, the past Doc and Marty quickly becomes friends as well. The two genuinely create a believable caring the two have for each other that absolutely works with each other. Both actors actually make their arguments over Marty wanting to tell Doc, but Doc wanting to avoid messing with time honestly poignant particularly their final goodbye to one another.

Christopher Lloyd gives a terrific performance creating Doc Brown into a memorable entertaining character. He just lights up every scene he is in with his great vigor that never lets up. He successfully never stops being both consistently funny in the role, but as well creating an honestly moving portrait of this rather strange character. Lloyd just effortlessly creates this manic and incredibly fun performance that realizes the character marvelously. Doc Brown could easily have not been nearly as remembered as he is, but every mannerisms every reaction that Lloyd gives in this performance works and only succeeds in making this one of the great characters of the 80's.

Friday, 5 October 2012

Alternate Best Supporting Actor 1985: Crispin Glover in Back to the Future

Crispin Glover did not receive an Oscar nomination for portraying George McFly in Back to the Future.

Crispin Glover portray George the father of Marty McFly (Michael J. Fox) who we first see in the present time as a spineless man who does his supervisor and former bully Biff's (Thomas F. Wilson) work, as well even letting Biff destroy his family's car. Glover is quite a sight to be seen early on here with his cheap looking business attire, that far too greasy hair cut, and something that can be given entirely to Glover's credit is that horrible posture that carries as the older George. Glover makes these earliest scenes of George some of the funniest in the film through his portrayal of George's lack of confidence.

Glover does not give off even a hint of strength in George's character here as he shows George taking the same abuse from Biff he always has been. Glover is very good here becuase although George is being entirely exploited by Biff his entire, he still portrays George reaction to it as basically a discomfort that he still tries to be pleasant about. He does not suggest in any way at this point that George could possibly do anything about Biff's constant harassment of him. Glover very importantly really does show really the end of the wrong path for George, as a man who never once stood up for himself ever, which factors in well later on into the film.

Now of course this film is never a downer despite George's predicament at the beginning of the film, and Glover adds a great deal of humor well into his performance. His laugh as the older George is just downright hilarious in just how ludicrous it is, yet Glover makes the laugh entirely into the character of George here, and although odd it does come off as natural to him. It is also important to mention that Glover is effective at being the father here, honestly portraying a certain warmth, as well as amusingly showing George is weak willed attempts at fatherly advice. I particularly like Glover's strained emphasis as George just attempts to apologize to his son for not standing up to Biff.

After Marty goes back in time and by chance meets his father in the past, and Glover brings about the younger George well loosening up on the posture, and shows not nearly as excessively pathetic of George. This is not to say he is not pathetic but rather he is on his way to becoming the George at the beginning. Although technically speaking it is more of being George being himself, Glover finds more way to make the character enjoyable in his lacking qualities. Again although pathetic Glover wears such a bright smile while still being bullied that he makes it all rather entertaining.

Glover gives just a brilliant comedic performance in every scene he is in realizing the nerdy George. Glover is a master of physical comedy here expression so well in every one of scenes the meekness of George, he only adds to it with his always reluctant voice and expression. He really truly makes a meek man here, although he makes him an absolutely hilarious man of such meekness. One moment I particularly love that is comedic gold but also with just the right amount of sadness is when Marty tries to introduce George to his future wife Lorraine (Lea Thompson), but she completely ignores him. Glover is absolutely perfect in how awkwardly he  attempts to greet her, than after his failure he so quietly slinks away.

What is so special about this performance though is although consistently funny Glover always puts it entirely within his character. There is nothing forced about the humor, it all works in wonderfully with George, and amplifies his qualities marvelously. He just like Fox did in his performance finds just the right tone bringing in the right amount of comedy in the role well not losing the dramatic weight required for the role. He finds just the right harmony between the two that this performance really works, and even becomes rather moving at times because of this.

Some of the best moments of his performance are when Marty tries to push George to stand up for himself, and actually asks Lorraine out. Glover is amazing when he tries to ask her out in the diner as he prepares so awkwardly, but again hilariously finding courage through a milk...chocolate. Although he still does not have much strength in him, Glover does indicate well that there is at least a hint of it as he shakily tries to ask her out. His smile when he says his name and finally pronounces destiny instead of density it just terrific, and actually honestly quite heartwarming for the moment as actually the two indicate to each other the connection the two would eventually have.

The pivotal moment of his character comes when he is finally is forced to stand up to Biff, and that little of bit of strength is capitalized on. Glover shows that what really does force George to finally break his shell is the seriousness of the situation and his slow turn from fear to determination is handled with a fierce power. Absolutely important though is Glover's reaction after finally punching Biff out. It is a moving combination of pride, with astonishment of what he has been capable of, and moving toward sympathy and love when asking if Lorraine is okay. He does not lose his manner completely here, as he should not, but Glover flawlessly brings out the best of George here showing that he will never go back to his meekness of before.

Glover again is appropriate in his final scene. This is actually the least notable of all of his scenes as the flawed George is clearly more interesting of a character, but nevertheless Glover handles it well. In the new present he portrays George with a proper posture, life, and confidence in himself. From his absolutely great moments from the end of the past part of the film, Glover manged to make it entirely believable that George would become this man in the end. This is just a great performance in every regard, being both a laugh out loud depiction of nerdy incompetence and lack of confidence, but as well a genuinely moving portrayal of a man overcoming his fears and weaknesses for the better. 

Thursday, 4 October 2012

Alternate Best Supporting Actor 1985: M. Emmet Walsh in Blood Simple

M. Emmet Walsh did not receive an Oscar nomination, although he did win an independent spirit award, for portraying Loren Visser.

Blood Simple is a thriller about a man who hires a private detective to murder his wife and her lover. I would say this an effective film although held back a bit by the leads who are not particularly interesting.

M. Emmet Walsh portrays the private detective with a great deal of sleaze and sweat. Visser whole point in the film is to be an individualistic evil, who chooses to take the money to kill the couple, but double crosses the man instead killing the man and merely taking the money for himself. Visser only investment in the whole affair is his own well being financially, and physically, and decides to kill the couple after all only because he believes they threaten him. There is nothing technically emotional about Visser does even though it is all about himself.

Walsh is every effective in the role becuase of how casually he portrays the part of the detective. He wears his creepy smirk, and generally murky demeanor with gusto. He goes all the way with the sleaze and never strives from it for a moment. Walsh actually manages to use the sleaze to amplify the lack of morality within Visser. Walsh portrays no hesitation when Visser kills, he goes entirely unphased. Murdering for money is something that just comes as naturally to him as his generally slimy demeanor.

Visser comes in and out of the film as his evil presence, and Walsh becomes the chilling amoral evil in the film. Although he might not be as well together or as stoic as Javier Bardem in No Country For Old Men, Walsh is able to achieve the same effect with his performance. The effect is that the sinister force he creates when he is on screen carries off when he is not. The most horrifying moments in the film are when you are aware Visser is around, but you only hear him but do not see him. Like Bardem is so well able to the evil alive on screen that it even carries over when he is off.

M. Emmet Walsh despite portraying the most reprehensible character in the film, there is something strangely compelling about him becuase of Walsh's portrayal. He just wears the slime of his character with such as joy that he creates Visser into just a fascinating portrayal of a villain.The way he laughs in delight, even at his own end is played with menacing delight by Walsh. Every moment that M. Emmet Walsh is on screen he has a powerfully visceral effect with his performance. 

I would say my only actual complaint of the character is that I wish there was more of Visser since even though he is the most mysterious character in the film Walsh still makes him the most interesting of them all. His somewhat limited screen time though does not reduce the great strengths of his performance in his demented startling turn as opportunist detective. After all it is really a compliment when the worst thing you can say about a performance is that you wish there was more of it.

Wednesday, 3 October 2012

Alternate Best Supporting Actor 1985

And the Nominees Were Not:

Crispin Glover in Back to the Future

Christopher Lloyd in Back to the Future

M. Emmet Walsh in Blood Simple 

Wilford Brimley in Cocoon

Danny Glover in The Color Purple

Alternate Best Supporting Actor 2008: Results

5. Eddie Marsan in Happy-Go-Lucky- Marsan a good supporting performance through the film, and even helps Hawkins's performance come alive more in their scenes through the extreme differences of their characters.
4. Aaron Eckhart in The Dark Knight- I would not quite put his performance quite up there with Ledger and Oldman, but on his own he creates his character's journey effectively and gives a strong performance throughout the film.
3. Brad Pitt in Burn After Reading- This is a great performance from Pitt, and  it could not be a better comedic portrayal of an idiot.

2. Gary Oldman in The Dark Knight- Oldman gives a moving performance making Commissioner Gordon a truly three dimensional character.
1. Ralph Fiennes in In Bruges- Good Predictions Lezlie and Michael Patison, feel free to name a year and a performance. Fiennes easily wins this year, and I must say I really did consider giving him the overall. I love every aspect of this performance every one of his scenes are amazing as he is both an imposing villain but as well an always hilarious character.
Overall Rank:
  1. Heath Ledger in The Dark Knight
  2. Ralph Fiennes in In Bruges
  3. Lee Byung-hun in The Good the Bad The Weird
  4. Robert Downey Jr. in Tropic Thunder
  5. Jason Butler Harner in Changeling 
  6. Gary Oldman in The Dark Knight
  7. Brad Pitt in Burn After Reading
  8. Tsutomu Yamazaki in Departures 
  9. Josh Brolin in Milk
  10. Tom Noonan in Synecdoche, New York
  11. Mathieu Amalric in A Christmas Tale
  12. Aaron Eckhart in The Dark Knight
  13. Yoshio Harada in Still Walking
  14. Richard Jenkins in Step Brothers
  15. Liev Schrieber in Defiance  
  16. Peter O'Toole in Dean Spanley
  17. Eddie Marsan in Happy-Go-Lucky
  18. Tom Cruise in Tropic Thunder 
  19. Damian Lews in The Escapist
  20. Richard Dreyfuss in W.
  21. John Malkovich in Burn After Reading
  22. Sam Neill in Dean Spanley
  23. Andreas Lust in Revanche
  24. Liam Cunningham in Hunger
  25. Anthony Mackie in The Hurt Locker 
  26. Takeshi Kaneshiro in Red Cliff Part I 
  27. James Cromwell in W.
  28. Viggo Mortensen in Appaloosa 
  29. Matthew McConaughey in Tropic Thunder 
  30. Frederic Lau in The Wave
  31. Richard Jenkins in Burn After Reading 
  32. Jean-Paul Roussillon in A Christmas Tale
  33. Jesper Christensen in Everlasting Moments
  34. Mark Strong in RocknRolla
  35. Jeff Bridges in Iron Man  
  36. Ralph Fiennes in The Duchess 
  37. Giancarlo Giannini in Quantum of Solace  
  38. Dennis Hopper in Elegy
  39. Christopher Evan Welch in Synecdoche, New York 
  40. Mark Rylance in The Other Boleyn Girl
  41. Hans Zilcher in Flame and Citron 
  42. Moni Moshonov in Two Lovers
  43. Gerard Depardieu in Mesrine: Killer Instinct
  44. Christian Berkel in Flame and Citron
  45. Per Ragnar in Let the Right One In
  46. J.K. Simmons in Burn After Reading  
  47. Alan Alda in Nothing But the Truth
  48. Peter Dinklage in Prince Caspian 
  49. Kevin Bacon in Frost/Nixon
  50. Ben Kingsley in Transsiberian
  51. Saul Rubinek in Julia
  52. Scott Glenn in W.
  53. Walter Dalton in Wendy and Lucy
  54. Anil Kapoor in Slumdog Millionaire 
  55. Eric Godon in In Bruges
  56. Mark Strong in Body of Lies 
  57. Ulrich Tukur in Seraphine
  58. Liam Cunningham in The Escapist
  59. Bill Irwin in Rachel Getting Married 
  60. Liu Kai-chi in Beast Stalker
  61. Tom Hardy in Rocknrolla
  62. Doug Jones in Hellboy 2
  63. Jeremie Renier in Lorna's Silence
  64. Dustin Hoffman in Kung Fu Panda
  65. Rip Torn in Turn the River
  66. Jordan Prentice in In Bruges
  67. Michael Shannon in Revolutionary Road
  68. Jeremie Renier in In Bruges
  69. Matt Dillon in Nothing But the Truth 
  70. Moritz Bleibtreu in The Baader Meinhof Complex
  71. Mathieu Amalric in Mesrine: Public Enemy No. 1
  72. Adam Scott in Step Brothers
  73. Michael Caine in The Dark Knight
  74. Nick Nolte in Tropic Thunder
  75. Morgan Freeman in The Dark Knight 
  76. Chin Han in The Dark Knight
  77. Ralph Fiennes in The Reader 
  78. Shohei Tanaka in Still Walking
  79. Jeffrey Wright in Quantum of Solace
  80. Russell Crowe in Body of Lies
  81. Haaz Sleiman in The Visitor 
  82. Zhang Fengyi in Red Cliff Part I
  83. Brian Geraghty in The Hurt Locker 
  84. Hannes Thanheiser in Revanche
  85. Jamie Bell in Defiance 
  86. Eric Roberts in The Dark Knight
  87. Tom Noonan in Snow Angels
  88. Ian McShane in Kung Fu Panda 
  89. Willem Dafoe in Adam Resurrected  
  90. Danny Mcbride in The Pineapple Express
  91. William Hurt in The Incredible Hulk
  92. Warwick Davis in Prince Caspian
  93. Melvil Poupaud in A Christmas Tale
  94. Jay Baruchel in Tropic Thunder 
  95. Jeffrey Wright in W. 
  96. Tom Wilkinson in RocknRolla
  97. David Harbour in Revolutionary Road 
  98. Danny Mcbride in Tropic Thunder
  99. Griffin Dunne in Snow Angels
  100. Laurent Capelluto in A Christmas Tale
  101. James Franco in Milk
  102. Toby Jones in W.
  103. Tim Roth in The Incredible Hulk 
  104. Idris Elba in RocknRolla
  105. Max Riemelt in The Wave
  106. Paul Rudd in Forgetting Sarah Marshall
  107. Sam Rockwell in Frost/Nixon 
  108. Toby Kebbell in RocknRolla
  109. John Malkovich in Changeling 
  110. Eduardo Noriega in Transsiberian
  111. Oliver Platt in Frost/Nixon 
  112. Terence Stamp in Wanted
  113. Mathieu Amalric in Quantum of Solace
  114. Jeremy Irons in Appaloosa   
  115. Greg Kinnear in Ghost Town 
  116. Peter Sarsgaard in Elegy
  117. Russell Brand in Forgetting Sarah Marshall 
  118. Morgan Freeman in Wanted
  119. Terrence Howard in Iron Man 
  120. Tim Allen in Redbelt
  121. Brandon T. Jackson in Tropic Thunder
  122. Emile Hirsch in Milk  
  123. David Thewlis in The Boy in the Striped Pajamas
  124. Ricky Jay in Redbelt
  125. Jack Black in Tropic Thunder 
  126. Brad William Henke in Choke 
  127. John Leguizamo in The Happening  
  128. Gerard Butler in RocknRolla
  129. Joseph Fiennes in The Escapist 
  130. William Fichtner in The Pineapple Express
  131. Samuel L. Jackson in Spirit
  132. Eric Bana in The Other Boleyn Girl
  133. Joe Mantegna in Redbelt
  134. Rupert Friend in The Boy in the Striped Pajamas
  135. Clark Gregg in Choke 
  136. Ray Winstone in Indiana Jones and the Kingdom of the Crystal Skull
  137. Chris Messina in Vicky Christina Barcelona
  138. John Hurt in  Indiana Jones and the Kingdom of the Crystal Skull 
  139. Diego Luna in Milk
  140. Jeffrey Donovan in Changeling 
  141. Bee Vang in Gran Torino
  142. Shia Laboeuf in Indiana Jones and the Kingdom of the Crystal Skull
  143. Jack O'Connell in Eden Lake
  144. Jeremy Strong in The Happening
  145. Frank Collison in The Happening
Next Year: 1985 Supporting

Tuesday, 2 October 2012

Alternate Best Supporting Actor 2008: Brad Pitt in Burn After Reading

Brad Pitt did not receive an Oscar nomination for portraying Chad Feldheimer in Burn After Reading.

Burn After Reading is an okay comedy about a whole group of double crossing idiots, who have some sort of relation to the CIA.

Brad Pitt was in contention for two performances in 2008 this one, and the greater Oscar success The Curious Case of Benjamin. Both characters could possibly be described as a blank slate. Benjamin Button because Pitt's portrays him so dully that there does not seem to be even a though in his head. Chad well he also does not seem to have too many thoughts in his head either, but that is just find because there undoubtedly is plenty of meat perhaps. Anyway the point is Chad is an idiot quite possibly the dumbest character in the film.

Although one could argue almost everyone in the film is some sort of idiot, but Pitt's performance is the one that most revels in it to the greatest effect. Pitt makes no excuses and never winks in his performance with Chad and goes all the way into portraying Chad just the way he should be. Chad just is not very bright as he does his job as a gym trainer, and only seems qualified to do that. He does not understand much else, certainly not how to try to black mail a former CIA analyst Osbourne Cox (John Malkovich) with his worthless memoirs who he and his fellow Hard Bodies employee Linda (Frances McDormand).

All I can say with this performance is that although there is not much depth with this performance, there really should not be, there really is only two points to this performance. One is to be a proper idiot, and the other two be an extremely hilarious idiot. Really being a great idiot is a better art form than one might give credit for. After all one will find that such people as Adam Sandler, or Rob Schneider constantly fail at making an idiot funny. Pitt thought follows everything that one must do to be a hilarious idiot the way one needs to be.

Firstly his idiocy is pure Pitt shows wonderfully well that the only thing Chad knows about is the gym that's it, anything else is quite a jump for him and it requires extra effort. Importantly Pitt puts the fact that Chad although knows about the gym is not exactly smart there even acting still like a big dummy even when commenting about something he knows about.This particularly as when he becomes humorously frustrated when not finding a drink to suit him after having to run so far and can't even fully function until he has proper hydration, or his absolutely hilarious line of laughing proudly but in a still dimwitted when fashion when Malkovich's character thinks his bike is a Schwinn.

Secondly and very necessary is that Pitt makes Chad extremely likable. He has such a charm in the role, and he never feels annoying. This is for two reasons Pitt's makes the stupidity feel entirely natural as he never does stop being stupid, but as well he always makes Chad a doofus with a very good nature. Pitt never shows an malice in Chad's mischief, and there is always sense of great fun in his performance. One scene in particular is just one moment of laughter after another brought on by Pitt which is when he meets Malkovich, Pitt's portrayal of Chad is just brilliant as he so ineptly tries to be cool and mysterious and is anything but in the moment.

It is insanely funny how someone like Pitt who usually is portrayed as the coolest man around in his films, can be so amusingly lame. His faces as he tries to act like a tough blackmailer is just gold, and his hangdog expression after being punched in the face could not be better. Every moment Chad is on screen Pitt is doing something funny with this slow witted fellow. Even the act of watching a house for activity Pitt makes the most out of with his enjoyably simple gestures to his music while noticing something more important to him, but Pitt shows that no matter what Chad will keep listening to his music no matter what.

I would say my only problem with this performance is that it ends. I would say for the film's sake too soon as Pitt is by far the best part of the film, and I really say it is only an okay comedy because as soon as Pitt exits the film loses a lot of its entertainment value. I will say that Pitt could not go out better though in his quick almost blink and you miss it, but absolutely priceless reaction. It pretty much sums up Chad in the final moments of a man who even facing the worst will still stare forward with just a giant smirk on his face. This is a great performance from Pitt, and  it could not be a better comedic portrayal of an idiot.

Monday, 1 October 2012

Alternate Best Supporting Actor 2008: Ralph Fiennes in In Bruges

Ralph Fiennes did not receive an Oscar nomination for portraying Harry Waters in In Bruges.

Ralph Fiennes portrays In Bruges a character who mentioned frequently but not actually seen until fairly late into the film. Fiennes is heard in a voice over, and over the phone before we actually see him. Fiennes accent and voice he uses here is just terrific that is a perpetually angry sounding voice. It is curiously hilarious well still being incredibly intense a the same as Fiennes beautifully creates Harry with this voice before we even see him. He makes it obvious that Harry is not a person to be ticked off as well has a clear power even when he is far from the characters.

This is actually hard performance to begin with and what makes it so good, because everything about it is just so good, so I might as well start at the beginning which is his specific role in the film. He portrays the technical villain who at first order the hit man Ken (Brendan Gleeson) to kill the other hit man Ray (Colin Farrell) who botched a job. After Ken refuses it is up to Harry who sent the men to Bruges to go there himself to deal with them. Fiennes as a villain is terrific in being a constant clear violent threat that seems ready to kill or at least violently injure without delay.

Ralph Fiennes though brings the appropriate threat at all times as Harry whether it is overtly being especially forceful in the rather insane levels of anger Harry can get to when set off. He though is equally effective as being such when he is not overtly angry. One facial reactions I particularly love of Fiennes is when the pitiful thief  injured by Ray gets offended by Harry and gets ready to possibly attack him, Fiennes's face is just perfect. In just the single look there is joy even in Harry's face which suggests that Harry is pretty much ready to brutally beat this man, and enjoy it, if he wants to try and cross him.

Fiennes though does not just settle for being an excellent villain though with this performance, because he never stops being funny either. Fiennes is the master of every line that he says in this performance and is consistently hilarious no matter the situation. This is true when he is loudly launching into expletives at anyone who ticks him off in the slightest, where Fiennes never loses a second and turns this into an art form with Harry. It is equally true when he is a little quieter such as his distinct verbal beat down of the pathetic thief, or his absolutely perfect reaction when he gets offered an Uzi to do his job. Fiennes always turns every reaction and line into comedic gold.

What is amazing is that Fiennes does not just stop after being both a proper villain, and constantly amusing. Fiennes also goes all the way in making Harry a three dimensional character, as his want to kill Ray has nothing to do with hate. The reason Harry wants to kill him ray is that Ray accidentally killed a kid, and Harry feels that proper honor requires one to accept punishment for doing something so terrible. Importantly is that this is not some senseless thing that Harry is using for an excuse to kill Ray, rather Fiennes shows repeatedly that he deeply does believe it fully. He is particular terrific in his wonderfully bizarre scene where Harry tells his family he has to settle something for honor's sake. Fiennes leaves no question that Harry deeply believes in it, and Fiennes makes the scenes oddly poignant while still funny of course.

Fiennes coming in so late into the film as has quite something to live up to against Colin Farrell's and Brendan Gleeson's outstanding performances. Fiennes though is able to do this, and this is especially helped by his absolutely spectacular chemistry with Brendan Gleeson. Only lightly hinted at in terms of the dialogue, but Fiennes and Gleeson are outstanding in showing that the two have clearly a long friendship, and although at odd the two actors marvelously portray an undercurrent of understanding of each other that suggest that. I particularly love the scene where Ken tells Harry why he had to let Ray go, as well as why he will not fight Harry because he respects him too much to do so. Fiennes reaction is stunning as he is able to convey at the same time the anger he feels for Ken not doing what he told him to do, but in his same face is shows that Harry really is moved by Ken's respect for him.

He does something absolutely amazing in his final scene where he actually allows us to sympathize with Harry. The reason being that when Harry has to finally go all the way with his honor, Fiennes shows that Harry's beliefs where not just something his said. His quiet horrified reaction, followed quickly by his understanding of what must be done, is brilliantly played by Fiennes and actually quite moving because he makes it entirely genuine. This is just a great performance from Ralph Fiennes from beginning to end. He never wastes a single line in his entire performance, he never even wastes a moment. He is simply a joy to watch every single scene that he is, and he never for a moment makes this a simple portrayal as Harry could have been. He never settles to just be one thing, he instead is everything he could be in this part, a comedic tour de force, an imposing villain, a fascinating portrait of a man's honor, and even more.