Showing posts with label Omar Sharif. Show all posts
Showing posts with label Omar Sharif. Show all posts

Wednesday, 18 July 2012

Alternate Best Actor 1965: Results

5. Michael Caine in The Ipcress File- Caine uses his unique screen presence here to make Harry Palmer a down to earth, and very likable hero.

Best Scene: Palmer is tortured. (The scenes are dated but Caine's performance is not.)
4. Omar Sharif in Doctor Zhivago-This really is not the usual performance for an epic, but Sharif makes the most of his character and successfully carries the film.

Best Scene: Zhivago meets with Strelnikov.
3. Lee Van Cleef in For A Few Dollars More-  It is a performance of quiet simplicity, and in this simplicity is where the incredible strength of this performance lies.

Best Scene: The final duel.
2. Sean Connery in The Hill- This is an excellent showcase of Connery's talent as he not only utilizes his more commonly found command of the screen, but as well effectively shows us that he is fully capable of creating an emotionally resonate performance.

Best Scene: Roberts confronts Major Wilson.
1. Terence Stamp in The Collector-This is a great performance by Stamp as both a humane portrait of a lonely man, but at the same time a convincing portrayal of a man who seems to prefer the dead over the living. This is again an incredible year, and again Stamp wins for now but Connery, Steiger, and Burton are not far behind.

Best Scene: Miranda tries to seduce Freddie.
Overall Rank:
  1. Terence Stamp in The Collector
  2. Richard Burton in The Spy Who Came in From The Cold
  3. Rod Steiger in The Pawnbroker
  4. Orson Welles in Chimes at Midnight
  5. Sean Connery in The Hill
  6. Jozef Kroner in The Shop on Main Street
  7. Lee Van Cleef in For A Few Dollars More
  8. Omar Sharif in Doctor Zhivago
  9. Oskar Werner in Ship of Fools 
  10. Toshiro Mifune in Samurai Assassin
  11. Sidney Poitier in A Patch of Blue
  12. James Stewart in Shenandoah
  13. Clint Eastwood in For A Few Dollars More  
  14. Michael Caine in The Ipcress File
  15. Frank Sinatra in Von Ryan's Express
  16. James Fox in King Rat 
  17. John Wayne in The Sons of Katie Elder
  18. Keith Baxter in Chimes at Midnight
  19. Lee Marvin in Cat Ballou  
  20. Walmar Chagas in São Paulo, Sociedade Anônima
  21. John Wayne in In Harm's Way
  22. James Stewart in The Flight of the Phoenix
  23. George Segal in King Rat 
  24. Richard Widmark in The Bedford Incident
  25. Jean Sorel in Sandra
  26. Rentarō Mikuni in A Fugitive From the Past
  27. Charlton Heston in Major Dundee 
  28. Laurence Olivier in Bunny Lake is Missing 
  29. Zbigniew Cybulski in The Saragossa Manuscript
  30. Laurence Olivier in Othello  
  31. Max von Sydow in The Greatest Story Ever Told 
  32. Sidney Poitier in The Bedford Incident
  33. Jack Lemmon in The Great Race 
  34. Claudio Brook in Simon of the Desert
  35. Christopher Plummer in The Sound of Music
  36. Yuzo Kayama in Red Beard 
  37. Peter O'Toole in What's New Pussycat?
  38. Sean Connery in Thunderball 
  39. Frank Finlay in Othello
  40. Marcello Mastroianni in The 10th Victim
  41. Charlton Heston in The War Lord
  42. Marcello Mastroianni in Casanova 70
  43. Michael Crawford in The Knack ...and How to Get It
  44. Eddie Constantine in Alphaville
  45. Charlton Heston in The Agony and The Ecstasy
  46. Rex Harrison in The Agony and The Ecstasy
  47. Tony Curtis in The Great Race  
  48. Jean-Claude Drouot in Le Bonheur
  49. Steve McQueen in The Cincinnati Kid 
  50. George Peppard in Operation Crossbow 
  51. Kirk Douglas in The Heroes of Telemark
  52. Stuart Whitman in Those Magnificent Men And Their Flying Machines 
  53. Jason Robards in A Thousand Clowns
  54. Lou Castel in Fists in the Pocket
  55. Peter O'Toole in Lord Jim
  56. Jean-Paul Belmondo in Pierrot Le Fou
  57. Keir Dullea in Bunny Lake is Missing 
  58. Richard Burton in The Sandpiper
  59. Ringo Starr in Help!
  60. Paul McCartney in Help!
  61. John Lennon in Help! 
  62. George Harrison in Help!
Next Year: 2011

Monday, 16 July 2012

Alternate Best Actor 1965: Omar Sharif in Doctor Zhivago

Omar Sharif did not receive an Oscar nomination for portraying Dr. Yuri Andreyevich Zhivago the titular character of Doctor Zhivago.

Doctor Zhivago is the excellent follow up by David Lean to Lawrence of Arabia. This film certainly differs in many ways from that film the biggest being the lead character. In Lawrence of Arabia the main character of T.E. Lawrence absolutely controlled the film, and as made the world notice his extraordinary measures. Doctor Zhivago on the other hand though is not a particularly active individual being a man who is most acted upon. He does not change the course of Russia, he in fact can barely control his own existence and is forced to move along with the changes of Russia. Also I suppose I should note that unlike O'Toole Sharif was not nominated for his leading role despite winning the golden globe.

Omar Sharif has a difficult task which is to carry this over three hour long epic on his shoulders even with his character being only the most common man at times. Sharif really takes this fact in stride though, and does not try to be anything more than what Zhivago should be. Funny enough originally Peter O'Toole was the first choice to portray Zhivago, and the fact that O'Toole turned it down was certainly a good thing. One characteristic that seems clear in Zhivago is meekness, and if there is one thing that Peter O'Toole most certainly is not is meek. Sharif though never tries to be more than what Zhivago should be and makes the most of his character despite being such a meek man.

Omar Sharif gives a very understated performance in the lead role that stresses the fact that Zhivago is not an extraordinary man by any measure. Rather just a man trying to live his life particularly early on in the film as he goes through what is expected of him marrying the woman he was posed to marrying finding a properly supportive profession as a doctor, even though he desires to be remembered as a poet, and watching all the events around him only as an observer. Sharif is very good at being this average man because he so honestly portrays the part. He does not try to fancy up what does not need to be, there is a life in this man, but only really a life that desires to live not much more than that.

Sharif effectively reflects a successful, but in many ways, average man when it comes to viewing the changes in Russia that come from the revolution. Sharif shows his reactions, at least at first, to be mostly astonishment at what is going on around as Yuri's interest never really is the revolution at hand. He just is a bystander and he only reacts to the various occurrences taking place in Russia never once taking action to implement any sort of change. When he faced with losing most of his house to revolutionary changes he acts almost slight bemusement at the idea, Sharif showing that Yuri is quite good in taking it in stride at first. The changes do slowly wear on him such as when the state takes more and more of him.

Sharif is good in showing the way that even a man who tries to take things for the best even at the worst can't  deal with the suffering caused by all of the traumatic events in Russia. Sharif still does not show that Yuri changes his nature by any means he is still he same modest man, but there is a growing sadness is in performance. It is all very low key and mostly involves small quiet gestures by Sharif, but he is quite effective as showing the emotions of a sane man in an insane world. For example his scene with Tom Courtenay's Strelnikov, Courtenay of course is electrifying in the scene with his intense depiction of the dehumanization of a man, but Sharif is just as important in showing the completely human and heartbreaking reaction as he shows Yuri's sadness and disbelief over the change in the man.

Of course I should mention that a pivotal part of the film is the central love story between Yuri and Laura (Julie Christie). Now Sharif here is quite excellent as he builds up the love of Yuri, and again Sharif does not overplay this. Early in the film he is good as we see him notice her, and Sharif conveys an unshakable feeling for the woman who Yuri does not even know who she is. Of course they do meet, and Sharif is very good in showing the love that slowly grows with him. He never comes out with it obviously, and at first they do not act upon since they are both married. Even when they finally do have an affair Sharif still stays true to the character, and leaves much unsaid. Sharif and Christie make their relationship something special because both stay subtle and make it far more truthful than if they had conveyed the emotions in a broader fashion.

It would have been very easy for many actors to try and portray the character in a different more constantly active, and could frankly have been trying to steal scenes away from the likes of Rod Steiger and Tom Courtenay. That would have been the wrong approach though. In one scene in the film Zhivago states that he would rather just live life rather than try to be the surgeon for the world, and that is very much Sharif's portrayal. He does not try to control any scene of the film with his performance, but rather he stands firm in his realistic portrayal of an ordinary man in an extraordinary situation. This really is not the usual performance for an epic, but Sharif makes the most of his character and successfully carries the film.

Friday, 13 July 2012

Alternate Best Actor 1965

And the Nominees Were Not:

Omar Sharif in Doctor Zhivago

Lee Van Cleef in For A Few Dollars More

Terence Stamp in The Collector

Sean Connery in The Hill

Michael Caine in The Ipcress File

Tuesday, 25 October 2011

Best Supporting Actor 1962: Results

5. Telly Savalas in Birdman of Alcatraz- This performance is nothing because his character is nothing.
4. Victor Buono in What Ever Happened to Baby Jane?- Buono gives an effectively humorous performance that is not a whole lot but creates some nice little moments when on screen.
3. Ed Begley in Sweet Bird of Youth- Although the Southern Political Boss is an old role, and Begley does not reinvent anything about it he everything the boss should be from the charisma to the cruelty. 
2. Terence Stamp in Billy Budd- Stamp gives an effective performance that is filled with charm and an incredible ease that fully realizes the purity of his character.
1. Omar Sharif in Lawrence of Arabia- Good Prediction Dinasztie and Moviefilm. Sharif gives a strong supporting performance that works in great harmony with Peter O'Toole amazing work as the lead. Sharif perfectly contrast his characters transition to sanity and understanding, as O'Toole shows Lawrence's transition into insanity and sadism.
Deserving Performances:
Peter Sellers in Lolita
Jose Ferrer in Lawrence of Arabia
Claude Rains in Lawrence of Arabia

Monday, 24 October 2011

Best Supporting Actor 1962: Omar Sharif in Lawrence of Arabia

Omar Sharif received his only Oscar nomination so far for portraying Sherif Ali ibn el Kharish in Lawrence of Arabia.

What is so great about Lawrence of Arabia is its entire scope and that it never only settles on the central character study of Lawrence (Peter O'Toole), but it always manages to give an appropriate amount of time to the various supporting players who are well realized by the large cast. Although the film is filled with such actors well liked by the academy as Anthony Quinn, Claude Rains, Alec Guinness, Arthur Kennedy, and Jose Ferrer the only one of the supporting players nominated was Omar Sharif whose first English language film was this film. This certainly makes sense as Sherif Ali has an interesting transformation that is the opposite of Lawrence's central one of the film. Although it is not given an enormous amount of time through the film's strong script, and especially Sharif's performance it is fully realized. In his first scene Omar Sharif appears as Sherif Ali mercilessly kills a fellow Arab, Lawrence's guide, simply because the man was from the wrong tribe and drinking from his well.

Sharif is interesting in Ali first scene and shows absolutely no remorse over his killing. This important because Sharif shows with his lack of empathy that Ali's behavior is simply commonplace, he really sees no reason for an alternative. Also in this first scene Ali acts with certain interest as well as a very much unimpressed quality toward Lawrence. Sharif again establishes well Ali's whole past suggesting an intelligent man as well as one who is very skeptical of both the British's help and their longtime goals. 

In their move to take Aqaba Sharif makes Ali act as an interesting contrast to Lawrence. Sharif shows that Ali is very much doubtful of Lawrence's plan, and his whole overly optimistic and passionate attitude. Sharif always plays down all of these scenes. He never acts as if this is some wonderful plan instead Sharif shows Ali overall cynicism involving the plan and Lawrence as well. He also stays consistently realistic in showing how although doubtful of the plan Ali still wants the plan to work therefore acts as a teacher to Lawrence showing his knowledge of the land.

In the whole of the Aqaba sequence Sharif undergoes a transition of both accepting of the idea, as well as excepting Lawrence as a man who honestly wants to help them. It is a subtle and effectively portrayed transition by Sharif where he never overplays it. He instead shows actually a slow removal of a sort of defense against outsiders he had from before, and Sharif naturally shows that Ali begins to accept Lawrence as one of their own. Sharif never pushes this change instead carefully showing it, which is essential since his defense against Lawrence briefly returns when Lawrence must leave to report on their success, it returns not in an overriding fashion but rather as Sharif showing Ali realistically was not completely sure of Lawrence just yet.

Later in the film it is interesting because Sharif shows that Ali no longer is a cynical almost adversary to Lawrence but his greatest confidant. It is interesting because Ali concerns change over from Lawrence's ability to Lawrence's mental state since Lawrence becomes increasingly involved with his own idea that he is some sort of savior. Sharif does not play it as finding Lawrence insane and treating him as such, but instead Sharif shows that from his time with Lawrence he does have an honest care for the man. Sharif is terrific in playing opposite of O'Toole being able to stay with O'Toole incredible performance as well as showing how Ali attempts to act as both a friend and reality to Lawrence.

The most interesting aspect of Sharif's performance though comes near the end of the film where Lawrence as become overwhelmed with sadism and revenge against the Turks. Sharif shows a very much changed man from the man who had originally killed without caring from the film, which is the opposite transition of Lawrence's. Sharif conveys this change superbly owing to his own horror at Lawrence's blood lust as well as his increased understanding of the fault of tribal politics. Sharif effectively portrays this change making Ali the moral center of the film at the end. He is particularly great in the massacre scene where Ali cannot even believe the degree of Lawrence's change and hatred. Sharif though ends on a high note as he shows Ali honest struggle, and heartbreaking realization in seeing the change in his friend. This is a great performance by Omar Sharif that effectively realizes Sherif Ali as a character, as well manages to keep his presence known despite the overwhelming strength of the lead performance.

Friday, 21 October 2011

Best Supporting Actor 1962

And the Nominees Were:

Terence Stamp in Billy Budd

Telly Savalas in Birdman of Alcatraz

Ed Begley in Sweet Bird of Youth

Omar Sharif in Lawrence of Arabia

Victor Buono in What Ever Happened to Baby Jane?