10. John Cusack in Map to the Stars - Cusack might actually play his part too low key as he isn't able to overcome the weaknesses of his film.
Best Scene: Reaction to the fire.
9. Sam Claflin in Riot Club - Claflin is properly despicable but not much more than that.
Best Scene: Club at its worst.
8. Chris Pine Stretch in Pine is a whole lot of something, not quite sure what, but it is definitely something worth seeing.
Best Scene: Ending.
7. Irrfan Khan in Haider - Khan brings the right haunting quality and delivers the right impact in his brief screentime.
Best Scene: What happened.
6. Ricardo Darin in Wild Tales - Darin depicts an appropriate mental descent from dealing with the insanity of bureaucracy.
Best Scene: Losing it.
5. Taika Waititi in What We Do in the Shadows - Waititi gives an amusing performance by always being just so genteel as his vampire.
Best Scene: Wearing the pendant.
4. Michael Parks in Tusk - Parks is a far greater than his terrible film in his properly deranged turn as a walrus aficionado.
Best Scene: Doesn't need a wheelchair.
3. Damián Alcázar in The Perfect Dictatorship - He manages to be both hilarious and menacing as a politician who in no way hides the shame of his corruption.
Best Scene: Threatening "suicide".
2. Matthias Schoenaerts in The Drop - Schoenaerts gives a terrific portrayal of a wannabe threat in more ways than one.
Best Scene: "I killed Richie Wheeling"
1. Shia LaBeouf in Fury - Good predictions Anonymous, Robert, Tim, Maciej, and Emi Grant. LaBeouf delivers a performance worthy of a great war film. He's in Fury, but nonetheless LaBeouf gives it his all as a man scarred by war.
Best Scene: "Send me"
Updated Overall
Next: 1966 lead.
Showing posts with label Irrfan Khan. Show all posts
Showing posts with label Irrfan Khan. Show all posts
Wednesday, 1 July 2020
Sunday, 21 June 2020
Alternate Best Supporting 2014: Irrfan Khan in Haider
Irrfan Khan did not receive an Oscar nomination for portraying Roohdaar in Haider.
This version of Hamlet takes many creative choices of the material, some of them quite inspired, but perhaps none more inspired than in the character of the ghost. The ghost typically being Hamlet's father's apparition that details his death at the hands of his brother to his son. This version removes the supernatural by instead giving this news to an additional character. This as a man essentially appearing to set off the second act of the film, this man Roohdaar played by the gone far too soon, Irrfan Khan. Khan's initial appearance that can only be described as cool, and quite striking. This as he appears indeed, though obviously a man, but as an apparition in the way he glides through crowd with a manner of seemingly divine purpose. This only amplified by his costuming, in his his thick sunglasses and white robe, that seems to suggest a man on alternate plain. Although this man is indeed real but Khan's performance is one built upon the idea of haunting the proceedings in his few minutes of screentime. There is something so remarkable of that presence of his, as is typically the case from the few films I've seen him in, that he uses to offer the sense of a man on a mission. The mission though technically just being to inform Haider (Hamlet)'s family of his story, which involved being the same prison camp as Haider's father. Khan's performance carries this inherent weight within it, what is so notable about it is how with so much ease that Khan is able to evoke this. He speaks with a clarity that actually makes all the more haunting. This in his eyes reflect his experience yet his manner with the words is with this calm of a man with real purpose in his story. His story, which involves revealing that Haider's uncle had Haider's father killed in an execution that almost killed Roohdaar as well, is presented by Khan with careful emotion. This as it is with a sense of directing Haider to the truth, but with a glint, just a glint, of warmth within it. This with a sense quite but very powerful conviction in his delivery of the message as Roohdaar as someone who less is self-pitying or even revenge seeking, rather wants to ensure the truth is known. Khan doesn't have a lot of screentime however he is absolutely captivating in that time. His work delivering the needed switch within the film by offering the essential impact of this very different kind of "ghost".
This version of Hamlet takes many creative choices of the material, some of them quite inspired, but perhaps none more inspired than in the character of the ghost. The ghost typically being Hamlet's father's apparition that details his death at the hands of his brother to his son. This version removes the supernatural by instead giving this news to an additional character. This as a man essentially appearing to set off the second act of the film, this man Roohdaar played by the gone far too soon, Irrfan Khan. Khan's initial appearance that can only be described as cool, and quite striking. This as he appears indeed, though obviously a man, but as an apparition in the way he glides through crowd with a manner of seemingly divine purpose. This only amplified by his costuming, in his his thick sunglasses and white robe, that seems to suggest a man on alternate plain. Although this man is indeed real but Khan's performance is one built upon the idea of haunting the proceedings in his few minutes of screentime. There is something so remarkable of that presence of his, as is typically the case from the few films I've seen him in, that he uses to offer the sense of a man on a mission. The mission though technically just being to inform Haider (Hamlet)'s family of his story, which involved being the same prison camp as Haider's father. Khan's performance carries this inherent weight within it, what is so notable about it is how with so much ease that Khan is able to evoke this. He speaks with a clarity that actually makes all the more haunting. This in his eyes reflect his experience yet his manner with the words is with this calm of a man with real purpose in his story. His story, which involves revealing that Haider's uncle had Haider's father killed in an execution that almost killed Roohdaar as well, is presented by Khan with careful emotion. This as it is with a sense of directing Haider to the truth, but with a glint, just a glint, of warmth within it. This with a sense quite but very powerful conviction in his delivery of the message as Roohdaar as someone who less is self-pitying or even revenge seeking, rather wants to ensure the truth is known. Khan doesn't have a lot of screentime however he is absolutely captivating in that time. His work delivering the needed switch within the film by offering the essential impact of this very different kind of "ghost".
Saturday, 20 June 2020
Alternate Best Supporting Actor 2014
And The Nominees Were Not:
Chris Pine in Stretch
Matthias Schoenaerts in The Drop
Irrfan Khan in Haider
Taika Waititi in What We Do in the Shadows
Ricardo Darin in Wild Tales
Predict those five, these five or both:
Sam Claflin in The Riot Club
Shia LaBeouf in Fury
Michael Parks in Tusk (Do not Watch)
John Cusack in Maps to the Stars
Damian Alcazar in The Perfect Dictatorship
Chris Pine in Stretch
Matthias Schoenaerts in The Drop
Irrfan Khan in Haider
Taika Waititi in What We Do in the Shadows
Ricardo Darin in Wild Tales
Predict those five, these five or both:
Sam Claflin in The Riot Club
Shia LaBeouf in Fury
Michael Parks in Tusk (Do not Watch)
John Cusack in Maps to the Stars
Damian Alcazar in The Perfect Dictatorship
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