Showing posts with label Gene Wilder. Show all posts
Showing posts with label Gene Wilder. Show all posts

Thursday, 16 August 2012

Alternate Best Actor 1974: Results

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5. Charles Bronson in Death Wish- Although the role probably could have been far more complex, Bronson still is consistently effective in his portrayal of one man's revenge even if it is in a relatively simple fashion.

Best Scene: Paul's final "duel" with the criminals. 
4. Peter Falk in A Woman Under the Influence- Falk is good in his role always giving effective reactions throughout the film, that appropriately supports Gene Rowlands's great performance.

Best Scene: Nick fails as a father. 
3. Gene Wilder in Young Frankenstein- Wilder is always very funny in his role, but really makes it work is his conviction in his portrayal of the insanity of his character.

Best Scene: Frankenstein tries to make his monster live.
2. Walter Matthau in The Taking of Pelham One, Two, Three- Matthau is terrific here easily bringing a great deal of humor to his role without ever compromising any of his more dramatic moments.

Best Scene: The final shot of the film. 
1. Gene Hackman in The Conversation- Hackman stands easily as my choice in his incredible performance in this film. He is simply outstanding in his complex portrayal of this man's paranoia and guilt. There is not a single moment wasted in Hackman's unique and always fascinating characterization.

Best Scene: Harry snoops in on the hotel room next to his. 
Overall Rank:
  1. Gene Hackman in The Conversation
  2. Warren Oates in Bring Me the Head of Alfredo Garcia
  3. Art Carney in Harry and Tonto
  4. Jack Nicholson in Chinatown
  5. Al Pacino in The Godfather Part II
  6. Martin Sheen in Badlands
  7. John Hurt in Little Malcolm
  8. Alan Bates in Butley
  9. Walter Matthau in The Taking of Pelham One, Two, Three
  10. Gene Wilder in Young Frankenstein
  11. Jeff Bridges in Thunderbolt and Lightfoot 
  12. Robert Mitchum in The Yakuza
  13. James Caan in The Gambler
  14. Clint Eastwood in Thunderbolt and Lightfoot
  15. Peter Falk in A Woman Under The Influence
  16. Dustin Hoffman in Lenny 
  17. Burt Reynolds in The Longest Yard
  18. Charles Bronson in Death Wish
  19. Bruno S. in The Enigma of Kaspar Hauser
  20. Keith Carradine in Thieves Like Us
  21. Elliott Gould in California Split
  22. Giancarlo Giannini in Swept Away
  23. James Earl Jones in Claudine 
  24. Walter Matthau in The Front Page
  25. Elliott Gould in Busting 
  26. Anthony Perkins in Lovin' Molly
  27. Warren Beatty in The Parallax View
  28. Peter Boyle in Young Frankenstein 
  29. Jack Lemmon in The Front Page
  30. George Segal in California Split 
  31. Beau Bridges in Lovin' Molly
  32. Dirk Bogarde in The Night Porter 
  33. Paul Newman in The Towering Inferno
  34. Steve McQueen in The Towering Inferno 
  35. William Atherton in The Sugarland Express
  36. Cleavon Little in Blazing Saddles
  37. Sam Waterston in The Great Gatsby
  38. Pierre Blaise in Lacombe, Lucien
  39. Robert Blake in Busting
  40. Albert Finney in Murder on The Orient Express
  41. Bill Cosby in Uptown Saturday Night
  42. Michael Sacks in The Sugarland Express 
  43. William Finley in Phantom of the Paradise 
  44. Charlton Heston in Earthquake
  45. Richard Dreyfus in The Apprenticeship of Duddy Kravitz
  46. Sidney Poitier in Uptown Saturday Night
  47. El Hedi ben Salem in Ali: Fear Eats the Soul
  48. Robert Redford in The Great Gatsby 
  49. James Caan in Freebie and the Bean
  50. Roger Moore in The Man With the Golden Gun
  51. Dan O'Bannon in Dark Star
  52. Alan Arkin in Freebie and the Bean
Next Year: 1992

Tuesday, 14 August 2012

Alternate Best Actor 1974: Gene Wilder in Young Frankenstein

Gene Wilder did not receive an Oscar nomination for portraying Frederick Frankenstein in Young Frankenstein, although he did get one for writing it.

Young Frankenstein is an enjoyable comedy film about a descendant of Victor Frankenstein trying to make his own monster. Although to be fair like most Mel Brooks comedies it does mix in a few groans with the laughs due to the fact he constantly is going for laughs. I will say one of the best parts of this film though is the recreation of the art direction and cinematography found in the original Frankenstein film. 

Gene Wilder portrays the descendant of Victor Frankenstein who at first wishes to not be associated with his ancestor in any way even insisting that his last name is pronounced differently. Of course after inheriting the old castle, and finding his grandfather's old notes he soon decides to make his own monster by reanimating the dead. Wilder is an actor who particularly suits the role of the Frankenstein, the biggest reason I would say why is the propensity Frankenstein have to yell wildly. If there is one actor who knows how to yell so it does not seem like overacting but in fact comic brilliance it is Gene Wilder. Wilder knows how to yell in just a way that it is a full body experience of an energetic emotion of some sort. Whether it is crying in terror over his creature, or glee over his success, or anger over his failure. Wilder is able to be as equally humorous as he is intense in screams. Wilder never overacts because he always absolutely believes in his loud cries.

Wilder always has a certain conviction in the role that works in an interesting trick he manages to pull with his performance. Wilder in a way does portray his role seriously in that he does not really act like he is in a parody of Frankenstein. This is not to say Wilder plays it straight though, after all he does play the part like a maniac. Wilder though is both a Frankenstein who shows passion in his experiments as well as with ease goes for as many laughs as possible. Now I am not trying to say that Wilder gives a dramatically compelling performance, as that is not the intention of the film, which is an extremely comic style comedy this is Mel Brooks after all not Woody Allen. Wilder though is able to really bring the comedy though through by being as devoted to possibly in bringing the insanity of his character alive in his insane performance.

Wilder simply knows how to effectively give a comedic performance without falling into the excessive overacting of some performances in comedies.Wilder with ease is entertaining in every one of his scenes with his expert timing. Wilder goes on the edge with every moment with his craziness, and always manages to succeed in bringing the laughs with his performance.Wilder punctuates well every moment of his performance to simply gives an extremely enjoyable performance. It might not quite have as great or as wide of an effect as his earlier work in Willy Wonka and the Chocolate Factory, but nevertheless he succeeds well in creating a very funny performance which was very much the main goal of his work here.

Wednesday, 8 August 2012

Alternate Best Actor 1974

And the Nominees Were Not:

Peter Falk in A Woman Under The Influence

Charles Bronson in Death Wish

Gene Hackman in The Conversation

Walter Matthau in The Taking of Pelham One, Two, Three

Gene Wilder in Young Frankenstein

Sunday, 17 June 2012

Alternate Best Actor 1971: Results

6. Dustin Hoffman in Straw Dogs- Hoffman performance is not overly interesting early on but he more than makes up for it in his brutal last act change.

Best Scene: David loses it. 
5. Clint Eastwood in Dirty Harry- Eastwood gives a incredibly strong performance as both a commanding and humorous leading man, as well as in his portrayal of a driven police officer.

Best Scene: Harry tortures Scorpio. 
4.  Gene Wilder in Willy Wonka and the Chocolate Factory- Wilder gives a entertaining performance that is both darkly funny as well as genuinely heart warming.

Best Scenes: The tunnel of madness and the final confrontation/reveal of his plan.
3. Malcolm McDowell in A Clockwork Orange- McDowell gives a terrific unforgettable performance that creates a truly disturbing portrait of a youthful man who gets his joys through violent depravity.

Best Scene:  "I was cured all right"
2. Michael Caine in Get Carter- Caine gives incredible performance as a cold professional killer, whose want for revenge is unshakable.

Best Scene: Carter watches the porno. 
1. Richard Attenborough in 10 Rillington Place- Well this was close until I watched 10 Rillington Place, and I still think the performances of Caine, McDowell, Wilder and Eastwood are some of the best ever given. Richard Attenborough turn in this film is perhaps the most terrifying performance I've seen in a film.

Best Scene: John Christie gives Beryl Evans her "abortion".

  1. Richard Attenborough in 10 Rillington Place
  2. Michael Caine in Get Carter
  3. Malcolm McDowell in A Clockwork Orange
  4. Gene Wilder in Willy Wonka and the Chocolate Factory
  5. Paul Scofield in King Lear
  6. Oliver Reed in The Devils
  7. Clint Eastwood in The Beguiled
  8. Clint Eastwood in Dirty Harry
  9. Max von Sydow in The Emigrants
  10. Gene Hackman in The French Connection 
  11. Richard Harris in Man in the Wilderness
  12. Warren Oates in Two-Lane Black Top
  13. Charles Bronson in Red Sun
  14. Toshiro Mifune in Red Sun
  15. Dirk Bogarde in Death in Venice
  16. Omar Sharif in The Last Valley
  17. Topol in Fiddler on the Roof
  18. Clint Eastwood in Play Misty For Me
  19. James Coburn in Duck, You Sucker!
  20. Peter Finch in Sunday Bloody Sunday
  21. Warren Beatty in McCabe & Mrs. Miller 
  22. Michael Jayston in Nicholas and Alexandra
  23. Timothy Bottoms in The Last Picture Show 
  24. Dustin Hoffman in Straw Dogs 
  25. Gary Bond in Wake in Fright
  26. Al Pacino in The Panic in Needle Park
  27. Jack Nicholson in Carnal Knowledge 
  28. Jon Finch in Macbeth
  29. Robert Duvall in THX 1138
  30. George C. Scott in The Hospital
  31. Bud Cort in Harold and Maude 
  32. Richard Roundtree in Shaft
  33. Peter Ostrum in Willy Wonka and the Chocolate Factory
  34. Rod Steiger in Duck, You Sucker!
  35. Sean Connery in Diamonds Are Forever
  36. Michael Caine in The Last Valley 
  37. Dominic Guard in The Go-Between
  38. James Taylor in Two-Lane Black Top
  39. Luc Roeg in Walkabout
  40. Donald Sutherland in Klute
  41. Woody Allen in Bananas
  42. Walter Matthau in Kotch
  43. William Tepper in Drive, He Said 
  44. Richard Burton in Villain

Alternate Best Actor 1971: Gene Wilder in Willy Wonka and the Chocolate Factory

Gene Wilder did not receive an Oscar nomination for portraying Willy Wonka in Willy Wonka and the Chocolate Factory.

Willy Wonka and the Chocolate Factory is a very enjoyable, and darkly funny film about a poor kid Charlie Bucket (Peter Ostrum) who gets a rare chance along with a few other children to visit the never open to the public Chocolate Factory as well as its eccentric owner.

Gene Wilder portrays this eccentric owner who actually does not show up in the film until about forty minutes into a film that is an hour and forty minutes long. I consider him lead though since his character influences almost all of the actions before he appears, and he as well completely takes over the film the very moment he appears on screen until the end of the film. This is one unique performance from Wilder and from the very first moment Wonka appears on screen seemingly decrepit and weak than suddenly while seeming to fall instead doing an energetic somersault shows the unpredictable nature of both the character, and Wilder's performance as well in a single gesture.

Wilder's turn here is interesting because really in this version we know almost nothing about Wonka before we enter the factor other than he is holding a contest and doesn't like to have his ideas stolen, nothing more. When we do finally meet him Wilder still keeps his character quite the enigma, but never in a unsatisfactory fashion. Wilder though most certainly is never underwhelming in his characterization and his Wonka is a full fledged character, but only Wilder seems to know exactly everything about him. He always stays a mystery even at the end of the film. Wilder always manages to tell enough without ever giving away the inner workings of a man who frankly is the sort of character who does not need to tell you all of his secrets.

Wilder is simply entertaining in the part as he shows that Wonka never wishes to give any extra time to people who do not deserve it. He makes sure everything goes his way, and when questioned on it he outsmarts them with some double talk, nonsense or a foreign language. What works so well about Wilder's performance is that he shows that Wonka never leaves any openings for anyone to ever get the better of him he always is in charge of the tour and his factory. Wilder as usual has his manic energy in his performance, in his eyes you never know just how sane Wonka really is, but nevertheless Wilder controls every scene. Even with all of what is going on the background of scenes Wilder always makes himself that most magnetic part of the film.

This is an exceedingly entertaining performance by Wilder and never fails to make every single moment of his performance enjoyable. Every inane gesture or quick comment at the expense of his guests Wilder brings the most out of every one. He mixes it up interestingly from when he more directly and manically scares the people such as in his completely insane moment in the tunnel of horror that is unforgettably portrayed by Wilder. Wilder though some how brings it in the role when he has the much simpler smaller moments in simple dead pan cynical moments. He handles those moments with just as much precision though, as he brilliantly goes off the deep end in the tunnel scene, and it is all part of the same character.

This is just a hilarious performance by Wilder and he constantly earning his jokes without every once trying to force them, it is a completely natural performance oddly enough even though he is portraying Wonka who seems to be quite off his rocker. He still though manages to convey the more magical qualities of his character such as his performance of pure imagination. Wilder effectively shows that even though Wonka takes no prisoners when dealing with individuals he has absolutely no respect there, Wilder does show an underlying passion in his portrayal that does emphasize the more wondrous qualities of Wonka. This more childlike side of Wonka is somehow still blends perfectly with Wonka's more devious side due to Wilder's portrayal of both which always still feel interconnected.

My favorite part of his performance though is the very end of his performance where he tests Charlie to see if he really could inherit his factory. His first moment where he first attacks saying that do not even get what was promised with the tour is effectively and intensely portrayed by Wilder showing bluntly the attack that is the final test against Charlie. This works perfectly though in turn when he comes out in joy to say that Charlie finally won, telling him he plans to give him the factory when he retires. Even with all of the darker cynicism before Wilder still manages to bring a genuinely heart warming quality to the final who that wonderfully shows that even behind all the insanity beforehand there still was a good man behind it all.

This is an absolutely terrific performance by Wilder as he makes the entire last hour of the film as entertaining as it possibly could be. He stands as a memorable guide for us to follow through, well as being appropriately impossible to calculate what's next at any time. This really could be a role that could go wrong in so many ways. The idea of a man luring kids into his chocolate factory is ripe for creepiness. Just look at Johnny Depp's terrible performance as Wonka in Charlie and the Chocolate Factory. In all ways that Depp failed Wilder succeeds with his incredible performance that never once falls into any problems the role easily could have, even though there is not a moment in which Wilder plays the role as safe.

Monday, 11 June 2012

Alternate Best Actor 1971

And the Nominees Were Not:

Clint Eastwood in Dirty Harry

Michael Caine in Get Carter

Malcolm McDowell in A Clockwork Orange

Gene Wilder in Willy Wonka and The Chocolate Factory

Dustin Hoffman in Straw Dogs
I will be reviewing five performance from a year that are either considered to be among the five best of the year, as well as one's considered iconic or very memorable in regards to an actor's filmography. These will not necessarily all be good or great performances just notable one's for the year in question. I will perhaps even throw in a terrible performance on occasion as long as it is extremely risky, the only type of performance I want  to avoid is a phoned in boring one.

So for the first year I will take a look at performances of five men portraying not exactly the most hinged of characters. Feel free to predict the ranking as well as if any of them will unseat Gene Hackman for the French Connection, if you accurately predict my ranking of just the five you can request the next year i do, just make sure it is in a different decade, as well one performance you would like to review for that year.

Friday, 24 September 2010

Best Supporting Actor 1968: Results

5. Daniel Massey in Star!- Massey does a slight Noel Coward imitation, and that is it. The film he is in is downright terrible, and he does not rise above that material.


4. Jack Wild in Oliver!- Jack Wild I feel does certainly fully fit the role of the Artful Dodger. Now the role is not that much, but Wild handles it well enough.
3. Seymour Cassel in Faces- A realistically handled and played performance, that works incredibly well in Faces, he adds a good amount to the film, and he an Lynn Carlin work perfectly together.

2. Gene Wilder in The Producers- A performance I will admit may not be for everyone, and it all contingent on whether or not you find his antics funny, which I did.

1. Jack Albertson in The Subject Was Roses- Albertson is truly great as the father of a small dysfunctional family. His performance really contains some truly great acting, and creates a very fascinating character.
Deserving Performances:
Jason Robards in Once Upon a Time in the West
Timothy Dalton in A Lion in Winter

Wednesday, 22 September 2010

Best Supporting Actor 1968: Gene Wilder in The Producers

Gene Wilder received his only acting Oscar nomination for portraying Leo Bloom in The Producers. 

The Producers I find to be a very enjoyable comedy, where there are plenty of jokes that find their mark very well.

Gene Wilder plays Leo Bloom a nervous accountant who ends up working with a has been Broadway producer Max Bialystock (Zero Mostel) to produce a play they want to fail that way they can embezzle the funds given by the share holders of the profits for the play. Wilder begins the film as a very worried and nervous accountant, and I find he is just hilariously perfect in his first scene. He plays Bloom's nervousness just to perfection in my opinion. Now a performance like his could get old quickly but I never feel his does at all. I find he is just finds the perfect tone in this scene, to maximize hilarity caused by his performance. I just like everything he does the way he gets red and flails around when his blue blanket is taken away, and I especially like just the little things he does such as when he shakes his head up and down when Max asks if he hurt his feeling, just perfect for me. 

I do believe Wilder adds a lot to his performance, even more than just the jokes, which is all he technically needed to do. I really like how he shows how Bloom is a man who never really had any respect, and really enjoys finally being like by someone. It really works for me, he never forgets the comedy. He always puts the right manic energy into these scenes when he really gets to let loose especially in the "I'm Leo Bloom" scene. I feel his performance just simply works as well as it could. He works very well with Zero Mostel and I find they play off each other very well in every scene, especially in the first scene where they are more adverse to each other. They work well though still throughout and I was actually surprised that they made an honest friendship in such a crazy comedy.

My only real problem with the performance, and it really is not a problem exactly, that is he and Mostel really are pushed off into the background for many scenes of the film. I feel that they do not let themselves stay quiet but they merely properly allow the other more obvious comedy bits to be performed such as Kenneth Mars as the ex-nazi or the play "Springtime for Hitler". They properly step aside and let those people and scenes be funny on their own. That is not to say that they still do not still add to scenes, they certainly do, they simply are not the focus of the comedy. That is how the film work until the end of the film.

Again the comedy comes back to The Producers, and once again Wilder shines in his scenes, and tries and succeeds quite well to be very amusing. I really found it amusing when he crazily fought with Max and called him fatty fat fat, and then Wilder brilliantly stated later to Max that he was sorry for calling him fatty fat fat. I just think his performance is great, especially his ending speech where Bloom both gives a funny speech but an oddly heartfelt speech about how Max. The speech could have not worked at all, in fact this whole performance could have not worked at all, but I find that Wilder did find the perfect way of playing his character, and succeeded completely.Yes he was not always "on" but when he needed to be he was completely up to the task.

Saturday, 18 September 2010

Best Supporting Actor 1968

Gene Wilder in The Producers

Daniel Massey in Star!

Jack Albertson in The Subject Was Roses

Jack Wild in Oliver!

Seymour Cassel in Faces

This year looks like it could be quite interesting. What do you think? Who is your pick and prediction?