Showing posts with label Fred MacMurray. Show all posts
Showing posts with label Fred MacMurray. Show all posts

Friday, 18 October 2013

Alternate Best Actor 1944: Results

5. Eddie Bracken in Hail the Conquering Hero-Bracken gives an enjoyable performance and handles his final dramatic speech well, but his best performance of the year was in the other Preston Sturges comedy he starred in.

Best Scene: The "hero" tells the truth.
4. Peter Lorre in The Mask of Dimitrios- Lorre really does not have a character so it is to his testament that he still gives an effective and enjoyable performance.

Best Scene: Cornelius finds the smuggler in his room.
3. Ray Milland in Ministry of Fear- Milland leads this thriller effectively throughout and delivers when needing to delve in his character's dark background.

Best Scene: Stephen tells about how he murdered his wife.
2. Edward G. Robinson in The Woman in the Window- Robinson gives a subdued and effective performance as the lead in a noir who is frankly to old for a noir.

Best Scene: The professor tries to come up with a way to kill a blackmailer.
1. Fred MacMurray in Double Indemnity- Good Prediction Michael Patison, JackiBoyz, RatedRStar and moviefilm. (I should note I allowed the correct prediction apply in terms of Milland whether your prediction correctly placed him for The Uninvited or Ministry of Fear) MacMurray wins this year without a second thought as his portrayal of the insurance salesman whose lusts get the better for him stands easily as the strongest leading performance of the year.

Best Scene: Keyes lights the match of Neff.
Overall Rank:
  1. Fred MacMurray in Double Indemnity
  2. Laird Cregar in The Lodger
  3. Laurence Olivier in Henry V
  4. Charles Boyer in Gaslight
  5. Alexander Knox in None Shall Escape
  6. Alexander Knox in Wilson
  7. Edward G. Robinson in The Woman in the Window
  8. Ray Milland in Ministry of Fear
  9. Claude Rains in Mr. Skeffington
  10. Errol Flynn in Uncertain Glory 
  11. Charles Laughton in The Suspect
  12. Gregory Peck in The Keys to the Kingdom 
  13. Humphrey Bogart in To Have and Have Not 
  14. Dick Powell in Murder, My Sweet
  15. Robert Newton in This Happy Breed 
  16. William Powell in The Thin Man Goes Home 
  17. Fredric March in The Adventures of Mark Twain
  18. Alf Kjellin in Torment
  19. Paul Lukas in Uncertain Glory
  20. Charles Vanel in Le Ciel Est à Vous
  21. Van Johnson in Thirty Seconds Over Tokyo
  22. Peter Lorre in The Mask of Dimitrios
  23. Ray Milland in The Uninvited 
  24. Eddie Bracken in Hail the Conquering Hero
  25. Pedro Armendariz in Maria Candelaria
  26. Dana Andrews in Laura 
  27. Ray Milland in Till We Meet Again
  28. John Carradine in Bluebeard
  29. Luciano De Ambrosis in The Children Are Watching Us
  30. Nikolai Cherkasov in Ivan The Terrible Part I 
  31. Dennis Price in A Canterbury Tale
  32. Cary Grant in Arsenic and Old Lace 
  33. Clive Brook in On Approval
  34. Ronald Culver in On Approval
  35. George Sanders in The Lodger 
  36. John Sweet in A Canterbury Tale
  37. Spencer Tracy in The Seventh Cross
  38. Bing Crosby in Going My Way
  39. Cary Grant in None but the Lonely Heart
  40. Mickey Rooney in National Velvet
  41. Robert Young in The Canterville Ghost
  42. Walter Pidgeon in Mrs. Parkington
  43. Zachary Scott in The Mask of Dimitrios
Next Year: 1944 Supporting

Thursday, 17 October 2013

Alternate Best Actor 1944: Fred MacMurray in Double Indemnity

Fred MacMurray did not receive an Oscar nomination for portraying Walter Neff in Double Indemnity.

Double Indemnity is a masterful film noir by Billy Wilder about an insurance salesman who conspires with a femme fatale to murder her husband for the insurance money.

1944 is one year I would like to know who exactly was sixth place in the voting and whose spot was taken for Barry Fitzgerald's extra nomination. I would have to imagine it was MacMurray as, in terms of nominations, Double Indemnity was quite popular with the academy and the leading actor of every other best picture nominee was represented with Going My Way being represented twice. Also the academy did nominated Charles Boyer for playing a somewhat similar character, although maybe they preferred him over MacMurray because Boyer played an eloquent murderer rather then an average sorta guy one.

Fred MacMurray, although really is best known for this role today, was an actor who mostly played the lead in lighthearted comedies. Of course something rather interesting is, other then Alice Adams, every time he was in a film which was nominated for best picture he played a dark villainous roles. This role is the most notable of all of his as he plays the lead to Double Indemnity as Walter Neff an everyday insurance salesman who happens upon a most unusual woman in Phyllis Dietrichson (Barbara Stanwyck), who seems a bit too interested in a life insurance policy for her uncaring husband. There is nothing special about Neff other then he notices the indications Phyllis is making.

Fred MacMurray is perfectly cast in this role and acts well as perhaps the any man who might find himself with such a temptation. MacMurray is great in the scene where Neff and Phyllis first meet as we see the instant charge in Neff's eyes as he first lays them upon her. MacMurray is terrific in playing ow smitten Neff is and the obvious lust in him that only becomes more extreme as he spends more time with her. The believability of Neff's rather swift descent into the dark depths of a murder plot are made wholly believable by MacMurray performance as he shows Neff to be almost entranced by Phyllis and portrays incredibly well the strong urges in Neff.

One of the great aspects of this film is the rather peculiar chemistry that MacMurray and Barbara Stanwyck have in this film. Each take on a different style that creates a rather fascinating dynamic between the two characters. MacMurray, although playing a murdering, does play Neff as a man with a soul even if that soul is up for grabs. Stanwyck on the other hand plays Phyllis Dietrichson as soulless monster although one capable of a false affection if it serves her nefarious purposes. MacMurray gets played well Stanwyck does the playing and it their performance get down to the plain and simple depths of the relationship where Neff is blinded by her worldly wiles.

A rather funny thing about the film, and part of its greatness, is that the only relationship with any warmth is actually between Walter Neff and his co-worker and insurance investigator Barton Keyes played by Edward G. Robinson. Their banter is oddly enough the heart of the film as their friendship is the only purely honest one, in terms of emotions, in the film. MacMurray is great in all of his scenes with Robinson showing Neff as how he really should have been in his friendly banter with Robinson. The person Neff says "I love you too" to isn't Phyllis but rather Keyes, and that sound all ready for a bad joke but it absolutely works especially their final poignant moments together where they both show just how much their friendship really did mean.

MacMurray plays Neff rather effectively as an intelligent fool. Although Neff does go through with the scheme of murdering the husband and foolishly thinks that he can one get away with it and two trust the duplicitous Phyllis, he does have a plan and how to attempt to handle everything. MacMurray finds this contradiction quite well by mixing in the sides of Neff. On one side there is the far more calculating Neff who thinks about the plan and MacMurray suggests Neff's intimate knowledge of the insurance game well. On the other side though MacMurray also presents a more emotional Neff that is underlying at all times whether it be showing his conscience or simply his desire for Phyllis Dietrichson.

MacMurray is outstanding in any of the scenes where Neff has to intimate part of the plan or deal with any of the accusations from Keyes. MacMurray is terrific in showing all the anxiousness in the man, all the fear and unpleasantness of it all. MacMurray is so good because he plays all of these scenes so straight and in doing so represents how an average man would react through the film. The intensity of every scene is amplified by MacMurray direct approach. Every little moment is given the emphasis needed and something as simple as a car failing to start has an overwhelming tension because of MacMurray's exceptional portrayal of Neff's anxiety.

It is ridiculous that Fred MacMurray was not nominated for one thing Barry Fitzgerald did not need to have two nominations for literally the same exact performance and even more so MacMurray work is essential to the greatness of Double Indemnity. Although one can easily point out one of the two other most important roles as the standouts in this, it is MacMurray's great work that holds it all together. MacMurray is the driving force throughout the film. MacMurray matches brilliantly both the technically showier work of Stanwyck and Robinson and his delivery of the narration helps to set the perfect tone of the film. Even more so then all that MacMurray simply gives a compelling and very powerful portrait of one man's moral decline all the way to the bitter end.

Tuesday, 15 October 2013

Alternate Best Actor 1944

And the Nominees Were Not:

Peter Lorre in The Mask of Dimitrios

Edward G. Robinson in The Woman in the Window

Fred MacMurray in Double Indemnity

Ray Milland in Ministry of Fear

Eddie Bracken in Hail The Conquering Hero  

Wednesday, 14 November 2012

Alternate Best Supporting Actor 1954: Results

5. Clifton Webb in Three Coins in a Fountain- Webb is a bit wasted in his film, but he does well to create a warmer take on his most frequent role as a snobbish intellectual.

Best Scene: Shadwell confesses both his love and the fact that he is dying. 
4. Raymond Burr in Rear Window- Burr certainly gets help from his director, but in very key moments his performance as well amplifies power of his character within the film.

Best Scene: Thorwald notices Jeff.
3. Fred MacMurray in The Caine Mutiny- MacMurray makes for an excellent villain playing the part with such charm that he tricks you into thinking that he is not even the villain.

Best Scene: Keefer suggests the officers mutiny. 
2. Peter Lorre in 20,000 Leagues Under the Sea- Lorre is a very likable and lends some very nice lighthearted relief in his film as the endearing sidekick Conseil.

Best Scene: Any scene between Conseil and Ned Land.
1. Van Johnson in The Caine Mutiny-Johnson gives the best performance not nominated for an Oscar this year through his moving down to earth portrayal of a man who tries to do the right thing despite tremendous pressures all around him.

Best Scene: Maryk takes the stand in his court martial. 
Overall Rank:
  1. Toshiro Mifune in Seven Samurai 
  2. Humphrey Bogart in The Caine Mutiny
  3. Rod Steiger in On the Waterfront
  4. Lee J. Cobb in On the Waterfront
  5. Karl Malden in On The Waterfront
  6. Alastair Sim in An Inspector Calls
  7. Fredric March in Executive Suite
  8. Peter Finch in The Detective
  9. Van Johnson in The Caine Mutiny
  10. Peter Lorre in 20,000 Leagues Under the Sea
  11. Kuroemon Onoe in Samurai I: Musashi Miyamoto
  12. Richard Basehart in La Strada
  13. Fred MacMurray in The Caine Mutiny
  14. Raymond Burr in Rear Window
  15. Van Johnson in Brigadoon 
  16. Geoffrey Keen in Carrington V.C
  17. John Williams in Dial M For Murder  
  18. Eitaro Shindo in The Crucified Lovers
  19. Jose Ferrer in The Caine Mutiny 
  20. Geoffrey Keen in Doctor in the House
  21. Louis Calhern in Executive Suite
  22. Clifton Webb in Three Coins in a Fountain
  23. Edmund Gwenn in Them!
  24. Rene Dary in  Touchez Pas Au Grisbi
  25. John Williams in Sabrina 
  26. Allen Cuthbertson in Carrington V.C
  27. Brian Worth in An Inspector Calls
  28. Robert Cummings in Dial M For Murder
  29. Minoru Chiaki in Seven Samurai
  30. Bryan Forbes in An Inspector Calls
  31. Isao Kimura in Seven Samurai  
  32. Lee Marvin in The Raid
  33. Emile Meyer in Riot in Cell Block 11
  34. Broderick Crawford in Human Desire
  35. John Hamilton in On the Waterfront 
  36. Paul Fix in The High and the Mighty
  37. Walter Pidgeon in Executive Suite 
  38. Otto Kruger in Magnificent Obsession
  39. Seiji Miyaguchi in Seven Samurai
  40. Pat Henning in On the Waterfront 
  41. Alexander Knox in The Divided Heart
  42. Yoshio Inaba in Seven Samurai 
  43. Lino Ventura in Touchez Pas Au Grisbi
  44. Robert Newton in The High and the Mighty 
  45. Geoffrey Keen in The Divided Heart
  46. James Robertson Justice in Doctor in the House
  47. Walter Brennan in The Far Country
  48. Paul Douglas in Executive Suite
  49. Rentaro Mikuni in Samurai I: Musashi Miyamoto
  50. Richard Widmark in Broken Lance
  51. Ernest Borgnine in Johnny Guitar
  52. Donald Houston in Doctor in the House
  53. Arthur Young in An Inspector Calls
  54. Walter Hampden in Sabrina
  55. Dean Jagger in Executive Suite 
  56. Edmond O'Brien in The Barefoot Contessa
  57. Wendell Corey in Rear Window 
  58. Brock Peters in Carmen Jones
  59. Harry Morgan in The Glenn Miller Story 
  60. Charles Bronson in Vera Cruz
  61. Ernest Borgnine in Vera Cruz 
  62. Robert Stack in The High and the Mighty
  63. Paul Muller in Journey to Italy
  64. John McIntire in The Far Country
  65. William Holden in The Country Girl 
  66. Cesar Romero in Vera Cruz 
  67. Jack Carson in Phffft
  68. Dean Jagger in White Christmas
  69. Charles Bickford in A Star is Born 
  70. Cecil Parker in The Detective 
  71. E.G. Marshall in Broken Lance
  72. Russ Tamblyn in Seven Brides for Seven Brothers
  73. Noah Beery Jr. in The Black Dakotas
  74. Rory Calhoun in River of No Return
  75. Tom Tully in The Caine Mutiny
  76. Sidney Blackmer in The High and the Mighty
  77. Louis Jordan in Three Coins in a Fountain
  78. Jack Carson in A Star is Born 
  79. John Broomfield in The Black Dakotas
  80. Rossano Brazzi in Three Coins in a Fountain
Next Year:  1993 supporting

Friday, 9 November 2012

Alternate Best Supporting Actor 1954: Fred MacMurray and Van Johnson in The Caine Mutiny

Fred MacMurray did not receive an Oscar nomination for portraying Lieutenant Tom Keefer the communications officer in The Caine Mutiny.

Fred MacMurray did not find himself nominated for this role despite Tom Tully being nominated for his wholly unimpressive performance. MacMurray like he did later in the Apartment manages to show his ability to portray a slimy character with a certain style all his own. I guess maybe the academy never nominated MacMurray was that most of his work was too lightweight for their tastes, than perhaps his best work was always as too much of a despicable character for their tastes.

MacMurray though excels with the character of Tom Keefer a man who is only in the navy in the moment and seems far more interested in writing his novel than really doing a proper job on his ship. MacMurray is excellent because his naturally warm presence makes it so you really do not suspect that Keefer is nearly as lowly as one might think. He cynical behavior never really comes off as one would imagine, and he really manages to make the character of Keefer work through his distinctly Fred MacMurray manner.

Keefer role in the film ends up being the one who lays the seeds in his fellow officers mind that the Caine's new Captain Queeg (Humphrey Bogart) is mentally unstable. MacMurray is really perfect in the role because although his character is devious from the start of Queeg's command, MacMurray shows it his eyes, but not in his way. When he tries to convince his other officers of the Captain's problems MacMurray is entirely convincing that he could sway them due to his charm that absolutely works for the character of Keefer.

When his true colors come out near the end of the film MacMurray is very good because he doesn't compromise the rest of his performance. In the moment where he even admits his pitiful actions, MacMurray is good in that he portrays the fact that Keefer still never seems to feel that much shame. MacMurray instead stays true to his self indulgent character who only really feels shame for the fact that he ended up being caught on his behavior. This is a good performance from MacMurray that succeeds in portraying well the tricky character of Keefer who needed to be a villain without ever seeming one.
The only performance better in the Caine Mutiny than MacMurray's is found in Van Johnson's who was also not nominated for his turn as Lieutenant Steve Maryk.

Van Johnson portrays the executive officer Steve Maryk who really is the heart of the film, and actually feels like he should have been lead of the film. Well that would at least make the film better since it would spare us the very dull performance by Robert Francis as Ensign Keith, and the even duller romantic subplot that could have been excised completely from the film. It also would have also been made better because Van Johnson as Maryk, who seems to be the only one of the officers who seems to treat the Naval institutions properly in the film, is clearly the standout of the film.

Van Johnson who bears his very real scars in the film, which he usually covered up with makeup, realizes the character of Maryk beautifully. Johnson plays Maryk as a friendly officer who genuinely enjoys doing his duties on the ship, but as well takes his job with the appropriate seriousness. Johnson is pretty much the exact opposite of MacMurray's portrayal. Where MacMurray's portrayal was really one of underhanded cynicism, Johnson on the other hand is one of openness and honesty. He makes the positive aspects of his character of truthful, and easily makes Maryk the most likable character in the film.

When Queeg comes on board Johnson is very good because unlike MacMurray there is not a hidden hostility portrayed, but instead a genuine concern for Queeg's methods. There is nothing false about Johnson's portrayal of Maryk caring for his men, as well as running the ship in a way that works, he makes his problems with Queeg's methods ones of true concern opposed to Keefer's far petty problems with Queeg. Johnson is already very good but his performance only becomes better when Keefer starts to push the issue of Queeg's mental instability. Johnson's portrayal of Maryk's struggle with the issue as a highlight of the film.

Van Johnson is very effective in portraying Maryk's approach to dealing with Queeg's problems as well as Keefer's persistence. He keeps Maryk as a man who is very much still devoted to the Naval code, and method as evidence by the scenes where he stops the extreme mocking of Queeg. Johnson is moving because he portrays well the strong persistent beliefs in the naval tradition and does well in showing the degree of disgust Maryk feels of the other men's over zealousness in dismissing Queeg. He as well though does properly convey the internal feelings of doubt in his mind over Queeg's performance.

It is Johnson who delivers on the central conflict of the film which is to break naval protocol and mutiny to save the ship. It is Johnson's ability to give weight to the conflict within Maryk own mind that makes us sympathize with him with the mutiny, and importantly we stay with Maryk through the court martial. Johnson makes us very concerned for Maryk because he only ever showed genuine concern on the ship. Johnson creates the most powerful moments of the film during the court material through his moving heart wrenching reactions to some of the testimony that could put him at the end of a rope.

Thursday, 8 November 2012

Alternate Best Supporting Actor 1954

And the Nominees Were Not:

Peter Lorre in 20,000 Leagues Under the Sea

Raymond Burr in Rear Window

Clifton Webb in Three Coins in The Fountain


Van Johnson in The Caine Mutiny

Fred MacMurray in The Caine Mutiny

Thursday, 18 October 2012

Alternate Best Supporting Actor 1960: Results

5. Gene Kelly in Inherit the Wind- Kelly plays with his type once again playing a loud showman, but this time with a deep rooted cynicism.

Best Scene: E.K. Hornbeck's cynicism is questioned by Drummond. 
4. Charles Laughton in Spartacus- Laughton gives a nice enjoyable performance that creates a believable portrait of a politician who uses quiet methods of persuasion.

Best Scene: Gracchus shares a meal with  Lentulus Batiatus.
3. Fred MacMurray in The Apartment- MacMurray is quite good in role giving a commanding presence that revels to just the right degree in his character immorality.

Best Scene: Sheldrake tries to bribe Baxter one more time. 
2. Laurence Olivier in Spartacus- Olivier as usual gives a great performance here as the main villain of the film. He is effectively a tremendous force of evil, but as well still creates a three dimensional character out of the tyrant that is his character.

Best Scene: Crassus tries to understand Varinia's love for Spartacus.
1. Eli Wallach in The Magnificent Seven- This was a very close one for me, and yes I was ready to give Olivier by lead and supporting for this year. Wallach though is equally excellent in his role in the Magnificent Seven, and manages to do basically anything he possibly could with his role. Even with his role being very limited Wallach never makes it feel that way giving an extremely entertaining as well as being appropriately menacing as well.

Best Scene: Calvera's introduction. 
Overall Rank:
  1. Eli Wallach in The Magnificent Seven
  2. Laurence Olivier in Spartacus
  3. Peter Sellers in Never Let Go
  4. Peter Falk in Murder, Inc.
  5. Peter Ustinov in Spartacus
  6. John Mills in Tunes of Glory
  7. Masayuki Mori in When a Woman Ascends the Stairs
  8. Masayuki Mori in The Bad Sleep Well  
  9. Robert Mitchum in Home From the Hill
  10. Fred MacMurray in The Apartment
  11. Shin Saburi in Late Autumn
  12. Ryuji Kita in Late Autumn
  13. Nabuo Nakamura in Late Autumn
  14. Steve McQueen in The Magnificent Seven
  15. James Coburn in The Magnificent Seven
  16. Peter Ustinov in The Sundowners
  17. Roger Livesey in The Entertainer
  18. Takeshi Kato in The Bad Sleep Well
  19. Charles Laughton in Spartacus
  20. Sal Mineo in Exodus
  21. Tatsuya Nakadai in When a Woman Ascends the Stairs
  22. Martin Stephens in The Village of the Damned
  23. James Mason in The Trials of Oscar Wilde
  24. Ralph Richardson in Oscar Wilde
  25. Woody Strode in Spartacus 
  26. Michael Craig in The Angry Silence 
  27. Richard Attenborough in The League of Gentlemen 
  28. Max Cartier in Rocco and His Brothers
  29. Spiros Focas in Rocco and Brothers
  30. Tatsuya Mihashi in The Bad Sleep Well 
  31. Alan Bates in The Entertainer 
  32. Bryan Forbes in The League of Gentlemen
  33. Geoffrey Keen in The Angry Silence 
  34. Roger Livesey in The League of Gentlemen 
  35. Jack Nicholson in The Little Shop of Horrors
  36. Gene Kelly in Inherit the Wind
  37. Arthur Kennedy in Elmer Gantry 
  38. Nigel Patrick in The League of Gentlemen
  39. Martin Balsam in Psycho 
  40. Bernard Lee in The Angry Silence 
  41. Daisuke Kato in When a Woman Ascends the Stairs
  42. Takashi Shimura in The Bad Sleep Well
  43. Trevor Howard in Sons and Lovers
  44. Paolo Stoppa in Rocco and his Brothers
  45. Robert Coote in The League of Gentlemen
  46. Hume Cronyn in Sunrise at Campobello
  47. Herbert Lom in Spartacus
  48. Jack Kruschen in The Apartment 
  49. Norman Bird in The League of Gentlemen
  50. Maurice Ronet in Purple Noon
  51. Ray Walston in The Apartment 
  52. John Mills in Swiss Family Robinson 
  53. Ed Wynn in Cinderfella
  54. Dennis Price in Tunes of Glory 
  55. Michael Gwynn in Village of the Damned
  56. Harry Morgan in Inherit the Wind 
  57. Brad Dexter in The Magnificent Seven
  58. David Lewis in The Apartment
  59. Albert Finney in The Entertainer
  60. Richard Conte in Ocean's Eleven
  61. Adam Faith in Never Let Go
  62. Andre Checchi in Black Sunday 
  63. Laurence Harvey in The Alamo
  64. Charles Bronson in The Magnificent Seven 
  65. John Neville in Oscar Wilde
  66. Laurence Naismith in Village of the Damned
  67. Tony Curtis in Spartacus
  68. Richard Widmark in The Alamo 
  69. Robert Vaughn in The Magnificent Seven 
  70. Dick York in Inherit the Wind
  71. John Wayne in The Alamo
  72. Alan Young in The Time Machine 
  73. Alexandre Rignault in Eyes Without a Face 
  74. Billie Kearns in Purple Noon
  75. Dennis Weaver in The Gallant Hours
  76. Miles Malleson in Peeping Tom
  77. Katamari Fujimara in The Bad Sleep Well 
  78. Ivo Garrani in Black Sunday 
  79. Joseph Wiseman in The Unforgiven 
  80. Cesar Romero in Ocean's Eleven  
  81. Cecil Parker in Swiss family Robinson
  82. John Fraser in The Trials of Oscar Wilde
  83. Francois Guerin in Eyes Without A Face 
  84. Nigel Davenport in Peeping Tom 
  85. George Peppard in Home from the Hill
  86. Albert Salmi in The Unforgiven
  87. Horst Buchholz in The Magnificent Seven
  88. Ko Nishimura in The Bad Sleep Well 
  89. Everett Sloane in Home from the Hill
  90. Charles Bickford in The Unforgiven
  91. John Dall in Spartacus
  92. Dean Jagger in Elmer Gantry
  93. Sammy Davis Jr. in Ocean's Eleven
  94. Dean Martin in Ocean's Eleven 
  95. Edward Chapman in Oscar Wilde
  96. Michael Anderson in The Sundowners
  97. Akim Tamrioff in Ocean's Eleven 
  98. Sessue Hayakawa in Swiss Family Robinson
  99. Chill Wills in The Alamo
  100. John Ireland in Spartacus
  101. John Gavin in Psycho
  102. John Gavin in Spartacus
  103. Kevin Corcoran in Swiss Family Robinson 
  104. Paul Lukather in Dinosaurus!
  105. Claude Akins in Inherit the Wind
  106. Vladimir Sokoloff in The Magnificent Seven
  107. Alan Roberts in Dinosaurus!
  108. The Rest of the Villagers in The Magnificent Seven
Next Year: 1999 Supporting 

Alternate Best Supporting Actor 1960: Fred MacMurray in The Apartment

Fred MacMurray did not receive an Oscar nomination for portraying Jeff D. Sheldrake in The Apartment.

Fred MacMurray despite portraying three important roles in best picture nominees like Double Indemnity, The Caine Mutiny, and best picture winner The Apartment he was never nominated. This is particularly odd for the latter two since he was not nominated in favor of actors in far smaller simpler roles who gave far less impressive performances. I suppose one could say perhaps the snub came from the lowly nature of his character compared to Jack Kruschen's, but that would be hard to say since in the same year they nominated Peter Falk, and Peter Ustinov who played a hit man and a slave holder respectively.

Perhaps what really hurt MacMurray though was that what he was good at was too problematic. MacMurray in most of his less famous roles portrayed usually kindly likable fellows, here and his other darker turns he does not entirely refute his other performance even though he is playing despicable characters. MacMurray even in this role as the amoral womanizing insurance executive still has the same sort of Fred MacMurray charm, yet he brilliantly redirects here to show it being used to troubling end. Although Sheldrake is a very reprehensible sort, MacMurray portrays the part through the film showing that he either does not care or is not aware how bad of a person he is.

Fred MacMurray carries the part excellently as he makes the command of Sheldrake entirely believable in both the business sense and the personal sense. In the business sense Sheldrake pushes everyone around in the office apparently, and gets his way doing so. MacMurray with his sly grin, and his casual but no nonsense approach fully controls the scenes he is in during the early parts of the film. MacMurray equally is effective in his scenes with Shirley MacLaine. He makes the affair believable because again there is a certain charm in his performance and even a dominance in his performance that makes it so the affair can actually be believed. 

Sheldrake is a constant in the film though in that he never changes really in tone, or even in his own sense of morality. When he does something that hurts someone else MacMurray portrays as only interested to a point of pure selfishness. Even when his actions hurt himself there is no change portrayed by MacMurray, but MacMurray entirely earns the lack of change. MacMurray is steadfast in making Sheldrake the unrepentant selfish jerk he should be. There is nothing learned, when something does go wrong MacMurray portrays it as only an internal annoyance for Sheldrake, that he only really cares about how it harms him. MacMurray plays the part straight and works just as it should for the part, and the film as a whole.

Wednesday, 10 October 2012

Alternate Best Supporting Actor 1960

And the Nominees Were Not:

Fred MacMurray in The Apartment 

Eli Wallach in The Magnificent Seven

Charles Laughton in Spartacus


Laurence Olivier in Spartacus

Gene Kelly in Inherit The Wind