Boman Irani did not receive an Oscar nomination for portraying Dr. Viru "Virus" Sahastrabuddhe in 3 Idiots.
The system represented by Boman Irani's character nicknamed the virus, who is the university professor who personifies the punitive system that emphasizes pressure over all else, and acts as the extreme enemy to our three "idiots". The three who aren't really your typical college comedy slackers, rather they more so just genuinely want a system that doesn't drive pressure at all cost collateral or otherwise. The Virus acts the opposite and is essentially the film's Dean Vernon Wormer, who very intensely acts as a villain in a seemingly lightweight scenario. Irani's performance very much fits this mold as his whole manner seems to be of a man with a stick in the place that they aren't intended for, yet often end up in. He's always a little hunched, always tense, his neck always seemingly very uncomfortable and his face filled with this low key distress at all times. Irani's delivery is the same as he brings this grumpy and intense demeanor to every line. Speaking every word as assured as possible in just how much he would rather drive students to be nervous wrecks and just remind everyone how they're not good enough. Irani presents this obsessive fixation but also a conviction of the man. And this is a funny performance because he is such a pent up grump in the role and just exudes this quality so potently. He acts as a proper foil by being absolutely the opposite of our happy go lucky heroes and just showing this vicious and unhappy man filled with so much anger. Irani's performance is very funny by over emphasizing all these traits to an extreme that makes him enjoyable as a man who takes himself and his position so aggressively. Where the film is probably the weakest I'd say is when it wants him to be a more genuine villain such as when he drives one student to suicide another to near suicide. Creating very real stakes I suppose, but it kind of makes Irani being a cartoon in a way feel less appropriate since he's capable of such severe casualties. They're also outliers in the scheme of the film, that mostly treats him as this over the top fool and that is where Irani's performance works, for every over the top reaction of the man who is constantly grimacing. Again I don't put these missteps on him, he's consistent, it's just an aspect of the film that I don't think works all that smoothly. The character eventually has a change of heart when the trio helps with the successful delivery of his grandchild, which is basically a moment of revelation, so the point is that it is somewhat sudden. Regardless as quick as it is, Irani delivers the moment well in just playing it very straight as the man finding some joy in life in a very simply sweet moment that is befitting the film's aggressively earnest tone. Leaving this as a funny, sort of slight villainous comedic turn, though I wouldn't say it is anything more than that.
8 comments:
Louis: your ratings and thoughts on the rest of the cast?
Hey guys
Update on my 2009 Louis Supporting Actor Top 10 prediction, now corrected:
1. Waltz
2. Schneider
3. Morgan
4. Haley
5. Melamed
6. Francella
7. Rago
8. Capaldi
9. Bencherif
10. Gandolfini
I'd definitely go higher, partly because of how transformative it is (Irani's typical presence is VERY different), and also because in all of his darker scenes, he does portray some modicum of humanity as a man who has seen it all before and doesn't tolerate any weakness, as inhuman as it theoretically is. He basically NAILS the superiority complex of the South Asian academic. Also especially love his insistence to Kapoor that his son didn't commit suicide, almost as if his whole worldview hinges on it.
Despite that, I'm glad you liked him well enough. Could I have your thoughts on the songs you liked from the film?
I concur with Tahmeed. Maybe language barrier or culture barrier plays a part here, but considering I am familiar with Hindi language than most (due to certain friendships), for me that suicide scene was heavy. I thought he was menacing through and through. From what I know, middle class Indian families and education system tends to be extremely hard on boys and "Engineering" is ALL they expect from their kids. Also, like Tahmeed mentions, that scene where he insists his son didn't commit suicide, and has to confront the truth is where his arc begins. So I don't think it's rushed. 4 is still a good rating, but I think he is excellent in this.
Also, one thing you get slightly wrong is that that isn't actually a "granddaughter", it's actually a "grandson". That definitely puts into the perspective cause it serves as a completion of his arc there rather than being just a simple sweet moment. He promises to not have his grandson go through the tremendous amount of pressure, that his own son went through, that led to him committing suicide.
He doesn't have a change of heart towards Khan's character, he just acknowledges the fact that he was wrong, and the fact that within a bunch of machines, trying their best to live up to absolutely bullshit education system of theirs, Khan's character is an actually creative and talented student whose intelligence could do good for mankind. Hell, you could tell that it actually kills him inside to admit to that after everything they have been through but he does it regardless. It's why he pushes him away afterwards. Sorry if it seems like I am being overly defensive.
Lucas:
Khan - 4(Although obviously too old for a university student I did think he "sold" the age of his character pretty well, and managed to deliver a useful energy without being ridiculous seeming in a Ben Platt sort of way. Meanwhile I think he brought a nice earnest quality that I think worked in selling his desire for idealism and against the system of pressure. Bringing with the right sincerity with his performance consistently and I think in doing so maneuvered the tones well by showing someone who always cared.)
Joshi & Madhavan - 3.5(For me were overshadowed by Khan but delivered I think nicely the chemistry of camaraderie along with Khan, creating as well their individual moments of comedy and emotion effectively enough. They weren't the focus for me, but I did like their performances.)
Kapoor - 3.5(I liked her performance as very the romcom love interest way, though I think effectively went through the paces in a natural way with enough of an earnestness to it all.)
Perfectionist:
I will push back on that notion about a culture barrier, firstly as I love films of many cultures that I have no personal connection with. And while I am not Indian, I actually do have a personal connection with Indian culture (though I will not go into any details beyond that).
I'm well aware of the pressures upon success of the culture, and why the suicide element in the film. Which I did think was heavy, but I found it ill-fitting with the overall silly tone, and frankly I made Virus irredeemable to me as opposed to saying if he had caused the students to have nervous breakdowns or something. Theoretically a film with a heightened tone could deal with the topic, I just didn't feel the tonal swings were well implemented, for me.
Tahmeed:
Not being aware of Irani's other work is the one point I will concede, as the case with any actor if you're seeing an against type or transformative performance right off the bat.
Aal Izz Well - (The more I'm becoming familiar with the form, I'm seeing the type, this sort of the energetic repetition of usually very specific lyrics as this sort of pick up theme song of sorts. And I quite enjoyed the energy with this one having just the great way of always finding itself back to the chorus.)
Zoobi Doobi - (Didn't love as much the more serious minded introduction, but quite enjoyed its segue to the more casual, particularly the instrumental within the lyrics and creating a great sense of fun within the duet between the two.)
Give Me Some Sunshine - (Another song with just a great sense of energy to it with its particularly upbeat instrumentals and obvious the main titular lyric being reinforcement of it. Liked particularly the implementation of electric guitar that mixed up within the overall consistency of the song as the hopeful tune it is, almost a spiritual particularly with the ending clap track.)
Louis, your takes on these Siskel & Ebert reviews?
Curly Sue https://www.youtube.com/watch?v=awWmfNB_7wk
Cliffhanger https://www.youtube.com/watch?v=c7y97jkH2JQ&t=478
Naked Lunch https://www.youtube.com/watch?v=B_qz2_8mUMg
Brain Candy https://www.youtube.com/watch?v=dheOm5JgwzM
Louis: Your rating and thoughts on Om Vaidya's performance, and Chatur's speech?
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