Friday 2 April 2021

Alternate Best Supporting Actor 2020: Hugh Laurie & Ben Whishaw in The Personal History of David Copperfield

Hugh Laurie did not receive an Oscar nomination, despite winning BIFA, for portraying Mr. Dick in The Personal History of David Copperfield. 

This adaptation of David Copperfield stands out as adaptations of the stories go with its color blind casting, vibrant costumes and production design and its general tone which skews far more comic and whimsical than most adaptations. This seems to allow for a bit more focus upon a character who is most frequently ignored, or at least reduced, that being Mr. Dick, David Copperfield(Dev Patel)'s Aunt(Tilda Swinton)'s cousin, which must be some kind of Dark Helmet like relation to David, but I digress. Mr. Dick is a classic Dickens eccentric, which this adaptation does the opposite of temper, giving the chance for Hugh Laurie, who came up as a comic actor, to return to his roots. To say Dick is eccentric though seems a little of an understatement as a man perpetually obsessed with the long dead King Charles I. The success of this character, though the scenario itself is enjoyable, is almost entirely within Laurie's impeccable comic ability. This is as he represents a kind of daffy that is most impressive, and more importantly most hilarious. This in Laurie's asking about Charles is always with this sort of pent up frustration but most importantly lack of hesitation. For him it is the most sane possible thing to ask. When asked about this obsession, Laurie is hilarious in speaking with such actual kind of seriousness about how Charles bothers him while he cannot focus on any actual work. Laurie being extremely funny by speaking about this Charles situation with a strict kind of conviction about it. Laurie speaking as man suffering a most horrible affliction, made funny by how bizarre it is, but also just the way Laurie does it. 
 
When David attempts to offer some understanding, Laurie is actually funny in presenting that even to Mr. Dick that someone believing in his condition as normal is a little strange to him. Laurie's whole manner here is impressive just in how his reactions within a given scene have this wonderfully atypical quality, that are gems in themselves. The moment where David helps Mr. Dick by having him fly a kite of King Charles to get the thoughts away from him, Laurie is amazing in the moment in showing the alleviation of the thoughts. His voice raises to a man no longer weighed as he suddenly speaks with such fluency and even greater excitement. His physical manner showing a man who seems to finally be able to fully be himself and rid of his most peculiar demons. Laurie's performance in this moment a kind of perfection this as he captures the comic nature of such an absurd treatment, but he also makes it genuinely inspiring in its own way by showing so clearly the man's relief and abilities from the treatment. Now as short as his arc seemingly is, as he gets this treatment very quickly, Laurie is hardly done, not even close, and it is the greatest choice of this adaptation to keep Mr. Dick around, thanks to Laurie. This as he becomes kind of this one liner king and every bit of his is pure joy. A moment where he comes in and so earnestly asks if his head is still attached is hilarious as Laurie says it so straight, without a sense that it would seem strange to anyone. Every appearance by Dick is an unquestioned joy thanks to Hugh Laurie, who simply just is on point to deliver whatever comedy he can. Even at a party where Mr. Dick is looking around for a good kite flying spot, his eyes darting around every where steal the moment without trying seemingly. Later stealing the whole sequence in his impeccable daffy delivery of "I don't who that is" about David's new interest, that is just perfection. 
 
Laurie simply brightens every moment by his mere presence as every line he says is hilarious every reaction of his matching the same. Every bit he gets, he does not fail, in fact he never can be tripped up. I love for example his adrift yet comically still troubled delivery when contemplating financial ruin, amplified by his curious, yet natural to his performance as Dick, way of putting food in his pockets as some immediate reaction for the notion of survival. Now I won't go over every bit of Laurie's, though tempted, because every one is the same story. This being comic genius. This as Laurie knows exactly two to accentuate the character's eccentricities, and uses every facet of himself to do so. Take it when Mr. Dick pays David's now destitute Aunt in worthless things from his pocket. Laurie maximizing the comedy here by seriously speaking the moment with a sincere expression, of Mr. Dick doing some complete nonsense. I do have to mention as well, the classic Dickens confrontation scene, which Laurie is highlight of. This is where Mr. Dick is cut as to the expert to note some forgery, and his overly simple delivery of seemingly random "swans" couldn't be better, however articulated all the greater by his blink then switching gears when prompted to explain the swans denote a forged signature. Really even this could theoretical be some bit of exposition, made great comedy by Laurie's always pitch perfect delivery. I simply can't praise this performance enough, because every second of it is worthy so. Every instance of screentime Laurie offers something to, in his work that isn't showboating, so much as tide rising, as his mere presence makes every moment of the film more joyous. 
Ben Whishaw did not receive an Oscar nomination for portraying Uriah Heap in The Personal History of David Copperfield. 

The character of Uriah Heap I'll actually say probably is the most ideal for this version, this as this character is ALWAYS portrayed in a broad fashion. Ben Whishaw's performance, just in a general sense, is much more aligned with the tone of this film than his predecessors in the part were with their versions which in general were more low key and largely serious. I for one thoroughly enjoy Whishaw's take which goes into that broad approach, though here by playing the part almost as a literal vulture. This from his mopped hair, to his dark clothing, and his walk where he is always hunched over with his head sticking out. I love the way Whishaw just interacts with every other cast member as this basic invasion of personal space. This as he's always leaning far too close towards every that he speaks as though he is ready to peck them, not on the lips, rather trying to take out an eye or something. I particularly enjoy this from Whishaw, that terrific actor who is typically better known for his more dramatic roles as generally rather meek men. As Heap, Whishaw gets to go big for once just really letting loose, and I for one am all for it. Whishaw creeps around everyone of his scenes with his accent and his smile. Whishaw being entertaining by playing up just how creepy Heap is, and how obvious in his sycophancy. Whishaw though does project an act, a meager one, of Heap attempting some minor courtesy of the vulture as he speaks with a more stilted delivery and this kind of phony smile, in that Whishaw makes it as though Heap struggles to even maintain it for the duration of his so called ruse. This against when Heap is more obviously making his attempts at strides, usually through the most underhanded of means, it is with a someone even more off-putting delivery and smile that isn't trying to be amiable, but rather is wholly sinister. The difference only being as he doesn't hid his reprehensible nature under the smallest bit of a phony facade. As is the case always for Heap, he is supposed to be an obvious villain who skids by only through obvious exploitation. Whishaw plays into this by being this vulture in each of his scenes as he basically is sniffing corpses of opportunity, by only taking the most negative methods towards advancement, while enjoying it with just a devious sneer. This is a comic performance, as Whishaw plays even more into just how obvious Heap is as this parasite, and finds an entertaining path that is fitting within this film's tone. Although again, Heap is always an obvious parasite, Whishaw just makes him a more enjoyable one than usual.

35 comments:

Luke Higham said...

So happy with a Laurie five and glad you reviewed Whishaw too.

Luke Higham said...

If you don't mind me asking, did you watch Blackadder The Third.

Calvin Law said...

Laurie’s is the funniest performance of the year, but also in some ways rather moving and as you said, inspiring in its own way. Love how he pretty much steals every sequence even when he’s technically just adding little asides, or when he gets the spotlight like that scene where he’s trying to barter for Micawber’s instrument. Agreed that Whishaw plays the role exactly as it should be played.

And the colourblind casting in this allowed for so many team ups I would’ve never thought possible, particularly within the British industry. Really hope him, Patel and Swinton will all work together again some day - their chemistry is fantastic.

Louis Morgan said...

Luke:

I have.

Mitchell Murray said...

Yah, one thing Laurie's always been particularly gifted at is timing; That can even be seen in his more serious turns IE House, where he just has this sharp, attentive way of delivering dialogue, which is consistently entertaining to watch.

As for this film, even though I've yet to watch it myself, I'm glad Laurie's blog debut resulted in a 5. And some praise for the underappreciated Whishaw never hurts as well.

Luke Higham said...

Louis: Thoughts on it and the 4th series (If you've seen it) and the casts.

Lucas Saavedra said...

I had won a prediction in 1994 Lead, so my request is Stephen Tobolowsky in Memento for 2000 Supporting

Aidan Pittman said...

Laurie is absolutely wonderful indeed, probably my favorite part of the film. He and Iannucci are a perfect match, and I hope they work together again in the future.

Louis: What are your Top 10 favorite performances in Armando Iannucci's films?

Anonymous said...

Louis: Do you remember which post you worst supporting actress list is under?

Bryan L. said...

Anonymous: You can find it in Ian McKellens' review for Richard III.

(Knocking on wood that it won't have to be updated in a few weeks though.)

Anonymous said...

Surprised that I didn't see Margaret Rutherford or Helen Hayes

Why don't you like Sandy Dennis? I'm certain most people find her very deserving, I know I do

Lucas Saavedra said...

It would be very funny to see Louis give Glenn Close a full review if he reviewed those performances

Anonymous said...

Lucas: What do you mean by that? Does he not like Glenn?

Lucas Saavedra said...

Anonymous: I was talking about Hillbilly Elegy

Tahmeed Chowdhury said...

That kite-flying scene was one of the most joyous of all year. Glad to see Prince George get his first review and 5 :)

Louis Morgan said...

Calvin:

Side Note, I think this film's campaign might've been the most bungled out of any film, if they had not submitted it so early to BIFA and BAFTA (before any public release), I think it could've made a greater impression at BAFTA this year(Maybe Patel, maybe Laurie, definitely the techs), and could've maybe gotten it to eek out at least one Oscar nomination. The problem was for UK voters it was an afterthought at this point, where it needed them to get them in.

Luke:

Haven't seen the 4th.

Atkinson & Robinson deliver on what made their performances work once again, though I think the dynamic is greater here by having the "dull" fool subservient to Blackadder and the flighty one technically above him this time around. Additionally Atkinson's brief extra role is an enjoyable bit of a slightly overcooked Scottish accent. I also must also question why no one has more recently Atkinson's great ability at playing a wit?

The series itself through that dynamic I thought was greater than the 2nd, and juts found the series consistently funny again in Blackadder's moral duplicitous ways of solving different situations. Especially enjoyed his trials of writing the dictionary.

Laurie - (Laurie is also the superior of the flighty fools, and is consistently hilarious as this foolish king. This as Laurie plays the part in a way in which I think the Prince always has some great idea when he speaks everything. This as his excitement is great as though the Prince at least thinks he's onto something, while in fact he still doesn't have the slightest clue about anything. His dynamic with Atkinson in this regard is particularly great as this contrast between Laurie extremely expressive grin against Atkinson's grimace. Laurie's simply a fantastic ball of energy and makes every scene all the better. This in entirely pulling off with just how big he goes back making the Prince endearing as he is stupid in a certain way, even as the prince does so many things that entirely make him both very dumb and in many ways despicable. Laurie makes for a terrific fool.)

Atkinson-Wood - (Fine goofy work as a classic bar wench type though there isn't too much over her overall, she makes for fine moments for Atkinson to play off to be sure.)

McInnerny - (Enjoyed his return here actually as he tempered his bit a bit in portraying that particular character he is, this by effectively actually playing the different disguises that are both funny while also relatively convincing. A highlight though is quite easily his focused bit of stages are death, which are hilarious.

Richardson - (A fine sort of riff at first as the overly vivacious consort character at first, though then a proper bit of mad cap insanity from here though that is enjoyable again albeit fairly brief.)

Fry - (Does one note bluster rather well and effectively against Atkinson in their scenes together. This in just accentuating a singular kind of overly military British type in his Wellington.)

Aidan:

1. Simon Russell Beale - The Death of Stalin
2. Hugh Laurie - The Personal History of David Copperfield
3. Steve Buscemi - The Death of Stalin
4. Peter Capaldi - In the Loop
5. Jason Isaacs - The Death of Stalin
6. Tom Hollander - In the Loop
7. Michael Palin - The Death of Stalin
8. Dev Patel - The Personal History of David Copperfield
9. Tilda Swinton - The Personal History of David Copperfield
10. Andrea Riseborough - The Death of Stalin

Anonymous:

I found both, particularly Rutherford, relatively serviceable in lame roles.

Regarding Dennis, although I appreciate new readers, I have stated my reasons long ago and I think multiple times. Please seek them out.

Luke Higham said...

Blackadder: What about D
Baldrick: I'm quite pleased with Dog
Blackadder: And your definition of Dog is
Baldrick: Not a Cat

God I love this show.

Louis: Thoughts on the costumes and your ten favourite lines.

Luke Higham said...

Louis: And how would you rank the episodes. Sense and Senility was my personal favourite.

Anonymous said...

One of my favorite quotes is:
Prince George: "The public love me! I heard them singing "We hail prince George! We hail prince George!"
Blackadder: "Actually they were saying "We hate prince George! We hate prince George!"

Tahmeed Chowdhury said...

I love so many exchanges from Blackadder, especially this one:

Vincent Hanna : Well can you at least tell me one thing. What does the 'S' in his name stand for?

Blackadder : Sod off.

Vincent Hanna : Well. I guess it's none of my business really.

Luke Higham said...

'It's the way of the world Baldrick, the abused always kick downwards. I'm annoyed so I kick the cat, the cat pounces on the mouse and finally the mouse bites you on the behind'.

Calvin Law said...

While 4th is the best, I have to say that Laurie and Atkinson’s ‘chemistry’ (if you can call it that) in 3 is perhaps the pinnacle of the series. No one can play a himbro quite like Laurie.

Tahmeed Chowdhury said...

It's interesting to realize that Gregory House was actually an against-type role for Laurie. Only Cumberbatch can rival him when it comes to portraying egotistic intelligence for me.

Calvin Law said...

Louis: also agree in that the British block support would've rallied behind it much more for this year, especially since it would be the most 'classic' sort of BAFTA choice, Patel being a previous nominee and winner etc.

I do also feel like Iannucci films never quite get the proper release they deserve (I don't feel like The Death of Stalin's release strategy was particularly well timed either).

Tim said...

Anoymous: his thoughts on Dennis)

Sandy Dennis - 2.5 (The more times I've seen the film the less and less I've liked her. Her whole performance is far too much of just that which includes everything before she was drunk even. She over plays every moment early on and that only gets worse as she goes on with every tic becoming even more over emphasized than the last)

Anonymous said...

Pitt the Toddler
Pitt the Embryo
Pitt the Glint in the Milkman's eye

Anonymous said...

The sag awards are tomorrow what are your predictions and hopes? My predictions:
Ensemble: Minari or trial of the Chicago seven.
Lead actor: Boseman.
Lead actress: Mulligan.
Supporting actor: Kaluuya.
Supporting actress: Youn or Bakalova.
My hopes: Both Adams and close lose and put close's Oscar chances lower then they were before.

Aidan Pittman said...

Anonymous:

Ensemble: Minari
Actor: Boseman
Actress: Mulligan
Supporting Actor: Kaluuya
Supporting Actress: Bakalova
Stunt Ensemble: Da 5 Bloods

Calvin Law said...

I have no predictions for SAG, only prayers for Minari and Youn but not getting my hopes up.

Bryan L. said...

Louis: Your cast & director for...

1940s Greyhound
1950s News of The World
1990s Love & Monsters

Emi Grant said...

Anonymous:

Actor: Boseman
Actress: Mulligan (I hope)
Sup. Actor: Kaluuya
Sup. Actress: Bakalova
Ensemble: Minari

I think Trial feels like the most obvious choice for ensemble, but given their warm reception for Minari, I'd bet they'll get a win somewhere.

Matt Mustin said...

I'm predicting most of the same as all of you for SAG with the note that if Davis was to win anywhere, it would probably be here.

Matt Mustin said...

But I'm still predicting Mulligan.

Louis Morgan said...

Luke:

The costumes again are rather impressive actually in crafting historical accuracy, while doing so with kind of a more lived in unfussy quality to the work, which is rather funny given the silliness of the whole affair.

"Leave me alone, Baldrick. If I wanted to talk to a vegetable, I would have bought one at the market."

"She is famous for having the worst personality in Germany and, as you can imagine, that's up against some pretty stiff competition"

"Well don't. It's a ghastly place. Huge gangs of tough, sinewy men roam the Valleys, terrorizing people with their close-harmony singing. You need half a pint of phlegm in your throat just to pronounce the place names. Never ask for directions in Wales, Baldrick. You'll be washing spit out of your hair for a fortnight."

"Mrs. M, if we were the last three humans on earth, I would be trying to start a family with Baldrick"

"Baldrick, does it have to be this way? Our valued friendship ending with me cutting you into long strips and telling the Prince that you walked over a very sharp cattle grid in an extremely heavy hat?"

"Oh, I'm sorry, sir. I'm anispeptic, frasmotic, even compunctuous to have caused you such pericombobulation."

"No, sir, it is not. It's the most pointless book since How To Learn French was translated into French."

"Medium-sized insectivore with protruding nasal implement. Doesn't sound much like a bee to me!"

"Ha! Some hope. The Pimpernel is the most overrated human being since Judas Iscariot won the A.D. 31 Best Disciple Competition."

"Are you sure we can even trust these acting fellows, Blackadder? Last time we went to the theater three of them murdered Julius Caesar. And one of them was his best friend, Brutus!"

Also HM mention to "Absolutely not" for Laurie's reaction.

1. Ink And Incapability
2. Sense and Sinility
3. Duel and Duality
4. Nob and Nobility
5. Dish and Dishonety
6. Amy and Amiability

Although enjoy "Amy" plenty.

Louis Morgan said...

Bryan:

1940s Greyhound directed by John Ford:

Commander Krause: Harry Carey

1950s News of The World directed by Anthony Mann:

Captain Kidd: James Stewart
Johanna: Natalie Wood
J.G. Almay: Arthur Kennedy
Calley: Millard Mitchell

1990s Love & Monsters directed by Joe Johnston:

Joel: Sean Astin
Aimee: Kelly Hu
Clyde: Charlton Heston
Minnow: Claire Danes
Cap: Sean Bean