Bo Burnham did not receive an Oscar nomination for portraying Ryan Cooper in Promising Young Woman.
Promising Young Woman is a great film about a woman Cassie (Carey Mulligan) seeking revenge for her friend who was raped in College.
One of the brilliant strokes of production in the film is that much of the supporting cast are typically comic actors that offers a unique angle within the world of realizing the movie creeps. These one's are a bit less overt in many ways than the traditional one. Now seemingly that doesn't appear to apply to standup comedian as Bo Burnham, as Ryan Cooper, doctor, and former college classmate of Cassie, the latter whom never finished college. I'll admit I was less impressed with Burnham previous performance in The Big Sick, that largely played off of his stage persona. Although this always goes to show the rule of context and a whole lot of "it depends". This is because Burnham is legitimately terrific here. And the thing is he is playing with his stage persona, to an extent, however more balanced here. I actually think he finds a marvelous mix here as we follow him seemingly as the true "Nice guy" within the film. This as we have a meet cute as he reconnects with Cassie at a coffee shop. Burnham's performance does really three things at once, which is fairly impressive. On one end he seems to fulfill the role of the modern romantic lead as he brings that kind of awkwardness in his banter as he asks Cassie out. He though kind of subverts this as well, because he's genuinely funny in moments of playing around with it a bit basically just how he accentuates certain lines, or riffs on others. Thirdly though at the same time we get a sense of seemingly genuine interest for Cassie. He speaks with sincerity of his crush on her long ago, and he brings the right kind of earnestness. He seems the ideal alternate to Cassie's current existence of going out a night to strategically get under the skin of creeps.
We have fun with Burnham just as Cassie has fun with Ryan. The two really have a great chemistry together in blending their energies of this mix of sardonic and the kind of earnest. They really make that rhythm work wonderfully well. Again it helps that Burnham's comic timing is stellar here. This as the laughs from his performance come so naturally in his moments of self deprecation or extreme sarcasm. It's a great blending of that stage personality that he really makes natural within the character. This as he never brings it to the wrong moments. This as he effectively tempers it showing really that when Ryan is being serious he is indeed serious. Burnham plays these moments well such as when initially Ryan almost immediately screws up the relationship by suggesting he and Cassie sleep together almost right away. Burnham in the moment showing naturally a side of perhaps less nobler intention, though with a quick pull back towards some self-loathing that diffuses the situation as the two do eventually reconnect. Although this is almost immediately screwed up by Ryan seeing Cassie on one of her night missions. This again as Mulligan and Burnham are so good together, that you wholly buy the moment of tension and eventual reconciliation. They're genuinely sweet with one another, even when actively participating in the romcom scenario of going to a pharmacy. This as Burnham and Mulligan become the ideal modern romcom couple, and you totally believe it too, montage and all. There is something hanging over all this, even as you might not seem to be able to notice it. This as Ryan talks about their old college friends, who either were directly involved with the rape or had some quality of guilt associated with it. This is key though as Burnham delivers these scenes though as though never ever was wrong, or seemed to have gone wrong. Everything was perfect back then and there is no element of concern whatsoever. This ideal romcom scenario shattered as a video of the rape of Cassie's friend reveals that Ryan was present for it and watching it. The confrontation scene is brilliant work for Burnham. This in he immediately pulls into himself towards instant defense and fear for himself rather than any genuine sense of guilt. Burnham effectively losing any real composure within the moment, and just the weak will of the man to do anything to save himself. His "you gotta forgive me" have the same pathetic weakness that Burnham accentuates so effectively as again this selfish fear again without any true understanding of his own faults within the reaction. This as even his former mentions of the old friends has a new light on it, as you see a man who holds no attachment to the past and has no second thoughts of any of the crimes around him. His angry retort to Cassie at the end, being just a final defensive outburst of showing the man who within everything can maintain decency only when nothing involving his own prospects is on the line. Burnham through this gives a terrific performance that is both a proper romcom lead and a potent deconstruction of it.
34 comments:
Thank you so much Louis. I really loved this performance, because on one half Burnham gives a portrayal of genuine charisma, while also displaying the passive, pathetic inaction that shows how he seemed to enable the behaviour of Greenfield and Lowell's characters in the past. Also, his final reaction during the ending made it all the more cathartic for me.
His best scene for me is when he’s being questioned by the police detective and he seems almost relieved at the notion that Cassie is gone for good. Great subversive performance, and like you was pleasantly surprised after not liking him in The Big Sick. I hope he takes on more roles like this.
Louis: your thoughts on the scene where Cassie watches the video? That’s such an amazing moment for Mulligan.
Louis: your top 20 jessie buckley and carey mulligan acting moments
Between Burnham in this and Stanfield in Judas, I feel like we’re entering an age where we’re really nailing characters who are ultimately moral cowards. Years ago both characters would have been portrayed as completely simpering wimps instead of recognizably human takes on personal failings.
Also, thank you for this.
Also, it would have been so easy to get overshadowed by (what I consider) to be the second-best performance of 2020 across all categories, but he more than held his own here.
Thanks for this review, Louis. I'm very glad you liked Burnham's work this much.
I do have to ask, though... Did you by any chance watched some of his stand-up/comic work?
Louis: Not sure if you've given it in the past, but what are your thoughts on Burnham's direction and screenplay of Eighth Grade?
*for
Louis: What is your ratings and thoughts on the cast of beauty and the beast? (I know Benson is a 4.5)
Emi: Haven't seen too much Burnham, but 'Kill Yourself' is a classic.
I'm always down for a surprise review, and I suppose this is more incentive to seek out the film down the line.
Also, question for everyone here (Though especially for Tahmeed since I know he's seen the series): What would be your thoughts on the All Might Vs Noumu fight from "My Hero Academia" season 1?
https://www.youtube.com/watch?v=5YmJj0onPkI
For me, it is the height of the first season, and the most exciting use of the "You Say Run" track. I also find the dubbed version to be just as strong, mainly because Christopher Sabat's great voice.
And on a related note to "My Hero Academia", what would also be everyone's thoughts on this? In terms of the connections between each character, it may be one of my favourite episodes these guys have ever done.
https://www.youtube.com/watch?v=PA-3iWJZ_Q4
Mitchell: Probably the signature scene of the first season, although not my personal favourite (that would be 'You can be a hero' for me), but this is quite the impressive fight, both in terms of animation and emotional stakes. Although I will once again say that it's really more of a warmup compared to the fights we get to see in Seasons 3 and 4. (season 2 is amazing for other reasons).
I’m also very much looking to his performance as Larry Bird.
I know I'm late to this topic, but that guy who posted Louis' rattings on the Youtube Oscar comments is also how I discovered this blog. I believe it was around mid-2018 when I saw that they'd left the link to here in the Jim Broadbent win video (https://www.youtube.com/watch?v=VgIWWtO-5j8). Back then I disagreed with a lot of the opinions in here (Phoenix in Gladiator, for example), but now my taste in film was kinda molded by this blog, lol. I also discovered some of my favorite movies (like Back Narcissus) because of Louis' reviews, so it was a good decision to read whether people were hating on Broadbent because he beat McKellen.
I hate that someone replied to the comment saying "McKellen and Hawke had no business against the other three" like what did Jon Voight do that needed a nomination so bad?
Anonymous: Truly a strange sentiment, since basically everyone I've talked to and everything I've heard/read about LOTR gave nothing but praise for McKellen. Hawke's nomination has had a little more flack, comparatively, but those criticisms are still quite weird given his strong work in "Training Day".
As for Voight, allow me to quote one Martin Thomas from the Youtube channel "Double Toasted":
"I always thought of Jon Voight as this really excellent and respected actor, until seeing 'Anaconda'..."
Mitchell: His turn in Anaconda deserves a review in my opinion.
There are some truly weird takes on the comments section. I saw someone claiming that Audrey Hepburn's win was the worse in the category. Like, yeah, Hepburn had her limitations as an actress, but in what universe was her absolutely fine work in Roman Holiday worse than Mary Coquette (who even by 1928 standards was awful, people even baack then were complaining that she won) and Lange in Blue Sky (a performance not even Lange stans really like)?
*Mary Pickford in Coquette
Louis: Taking advantage of the Passion of Christ holiday, say your Top 10 of Judas best performances?
What sold me was the comment found under 1965 supporting. I had just watched Ship of Fools sometime prior, and reading that Michael Dunn doesn't "amound to more than the plot device he is in the film" was just a perfect vocalisation on what i had thought about him.
still disagree about Robin Williams in Good Will Hunting though ...
Louis: Taking advantage of the Passion of Christ holiday, say your Top 10 of Judas best performances? Actors and the movies
Louis: What are your top Meryl Streep performances and would you ever give her an oscar?
Anonymous: Can you explain what's bad about Jessica Lange in Blue Sky. I've never watched Blue Sky and it just seems like a mediocre win to me.
What makes it that bad?
Tahmeed & Robert:
You're welcome.
Calvin:
Up right there with Michael Caine and Woody Harrelson when it comes to the unforgettable reaction to a disturbing video. Hers is a little different though as she knows what the video probably contains in her pained reaction and reservation before watching it. Mulligan already wrenching knowing what's coming to begin with, but then that moment of surprise makes the moment all the more potent, as showing Cassie really at her most emotionally vulnerable moment. Amazing indeed.
Anonymous:
Honestly, let's save these for the results, as these lists take a lot more time, and I'd like to maintain some pace.
Emi:
No, still have only seen his short spots.
Anonymous:
I'm quite sure I've given those before.
Tahmeed:
The screenplay I mentioned before on, is good though I do think it shares a few too many plot similarities with the other coming of age female high school stories, of Easy A, Ladybird, and The Edge of Seventeen. This as the social outsider of sorts, tries to get into part of the cool crowd, gets into some kind of sexually compromised situation to only return to the equally off-beat true friend. Even with that though there is an innate naturalistic sense he finds in the dialogue even in the juxtaposition of the confidence of a vlog versus the rage of emotions of the early teenager. The greatest element being the relationship with the hapless dad, and that final scene being a knockout work in terms of just the writing of the dad trying his best to really reassure his daughter still in his own hapless way. Good work even with that reservation of mine.
His direction I actually found more impressive. This in creating effectively the mental state of his central character within his film-making choices. This such as the anxiety inducing walk to the pool in the party. He doesn't over do this, just rather using to effectively amplify certain moments to create a distinct perspective. This though so often staying within that sort eyesight though that really does put us with her most powerfully. It's a terrific debut, inspired win on the DGA's part (even if logically it didn't exactly make sense).
Shaggy:
Top five feels more fitting.
1. Carl Anderson - Jesus Christ Superstar
2. Harvey Keitel - The Last Temptation of Christ
3. Ian McShane - Jesus of Nazareth
4. David McCallum - The Greatest Story Ever Told
5. Michael Ansara - The Robe
Louis, are you still taking predictions.
1. Mendelsohn
2. Dennehy
3. Rylance
4. Laurie
5. Hoult
Other Anonymous: I wouldn't know how else to say she was bad other than to say she was overcooked. Like, Lange can be good playing over-the-top when the material is campy (a.k.a. her Ryan Murphy shows), but here it was just uncalled for. Jones in the same movie played it nice and well and was actually decent. Also, in my opinion, her line delivery was awful (knotty pine). Doesn't help that the movie is absolute garbage.
Anonymous:
She would've been in the deserving ball-pack (as I at least liked her more or at least around the same amount as the actual winner) for Silkwood, A Cry in the Dark and Adaptation. (Note I prefer her to Arquette in 2014, but I wouldn't have wanted to see her win for that either.)
Also I don't really have a problem with her first two wins even if don't love them as most do.
Ira: What are your top 10 worst best supporting actress wins?
Woops I mean to ask that question to you Louis
Ira: Lange's performance is supposed to be of a mentally ill women but it comes off as overacting and out of place in a rather bad film
Anonymous:
Please refer to my previous response to that question.
What are yalls predictions for SAG?
Ensemble: Trial (unfortunately)
Actor/Supp Actor (I don't even need to say)
Actress: Carey
Supp Actress: Bakalova or Youn (idk)
Post a Comment