Alternate Best Supporting Actor 1939: Thomas Mitchell and Leslie Howard in Gone With the Wind

Thomas Mitchell did not receive an Oscar nomination for portraying Gerald O'Hara in Gone With The Wind.

Thomas Mitchell was a prolific actor who was frequently in several films in any given year though 1939 just seemed to be his year. He not only appeared in prominent roles in notable films from the year The Hunchback of Notre Dame, and Only Angles Have Wings, he also managed to be in three best picture nominees this film, Mr. Smith Goes to Washington and Stagecoach which he deservedly won his Oscar for. In Gone With The Wind he plays the part of Gerald O'Hara the father of our protagonist Scarlett O'Hara(Vivien Leigh). In the early scenes of the film Mitchell's part is fairly straight forward as the Irishmen trying to confer a few words of wisdom to his impetuous daughter. Mitchell's good in the role infusing a slight Irish accent, which he doesn't overdo, and bringing the right definite warmth in his interactions with Leigh. He though brings at the same time the right stern quality even within the obvious love that Mitchell portrays first in his technically futile attempt to try to reign in some of his daughter's ambition. This also comes with a slight scolding when she hand waves the importance of Tara their plantation and home. Mitchell's very good in the moment in revealing the intensity of passion in Gerald's words as he expresses not only how much the land means to him, but also how much it should mean to Scarlett as well.

The ideal man of the South we meet in these early scenes takes a long hiatus from the film, in fact almost the entirety of the Civil War. When Scarlett finally makes it back to Tara the place is quite barren on the outside, and when she opens the door she finds her father who possibly looks worse. Mitchell is amazing in just how effectively he portrays Gerald terrible state as the wear of the losses over the time Scarlett has been gone can be so well seen in his harried eyes, and haggard face. Mitchell is terrific as he stays so subdued for much of this time yet the devastation of the man is brilliantly realized by him. Mitchell is heartbreaking as he presents the insanity in Gerald as seemingly his own shield against all that his happened to him as there is this attempted glee in him as he speaks of his deceased wife as though she's living, however within the act the original cause of his state can be seen in this sorrow that never leaves him despite his madness's attempt to cover it up. This is until his last scene where his passion for the land once again reappears, and Mitchell once again brings that to life yet now just with this painful desperation in the moment. It's beautifully rendered work by Mitchell and with so many of his performances he proves himself one of the most capable actor in terms of the depiction of the type of extreme emotional states that might leave to some terrible overacting. Mitchell never allows that to be the case giving a striking performance that manages to stand out with this grand epic, as well as marks just the one of his many strong turns from 1939.

Leslie Howard did not receive an Oscar nomination for portraying Ashley Wilkes in Gone With the Wind.

Leslie Howard was evidently "the" choice for the part of Ashley, which might seem slightly strange for some being an Englishman who in no way hides his accent. Though I don't see why anyone would complain about that given how refined Howard's voice is it seems fitting enough for a refined Southern gentleman as well. Howard I notice frequently gets some derision for his performance in the film, and not just for the accent. Though if one views the test footage of other actors in the part, it seems Howard really was the only possible choice. Now some criticism seems to come in part do to say a definite lower amount of charm than Clark Gable in the male lead role of Rhett Butler. Now Gable's already one of the most charming performers ever to have graced the screen, and this perhaps is him at his most charming, however if one sees more of Howard's filmography, "Pimpernel" Smith and Pygmalion in particular, they'll find he could be quite charming himself. Howard instead more directly serves the role, and the film as whole, by not calling upon that here. Instead he takes the rather admirable approach to differ Ashley from Rhett, as he certainly exudes just what is to be that proper gentleman here, which is never left in question which is in stark contrast to the questionable rascal that is Rhett. Howard brings the right grace to the part, particularly in the early scenes, as he offers the right sort of charisma that makes him standout just not in the way Rhett does thanks to Gable.

Now Ashley's purpose in the story is as the object of Scarlett's affection, as she only sees him despite the fact that he is married early on to Melanie (Olivia de Havilland). Howard does well to really make Ashley the right match for Melanie throughout the film, despite Scarlett's delusion that he should hers. Howard, and de Havilland's work has an unsaid chemistry of sorts given they actually don't share that much time with one another screen. What they do is find the right connection in personal spirit in the way both suggest themselves to be naturally unassuming and unselfish souls. Howard finds the right ease of presence of man who prefers to do the right thing, though states as such in a direct yet quiet fashion. The problem remains though is with Scarlett being constantly smitten with him, to the point that she does not mind how many lives she ruins just to get him. Howard creates the right curious chemistry with Leigh in that he portrays the simple difficulty in interacting with her. He brings the right unease in any of these moments as he manages to suggest Ashley's refusal as man standing in his duty at being a proper husband. When Ashley does reveal that he does love Scarlett in return it's an earned moment by Howard as his delivery is almost that of an unwanted escape of emotion, and depicts a definite guilt within himself after his momentary loss of his usual proper reserve. It's finely measured work by Howard as he keeps Ashley on this certain wavelength of a decent man who is constantly must readjust with his constant interactions with Scarlett. Ashley Wilkes really is a thankless role, in that he's rarely given the spotlight, and he's really there to facilitate the motivations for the other characters. Howard delivers in that respect though giving a supporting performance that truly supports the rest of the cast and the film.