Alternate Best Supporting Actor 1951: Stanley Holloway in The Lavender Hill Mob and Results

Stanley Holloway did not receive an Oscar nomination for portraying Alfred "Al" Pendlebury in The Lavender Hill Mob.

Stanley Holloway plays the cohort of Henry 'Dutch' Holland who plan to steal the gold from the bank Holland works for to. Holloway's Pendlebury makes model Eiffel Towers which they plan to use to hide the gold and transport across the ocean. As the Lavender Hill Mob goes there are the two working class men they work with, Holland who plays the mastermind well pretending to be the loyal bank employee, and than there is Pendlebury who is a dignified fellow. It is interesting to see Holloway in this performance after seeing him in film like Hamlet and My Fair Lady where he played decidedly uncouth individuals, since here is plays a rather proper and cultured sort.

Holloway is brilliant the way he so effortlessly can be either lower or upper class in his demeanor, and in a way he almost comes off as a completely different actor here. Importantly like in My Fair Lady where he was humorous in his uncouthness here he is very amusing in his character's cultured ways. He has just the right style in his performance to his performance never overdoing it making Pendlebury just an enjoyable character with his own personal style. Holloway makes fascination with the finer things a gentle characterization, even though it does properly set up why his character would so easily take on to Holland's plan to steal the gold.

Holloway despite playing a criminal is very likable in his portrayal, and part of the reason for this is the naivety he inserts into his portrayal of the first time criminal Pendlebury. His reactions throughout the heist and later the problems that arise from trying to make money from the heist are just perfect. It is really quite interesting because he does manage some fairly broad reactions to the various moments through the film, but they are never overacted because Holloway always makes them very much in line with the character of Pendlebury. They only ever add to the film and every situation making them all the funnier through his excellent depiction Pendlebury's lack of experience when it comes to gold theft.

The most important aspect of his performance though is his chemistry with Alec Guinness as Holland. They are perfect together in every way and they are a great duo for the film. In the more serious sense they are great in creating a warmth between the two and make an appropriate friendship between the two. They both convey a great warmth and joy in their portrayal of this, and honestly the way their so happy makes it very easy for we as the audience to sympathize with their troubles when several of their gold towers end up in the hands of the wrong people. The two's genuine portrayal of the camaraderie also brings us into their pursuit easily even though it may in fact be a rather selfish one.

Although they get the more "serious" part of their friendship right, the most important part of Holloway's and Guinness's chemistry is their comedic potential. Holloway and Guinness play off each other with an incredible humor behind all of their antics. They maximize the comedy of every scene through the great way they play off each other and make these two amateur bank robbers just one hilarious pair. Holloway fulfills his role as the uneasy second banana so well, and complements Guinness's portrayal of the somewhat more assured portrayal of Holland as well as any supporting player could. This is just a great comedic turn by Stanley Holloway, and succeeds in making The Lavender Hill Mob the terrific comedy it is.

Well this stands as another year where there is not a great deal of supporting turns that really stick out. The academy honestly did a fairly good job especially since Holloway was not qualified until the next year. That is not to say there are not good supporting performances, but it just not one where it is easy to name performances that were really snubbed. Although it is bit ridiculous that the academy failed to recognize Holloway in 52.

Toshiro Mifune in The Idiot- Mifune once again shows his tremendous presence here as a friend of sorts of the title character. He does well to mix the intrigue his character has at the passive man, but as well the anger eventually forms at the same from the "Idiots" way about life. It is a good performance but a fairly simply one when it comes to Mifune's filmography. He delivers in the way his character should but character moments are rather limited in terms of his screen time.He does very well with all that he has, and it is interesting to see him a supporting role such as this. This is far from his greatest work, but it still is solid work from the great actor. 4/5

Zero Mostel in The Enforcer- Mostel plays a small time crook working for a large organization. He does not have a lot of time in the film, but he is fairly moving in his portrayal of a man who is clearly in way over his head. He is the right sort of sad sack in his performance that reflects the meek position his character holds, and his moments of showing the love of his family is actually fairly moving. It is a short part but he does a good job and does indeed add to his film the best he can. 3/5.

Mervyn Johns in Scrooge- Johns plays the role of Bob Cratchit, and much like Alastair Sim does in his lead role, he gives the best performance as the character. Cratchit is not an overly complex character as the sad sack clerk that works for Scrooge, but he can be played incorrectly. Some performances as Cratchit are overly enthusiastic, and honestly can be a little hard to believe. Johns though takes a more down to earth and quiet approach as Cratchit. He plays him as a simple worker who even despite his hardships keeps a smile on his face. He is earnest in the role, and very sweet without being saccharine. He does well in the role particularly in the important scenes where he talking about his sick son Tiny Tim. The loss of Tim in the future vision is made very moving through Johns honest portrayal of grief. Also the final scene of the film is great due to both Sim and Johns. Sim's performance as the changed Scrooge is perfectly complemented by Johns's wonderful expression of surprise, confusion, and joy at the changed Scrooge. His performance is nice effective one that supporting the lead properly. 4/5.

Michael Hordern in Scrooge- Hordern plays Scrooge's old partner Jacob Marley who visits him on Christmas Eve night to reveal himself as a cursed soul who must bear a chain and wander the earth. Hordern gives the second best performance as Marley, although probably is the most accurate one to the book's character. Hordern is quite good the way he starts out so quietly and properly suggests the otherworldly quality of Marley. After Scrooge denies his existence though Hordern blows up in terms of his performance as he expresses the extreme suffering his character has fallen, as well as the regret. It is definitely loud, but fitting as Marley is suppose to make a chilling scream as written. His portrayal works as it makes it clear that Scrooge does not want to end up like him. It should be noted he also is good in his brief appearances in the past first as the partner to Scrooge's plans, and mirrors Sim's smug demeanor brilliantly. 4/5.

1. Karl Malden in A Streetcar Named Desire
2. Stanley Holloway in The Lavender Hill Mob
3. Peter Ustinov in Quo Vadis 
4. Mervyn Johns in Scrooge 
5. Ralph Richardson in Outcast of the Islands
6. Walter Brennan in Along a Great Divide
   
7. Brian Smith in The Browning Version
8. Toshiro Mifune in The Idiot  
9. Michael Hordern in Scrooge
10. Gig Young in Come Fill The Cup 
11. Kevin McCarthy in Death of a Salesman 
12. Jack Warner in Scrooge 
13. Charles Carson in Cry, The Beloved Country
14. Ichiro Sugai in Early Summer
    
15. William Bendix in Detective Story 
16. Zachary Scott in The Secret of Convict Lake 
    
17. Ed Wynn in Alice in Wonderland
18. Jerry Colonna Alice in Wonderland
19. George Cole in Scrooge 
20. Nigel Patrick in The Browning Version
21. Miles Malleson in Scrooge  
22. Chishu Ryu in Early Summer
23. Pat O'Malley in Alice in Wonderland 
24. Richard Benedict in Ace in the Hole
25. Robert Morley in Outcast of the Islands
26. James Gleason in Come Fill The Cup 
27. William Tallman in The Racket 
28. Sidney Poitier in Cry, The Beloved Country
29. Sam Jaffe in The Day the Earth Stood Still
    
30. Lew Freed in Detective Story
31. Robert Keith in Fourteen Hours
32. Franchot Tone in Here Comes the Groom
33. Richard Haydn in Alice in Wonderland 
34. Richard Loo in The Steel Helmet
35. Porter Hall in Ace in the Hole 
36. Hiroshi Nihonyanagi in Early Summer
    
37. Raymond Burr in A Place in the Sun 
38. Ernest Thesiger in The Man in the White Suit
39. Bill Thompson in Alice in Wonderland
40. Jim Backus in Bright Victory
41. Sterling Holloway in Alice in Wonderland
42. Brian Worth in Scrooge 
43. Geoffrey Keen in Cry, The Beloved Country
44. Horace McMahon in Detective Story
45. Roddy Hughes in Scrooge
46. Ernest Thesiger in Scrooge 
47. Sid James in The Lavender Hill Mob
48. Murray Hamilton in Bright Victory  
49. Laurence Olivier in The Magic Box 
50. Terence Morgan in Captain Horatio Hornblower
    
51. William Demarest in The First Legion
52. Prithviraj Kapoor in Awaara
53. Dana Andrews in The Frogman
54. Glyn Dearman in Scrooge 
55. James Edwards in The Steel Helmet 
56. Robert Beatty in Captain Horatio Hornblower
    
57. Wilfrid Hyde-White in The Browning Version
58. Cecil Parker in The Man in The White Suit 
59. Sumner Williams in On Dangerous Ground
60. Richard Pearson in Scrooge  
61. Zero Mostel in The Enforcer
62. Michael Gough in The Man in the White Suit  
63. Howard Da Silva in Fourteen Hours
64. Zero Mostel in Sirocco
65. Harold Warrender in Pandora and the Flying Dutchman 
66. Francis De Wolff in Scrooge 
67. Richard Attenborough in The Magic Box
68. Alfie Bass in The Lavender Hill Mob 
69. Alf Kjellin in Summer Interlude
    
70. Everett Sloane in The Enforcer 
71. William Chun in The Steel Helmet
72. Oscar Levant in An American in Paris
73. Joseph Wiseman in Detective Story
74. Takashi Shimura in The Idiot 
75. Birger Malmsten in Summer Interlude
    
76. Leo G. Carroll in The First Legion
77. Robert Morley in The African Queen 
78. HB Warner in The First Legion
79. Everett Sloane in The Desert Fox: The Story of Rommel
80. Sheldon Leonard in Come Fill the Cup 
81. George  Funkquist in Summer Interlude
    
82. James Barton in Here Comes the Groom 
83. Han Christian Blech in Decision Before Dawn
84. Hugh Marlowe in The Day The Earth Stood Still
    
85. Ray Collins in The Racket
86. Ted de Corsia in The Enforcer
87. Leo G. Carroll in Strangers on a Train
88. Michael Tolan in The Enforcer
89. Leo G. Carroll in The Desert Fox: The Story of Rommel
90. Cameron Mitchell in Death of a Salesman
91. Hume Cronyn in People Will Talk
92. Ray Teal in Along a Great Divide
93. Finlay Currie in Quo Vadis
94. Raymond Massey in Come Fill The Cup
95. Ray Teal in Ace in the Hole 
96. Everett Sloane in Sirocco 
97. Ward Bond in On Dangerous Ground
98. Richard Basehart in Decision Before Dawn
99. Larry Keating in The Mating Season 
100. Jeffery Hunter in Fourteen hours
101. Leo Genn in Quo Vadis
102. Luther Adler in The Desert Fox: The Story of Rommel

Next Year: 1949 Lead

Alternate Best Actor 1968: Results

5. Leonard Whiting in Romeo and Juliet- Whiting gives an earnest performance even though he is overshadowed by most of the cast around him.

Best Scene: Romeo sees Juliet for the first time. 

4. Boris Karloff in Targets- Karloff gives an entertaining performance that is a very nice reflection on his entire career.

Best Scene: The old monster stands up to the new one. 

3. Zero Mostel in The Producers- Mostel gives an enjoyable performance that leads his film well being a comedic as well as likable con man.

Best Scene: Max and Leo first meet. 

2. Walter Matthau in The Odd Couple- Matthau gives an entertaining performance which succeeds in creating a memorable dynamic with his co-star Jack Lemmon.

Best Scene: Oscar is finally pushed too far by Felix's behavior.

1. Henry Fonda in Once Upon a Time in The West- Fonda easily wins from this line up, but I am not sure about the entire year yet. As I will probably be watching the Lion in Winter again soon I'll be able to be sure then. Anyway Fonda is at least gives one of the greatest performances of 1968 by turning his usual screen persona into a very memorable and chilling villianous turn that helps makes his film as great as it is.

Best Scene:  Frank and Harmonica's duel.

1. Burt Lancaster in The Swimmer
2. Nicol Williamson in The Bofors Gun
3. Charles Bronson in Once Upon a Time in the West
4. Peter O'Toole in The Lion in Winter
5. Jack Albertson in The Subject Was Roses
6. Tatsuya Nakadai in Kill! 
7. Max von Sydow in Shame
8. Alan Bates in The Fixer
9. Alan Arkin in The Heart is a Lonely Hunter
10. David Warner in The Bofors Gun
11. Walter Matthau in The Odd Couple
12. Terence Stamp in Toby Dammit
13. Robert Shaw in The Birthday Party
14. Toshiro Mifune in Hell in the Pacific 
15. Nicol Williamson in Inadmissible Evidence
16. Ossie Davis in The Scalphunters
17. Anthony Perkins in Pretty Poison
18. Martin Sheen in The Subject Was Roses  
19. Lee Marvin in Hell in the Pacific
20. Burt Lancaster in The Scalphunters
21. Anthony Quinn in The Shoes of the Fisherman
22. Max von Sydow in Hour of the Wolf
23. Boris Karloff in Targets 
24. Richard Burton in Where Eagles Dare  
25. Harvey Keitel in Who's That Knocking At My Door
26. Malcolm McDowell in If....
27. Peter Ustinov in Blackbeard's Ghost 
28. Clint Eastwood in Hang Em High
29. Jean-Pierre Leaud in Stolen Kisses
30. Jack Lemmon in The Odd Couple
31. Steve McQueen in Bullitt
32. Cliff Robertson in Charly 
33. Sidney Poitier in For Love of Ivy
34. Jean-Louis Trintignant in The Great Silence
35. David Hemmings in The Charge of the Light Brigade
36. Terence Stamp in Teorema 
37. George Segal in No Way to Treat a Lady 
38. Jean-Louis Trintignant in The Man Who Lies
39. Peter Sellers in The Party
40. Etsushi Takahasi in Kill!
41. Ron Moody in Oliver!
42. Hywel Bennett in Twisted Nerve
43. Duane Jones in Night of the Living Dead  
44. Fred Astaire in Finian's Rainbow
45. Rod Steiger in The Sergeant
46. John Marley in Faces 
47. Vincent Price in Witchfinder General 
48. Henry Fonda in The Boston Strangler
49. Leonard Whiting in Romeo and Juliet
50. Laurent Terzieff in Woman in Chains
51. Clint Eastwood in Where Eagles Dare
52. Frank Sinatra in The Detective
53. Keir Dullae in 2001: A Space Odyssey
54. Charlton Heston in Planet of the Apes 
55. Bernard Fresson in Woman in Chains
56. Steve McQueen in The Thomas Crown Affair 
57. Dick van Dyke in Chitty Chitty Bang Bang 
58. Franco Nero in The Mercenary
    
59. Dean Jones in Blackbeard's Ghost 
    
60. Omar Sharif in Funny Girl 
61. Laurence Harvey in A Dandy in Aspic
62. John Philip Law in The Sergeant
63. Ian Ogilvy in Witchfinder General
64. Tim O'Kelly in Targets
65. William Sylvester in 2001: A Space Odyssey
66. Rod Steiger in No Way to Treat A Lady
67. Mark Lester in Oliver!

Next Year: 1968 Supporting 

Alternate Best Actor 1968: Zero Mostel in The Producers

Zero Mostel did not receive an Oscar nomination, despite being nominated for a Golden Globe, portraying Max Bialystock in The Producers.

Zero Mostel plays the has been theatrical producer who comes with a hair brained scheme, along with his accountant Leo Bloom (Gene Wilder), to make a fortune off a flop by overselling a play. Mostel clearly very much has stage routes as he gives a very theatrical performance here with his fairly over the top expressions and wide eyes throughout. This might be a problem for film like say Fiddler on the Roof, yes I do think Topol was the better choice, but this is a comedy after all a rather broad comedy at that. That means that Mostel's manner in this performance is not exactly out of style, and really is fitting of the film's style.

Mostel certainly puts a lot of energy and expression into his performance. This usually fits the various absurd situations he is in whether it is is trying to get finances by wooing old women, or going through the process of making the worst musical imaginable in the form of Springtime For Hitler. Mostel reactions are usually quite enjoyable in his manic delivery. Whether it is the face of surprise or the face of disgust he plays them well deriving the appropriate humor from each and every moment. In fact he even manages to amplify some of the performances in the film through his portrayal of Max's false supportive grins, as well Max's more honest moments of disbelief.

Mostel has a lot of fun with his portrayal of all the scheming that he participate in. He puts a lot of joy and enthusiasm of his performance that makes it pretty easy to follow old Max and Leo through their scheme that is cheating old ladies out of their money. With his flint in his eye and his endearing smile Mostel makes Max an appropriately likable schemer. A schemer that despite the nature of his scheme being quite despicable to say the least we as the audience can go along with quite easily, than we can somehow even feel sorry for when his scheme ends up failing in the end. He handles both the happy and the sad with the appropriate humor for Max.

Throughout the film he has excellent chemistry with Gene Wilder as Bloom. Mostel does well actually though by toning down his performance ever so slightly when going toe to toe with Wilder, as it is impossible to out manic the master of manic, Gene Wilder. They play well off of each other in both the scenes where they are working together as they create a fairly genuine friendship between the two, and the scenes where they fight. These scenes are particularly hilarious as each insults each with Wilder doing his insanity like a master, and Mostel going against him with somewhat downplayed insanity quite well as well.

Mostel gives an entertaining lead performance here I will say though he is not my very favorite part of the film just one of the aspects within it that I quite enjoy. Wilder really does hold a better command of film as a medium and I will say that he does get a little more comedy out of his role. Nevertheless this should not suggest that I have any problems with Mostel at all, he really is very good in his role that is fitting for the sort of comedy that the Producers is. To be up shown a by Wilder is not really a criticism against Mostel, as Mostel definitely gives a very enjoyable performance on his own, and not being quite the funniest in this film isn't a problem.

Alternate Best Actor 1968

And the Nominees Were Not:

Walter Matthau in The Odd Couple

Zero Mostel in The Producers

Henry Fonda in Once Upon a Time in The West

Boris Karloff in Targets

Leonard Whiting in Romeo and Juliet