Showing posts with label Michael B. Jordan. Show all posts
Showing posts with label Michael B. Jordan. Show all posts

Saturday, 31 January 2026

Best Actor 2025: Results

5. Michael B. Jordan in Sinners - Jordan effectively carries his film in two separate ways one through charisma and one through stoic conviction. 

Best Scene: Epilogue.
4. Ethan Hawke in Blue Moon - Hawke gives his most showoff performance to date, and I found it largely effective as the showoff yet sorrowful Lorenz Hart. 

Best Scene: Argument with Rodgers.  
3. Wagner Moura in The Secret Agent - Moura gives a subdued and moving depiction essentially of one normal man trying to live in a mad time.

Best Scene: Testimony
2. Leonardo DiCaprio in One Battle After Another - DiCaprio delivers one of his best performances that manages to be both a very funny and moving journey from revolutionary to burnout dad. 

Best Scene: In the car with Sensei. 
1. Timothée Chalamet in Marty Supreme - Good predictions Kevin, Robert, Tim & John Smith. Chalamet is a live wire of cinematic charisma in delivering a captivating yet challenging depiction of one man's ego and ambition. 

Best Scene: Final game. 
Next: 2025 alternate supporting. 

Wednesday, 28 January 2026

Best Actor 2025: Michael B. Jordan in Sinners

Michael B. Jordan won his Oscar from first Oscar nomination for portraying Elijah "Smoke" Moore and Elias "Stack" Moore in Sinners. 

Sinners follows a pair of twins in 1932 trying to setup a juke joint in the south which unfortunately the grand opening gets interrupted by vampires.

Michael B. Jordan takes on the fairly unique Oscar nominated role of playing two roles, where both roles are substantial parts within the film. Jordan’s performance is also unique because the effect of having him twice on screen is frequent within the film to the point you don’t really even think about Jordan playing both parts because the effect is seamless. The film though early on makes the clear distinction between the brothers as we first have the wide brimmed Stack with red highlights and the capped Smoke with blue highlights. This distinction is emphasized all the more by the first scene where the two go about buying what they think is a local sawmill from a white landowner. The first question being if they’re twins, to which Jordan as Smoke stays silent, while Stack smiles and says “Nah we cousins” with a slightly more pronounced southern accent that feels wholly natural, which pretty much tells you so much about both men in this quick action. Essentially Jordan is tasked with two distinct types of performances to lead the film, with Stack he’s basically asked to pull out all of his charisma into the role, meanwhile as Smoke he’s asked to be the stoic somewhat cold protagonist. Two separate challenges that often intertwine with each other as contrast. 

As Stack Jordan very much runs away with the role and that is all there is to it. There’s so much energy he brings that also feels so easy from him in creating the state of the expression of the guy who seems to want to accentuate the fun to be had in life as the starting point. Jordan commonly fits just this sly smile and just eagerness to roll with everything. Jordan delivers on such overwhelming charisma for the role where he is just shining in every scene he’s in until the switch of his character occurs. Where we see the spark in his eyes as most eager to start the juke joint as the most pleasurable of endeavors to him. Establishing a strong sense of his style and relationship as we see with their young cousin Sammie (Miles Caton), where Jordan brings such a strong sense of older brotherly warmth towards the younger Sammie and you can wholly sense how he just wants the best of him. Even his “well get him back in one piece” to Sammie’s strict religious father is with an earnest protective quality for him. Contrasting that strictly his Jordan’s more subdued work as Smoke where he keeps an often sullen expression and limited words to begin with but the deliveries he does have are sharp and direct. Where with Stack we saw the love, Jordan conveys a cold protection with harsh overtones of tough love. Such as when Sammie finds a snake in their hidden truck and Jordan makes his delivery of telling Sammie to step aside in frankly a dismissive way which effectively illustrates Smoke contrasting approach. 

Within the setup of the film with both men moving to run errands to set-up their grand opening we get the disparate approaches to wrangling what they need. With Stack we get a bit more charm with the casual ease in which he broaches musician Delta Slim (Delroy Lindo) to perform for the night, just through a slight smile and the enticing promise of beer with a bit of wink. We see him recruit a bouncer in Cornbread, where Jordan with a knowing smile both makes fun of Cornbread while also promising the strongest of sexual favors from his wife. Both deliveries Jordan realizes with the same charismatic ease of someone who knows how to pester then pester right to charm with that distinct sense of joy in each moment. Contrasting Stack’s easygoing manner we have Smoke go into town to buy supplies and set up a few things with the local shopkeep. Jordan’s performance in these moments I do think is less interesting than his work as Stack, and yes Stack is the showier role, however there is a way to be great when stoic, and I don’t think Jordan quite gets there. Rather he’s wholly fine in just projecting that direct coldness, that goes so far as to kneecap a local who tries to steal from his truck. Jordan emphasizes very much just the severe directness of Smoke as a man with a purpose, which while not but the stoicism didn’t quite sing for me in the same way he does with his charisma as Stack. One reason for the separation being that Smoke killed their father when he beating Stack. Which is a great scene for Jordan as Stack managing to start with the typical joking way before naturally segueing to a bit more somberness where we sense his respect for his brother and also his own hardship even if he's not anchored by it in the same way as Smoke. 

Throughout this sequence we also are introduced to the two disparate love interests of the twins, for Stack we have Mary (Hailee Steinfeld) and for Smoke we have his estranged wife Annie (Wunmi Mosaku). With Stack, Jordan and Steinfeld’s chemistry is one of the extremely sexually charged where both are constantly doing with each other’s eyes what Bob Ferguson was going to do with Willa’s friend in One Battle After Another. Capturing just really their intense attraction, complicated by Mary's mixed but mostly white ancestry, where even that Jordan plays the notion of just wanting to give her up for her sake with an atypical but convincing moment of a bit of meekness from Stack. Rectified as we see convincingly just from that attraction which Jordan and Steinfeld realize with considerable ease. Contrasting that is the relationship between Annie and Smoke which is strained by the death of their child. Something that might speak to Smoke coldness in general however again I will say the actual scene between Mosaku and Jordan isn’t one of my favorites for the latter. Jordan brings a sullen face, but I feel he doesn’t quite find enough of expressing the internalization of his deep pain. Particularly the moment where he explains his struggle to come back to where there’s all that pain, a moment that I do feel from Mosaku’s performance but Jordan’s performance left me wanting more. It feels the moment to most crack open the stoic a bit, or show it truly festering underneath within the moment and I just don’t fully see either. And again I don’t think he’s bad, but it feels like a moment for something truly profound that I don’t think his performance entirely delivers on. It might stand out more to me because I think there's moments from Creed where Jordan is able to play this type of note far more successfully than he does here. 

Throughout the opening night then we get the continuation of Jordan bringing such energy and fun with Stack, including a bit of extra empathy towards unpaying customers that Jordan all brings so naturally, and then we have that consistent sullen intensity of Smoke making the hardest rules and choices throughout the night. Unfortunately the night brings more than a lack of profits, we also get the entrance of vampires led by Remmick (Jack O’Connell). Where sadly they turn both Mary and Stack. Saddest of all because I’ll admit I kind of think this makes Stack suddenly the less interesting character as the puppet of Remmick, though Jordan does make the most of his dancing at Remmick's behest scene where he’s having the time of his life and that’s pretty great. But beyond that we just basically get evil Stack where Jordan delivers enough at being slightly maniacal as Remmick’s puppet but not as interesting as what came before. Conversely however I find that his performance as Smoke takes hold a bit more in bringing the commanding presence as his calm leads the other humans in dealing with their supernatural threat. With some striking moments of basically now revealing the emotion a bit more clearly in directly playing the grief of seeing his family and friends die, particularly in his moving reaction to having to kill Annie, though I’ll admit I’m a little taken out of the scene just because it seems like all the vampires decide to just let them have their emotional moment for reasons unknown, and also greater expression of real concern for Sammie throughout. Jordan holds together as the heroic lead in this section effectively, where the intensity does come to life more and we see the emotion fueling that intensity right till the end. 

Where Jordan has an especially striking moment of protecting Sammie at the end, where he conveys quickly in his eyes the sense of relief in finding no bites on Sammie and also watching in horror as the vampires all burn alive. Followed by the climax after the climax where Stack battles the Ku Klux Klan that had been sent to kill the twins. Jordan’s compelling in again bringing emotion within the action scene and finds more emotion in his final moments after Smoke is fatally wounded in the battle and sees a vision of Annie and their child. Jordan’s depiction of his relief and acceptance is good, even if maybe not quite as powerful as the film intends. As much as I wasn’t wowed by much of Jordan as Stack as a vampire, I will say thankfully he does have a great scene in the film’s epilogue, where the surviving vampires of Mary and Stack visit an aged Sammie (Buddy Guy). Although not fully explained by the film one can assume that Stack is released from the vampire hive mind as Jordan plays the scene much more like Stack was in the early scenes of the film, with the caveat of a bit of sorrow of the immortal having lived decades as a vampire. Jordan delivers a wonderful sense of nostalgia towards Sammie’s music and even that warmth again towards his now older appearing cousin, and the simple appreciation of the man’s music once again. Followed by maybe Jordan’s single best moment which is his wistful agreement with Sammie over how happy the vampire day was before the vampires showed up. Jordan’s moment brings so much heart, so much regret, so much pain, but also a sense of love as he recounts it being the only day he felt truly free. It’s an outstanding final moment, in a very good set of performances. And I do hate how it feels like a damning his performance by merely thinking it is very good, given I don’t think Jordan is ever bad here, he goes from fine to great, and in a way the “fine’ moments stand out because he’s also great. 

Monday, 26 January 2026

Best Actor 2025

And the Nominees Are:

Leonardo DiCaprio in One Battle After Another

Michael B. Jordan in Sinners

Timothée Chalamet in Marty Supreme

Wagner Moura in The Secret Agent

Ethan Hawke in Blue Moon

Monday, 22 February 2016

Alternate Best Actor 2015: Results

10. Johnny Depp in Black Mass - Depp returns to form here for an effectively brutal depiction of a vicious mobster.

Best Scene: Whitey tries to explain why he wasn't a rat.
9. Ben Mendelsohn in Mississippi Grind - Ben Mendelsohn gives an endearing and moving depiction of a gambler with his work being particularly well amplified by his amazing chemistry with his co-star Ryan Reynolds.

Best Scene: Gerry plays a piano.
8. Michael B. Jordan in Creed - Jordan gives a great portrayal of a man with the passion to find his own path though with the frustrations of a son trying to overcome the shadow of his father.

Best Scene: "I wasn't a mistake"
7. Jason Segel in The End of the Tour - Segel gives a fascinating portrait of David Foster Wallace capturing his personal idiosyncrasies along with his personal philosophy, intelligence, and vulnerabilities.

Best Scene: Lipsky asks Wallace about his depression.
6. Michael Fassbender in Macbeth - Michael Fassbender offers a unique and powerful alternative interpretation of the tragic Scot, as man slowly destroyed by madness from his post traumatic stress.

Best Scene: Macbeth learns of the fate of his wife.
5. Ben Foster in The Program - Foster brings the right out of control vanity and ego to his Lance Armstrong, but still offers just enough sympathy for the man.

Best Scene: Lance says he'll clean up the sport himself. 
4. Jason Bateman in The Gift - Jason Bateman offers one of the most realistic depictions of a bully you'll find in a film, but goes further to still instill this sort of man with a very real humanity.

Best Scene: The final gift.
3. Ian McKellen in Mr. Holmes - McKellen offers not only his own effective approach to the well worn character, but also goes deeper to realize the personal difficulties of being such a man in heartbreaking detail.

Best Scene: Mr. Holmes and Ann.
2. Tom Hardy in Legend - Tom Hardy gives two great performances, one appropriately outrageous and entertaining as deranged mad man, and the other appropriately charming and moving as a potentially good man who allows himself to fall down the same path as his brother.

Best Scene: The Krays come to blows. 
1. Jacob Tremblay in Room - Good predictions Luke and Anonymous. This year came down to several performances for me, and it's a great year, despite what perhaps the lead actor nominations might allow one to believe. My choice, the choice that I'm picking, yes right exactly now must be chosen, yes the choice. Well obviously I already chose, but this one was particularly difficult as there was not a single performance that just stood out to me, not in a bad way mind you, but rather I had to choose simply through work that I equally loved. Anyway my choice is the youngest of all the nominees yet his work is no less captivating. Tremblay's work is unassuming yet tremendous, as he carries his film so eloquently depicting a quiet yet so powerful depiction of a boy's tumultuous journey to discover the world.

Best Scene: Preparing to leave the room. 
Overall Rank:
  1. Ian McKellen in Mr. Holmes
  2. Paul Dano in Love & Mercy
  3. Jacob Tremblay in Room
  4. Tom Hardy in Legend
  5. Tom Courtenay in 45 Years
  6. Jason Bateman in The Gift
  7. Christopher Plummer in Remember 
  8. Leland Orser in Faults
  9. Ben Foster in The Program 
  10. Tom Hardy in Mad Max: Fury Road
  11. Michael Fassbender in Macbeth
  12. Jason Segel in The End of the Tour
  13. Leonardo DiCaprio in The Revenant
  14. Michael B. Jordan in Creed 
  15. Kurt Russell in Bone Tomahawk
  16. John Cusack in Love & Mercy 
  17. Christopher Abbott in James White
  18. Abraham Attah in Beasts of No Nation
  19. Tom Hanks in Bridge of Spies 
  20. Viggo Mortensen in Far From Men 
  21. Nikolaj Coster-Waldau in A Second Chance
  22. Tobey Maguire in Pawn Sacrifice 
  23. Ben Mendelsohn in Mississippi Grind
  24. Ryan Reynolds in Mississippi Grind 
  25. Andrew Garfield in 99 Homes 
  26. Ralph Fiennes in A Bigger Splash
  27. Adam Driver in Hungry Hearts
  28. John Boyega in Star Wars: The Force Awakens 
  29. Patrick Wilson in Bone Tomahawk
  30. Joel Edgerton in Black Mass 
  31. Jesse Eisenberg in The End of the Tour
  32. Johnny Depp in Black Mass
  33. Jason Mitchell in Straight Outta Compton
  34. Domhnall Gleeson in Ex Machina
  35. Michael Fassbender in Steve Jobs
  36. Song Kang-ho in The Throne
  37. Rolf Holger Lassgård in A Man Called Ove
  38. Antonythasan Jesuthasan in Dheepan
  39. Colin Farrell in The Lobster 
  40. Al Pacino in Danny Collins
  41. Jason Clarke in Everest  
  42. O'Shea Jackson Jr. in Straight Outta Compton
  43. Matt Damon in The Martian  
  44. Corey Hawkins in Straight Outta Compton
  45. Reda Kateb in Far From Men
  46. Mathias Schoenaerts in A Bigger Splash
  47. Sharlto Copley in Chappie 
  48. Frederick Lau in Victoria
  49. Vincent Lindon in The Measure of a Man 
  50. Antonio Bolívar in Embrace of the Serpent
  51. Nilbio Torres in Embrace of the Serpent
  52. Géza Röhrig in Son of Saul
  53. Daniel Craig in Spectre
  54. Bryan Cranston in Trumbo
  55. Michael Fassbender in Slow West
  56. Tom Cruise in Mission Impossible: Rogue Nation 
  57. Kevin Bacon in Cop Car
  58. Pilou Asbæk in A War
  59. Ulrik Munther in The Here After
  60. Mathias Schoenaerts in A Little Chaos
  61. Tom Hardy in Child 44
  62. Chang Chen in The Assassin
  63. Buddy Duress in Heaven Knows What
  64. Tom Hiddleston in Crimson Peak
  65. Colin Firth in Kingsman: The Secret Service 
  66. Armie Hammer in The Man From U.N.C.L.E.
  67. Henry Cavill in The Man From U.N.C.L.E.
  68. Paul Rudd in Ant-Man
  69. Robert De Niro in The Intern 
  70. Vin Diesel in Furious 7
  71. Liam Neeson in Run All Night
  72. Richard Madden in Cinderella
  73. Taron Egerton in Kingsman: The Secret Service 
  74. Joseph Gordon-Levitt in The Walk 
  75. Alex Jennings in The Lady in the Van
  76. James Freedson-Jackson in Cop Car
  77. Hays Wellford in Cop Car
  78. Jake Gyllenhaal in Southpaw
  79. Bill Hader in Trainwreck
  80. Noah Schnapp in The Peanuts Movie
  81. Sean Penn in The Gunman
  82. Kodi Smit-McPhee in Slow West
  83. David Thewlis in Anomalisa
  84. Chris Pratt in Jurassic World 
  85. Joaquin Phoenix in Irrational Man
  86. Michael Caine in Youth 
  87. Chris Hemsworth in The Heart of the Sea
  88. Will Smith in Concussion
  89. Dev Patel in Chappie 
  90. Ryan Reynolds in Woman in Gold
  91. Yoo Ah-in in The Throne
  92. Nick Cannon in Chi-Raq
  93. Channing Tatum in Jupiter Ascending 
  94. Mark Ruffalo in Infinitely Polar Bear 
  95. Asa Butterfield in 10,000 Saints
  96. Eddie Redmayne in The Danish Girl
Next Year: 1962 Supporting

Tuesday, 9 February 2016

Alternate Best Actor 2015: Michael B. Jordan in Creed

Michael B. Jordan did not receive an Oscar nomination for portraying Adonis "Donny" Johnson in Creed.

Michael B. Jordan in an interesting fashion has to in a way do what his character is doing in the film, which is to some how live past the ghost of another. Where Adonis must some how find a way to deal with the legacy of his father the legendary heavy weight champion Apollo Creed, Jordan must someone how deal with the ghost of Carl Weathers, to what Weathers might say in response "I'm not dead!". The character of Apollo Creed and the performance given by Carl Weathers I think is one of the best elements of the Rocky franchise as a whole to the point that it even allowed for this sequel. Apollo actually developed the most logically across all the sequels, thanks in part to Weathers's consistently solid work throughout the series, after all he's the only guy who seems to think it's strange that there's a robot in Rocky IV. It's only fitting that in the end it is Apollo who has allowed there to be one more sequel in the mix. Now I'll admit coming into the film I was bit like the naysayers featured in the film, "you'll never be as good as Apollo", I was saying "You'll never be as good as Weathers" therefore having really an unfair expectation that he'll have to be exactly what came before, but just like Adonis himself, Michael B. Jordan isn't here to simply copy the work that he done by his predecessor, he's here to be something new that stands on its own accord.

Adonis's struggle as a character is a rather peculiar one technically speaking in that even though he had a hard early childhood, his later adoption by Apollo's wife left him rather well off. However that does not leave a certain chip on his shoulder as he's still has his past, though he is not likely to quickly find sympathy due to his present standing. Jordan has a challenge for us to even care about Adonis's story of trying to make it as a professional boxer, considering it is not exactly his only option as it sort of was for Rocky (Sylvester Stallone) in the original 1976 film. This film is smart enough to point that out, but in the end both Rocky and Adonis wish to prove something. Where Rocky's struggle was based on proving he was not just a washed up bum never worth anything, Adonis's struggle on the other hand is prove himself not to be seen blemish on his father's record. With this Jordan carries this certain intensity with his own presence that is incredibly well handled by him, especially when compared to another boxing performance from 2015, that being Jake Gyllenhaal in Southpaw as Billy Hope. Now in this case neither man is suppose to be a Jake Lamotta sort, that being a vicious thug at heart, yet both have moments where their temper gets the best of them.

With Gyllenhaal he basically indicated Billy Hope as basically a calm guy except when the script decided that he needed to be angry, and it's made worse that his anger issues are resolved completely off screen in that film. Jordan makes this much more of constant, but not in that he technically has serious anger problems. What Jordan does have is that intensity, a certain fire in Adonis, that's always there to some capacity, as though it is not only ingrained from his past, but also only exacerbated by being reminded of his father's legacy. In the moments where his father is brought up to mock him Jordan shows the way the intensity moves in a negative fashion. There's even a slight aggression he brings when it seems like there is mention of the man. Jordan is excellent by showing this as Adonis raising his defenses in the moment. He naturally wavers though if the issue is not pushed, however when it is, Jordan is terrific in portraying it almost as an instinctual reaction from Adonis when reminded of heritage. Jordan importantly keeps this as the very specifically attached to when and only when Apollo in mentioned. Jordan reveals so well this considerable vulnerability intertwined with the idea of his father, and so well paints the relationship with his father throughout his life, despite the fact that he never even met his father.

Jordan remarkably is able to carry the father/son connection into the ring, which is pivotal for his character here. The reason for his drive to fight is never in question, and Jordan makes an absolute sense to it. He is able to make this part of his performance even in the fight scenes. In these moments he channels the intensity once again though in this time a way that works with him instead of against him. In the fight, the will to find that connection with his father is even present, as the passion of the fights is that of man living up to being the man he feels he must be to be his father's son. Now what's great about Jordan's work is that he does not allow this idea to override his performance. This is an essential part of Adonis in Jordan's performance, but he never allows it to control Adonis completely. When his father and the fights are not in the topic of direct discussion Adonis is a pretty normal guy. On this note Jordan is charming in his role, but I should note not in the same way that Weathers was in that original film. Weathers was a guy who could control a room with his charm, Donny does not have the experience and it is fitting that Jordan is not so larger than life. The charm though is there, and really Jordan allows for the idea that perhaps given time and experience he could be the showman his father was.

Jordan is particularly likable here and there are some memorable moments in his performance that might even seem minor, yet work because he makes them so genuine. I particularly love his enthusiasm about hearing his chance to take on the world champ. His charm perhaps best shown in his scenes with Adonis's love interest, a singer Bianca (Tessa Thompson). Now of course Rocky had his relationship with Adrian at the center of the film as well, though the one in Creed plays out a bit differently as Bianca has already come to terms with condition, in this case degenerative hearing disorder. Jordan and Thompson are splendid together as they even manage to work through the standard romantic couple starter where they meet through an unpleasant circumstance. They do not dwell on the idea importantly, but even get through that in a natural fashion that ends up working just fine for the springboard for their relationship. This does not get as much focus I would say as the romance in the original Rocky, nevertheless it gives Jordan a chance to be quite endearing striking up with Thompson a very believable connection between the two. I actually really like that they do not necessarily even make this the match made in heaven, what the two do is a convincing depiction of two people coming together.

As in the original Rocky there is a keen focus on the relationship between the boxer and his trainer. Well Donny gets the chance to train with Rocky himself. As I mentioned in Stallone's review, he and Jordan are great together. They play off each other so well with Stallone as Rocky being his usual low key self, while Jordan is properly much more energetic on his side of things. The two have a great comedic chemistry just in small little moments through Jordan's outgoing manner that clashes perfectly against Rocky taking things one at a time as usual. The two do not leave it as just a funny odd couple though as they do indeed move past that. Jordan and Stallone both are able to build the warmth between the two quite naturally, as it is wonderfully informal as sorts. The two become like family through there interactions as Rocky trains Donny to professionally box. The tested moment, when Rocky receives more terrible news, is a heartbreaking scene due to both performances. Jordan is great by placing the warmth of Adonis right upfront showing just how much their uncle/nephew relationship has meant to him. When he is rebuffed in the moment by Rocky, Jordan is so moving in his subtle portrayal of Donny falling apart internally from being abandoned yet again. When Donny and Rocky come back together it not only is completely earned the two only strengthen the relationship further. One of the highlights of the film is the two of them slowly getting up the Philadelphia Art Museum steps. At this point Jordan and Stallone have made Donny and Rocky family through only the course of the film and create such a poignancy in having the two reach the top together. Jordan like Donny certainly gets important support from the old champ, while having to contend with another champ. Jordan lives up to Weather's memorable work through his own performance, not by copying what Weathers did, but finding his own path, making Adonis a character who does indeed stand out on his own accord.

Monday, 8 February 2016

Alternate Best Actor 2015

And the Nominees Were Not:

Tom Hardy in Legend

Jason Segel in The End of the Tour

Johnny Depp in Black Mass


Michael B. Jordan in Creed

Ben Mendelsohn in Mississippi Grind

Predict those five or these five:

Michael Fassbender in Macbeth

Jason Bateman in The Gift

Jacob Tremblay in Room

Ian McKellen in Mr. Holmes

Ben Foster in The Program 

Or both.