Alternate Best Supporting Actor 2020: Mick Jagger in The Burnt Orange Heresy

Mick Jagger will not receive an Oscar nomination for portraying Joseph Cassidy in The Burnt Orange Heresy. 

The Burnt Orange Heresy is a film that despite a striking set-up devolves into not much of anything, about an art critic being hired to steal a masterwork from a reclusive painter. Honestly I think the film would've been better off it stayed more of a purely philosophical piece and didn't get into thriller/mystery trappings (or perhaps if they were better developed or paced). 

Anyway, I'll concede this is being done in part to create a new comments section, but eh I also wanted to talk about this performance after randomly watching this film. The charismatic rocker Mick Jagger plays the enigmatic host to the visiting critic, Claes Bang's James Figueras, and the reclusive painter Jerome Debney (Donald Sutherland). Jagger has a fascinating presence as a performer on screen. Now the transfer of musician to convincing actor isn't always successful, but when it is, it can be something quite special. Like his performance, in Performance, Jagger here is rather fascinating in himself. There's just something about him onscreen that is wholly unusual, he deserves to be on screen, but at the same time he's unlike anyone else who would ever grace the screen, a bit like Tom Waits in that regard. Jagger's actual screentime in the film is relatively brief, but nonetheless steals the film wholesale with that. This as he appears as the eccentric rich man Cassidy and Jagger simply owns his space in that particularly wonderful way. This as Jagger carries the right oddness just as he carries this certain precise strength as well. There's a quiet cunning just as there's affable quality within his manner. He's there to deliver some exposition, and Jagger brings such wondrous texture to every word. There's just such a life of pleasure, wealth and experience within Jagger's portrayal. There's a strange wisdom in his eager delivery, but as well there's kind of a cutting quality about his words. Jagger's words are fascinating in that he speaks everything with such a jovial enthusiasm, but just the same he's wielding a real power with such ease. Jagger is magnetic and just fascinating to watch here. A true proper host for the film as he makes even just some random of discussions of art, with a few prying questions in between, carry so much in them. There's a sense of fun, extravagance even in Jagger's word, but at the same time an odd kind of threat. Jagger's eccentricity has a certain danger about it just as it is entertaining in its own way. It is hard to perfectly gauge the man, there's a perfect kind of mystery that Jagger grants. You can't quite tell if his Cassidy is just an aged playboy looking for a source of entertainment or more truly villainous in his requests. Jagger finds an elegant balance in the purpose of the character, though just as much, it must be said he makes every bit of dialogue sing through his totally atypical direction he takes every word. Jagger's performance never simply is there, there's a liveliness to every moment that is something special. Just the way his eyes go from welcoming towards some suspicion is dynamite. He prods with the same ease that he entices. Sadly Jagger is only sparsely used, though he comes back for a bit more, very welcome, spice at the very end of the film. Again finding a sense of menace with a believable smile, but a strangely piercing stare. The way Jagger goes on about different asides, there's a bit of threat in each little rambling of his. This is an absolutely wonderful performance by Mick Jagger, and though I wouldn't quite recommend the film, he does kind of make it worth viewing. 

Alternate Best Supporting Actor 2020: Daveed Diggs & Jonathan Groff in Hamilton

Daveed Diggs was nominated for a SAG award for portraying Marquis de Lafayette & Thomas Jefferson in Hamilton. 

 

Hamilton is a fantastic musical about the life of founding father Alexander Hamilton. 

Now here I go about another set of reviews of performances that I know will not be Oscar nominated, although for different reasons than my previous one. Well it was placed in the TV categories for whatever reason at SAG, though it had an intended theatrical release originally, but that really isn't the main point of conflict. The main conflict is the film is essentially a filmed version of the play, though with specific added cinematic touches, and not just a recording for posterity's sake. Now I have heard the argument since it was presented to an audience on stage, though not the entirety of it, that it should preclude itself from being considered a film. Well I would counter, why can't a filmmaker say "my cinematic version of Hamilton is the stage version, with audience reactions"? If it were static, and only shot for posterity, without any additional touches, I would agree, but as is, the exclusion isn't something I can agree with. Furthermore precedent has been set by the Academy, when they nominated James Whitmore's filmed stage performance for Give 'em Hell Harry!, which frankly had fewer cinematic touches than were added to this rendition of Hamilton. It is finally worth mentioning that I don't think it gives any advantage, rather it is a disadvantage in a way, as stage performances are attuned differently. I only think it is fair though then it look at these performances as I would any film performance, which I guess it makes sense then I'm covering my favorite performances of the musical in the form, which are likely the performances that would be the most similar if they ever do make an entirely cinematic version. 

 

This starting with the very talented Daveed Diggs in the dual roles of French liaison to the colonial army Marquis de Lafayette and founding father, writer of the Declaration of Independence, the third president, Thomas Jefferson. Now no historical character in Hamilton is played entirely straight, George Washington comes pretty close, which makes sense it's a musical so there naturally is going to be some riff. Most of these are slight riffs, particularly with the roles of the Schuyler sisters, Aaron Burr and of course the titular Hamilton. They are largely taken seriously as the historical person even within the modernized lens granted to it by Lin-Manuel Miranda. That is less so for Diggs's performances, in both of his roles. The first being, I'll say from the outset his lesser role, though don't take that as a criticism, as Lafayette. This as early on he is nearly the chorus as just part of the group of revolutionary buddies of Hamilton (Miranda). His most noticeable feature being his fairly over the top, not out of the realm of Clouseauesque (though not quite far), French accent that is obviously not meant to grant any strict reality to the Marquis. Diggs's delivery in that way does make him stand out in little beats in the group scenes, such as his dismissive "you are the worst Burr" when regarding Hamilton's frenemy Aaron Burr (Leslie Odom Jr.) as a bit of a random aside. Lafayette's one highlight moment certainly is not wasted though during the song "Guns and Ships" were Lafayette goes about rapping his endeavors. Diggs's fantastic rapping skills are not to be dismissed and the swift ease of the run down is simply wonderful. 

Watching the film the first time though I will say just watching the first half, I was surprised that Diggs was chosen as the supporting actor to win the Tony for the musical, not that he's not good as Lafeyette, but it felt like just a warmup for him....which is the case. This as he comes in to quite the fanfare as Thomas Jefferson in the second half. The most prominent historical figure who is the least like the actual man in any way, the fact that he was played by the ever cold Stephen Dillane in the miniseries John Adams should give a sense of how far from that Diggs is from that. All intended of course, and so brilliantly so. We instantly get a sense of the character, which Diggs plays as a bon vivant celebrity in his outstanding introductory number "What'd I miss". This of course is visually established by his costume, the most over the top out of the main cast, as he wears a purple frilly suit that is sight all on its own. Diggs though does as much visually himself as his whole manner is just pitch perfect in crafting this take on Jefferson, particularly in contrast to the driven Hamilton. Given that Hamilton already has one foil in Burr, we get a new path with Diggs as a man as successful, but who just makes it all look easy. Diggs comes in as THE life of the party. This as the grin on his face is a man who loves how everyone love him, but also just loves his life. Diggs rarely stands up straight, or walks normally. There's almost always a little perk in his step. This just as he brings so much energy that in turn though is perfect though as setting up a guy who just seems to walk on the air of life. The man whose achievements come naturally, and doesn't need to be "Non-stop" he just is. 

Naturally then Hamilton and Jefferson then come to blow in two rap battles, which the script say Hamilton wins, and perhaps he does logically, but one has to admit in terms of actual rap precision...there's no question. Diggs runs away with it in both battles. This just his running down with his rap with it as though it is just as though he would indeed speak. I love that Diggs doesn't copy how he rapped as Lafayette either. He does it with as much ease, but seemingly less effort. By that I mean Jefferson just runs out each word without a care in the world, and a complete belief, because how could a man so overflowing with confidence ever be wrong. I think what needs extra mention is Diggs's performance during Miranda's raps, which I have to say kind of steal the moments from the star each time. This as Diggs is absolutely hilarious in every split second of hearing out Hamilton's arguments. This with moments of a kind of respect, but also a bit more annoyance, and little reactions towards the crowd of either indicating that what Hamilton saying isn't true, or trying to react as he doesn't care, even if does. Diggs I suppose makes Jefferson cheat a bit by taking the spotlight even when he's not owning his portion of the rap arguments. Diggs just literally doesn't stop and it again is fantastic, because again isn't in the non-stop Hamilton way, it's in the Jefferson way, where his drive is with a joyful grin and a loose gait. And the greatest trick of it, is Diggs's charisma makes it so you don't hate him for a moment for his shameless grin, there's just something about him that makes you love every minute of it. 

Now what that is exactly is part of Diggs's whole demeanor in the role. His energy is indeed endearing but just so is the way Diggs plays up every scene for all its worth, even for how much Jefferson might even feature in a scene. In fact I have to say, Diggs kind of just literally makes something out of every second he's onscreen, as he just keeps that unabashed style of the man. Take after the first cabinet argument where Jefferson laughs at Hamilton for not having the votes. This is a completely childish move, but can't help but love Jefferson because Diggs is just so playful about it. Diggs just moving around the stage is something to behold as he makes this basically cocky slide than even can be described as a walk. Diggs though importantly does strike a balance even in his largely comic performance. This as in the second cabinet rap battle he brings a more directed passion even within that ease still that is impressive. Diggs though conveys that the subject, of the French revolution, is meaningful to him and even his dismissive attitude towards Hamilton has a more genuine anger. Diggs even as he's just being incredibly entertaining does craft the arc of Jefferson from a friendlier rival to Hamilton to a more antagonistic one. This eventually leading to the exceptional scene where Jefferson and his little cabal force Hamilton to admit to a crime, though an affair rather than embezzlement as they believed. Diggs is great in his hectoring manner as he makes his little accusations, but the cherry on top of the scene, is Diggs is hilarious "Whaaaat" when finding out the truth. This perhaps only equaled by his slightly annoyed, still comic and confused "My God" towards Hamilton's confession that wasn't quite what he hoped.  This still leading to a partial downfall by Hamilton as he writes and releases his own confession anyways. Leading again to another amazing scene for Diggs. This in the sheer bliss and really gluttony in taking in all the schadenfreude. My personal favorite line delivery in the show being perhaps Diggs "Never gonna president now" as strict jubilation while dancing and making Hamilton's pamphlet "rain". Of course everything Diggs does is a little gem of its own. His reaction to Burr, after Burr runs against him, as a "you kidding me dude", comic gold, even his final line as Jefferson remarking about Hamilton's legacy while still recognizing his attempt to dismantle it, is pure gold. That's the entirety of Diggs's performance. It's comic masterwork of the piece that finds just the right tone and truly runs with it. His Jefferson is broad in the best possible way and works from any perspective. A comically genius performance, that is a proper different kind of foe for Hamilton to be sure, while also just being a joy to behold all on its own.

Jonathan Groff was not nominated for any visual recorded media acting awards for portraying King George III in Hamilton. 

Now Jonathan Groff's performance I think owes a debt, fundamental to Lin Manuel Miranda's inspiration for the inclusion of the King, to Tom Hollander's performance as King George in the miniseries John Adams. A one scene wonder to be sure, but here we get Groff as a 3 scene and a eighth wonder as the musical's version of George that skews closely to Hollander's. This as the intention is not a humane portrait of the man a la Nigel Hawthorne in the underrated Madness of King George, like Diggs's performance there is a more than a degree of flamboyance in this representation of a historical figure. George here being a series of interludes as the King's reaction to various going-ons in America, each of these being highlights within the musical. Now of course Groff has a beautiful voice, and delivers "You'll Be Back" and its pseudo reprises wonderfully. What I want to highlight though is the greatness of his work beyond that. This right from the way he enters the scene with his aggressively proper and regal manner of walking. This in specifically aligning every foot step. Each movement though, even just the way he carries his royal baton there is a grace and manner wholly befitting a monarch. That is all fantastic, but there is more. Now it must be said that Groff's comic timing is impeccable of course. From his over the top pouted lip one remarking on the sadness of the colonies, his petulant stomps at accepting his eventual defeat, and of course his glee at hearing John Adams as Washington's successor, Groff is comic gold. Of course as fun as this performance is what I love most about it is how it strongly it does call back to Hollander's performance. This as much as Groff is a comic presence, he's not just a goof. This as he brings those piercing eyes of a mad man that were so prevalent in Hollander's portrayal that gives a sense of the genuine menace within the King's power. I especially love the way that Groff's voice becomes aggressively more threatening in his declarations about how the colonies will be returning his love. Although Groff admits to his spitting while singing, and even perhaps accidental, the burst of spittle at the most threatening part of the song is striking in creating George as a bit of a drooling mad man. This as that only back ups Groff work that has a bit of a vicious psychopath just behind the regal surface. This of a man who is more than willing to use violence to retain the love he believes he deserves. Is he mostly to be taken a joke, yes, but it's fantastic how Groff finds a real sense of something more sinister in George. Although naturally his later appearances, which are essentially encores, and really just comic returns, yet each is most welcome as Groff is a hoot each time....And one must mention the one/eighth moment where George does some free-styling around Hamilton at one of the latter's lowest moments. Now these are completely silly movements from Groff, and utterly hilarious. Small bit, but worth mentioning. Otherwise this just is a delight of a performance, as sheer comic relief, but also with just the right ounce of villainy. 

Alternate Best Actor 2020: Hugh Jackman in Bad Education

Hugh Jackman was nominated for an Emmy for portraying Frank Tassone in Bad Education.

Bad Education is an effectively darkly comic exploration of a pair of embezzlers at the top of a school district. 

I have to admit I've become slightly tired of the wait to the actual academy nomination announcement, something that has never happened before, however this year the wait is extended. So to kind of break the minutia a bit, and open up a new comments section, I thought I'd review one of the saved performances that is a bit of an outlier, and I know will not be nominated however I feel is worth talking about. This is as I have previously highly praised Hugh Jackman for his final turn as the Wolverine in Logan, in a deeply emotional work in his iconic role. That was a progression one could see, however his performance in Bad Education is something very different from him. Jackman is an actor I actually I think tends to be more charming outside of his films at times, with that side of his presence not always well exploited. Now, this performance is not a traditional charming leading turn in the least, however there is an element of that, and it is the element we open with as we meet his Frank Tassone as the superintendent of a highly lauded school district in Long Island. Jackman is wonderful in brandishing his innate charisma here as we see Frank go about his duties as superintendent, meeting with various committees, introducing this or that, and of course dealing with an upset parent. With each Jackman wields the "power" of the position with such an ease and grace. His manner as a man who has it all together, without a hint of worry.

We even see this as Frank entertains a student reporter, Rachel, with questions over the school's proposed sky-walk for the students. Jackman delivers his quick soundbite with a glee for being the man with answers, this going so far as to encourage Rachel to delve deeper. Jackman's manner as he encourages this isn't as though he exactly wants her to do so, rather in that smile we see a man saying exactly what he knows the party he's talking to wants to hear. Jackman showing Frank as the ideal superintendent who seems to just go about it all so easily, perhaps too easily. This as we see his seemingly biggest problem is his low carb diet, as we see in a moment between himself and his assistant superintendent/co-conspirator, Pam Gluckin (Allison Janney). The two are wonderful together as this quietly comedic pair. Their performances share what I think is essential as the two have this kind of shamelessness in their interaction. A shamelessness less as long time friends, but as though the two of them are mutually hiding their own intemperance by sharing it together. The two both showing this pair who seems to have an alarming degree of contentment that just suggests they must be guilty of something when within each other's company. This of course as the two of them have embezzled through construction projects like the sky bridge, however Pam gets caught first. 

Jackman is excellent in presenting the state of the man becoming all the more brazen as he attempts to deal with Pam's known crime as discretely as possible, supposedly to protect the school, but in fact to hide his own indiscretion. Jackman's fantastic as he shows Frank push his persuasive power all the more, this as he emphasizes such a seeming sincerity as he asks the board to think of the children. Jackman losing the levity in Frank's charisma, showing a man who is all business. Jackman creating the wonderful duplicity as he puts on the front of the man taking careful action, while there being that underlying sense of something else going on. This all the more evident when dealing with Pam, with the board around. This in his delivery bringing a proper speech of a man with a calm form trying to take care of business. This while though Jackman's eyes, that can only be seen by Pam, suggest an entirely different story. This as Jackman brings a real sense of threat in his eyes looking at her, now as a criminal firmly wanting his co-conspirator to take the blame, than any sort of proper public official. An even more wonderfully duplicitous moment coming as he addresses Pam's relative trying to blackmail Frank. Jackman's great here, almost treating this as a lesser threat, by maintaining his diplomatic jovial quality as his eyes and his words have a threatening subtext. Jackman again bringing such a quietly insidious quality that is striking and suggests that almost everything about the man just might be a facade. 

This in a sense is in some ways what Jackman's performance should've been more so in his work as Gary Hart in The Front Runner, however that film failed in seemingly having no thematic purpose. The untapped potential within that is realized here in Jackman's portrayal of a man who has been putting on a show for so long he doesn't really even know who he is exactly. We see this as the case as he is the man who talks about his dead wife, which Jackman speaks as though it is part of Frank's introduction, though he is in fact not one but two homosexual relationships. Although I think it is important note these are in themselves not insidious. In fact Jackman is quite good in portraying both as Frank almost being some kind of genuine earnestness in these moments of affection, however even these moments Jackman brings some degree of a guarded quality. This not being as an act of repression of his sexual desires, rather as a man who is still hiding something from both men, that being the relationship with the other man, but also Frank as this ardent liar who loves to live this life of lying. We see then as the evidence closes in on Frank, Jackman's performance is exceptional as he slowly reveals the image the man has created falling apart. When he goes to threaten the very reporter he encourage, suddenly Jackman shows a man struggling not to put on a threat, instead just genuinely threatening the girl, and no longer able to he hides himself with his fancy suits and face lifts. When Frank starts explaining the deficiencies to the board and to the school, Jackman shows now how hollow the man's charisma was all along. This as now the smile fails to be anything less than a mask, and the attempted professional delivery is just a phony display of nothingness. There's a brilliant moment, where the same upset parent comes with her son to try to give something back to Frank. Jackman is amazing in this scene. This with the facade straining within his face as there is nothing but a taut exhaustion flaring behind it. This before he bursts out against the kid and his mother, but what I love is Jackman doesn't play it as a straight anger. This as he rather shows the man trying to wield his his presentation of his himself as this great man while having this breakdown. Jackman is a magnificent mess as he becomes this grotesque state of the man trying to give an inspirational speech while also having a mental breakdown. Jackman beautifully realizing a man folding in on himself as he becomes nothing but lies. This is a brilliant performance by Hugh Jackman that works as a wonderful companion work to his other great performance in Logan. This as a counterpart as instead of a deeply emotional portrayal of a man facing a truth, we get different side of his range in his duplicitous portrayal of a man doing everything to avoid facing any truth. 

Best Score

1931:

1. Charlie Chaplin - City Lights
2. Georges Auric - A Nous La Liberte
3. Bernhard Kaun - Frankenstein
4. Hugo Risenfeld - Tabu
5. Francis Gromon - Marius

1933:

1. Max Steiner - King Kong
2. Max Steiner - Little Women
3. Heintz Roemheld - The Invisible Man 
4. Herbert Stothart - Queen Christina
5. Marvin Hatley - Sons of the Desert

1934: 

1. Harry Jackson - Babes in Toyland
2. Max Steiner - The Lost Patrol
3. Arthur Honegger - Les Miserables
   
4. Arthur Benjamin - The Man Who Knew Too Much
5. Rudolph G. Kopp - Cleopatra

1935:

1. Max Steiner - The Informer
2. Franz Waxman - Bride of Frankenstein 
3. Herbert Stothart - A Tale of Two Cities
4. Max Steiner - Top Hat
   
5. Louis Levy - 39 Steps
   

1937:

1. Frank Churchill, Paul Smith & Leigh Harline - Snow White and the Seven Dwarfs
2. Alfred Newman - The Prisoner of Zenda 
3. Dimitri Tiomkin - Lost Horizon
4. Joseph Kosma - Grand Illusion
5. Alfred Newman - The Hurricane 
   

1938:

1. Erich Wolfgang Korngold - The Adventures of Robin Hood
2. Max Steiner - Angels With Dirty Faces
   
3. Herbert Stothart - Marie Antoinette
4. Franz Waxman - Three Comrades
   
5. Dimitri Tiomkin - You Can't Take it With You

1942:

1. Erich Wolfgang Korngold - Kings Row
2. Frank Churchill & Edward H. Plumb - Bambi
3. Bernard Herrmann - The Magnificent Ambersons
4. Max Steiner - Now, Voyager 
5. Herbert Stothart - Random Harvest

1943:

1. Alfred Newman - The Song of Bernadette
2. Allan Gray - The Life and Death of Colonel Blimp
3. Miklós Rózsa - Five Graves to Cairo
4. Dimitri Tiomikin - Shadow of a Doubt
5. Miklós Rózsa - Sahara

1944:

1. David Raksin - Laura
2. Bronislaw Kaper - Gaslight
3. William Walton - Henry V
4. George Stoll -  Meet Me. In St. Louis
5. Max Steiner - Since You Went Away

1945:

1. Miklós Rózsa - Spellbound
2. Bernard Herrmann - Hangover Square
3. Miklós Rózsa - The Lost Weekend
4. Maurice Thiriet & Joseph Kosma - Children of Paradise
5. Richard Addinsell - Blithe Spirit
   

1947:

1. Miklós Rózsa - A Double Life
2. Bernard Herrmann - The Ghost and Mrs. Muir
3. Brian Easdale - Black Narcissus
   
4. William Alwyn - Odd Man Out
5. Cyril Mockridge - Miracle of 34 Street
   

1948:

1. Brian Easdale - The Red Shoes
2. Max Steiner - The Treasure of the Sierra Madre
3. Dimitri Tiomikin - Red River
4. Alfred Newman - The Snake Pit
5. Max Steiner - Johnny Belinda

1949:

1. Anton Karas - The Third Man
2. Aaron Copland - The Heiress
3. Oliver Wallace - The Adventures of Ichabod and Mr. Toad
4. Max Steiner - White Heat
5. Dimitri Tiomikin - Champion

1950:

1. Georges Auric - Orpheus
2. Fumio Hayasaka - Rashomon
3. Franz Waxman - Sunset Boulevard
4. Oliver Wallace & Paul Smith - Cinderella
5. Oscar Straus - La Ronde

1951:

1. Richard Addinsell - Scrooge
2. Franz Waxman - A Place in the Sun
3. Alex North - A Streetcar Named Desire
4. Bernard Herrmann - The Day the Earth Stood Still
5. Dimitri Tiomikin - Strangers on a Train

1952:

1. Charlie Chaplin - Limelight
2. Victor Young - The Quiet Man
3. Dimitri Tiomikin - High Noon
   
4. Fumio Hayasaka - Ikiru 
5. Miklós Rózsa - Ivanhoe
   

1954:

1. Leonard Bernstein - On the Waterfront
2. Akira Ifukube - Godzilla
3. Ikuma Dan - Samurai I: Musashi Miyamoto
4. Fumio Hayasaka, Tamekichi Mochizuki & Kinshichi Kodera - Sansho the Baliff
5. Paul Smith - 20,000 Leagues Under the Sea

1955:

1. Walter Schumann - The Night of the Hunter
2. Leonard Rosenman - East of Eden
3. Oliver Wallace - Lady and the Tramp
4. Leonard Rosenman - Rebel Without A Cause
   
5. Andre Previn - Bad Day At Black Rock

1957:

1. George Duning - 3:10 to Yuma
2. Malcolm Arnold - The Bridge on the River Kwai
3. Gerald Fried - Paths of Glory
4. Moisey Vaynberg - The Cranes Are Flying
   
5. Elmer Bernstein - Sweet Smell of Success

1958:

1. Bernard Herrmann - Vertigo
2. Mario Nascimbene - The Vikings
3. Bernard Herrmann - The 7th Voyage of Sinbad
4. Jerome Moross - The Big Country
5. Masaru Sato - The Hidden Fortress

1960:

1. Bernard Herrmann - Psycho
2. Elmer Bernstein - The Magnificent Seven
3. Alex North - Spartacus
4. Brian Easdale - Peeping Tom
5. Nino Rota - Purple Noon

1961:

1. Masaru Sato - Yojimbo
2. Miklós Rózsa - El Cid
3. George Bruns - 101 Dalmatians
4. Chuji Kinoshita - The Human Condition III: A Soldier's Prayer
5. Dimitri Tiomkin - The Guns of Navarone

1963:

1. Elmer Bernstein - The Great Escape 
2. Bernard Herrmann - Jason and the Argonauts
   
3. Henry Mancini - Charade
   
4. Nino Rota - The Leopard 
5. Henry Mancini - The Pink Panther
   

1964:

1. Richard & Robert Sherman - Mary Poppins
2. Ennio Morricone - A Fistful of Dollars
3. John Barry - Zulu
4. Michel Legrand - The Umbrellas of Cherbourg
5. Dmitri Shostakovich - Hamlet

1965:

1. Ennio Morricone - For a Few Dollars More
2. Maurice Jarre - Doctor Zhivago
3. Angelo Francesco Lavagnino - Chimes At Midnight
4. Alfred Newman - The Greatest Story Ever Told
5. Jerry Goldsmith - A Patch of Blue

1966:

1. Ennio Morricone - The Good, the Bad and The Ugly
2. Ennio Morricone - The Battle of Algiers
3. Jerry Goldsmith - Seconds
4. Ennio Morricone - The Big Gundown
5. Toshiro Mayuzumi & Ennio Morricone - The Bible In the Beginning

1968:

1. Ennio Morricone - Once Upon A Time In the West
2. Nino Rota - Romeo & Juliet
3. John Barry - The Lion in Winter
4. Ron Goodwin - Where Eagles Dare
5. Ennio Morricone - The Mercenary

1970:

1. Jerry Goldsmith - Patton
2. Ennio Morricone - Investigation of a Citizen Above Suspicion
3. Henry Mancini - The Molly Maguires
4. Henry Mancini - Sunflower
5. Luboš Fišer - Valerie and Her Week of Wonders

1971:

1. Ennio Morricone - Duck, You Sucker
2. Lalo Schifrin - Dirty Harry
3. Richard Rodney Bennett - Nicholas and Alexandra
4. Roy Budd - Get Carter
5. John Barry - Mary, Queen of Scots
   

1973:

1. Jerry Goldsmith - Papillon  
2. Lalo Schifrin - Enter the Dragon
   
3. Paul Giovanni - The Wicker Man
4. George Martin - Live and Let Die
   
5. Pino Donaggio - Don't Look Now

1974:

1. David Shire - The Conversation
2. Jerry Goldsmith - Chinatown
3. Nino Rota & Carmine Coppola - The Godfather Part II
4. David Shire - The Taking of Pelham One Two Three 
5. Paul Williams - Phantom of the Paradise

1975:

1. John Williams - Jaws
2. Jack Nitzsche - One Flew Over the Cuckoos Nest
3. Alex North - Bite the Bullet
4. Jerry Goldsmith - The Wind and the Lion
5. Maurice Jarre - The Man Who Would Be King

1977:

1. John Williams - Star Wars
2. Goblin - Suspiria
   
3. Ernest Gold - Cross of Iron
4. John Williams - Close Encounters of the Third Kind
5. Ennio Morricone - Exorcist II: The Heretic

1978: 

1. John Carpenter - Halloween
2. John Williams - Superman
3. Ennio Morricone - Days of Heaven
4. Angela Morley & Malcolm Williamson - Watership Down
5. Jerry Goldsmith - The Boys From Brazil

1979:

1. Jerry Goldsmith - Star Trek: The Motion Picture
2. Jerry Goldsmith - Alien
3. Carmine & Francis Ford Coppola - Apocalypse Now
4. Lalo Schifrin - The Amityville Horror
5. John Barry - The Black Hole

1980:

1. John Williams - The Empire Strikes Back
2. John Morris - The Elephant Man
3. John Barry - Somewhere in Time
4. Rick Wilkins - Changeling
   
5. Shin'ichirō Ikebe - Kagemusha

1981:

1. Vangelis - Chariots of Fire
2. John Williams - Raiders of the Lost Ark
3. Tangerine Dream - Thief
4. Brian May - The Road Warrior
5. Alan Howarth & John Carpenter - Escape From New York

1983:

1. Bill Conti - The Right Stuff
2. Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence
3. Philip Glass - Koyaanisqatsi
   
4. Howard Shore - Videodrome
5. John Williams - Star Wars: Return of the Jedi

1984:

1. Ennio Morricone - Once Upon a Time in America
2. Joe Hisaishi - Nausicaä of the Valley of the Wind
3. Randy Newman - The Natural
   
4. George Fenton - The Company of Wolves
5. Brad Fiedel - The Terminator

1985:

1. Alan Silvestri - Back to the Future
2. Philip Glass - Mishima: A Life in Four Chapters
   
3. Nando Carneiro, John Neschling & Wally Badarou - Kiss of the Spider Woman
   
4. Toru Takemitsu - Ran
   
5. John Barry - Out of Africa

1987:

1. David Byrne, Ryuichi Sakamoto & Cong Su - The Last Emperor
2. Ennio Morricone - The Untouchables
3. Jurgen Knieper & Laurent Petitgand - Wings of Desire
   
4. Basil Poledouris - Robocop
5. John Williams - The Witches of Eastwick

1988:

1. Ennio Morricone - Cinema Paradiso
2. Joe Hisaishi - My Neighbor Totoro 
3. Tsutomu Ōhashi - Akira
4. James Horner - The Land Before Time
   
5. Alan Silvestri - Who Framed Roger Rabbit 

1991:

1. Alan Menken - Beauty and the Beast
2. John Williams - JFK
3. John Williams - Hook
   
4. Howard Shore - The Silence of the Lambs 
5. Carter Burwell - Barton Fink 

1992:

1. Vangelis - 1492: Conquest of Paradise
2. Angelo Badalamenti - Twin Peaks: Fire Walk With Me 
3. Lennie Niehaus & Clint Eastwood - Unforgiven
4. John Barry - Chaplin
5. Wojciech Kilar - Bram Stoker's Dracula

1993:

1. John Williams - Schindler's List
2. John Williams -  Jurassic Park
3. Randy Edelman - Gettysburg
   
4. Randy Edelman - Dragon: The Bruce Lee Story
5. Michael Nyman - The Piano

1994:

1. Thomas Newman - The Shawshank Redemption
2. Hans Zimmer - The Lion King
3. Thomas Newman - Little Women
4. Mychael Danna - Exotica
5. Carter Burwell - The Hudsucker Proxy

1996:

1. Patrick Doyle - Hamlet
2. Alan Menken - The Hunchback Of Notre Dame
3. Randy Edelman - Dragonheart 
4. Hans Zimmer & Nick Glennie-Smith - The Rock
5. Rachel Portman - Emma

1997:

1. Joe Hisaishi - Princess Mononoke
2. Jerry Goldsmith - L.A. Confidential
3. Philip Glass - Kundun
   
4. Thomas Newman - Oscar and Lucinda
5. Mychael Danna -  The Sweet Hereafter
   

1998: 

1. Hans Zimmer - The Thin Red Line
2. Stephen Warbeck - Shakespeare in Love
3. James Horner - The Mask of Zorro
4. Hans Zimmer - The Prince of Egypt
5. Ennio Morricone - The Legend of 1900 

1999:

1. Angelo Badalamenti - The Straight Story
2. John Williams - Star Wars: The Phantom Menance
3. Mychael Nyman & Damon Albarn - Ravenous
   
4. Jon Brion - Magnolia
   
5. Thomas Newman - The Green Mile

2000:

1. Hans Zimmer - Gladiator
2. Clint Mansell - Requiem for a Dream 
3. John Williams - The Patriot
   
4. Tan Dun - Crouching Tiger Hidden Dragon
   
5. Michael Galasso - In the Mood for Love

2001:

1. Howard Shore - LOTR: The Fellowship of the Ring
2. Joe Hisaishi - Spirited Away
3. Hans Zimmer - Black Hawk Down  
4. John Williams - Harry Potter and the Sorcerer's Stone
5. James Horner - A Beautiful Mind

2002:

1. Howard Shore - Lord of the Rings: The Two Towers
2. Thomas Newman - Road to Perdition
3. John Williams - Catch Me If You Can
4. Tan Dun - Hero
5. Philip Glass - The Hours

2003:

1. Howard Shore - LOTR: The Return of the King
2. Jo Yeong-Wook - Oldboy
3. Klaus Badelt - Pirates of the Caribbean
4. John Frizzell & Randy Edelman - Gods and Generals
5. Randy Edelman - Shanghai Knights

2005:

1. Nick Cave & Warren Ellis - The Proposition
2. Hans Zimmer & James Newton Howard - Batman Begins
   
3. John Debney, Graeme Revell & Robert Rodriguez - Sin City
4. Jo Yeong-wook & Choi Seung-hyun - Lady Vengeance
5. Harry Gregson-Williams - Kingdom of Heaven

2008:

1. Carter Burwell - In Bruges
2. Dalpalan & Jang Young-gyu - The Good The Bad The Weird
3. Hans Zimmer & James Newton Howard - The Dark Knight
4. Thomas Newman - Wall-E
5. Hans Zimmer & John Powell - Kung Fu Panda
   

2009:

1. Michael Giacchino - Up
2. Carter Burwell - Where the Wild Things Are
3. Justin Hurwitz - Guy and Madeline on a Park Bench
4. Federico Jusid & Sebastian Kauderer - The Secret in Their Eyes
5. Alexandre Desplat - Fantastic Mr. Fox

2010:

1. Trent Reznor & Atticus Ross - The Social Network 
2. John Powell - How to Train Your Dragon
3. Mowg - I Saw the Devil
4. Hans Zimmer - Inception
5. Burkhard Dallwitz - The Way Back

2011:

1. Alberto Iglesias - Tinker Tailor Soldier Spy
2. Ludovic Bource - The Artist
3. Trent Reznor & Atticus Ross - The Girl with the Dragon Tattoo 
4. John Williams - The Adventures of Tintin
5. Alexandre Desplat - Harry Potter and the Deathly Hallows Part II
   

2012:

1. Tom Tykwer, Johnny Klimek & Reinhold Heil - Cloud Atlas
2. Dan Romer & Behn Zeitland - Beasts of the Southern Wild
3. Howard Shore - The Hobbit: An Unexpected Journey
   
4. Marc Streitenfeld - The Grey
5. Mychael Danna - Life of Pi
   

2013:

1. Cliff Martinez - Only God Forgives
2. Steven Price - Gravity 
3. Joe Hisaishi - The Wind Rises
   
4. Christopher Spelman - The Immigrant
5. Alex Ebert - All is Lost

2014:

1. Antonio Sanchez - Birdman
2. Mica Levi - Under the Skin
3. Hans Zimmer - Interstellar
4. Steven Price - Fury
5. Alexandre Desplat - The Grand Budapest Hotel

2015:

1. Thomas Holkenborg - Mad Max: Fury Road
2. Daniel Pemberton - Steve Jobs
   
3. Jóhann Jóhannsson - Sicario
   
4. Ennio Morricone - The Hateful Eight
5. John Williams - Star Wars: The Force Awakens
   

2016:

1. Justin Hurwitz - La La Land
2. Mica Levi - Jackie
   
3. Radwimps - Your Name
   
4. Nicholas Britell - Moonlight
5. Jo Yeong-wook - The Handmaiden

2017:  

1. Jonny Greenwood - Phantom Thread
2. Hans Zimmer - Dunkirk
3. Alexandre Desplat - The Shape of Water
4. Hans Zimmer & Benjamin Wallfisch - Blade Runner 2049
5. Daniel Lopatin - Good Time

2018:

1. Justin Hurwitz - First Man
2. Jóhann Jóhannsson - Mandy
   
3. Nicholas Britell - If Beale Street Could Talk
4. Tatiana Lisovskaya - At Eternity's Gate
   
5. Terrence Blanchard - Blackkklansman 

2019: 

1. Thomas Newman - 1917
2. James Newton Howard - A Hidden Life
3. Lin Sheng-xiang - A Sun
   
4. Jung Jae-il - Parasite
5. Daniel Lopatin - Uncut Gems

2020:

1. Emile Mosseri - Minari
2. Bruno Coulais & Kila - Wolfwalkers
3. Jon Batiste, Trent Reznor & Atticus Ross - Soul
4. Trent Reznor & Atticus Ross - Mank
5. Christopher Willis - The Personal History of David Copperfield

2021:

1. Taisei Iwasaki, Ludvig Forssell, Yuta Bandoh, & Miho Sakai - Belle
2. Nathan Johnson - Nightmare Alley
3. Hans Zimmer - Dune
4. Carter Burwell - The Tragedy of Macbeth
5. Jonny Greenwood - Spencer

2022:

1. John Williams - The Fabelmans
2. Michael Giacchino - The Batman
3. Justin Hurwitz - Babylon
4. Carter Burwell - The Banshees of Inisherin
5. Robin Carolane & Sebastian Gainsborough - The Northman

2023:

1. Ludwig Göransson - Oppenheimer
2. Joe Hisaishi - The Boy and the Heron
3. Robbie Robertson - Killers of the Flower Moon
4. Jerskin Fendrix - Poor Things
5. Michael Giacchino - Society of the Snow 

Richard Addinsell, 2 noms 1 win

 

Best Score 1945: Blithe Spirit (Nom)

Best Score 1951: Scrooge (WINS)

Angelo Badalamenti, 2 noms 1 win

Best Score 1992: Twin Peaks Fire Walk With Me (#2)
Best Score 1999: The Straight Story (WINS)

John Barry, 7 noms

Best Score 1964: Zulu (#3)

Best Score 1968: The Lion in Winter (#3)

Best Score 1971: Mary Queen of Scots (#5) 

Best Score 1979: The Black Hole (#5)

Best Score 1980: Somewhere in Time (#3)

Best Score 1985: Out of Africa (#5)

Best Score 1992: Chaplin (#4)

 

Elmer Bernstein, 3 noms 1 win

Best Score 1957: Sweet Smell of Success (#5)
Best Score 1960: The Magnificent Seven (#2)

Best Score 1963: The Great Escape (WINS)

Nicholas Britell, 2 noms

Best Score 2016: Moonlight (#4)

Best Score 2018: If Beale Street Could Talk (#3)

 

Carter Burwell, 6 noms 1 win

Best Score 1991: Barton Fink (#5)

Best Score 1994: The Hudsucker Proxy (#5)

Best Score 2008: In Bruges (WINS)

Best Score 2009: Where the Wild Things Are (#2)

Best Score 2021: The Tragedy of Macbeth (#4)

Best Score 2022: The Banshees of Inisherin (#4)

 

Frank Churchill, 2 noms 1 win

 

Best Score 1937: Snow White and The Seven Dwarves (WINS)

Best Score 1942: Bambi (#2)

 

Carmine Coppola, 2 noms

Best Score 1974: The Godfather Part 2 (#3)

Best Score 1979: Apocalypse Now (#3)

Mychael Danna, 2 noms 

Best Score 1994: Exotica (#4)

Best Score 1997: The Sweet Hereafter (#5)

Best Score 2012: Life of Pi (#5)

Alexandre Desplat, 4 noms

Best Score 2009: Fantastic Mr. Fox (#5)

Best Score 2011: Harry Potter and the Deathly Hallows Part 2 (#5)
Best Score 2014: The Grand Budapest Hotel (#5)

Best Score 2017: The Shape of Water (#3)

 

Brian Easdale, 3 noms 1 win

Best Score 1947: Black Narcissus (#3)
Best Score 1948: The Red Shoes (WINS)

Best Score 1960: Peeping Tom (#4)

 

Randy Edelman, 5 noms

 

Best Score 1993: Gettysburg (#3)

Best Score 1993: Dragon - The Bruce Lee Story (#4)

Best Score 1996: Dragonheart (#3)

Best Score 2003: Gods and Generals (#4)

Best Score 2003: Shanghai Knights (#5)

Michael Giacchino, 3 noms 1 win

Best Score 2009: Up (WINS)
Best Score 2022: The Batman (#2)

Best Score 2023: Society of the Snow (#5)

Philip Glass, 4 noms

Best Score 1983: Koyannisqatsi (#3)

Best Score 1985: Mishima: A Life in Four Chapters (#2) 

Best Score 1997: Kundun (#3)

Best Score 2002: The Hours (#5)

Jerry Goldsmith, 10 noms 3 wins

Best Score 1965: A Patch of Blue (#5)

Best Score 1966: Seconds (#3)

Best Score 1970: Patton (WINS)

Best Score 1973: Papillon (WINS)

Best Score 1974: Chinatown (#2)

Best Score 1975: The Wind and the Lion (#4)

Best Score 1978: The Boys From Brazil (#5)

Best Score 1979: Star Trek: The Motion Picture (WINS)

Best Score 1979: Alien (#2)

Best Score 1997: L.A. Confidential (#2)

Jonny Greenwood, 2 noms 1 win

 

Best Score 2017: Phantom Thread (WINS)

Best Score 2021: Spencer (#5)

 

Fumio Hayasaka, 3 noms

Best Score 1950: Rashomon (#2)

Best Score 1952: Ikiru (#4)

Best Score 1954: Sansho the Baliff (#4)

Joe Hisaishi, 6 noms 1 win

Best Score 1984: Nausicaä of the Valley of the Wind (#2)

Best Score 1988: My Neighbor Totoro (#2)
Best Score 1997: Princess Mononoke (WINS)

Best Score 2001: Spirited Away (#2)

Best Score 2013: The Wind Rises (#3)

Best Score 2023: The Boy and the Heron (#2)

Bernard Herrmann,  8 noms 2 wins

Best Score 1942: The Magnificent Ambersons (#3) 

Best Score 1945: Hangover Square (#2)

Best Score 1947: The Ghost and Mrs. Muir (#2)

Best Score 1951: The Day the Earth Stood Still (#4)

Best Score 1958: Vertigo (WINS)

Best Score 1958: The 7th Voyage of Sinbad (#3)

Best Score 1960: Psycho (WINS)

Best Score 1963: Jason and the Argonauts (#2)

James Horner, 3 noms

Best Score 1988: The Land Before Time (#4)

Best Score 1998: The Mask of Zorro (#3)

Best Score 2001: A Beautiful Mind (#5)

Justin Hurwitz, 4 noms 2 wins

Best Score 2009: Guy and Madeline On a Park Bench (#3)
Best Score 2016: La La Land (WINS)

Best Score 2018: First Man (WIN)

Best Score 2022: Babylon (#3)

Maurice Jarre, 2 noms

Best Score 1965: Doctor Zhivago (#2)
Best Score 1975: The Man Who Would Be King (#5)

 

Jo Yeong-wook, 2 noms

Best Score 2003: Oldboy (#2)
Best Score 2005: Sympathy For Lady Vengeance (#4)
Best Score 2016: The Handmaiden (#5)

 

Jóhann Jóhannsson 2 noms

Best Score 2015: Sicario (#3)

Best Score 2018: Mandy (#2)

Erich Wolfgang Korngold, 2 noms 2 wins

 

Best Score 1938: The Adventures of Robin Hood (WINS)

Best Score 1942: Kings Row (WINS) 

 

Joseph Kosma, 2 noms 

Best Score 1937: Grand Illusion (#4)

Best Score 1945: Children of Paradise (#4)

Mica Levi, 2 noms

Best Score 2014: Under The Skin (#2)
Best Score 2016: Jackie (#2)

Daniel Lopatin, 2 noms

Best Score 2017: Good Time (#5)
Best Score 2019: Uncut Gems (#5)

 

Henry Mancini, 4 noms

 

Best Score 1963: Charade (#3)

Best Score 1965: The Pink Panther (#5)
Best Score 1970: The Molly Maguires (#3)

Best Score 1970: Sunflower (#4)

Alan Menken, 2 noms 1 win

 

Best Score 1991: Beauty and the Beast (WINS)

Best Score 1996: The Hunchback of Notre Dame (#2)

Ennio Morricone, 16 noms 6 wins

Best Score 1964: A Fistful of Dollars (#2)

Best Score 1965: For A Few Dollars More (WINS)

Best Score 1966: The Good, The Bad and The Ugly (WINS)

Best Score 1966: The Battle of Algiers (#2)

Best Score 1966: The Big Gundown (#4)

Best Score 1966: The Bible In the Beginning (#5)

Best Score 1968: Once Upon a Time in the West (WINS)
Best Score 1968: The Mercenary (#5)

Best Score 1970: Investigation of a Citizen Above Suspicion (#2)

Best Score 1971: Duck, You Sucker! (WINS)

Best Score 1977: Exorcist II: The Heretic (#5)

Best Score 1978: Days of Heaven (#3)

Best Score 1984: Once Upon a Time in America (WINS)

Best Score 1987: The Untouchables (#2)

Best Score 1988: Cinema Paradiso (WINS)

Best Score 1998: The Legend of 1900 (#5)

Best Score 2015: The Hateful Eight (#4)

Alfred Newman, 5 noms 1 win

Best Score 1937: The Prisoner of Zenda (#2)

Best Score 1937: The Hurricane (#5)

Best Score 1943: The Song of Bernadette (WINS)

Best Score 1948: The Snake Pit (#4)

Best Score 1965: The Greatest Story Ever Told (#4)

Thomas Newman, 7 noms 2 wins

Best Score 1994: The Shawshank Redemption (WINS)

Best Score 1994: Little Women (#3) 

Best Score 1997: Oscar and Lucinda (#4)

Best Score 1999: The Green Mile (#5)

Best Score 2002: Road to Perdition (#2)

Best Score 2008: Wall-E (#4)

Best Score 2019: 1917 (WINS)

James Newton Howard, 3 noms

Best Score 2005: Batman Begins (#2)

Best Score 2008: The Dark Knight (#3)

Best Score 2019: A Hidden Life (#2)

Alex North, 3 noms

Best Score 1951: A Streetcar Named Desire (#3)

Best Score 1960: Spartacus (#3)

Best Score 1975: Bite the Bullet (#3) 

 

Michael Nyman, 2 noms

 

Best Score 1993: The Piano (#5)

Best Score 1999: Ravenous (#3)

John Powell, 2 noms

Best Score 2008: Kung Fu Panda (#5)

Best Score 2010: How to Train Your Dragon (#2)

 

Steven Price, 2 noms

 

Best Score 2013: Gravity (#2)

Best Score 2014: Fury (#2)

Trent Reznor, 4 noms 1 win

 

Best Score 2010: The Social Network (WINS)

Best Score 2011: The Girl With the Dragon Tattoo (#3)

Best Score 2020: Soul (#3)

Best Score 2020: Mank (#4) 

Leonard Rosenman, 2 noms

Best Score 1955: East of Eden (#2)

Best Score 1955: Rebel Without a Cause (#4)

 

Atticus Ross, 4 noms 1 win

 

Best Score 2010: The Social Network (WINS)

Best Score 2011: The Girl With the Dragon Tattoo (#3)

Best Score 2020: Soul (#3)

Best Score 2020: Mank (#4)

Nino Rota, 4 noms

Best Score 1960: Purple Noon (#5)

Best Score 1963: The Leopard (#4)

Best Score 1968: Romeo & Juliet (#2)

Best Score 1974: The Godfather Part II (#3)

 

Miklós Rózsa, 7 noms 2 wins

 

Best Score 1943: Five Graves to Cairo (#3)

Best Score 1943: Sahara  (#5)

Best Score 1945: Spellbound (WINS)

Best Score 1945: The Lost Weekend (#3)

Best Score 1947: A Double Life (WINS)

Best Score 1952: Ivanhoe (#5)

Best Score 1961: El Cid (#2)

Ryuichi Sakamoto, 2 noms 1 win

Best Score 1983: Merry Christmas, Mr. Lawrence (#2)

Best Score 1987: The Last Emperor (WINS) 

Masaru Sato, 2 noms 1 win

Best Score 1958: The Hidden Fortress (#5)

Best Score 1961: Yojimbo (WINS)

 

Lalo Schifrin, 3 noms

 

Best Score 1971: Dirty Harry (#2)

Best Score 1973: Enter the Dragon (#2)

Best Score 1979: The Amityville Horror (#4)

David Shire, 2 noms 1 win

Best Score 1974: The Conversation (WINS)
Best Score 1974: The Taking of Pelham One Two Three (#4)

Howard Shore, 6 noms 3 wins

Best Score 1983: Videodrome (#4)
Best Score 1991: The Silence of the Lambs (#5)

Best Score 2001: LOTR: The Fellowship of the Ring (WINS)

Best Score 2002: LOTR: The Two Towers (WINS) 

Best Score 2003: LOTR: The Return of the King (WINS) 

Best Score 2012: The Hobbit: An Unexpected Journey (#3)

Alan Silvestri, 2 noms 1 win

Best Score 1985: Back to the Future (WINS)
Best Score 1988: Who Framed Roger Rabbit (#5)

Paul Smith, 2 noms

Best Score 1950: Cinderella (#4)

Best Score 1954: 20,000 Leagues Under the Sea (#5)

Max Steiner, 11 noms 2 wins

Best Score 1933: King Kong (WINS)

Best Score 1933: Little Women (#2)

Best Score 1934: The Lost Patrol (#2)

Best Score 1935: The Informer (WINS)

Best Score 1935: Top Hat (#4)

Best Score 1938: Angels With Dirty Faces (#2)

Best Score 1942: Now, Voyager (#4)

Best Score 1944: Since You Went Away (#5)

Best Score 1948: The Treasure of Sierra Madre (#2)
Best Score 1948: Johnny Belinda (#5)

Best Score 1949: White Heat (#4)

Herbert Stothart, 4 noms

 

Best Score 1933: Queen Christina (#3)

Best Score 1935: A Tale of Two Cities (#3)

Best Score 1938: Marie Antoinette (#3)

Best Score 1942: Random Harvest (#5)

 

Tan Dun, 2 noms

Best Score 2000: Crouching Tiger Hidden Dragon (#4)
Best Score 2002: Hero (#4)

 

Dimitri Tiomkin, 8 noms

 

Best Score 1937: Lost Horizon (#3)

Best Score 1938: You Can't Take It With You (#5) 

Best Score 1943: Shadow of a Doubt (#4)

Best Score 1948: Red River (#3)

Best Score 1950: Champion (#5)

Best Score 1951: Strangers on a Train (#5)

Best Score 1952: High Noon (#3)

Best Score 1961: The Guns of Navarone (#5)

Vangelis, 2 noms 2 wins

Best Score 1981: Chariots of Fire (WINS)

Best Score 1992: 1492: Conquest of Paradise (WINS)

Oliver Wallace, 3 noms

Best Score 1949: The Adventures of Ichabod and Mr. Toad (#3)

Best Score 1950: Cinderella (#4)

Best Score 1955: Lady and the Tramp (#3)

Franz Waxman, 4 noms

Best Score 1935: Bride of Frankenstein (#2)

Best Score 1938: Three Comrades (#4)

Best Score 1950: Sunset Boulevard (#3)

Best Score 1951: A Place in the Sun (#2)

John Williams, 19 noms 5 wins

Best Score 1975: Jaws (WINS)

Best Score 1977: Star Wars (WINS)

Best Score 1977: Close Encounters of the Third Kind (#4)
Best Score 1978: Superman (#2)

Best Score 1980: The Empire Strikes Back (WINS)

Best Score 1981: Raiders of the Lost Ark (#2)

Best Score 1983: Star Wars: The Return of the Jedi (#5)

Best Score 1987: The Witches of Eastwick (#5)

Best Score 1991: JFK (#2)

Best Score 1991: Hook (#3)

Best Score 1993: Schindler's List (WINS)

Best Score 1993: Jurassic Park (#2)

Best Score 1999: Star Wars: The Phantom Menace (#2)

Best Score 2000: The Patriot (#3)

Best Score 2001: Harry Potter and the Sorcerer's Stone (#4) 

Best Score 2002: Catch Me If You Can (#3)

Best Score 2011: The Adventures of Tintin (#4)

Best Score 2015: Star Wars: The Force Awakens (#5)

Best Score 2022: The Fabelmans (WINS)

Hans Zimmer,  14 noms 2 wins

Best Score 1994: The Lion King (#2)

Best Score 1996: The Rock (#5)

Best Score 1998: The Thin Red Line (WINS)

Best Score 1998: The Prince of Egypt (#4)

Best Score 2000: Gladiator (WINS)
Best Score 2001: Black Hawk Down (#3)
Best Score 2005: Batman Begins (#2)
Best Score 2008: The Dark Knight (#3)

Best Score 2008: Kung Fu Panda (#5)

Best Score 2010: Inception (#4)

Best Score 2014: Interstellar (#3)

Best Score 2017: Dunkirk (#2)

Best Score 2017: Blade Runner 2049 (#4)

Best Score 2021: Dune (#3)