Showing posts with label Joseph Gordon-Levitt. Show all posts
Showing posts with label Joseph Gordon-Levitt. Show all posts

Saturday, 19 November 2016

Alternate Best Actor 2005: Joseph Gordon-Levitt in Mysterious Skin

Joseph Gordon-Levitt did not receive an Oscar nomination for portraying Neil McCormick in Mysterious Skin.

Mysterious Skin tells the intertwining stories of two young men who were both sexually abused by the same man as children. The film I'd say is a far more effective film than L.I.E., which covers similar subject matter, though Gregg Araki's directorial style has a certain exploitative quality that seems inappropriate given the material at hand.

Joseph Gordon-Levitt, in kind of his I'm an adult actor shift, plays one of the young men, Neil, who we find had been sexually abused as a child by his little league coach. This is along with another boy Brian (Brady Corbet), but the two end up being changed by the act in different ways. Brian represses the memory of his abuse to the point that he believes his lost time is the result of alien abduction, Neil on the other hand clearly remembers being raped, and embraces it himself in a strange way by almost viewing the coach as a mentor of sorts. This goes so far as Neil, as a boy, also personally abused Brian at a separate time. Gordon-Levitt for much of the film plays Neil as someone who is ensured in who he is. There is an innate confidence that Gordon-Levitt brings that alludes to the way Neil's mind works, Gordon-Levitt presents him as someone who seems wholly comfortable with his sexuality and himself. In narration, which Gordon-Levitt gives just a pinch of southwest twang, Gordon-Levitt delivers the story of Neil's abuse not as a horror story rather as a learning experience.

Neil ends up becoming a male prostitute working for mainly older men. Gordon-Levitt plays these scenes in an interesting way that alludes to Neil's mental state that stems from his abuse as a child. That is there is a bizarre conviction in him as he goes about going with the men, and it less as though he is receiving any real pleasure from it rather it is though Neil is performing a specific service he's good at. In the scenes where he does this still at his old home, Gordon-Levitt realizes Neil's behavior as a learned trait, and effectively shows the bizarre state of mind created by his childhood. Not every scene is selling his body though as we see a few scenes where Neil interacts with mother and his two close friends. Unlike his counterpart Brain who is withdrawn, Gordon-Levitt brings more than just a bit of flamboyance to the young man on the outer surface of Neil as he seems to enjoy his life, even carrying this certain pride whenever he speaks about his "accomplishments" as a prostitute.

Eventually Neil leaves his hometown to venture out into New York where he still works as a prostitute. The film follows him as he goes on a few different jobs. Gordon-Levitt at first keeps the similair blasé attitude. The nature of the jobs slowly become more extreme from one man with Aids seeking any touch, to eventually a violent man who severely beats Neil. As the jobs reveal damaged men, Neil in turn starts to realize the way he has been broken by his past. I have to say these scene left me cold. It isn't that Gordon-Levitt is bad, in fact I'd say gets across the general idea of Neil slowly uncovering his own damaged nature, but the scenes lacked the emotional power I would have expected them to. The film culminates as Neil and Brian meet as adults and Neil finally tells Brian what happened to them as children. I have to admit I Brady Corbet's portrayal of Brian left the stronger impression in terms of that scene and the overall film.  Joseph Gordon-Levitt gives good work here, it technically meets the needs of the character, but as often is the case for Gordon-Levitt for me, it doesn't quite take the next step into a truly resonate performance. This is a case though where I can perhaps see why some take to this performance so strongly even if I cannot myself.

Saturday, 26 April 2014

Alternate Best Actor 2009: Joseph Gordon-Levitt in 500 Days of Summer

Joseph Gordon-Levitt did not receive Oscar nomination, despite being nominated for a Golden Globe, for portraying Tom Hansen in 500 Days of Summer.

500 Days of Summer is about the highs and lows of a relationship between two young adults. The first time I watched it I thought it was fine enough, on re-watch though it's style wore very thin very quickly for me.

Joseph Gordon-Levitt plays the male lead in Tom Hansen an aspiring architect, obviously, who works at a greeting card company. Tom is technically speaking a hopeless romantic in that he is a fervent believer in true love and intends to find it in his crush who works at the same company Summer (Zooey Deschanel), who shares no such beliefs with Tom and makes that rather clear very early on to him. The film jumps back and forth in the timeline sometimes to the beginning of their relationship which is straight out of a romantic movie with certain flamboyant acts. Many other scenes depict the end of the relationship with Summer simply insisting that they should only be friends with Tom dreading this idea. We then get various quirky stylistic flourishes from the direction which bridge the various scenes together.

Joseph Gordon-Levitt whole performance is one of a particular style as well as often he must fit in these various flourishes of the director Marc Webb which includes even a musical number after Tom has consummated the relationship. There are mostly two halves to the performance particularly early on. On one side there is the Tom pursuing Summer and starting the relationship with her. On this side Gordon-Levitt is fairly charming enough and his enthusiasm in these scenes are endearing enough. Also in these screes are some wacky moments which well they are indeed there with Gordon-Levitt needing to be awkwardly hilarious. I did not find him awkwardly hilarious, but he is more than entirely fine in these scenes as well. On the other side set in the future though Tom is quite the opposite.

In the scenes set later Tom is basically in a set state of depression mixed with a hatred both due to Summer's treatment of him. The film and Gordon-Levitt don't mind really saying that Tom is a bit of a self-absorbed jerk in this regard and this is the way he plays it. I imagine though it is also meant to be fairly comedic in nature as Tom is unable to be reasoned with in his state. Gordon-Levitt certainly gets the points across as he should and the fairly simple way of playing does make sense for the character as Tom is suppose to be so set on his ideas of romance that anything else causes him to basically shut down. Anyway though again I did not find the performance particularly hilarious, and although I think he got the point of Tom across well enough it still did not make his character especially compelling or interesting to watch.

After a certain point the film becomes a bit more regulated as does Gordon-Levitt performance as he basically shows Tom having learned his lesson therefore basically taking things to less of an extreme. In turn he does the same with his performance no longer being so enthusiastic in the happy moments but not nearly as depressed and angry in the bad moments. Tom basically just starts to deal with things like a man who is more assured when it comes to facing things realistically. Gordon-Levitt is once again completely solid in these scenes which are certainly quieter but probably more natural in style. He once again fulfills the need of the character's change in attitude and is believable, even though again he never made to get caught up too much, or frankly even care that much about Tom's problems.

This whole performance came off as just fine to me in basically every way in that there were not any scenes where I hated his performance but he failed to ever impress me either. This isn't even a standard romantic lead turn as Tom is suppose to be slightly insufferable and Gordon-Levitt shows that well enough just like how he does pretty much everything well enough. He is charming enough, he has enough energy in the role, he has enough passion when he needs it, and he is always clearly trying more than enough. Enough I suppose means that I would describe this as a good performance, and I'll call it a good performance, but I won't call it a great one or one that made me care any more about the film. Now it is time for me to go batten down the hatches.

Monday, 7 April 2014

Alternate Best Actor 2009

And the Nominees Were Not:

Nicolas Cage in Bad Lieutenant: Port of Call New Orleans

Tom Hardy in Bronson

Viggo Mortensen in The Road

Sam Rockwell in Moon


Sharlto Copley in District 9

And since I'm a man of my word BONUS REVIEWS:
Joseph Gordon-Levitt in 500 Days of Summer

Tobey Maguire in Brothers

The prediction contest will just be for the first five.