Best Supporting Actor 1949: Results

5. John Ireland in All the King's Men- I will admit the character of Jack Burden's is not a great one, but Ireland stilted and uncharismatic performance does not help matters at all.

4. Dean Jagger in Twelve O'clock High- Jagger's character actually should have been the heart of his film, but Jagger is unable to really bring an authentic emotion, or life to his character.

3. Arthur Kennedy in Champion- Kennedy does not get a lot of time to develop his character but he does manage to find himself as a moral conscience and later contrast to Kirk Douglas' character quite well.

2. James Whitmore in Battleground- Whitmore's performance is realistic and always proper as the commanding sergeant of the men in Battleground, but the most impressive part of his performance is his expertly handled physical disintegration throughout the film. 

1. Ralph Richardson in The Heiress- I do not blame anyone for not being interested in this year, since again this is another supporting year with a clear cut winner. Richardson performance is simply superb piece of acting. He is outstanding in creating a memorable, and incredibly effective character. He manages his character quiet and more obvious cruelty exceptionally well. Richardson also manages to make a fully realized and three dimensional character.

Deserving Performances:
Alec Guinness in Kind Hearts and Coronets
Edmond O'Brien in White Heat

Best Supporting Actor 1949: John Ireland in All the King's Men

John Ireland received his only Oscar nomination for portraying Jack Burden in All the King's Men.

Jack Burden actually is not at all a supporting part, and is equally lead with Willie Stark, he just happens to be the less showy of the two roles. Burden is a reporter at first who reports on Stark, and helps Stark find his path to power. Burden eventually begins to work as a reporter/hatchet man for Stark, and in the end no longer can work for Stark when his own conscious catches up with him.

Ireland never became a leading man and this performance here proves exactly why. Ireland fails to make the character of Jack Burden really come alive, as I think the film wants this to show both his and Stark's transformation over a course of time. Ireland never really gets  under the skin of Burden to show very much of Burden. He never makes what his character does particularly understandable since he never really shows who his character really is and what he believes in. His character is indeed reactionary most of the time, but Burden is strange in that his reactions seem frankly to be too slow or at the wrong time. For example when he learns of Stark relationship with his old girlfriend Burden only reacts briefly to this and at the wrong time, and most of the reaction is done by slapping Mercedes Mccambridge.

I do not know what is wrong with the character of Burden precisely because it frankly could be either Ireland or how he is written in the film itself. The film does have his reactions at strange times, but Ireland does not contribute either with his charisma lacking performance, with some especially stilted line delivery at times. Burden's transformation should have been an important aspect of the film, but Ireland fails to realize the character at any phase of his transformation for his transformation really to mean anything. His character changes for sure, but Burden as a character always lacks an emotional pull of any kind, which I do think comes from both the weakness in the writing of the character, but also Ireland's lacking performance.

Best Supporitng Actor 1949

And the Nominees Were:

Arthur Kennedy in Champion

James Whitmore in Battleground

Dean Jagger in Twelve O'clock High

John Ireland in All the King's Men

Ralph Richardson in The Heiress

I was originally not going to this year now, but since I just watched three of the nominees for Best Actor, I might as well do this now.