Showing posts with label Jeremy Renner. Show all posts
Showing posts with label Jeremy Renner. Show all posts

Friday, 19 June 2020

Alternate Best Actor 2014: Results

10. Ethan Hawke in Predestination - Although Hawke ends up being crushed by the machine of his film, he still gives a largely compelling portrayal of grounding mind bending time travel.

Best Scene: Outlining the truth. 
9. Jesse Eisenberg in The Double - Eisenberg is less effective as the "confident man", though not bad, but is engaging in presenting his nebbish protagonist dealing with particularly odd circumstances.

Best Scene: Cyrano date
8. Shahid Kapoor in Haider - Although almost static, though sensibly so, in the first half of his performance, Kapoor in the second half unleashes a brilliant atypical take on Hamlet. 

Best Scene: Song number
7. Dan Stevens in The Guest - Although his film is lesser than, Stevens is a delight and absolutely captivating as a killer who seems strangely invested in a family.

Best Scene: Bully takedown. 

6. Jeremy Renner in Kill the Messenger - Renner gives a powerful portrayal of a man whose convictions slowly destroy him.

Best Scene: Final speech. 

5. Tom Cruise in Edge of Tomorrow - Cruise plays with his star persona by brilliantly subverting it in a multitude of ways, but also by living up to it as a natural progression of his character.

Best Scene: You don't make it any further
4. Oscar Isaac in A Most Violent Year - Isaac gives a brilliant portrayal of an atypical character in presenting a man quietly attempting to maintain his morality while also attempting to maintain power as a boss in a cutthroat business.

Best Scene: Confronting the thief. 

3. Channing Tatum in Foxcatcher - Tatum shatters any expectations on him through his powerful and intense portrayal of a man who has great potential but only can follow.

Best Scene: Breakdown.

2. Tom Hardy in The Drop - Tom Hardy gives one of his best performances in a brilliant high wire act that pays off as you're watching, but even more so with the revelation that gives you a greater sense for the overall accomplishment of his performance.

Best Scene: "You embarrass me"

1. David Gulpilil in Charlie's Country - Good predictions Luke, RatedRStar, Michael McCarthy, Anonymous, Aidan Pittman, Omar, and Mitchell. Gulpilil gives a portrait of just sheer honesty that reflects such a purely genuine person yet endearing in the unique qualities and life within this naturalism.

Best Scene: Seeing his dead friend.
Updated Overall

Next: 2014 Supporting

Tuesday, 26 May 2020

Alternate Best Actor 2014: Jeremy Renner in Kill the Messenger

Jeremy Renner did not receive an Oscar nomination for portraying Gary Webb in Kill the Messenger.

Kill the Messenger is an imperfect however somewhat decent procedural about the true story of the fallout after journalist believes he's found connections between the illegal drug trade in American and the CIA.

This film opens as a more traditional procedural, and a better film it is in this point, as we follow a reporter tracking a story brought to him by a drug dealer's girlfriend. This taking the All The President's Men approach effectively early on lead by Jeremy Renner as just the dogged reporter at first. Renner is effective in this just portraying well the sort of lead for this type of film. This isn't ever something that should be hand waved as Renner delivers well the sense of the investigation in his performance. This is as Renner portrays the initial interest with each piece of evidence and importantly the certain sense of invigoration that Webb gets as he begins to discover each new revelation. Renner finding well the sort of reporter's spirit within his performance, portraying more than just being in scenes and instead showing a man actively reacting towards what he is slowly starting to discover. Renner pulls you into these early moments well Webb believes he's finding connections between the drug trade along with the CIA connected Nicaraguan Contras. What Renner does in these early scenes is create the right sort of foundation in crafting Webb as a likable and determined protagonist. This is even with even the slight tension we sense with his wife (Rosemarie DeWitt), however Renner balances well to create a man we see both as something determined to get the story, but we also just get the sense of a man early on within this situation.

The film then first shifts towards the next phase which really becomes the put upon whistle-blower style film, which is less effective overall. Renner though is very good in the early scenes depicting this in just creating the early tensions within his performance. This in particular a scene where men seem to threaten his children by saying they won't threaten them just before he releases the story. Renner's reaction is terrific in catching the sense of Webb sensing the implication and reaction of a mix of horror and anger so effectively. Renner is terrific in the early moments of bringing to life the anxieties as it seems as though there is a looming threat around him from the story. Renner's performance gauges well a sense of determination within the fear early on as well. This portraying the sense of conviction in the man's eyes even within the paranoia of the threat slowly seeping into it. This as we see Webb's article come out which earns some suggestions of initial praise then much attack soon afterwards through its certain alluded to claims and sourcing issues. Renner's performance though is fantastic though in initially finding the sort of ease in reaction towards the initial questions this with just a man thinking it is part of a routine. This though quickly changes to far more than just a few questions as certain elements of his story fall out of place and his sources in particular don't seem to fully support all of his claims. 

This is where the film and Renner actually seem to almost make two separate decisions. The film itself becomes rather repetitive in showing just one thing after another adding up against Webb though with the view that Webb was unquestionably right in every way, except his marriage infidelities. This approach becoming repetitive quickly in terms of the narrative and leads to a somewhat underwhelming film by the end. Renner's performance is the one thing that keeps it afloat though as he seems to suggest a different approach within his own work. This as he doesn't portray Webb as wrong, but he shows that he was perhaps fell into some confirmation bias. This as Renner's work as one thing after another comes after Webb, portrays it as not this just a downtrodden hero. We get this right from the outset where he explains his earlier infidelity to his son. Renner's expression reveals nothing but a sense of quiet anguish over an obvious flaw that runs even deeper in terms of his personal failure. Renner in this scene though shows the very much the humanity within the flaw, though as the film continues I find he manages to subvert a certain expectation. This as it would've been easy enough to portray Webb as a man as just a simple martyr for his beliefs which is honestly the suggested route by the film's approach, however Renner takes it in a far more interesting approach to create a portrait of Webb as an imperfect messenger. 

This as we see the unraveling of Webb Renner's portrayal is not of righteous indignation. There is a small sense of that in Renner's work, but more so he emphasizes well this personal outrage. An outrage he portrays as properly messy with this sense of  personalized anger. In that his deliveries emphasize hate towards those speaking ill of him, just as he speaks with passion for his work. When it seems like he has found new evidence, particularly the seeming ridiculous scene of a nighttime visitor that confirms all his theories, Renner is excellent in that he speaks these words as ravings. This in showing this desperation to be shown right that in turn it seems like he's wrong. Renner excels by showing a man failing in a certain sense to be his own advocate. This in each proceeding scene this increase of that desperation in his performance. Renner then showing this sense of depression only growing in his eyes just as much as the anger is. Renner doesn't separate the elements of Webb's downfall showing it something unappealing in the grander scheme of things. This suggesting a striking sense of self-destruction even if he had been on the right track at one point. Renner is outstanding in his final scene. This first beginning with a speech as the journalist of the year. Renner doesn't even make this a small triumph, rather showing just a man seething within his despair, speaking most words with a sardonic dismissive quality, while his eyes just reflect the terrible wear of the man from his experience. This is followed by a family talk with who encourage him. This seemingly the film's attempt to leave on a more upbeat note even though the real Webb committed suicide shortly afterwards, noted by the film, though in a way not to discourage conspiracy. Renner again seems to ignore this in showing only the small glint life in the affection for his family, however his face though just bearing the weight of his existence from his ordeal. This with a penetrating sense of depression where Renner essentially states Webb's unfortunate end without needing to say it. This is a terrific performance by Jeremy Renner as he crafts a remarkable protagonist even perhaps beyond the film's intentions. This in finding more complexity and nuance within the central role than was potentially found within the script. This in granting a memorable tragedy in Webb's own story as he believes he's telling his essential truth.

Wednesday, 13 May 2020

Alternate Best Actor 2014

And the Nominees Were Not:

Channing Tatum in Foxcatcher

Tom Hardy in The Drop

Shahid Kapoor in Haider

Ethan Hawke in Predestination

Dan Stevens in The Guest

Predict Those Five, These five or both:

Jesse Eisenberg in The Double

Jeremy Renner in Kill the Messenger

Tom Cruise in Edge of Tomorrow

David Gulpilil in Charlie's Country

Oscar Isaac in A Most Violent Year

Thursday, 22 February 2018

Alternate Best Actor 2017: Results

10. Thomas Jane in 1922 - Jane delivers a solid turn in granting a curious yet honest life to his very peculiar character that manages to realize the strange state of the man without devolving into caricature.

Best Scene: A ghastly messenger.
9. Christian Bale in Hostiles - Bale's work here has the raw materials of a great performance yet he is consistently ham strung by the film's underdevelopment of every facet of his character's journey despite Bale's best efforts to sell them as this hardened soldier.

Best Scene: Burying his friend.
8. James Franco in The Disaster Artist - James Franco manages to go a bit further than just providing a hilarious impression of the strange and enigmatic Tommy Wiseau, as he does find enough of a depth within the nearly impenetrable character. 

Best Scene: Too many questions. 
7. Sebastian Stan in I, Tonya - Stan delivers a great performance here as he manages to not hold back in his depiction of the casual cruelty of a insecure man, but at the same time delivers a very funny portrayal of a fool.

Best Scene: News of the attack.
6. Jeremy Renner in Wind River - Renner delivers a brilliant turn here going against the expected approach for his role, and creating a different yet wholly convincing portrayal of a man dealing with his losses and the idea of retribution.

Best Scene: Way to make peace.
5. Robert Pattinson in Good Time - Pattinson gives a truly magnetic turn here that matches the kinetic pace of the film by so effectively realizing this man who will do anything to solve his problems except for the right thing.

Best Scene: The back of a police car.
4. Song Kang-ho in A Taxi Driver - Song carries this film every step of the way through his incredible performance that manages to begin as an amusing lightly comedic turn that naturally transitions to a heartbreaking portrayal of a man bearing witness to an atrocity.

Best Scene: A different kind of song.
3. Hugh Jackman in Logan - Jackman ends his tenure as Wolverine on a high note far beyond the original expectations of the role. Jackman expands beyond the limits of the past performance to give absolutely heartbreaking portrayal of a man coming to terms with his age and loss, and facing the responsibilities in his place as a "superhero".

Best Scene: So this is what it feels like. 
2. Ryan Gosling in Blade Runner 2049 - Gosling delivers a masterful performance in his creation of this exact state of the replicant that seemingly is now more machine than man. His exploration of the extent of this, and the ability to change within this context is realized with such a true poignancy by this flawless performance.

Best Scene: The memory is real. 
1. Harry Dean Stanton in Lucky - Good Predictions Lezlie (x2), Charles (x2), Tahmeed, Omar (x2), Luke, Robert(x2), Nguyễn Ngọc Toàn, and RatedRStar, I will say this is not a clear cut case for me in the slightest as I hold Gosling and Stanton's performances in equally high esteem. It would pains me to deny other one the top spot. On any other day I could side towards Gosling as both of these performances are among the best of the decade. Nonetheless my #1 is Harry Dean Stanton for his swansong performance that couldn't be a more perfect send off for the actor. It is one more chance just to appreciate his one of a kind screen presence and talent with this tender, funny, and incredibly moving portrayal of man coming to terms with his age and mortality. 

Best Scene: "You smile." 
Overall Ranking:
  1. Harry Dean Stanton in Lucky
  2. Ryan Gosling in Blade Runner 2049
  3. Daniel Day-Lewis in Phantom Thread
  4. Joaquin Phoenix in You Were Never Really Here
  5. Hugh Jackman in Logan
  6. Robert Pattinson in Good Time
  7. Simon Russell Beale in The Death of Stalin
  8. Song Kang-ho in A Taxi Driver
  9. Jeremy Renner in Wind River
  10. Daniel Kaluuya in Get Out
  11. Steve Buscemi in The Death of Stalin
  12. Nikolaj Coster-Waldau in Shot Caller 
  13. Ethan Hawke in Maudie
  14. James Franco in The Disaster Artist
  15. Liev Schreiber in Chuck
  16. Jamie Bell in Film Stars Don't Die in Liverpool
  17. Vladimir Brichta in Bingo: The King of the Mornings
  18. Jake Gyllenhaal in Stronger 
  19. Steve Carell in Battle of the Sexes
  20. Laurence Fishburne in Last Flag Flying
  21. Tom Cruise in American Made
  22. James McAvoy in Split
  23. Joel Edgerton in It Comes at Night
  24. Chris Pine in Wonder Woman
  25. Denzel Washington in Roman J. Israel, Esq.
  26. Christian Bale in Hostiles 
  27. Sam Elliott in The Hero
  28. Harris Dickinson in Beach Rats
  29. Gary Oldman in Darkest Hour
  30. Steve Carell in Last Flag Flying
  31. Timothée Chalamet in Call Me By Your Name
  32. Andy Serkis in War for the Planet of the Apes
  33. Kamel El Basha in The Insult
  34. Michael Fassbender in Alien Covenant
  35. Levi Miller in Better Watch Out
  36. Thomas Jane in 1922
  37. Robert Redford in Our Souls At Night
  38. James McAvoy in Atomic Blonde
  39. Bill Pullman in The Ballad of Lefty Brown
  40. Vince Vaughn in Brawl in Cell Block 99 
  41. Kyle Mooney in Brigsby Bear
  42. Brian Cox in Churchill
  43. Chris Hemsworth in Thor: Ragnarok
  44. Shawn Yue in Mad World 
  45. Masaharu Fukuyama in The Third Murder
  46. Kevin Harrison Jr. in It Comes at Night
  47. Dave Franco in The Disaster Artist
  48. Richard Gere in Norman
  49. Josh Brolin in Only the Brave
  50. Pierce Brosnan in The Foreigner
  51. Lior Ashkenazi in Foxtrot
  52. Sherwan Haji in The Other Side of Hope
  53. Sakari Kuosmanen in The Other Side of Hope
  54. Claes Bang in The Square
  55. Rajkummar Rao in Trapped
  56. Domhnall Gleeson in Goodbye Christopher Robin
  57. Kenneth Branagh in Murder on the Orient Express
  58. Ben Whishaw in Paddington 2
  59. Tom Holland in Spider-man: Homecoming
  60. Ben Stiller in The Meyerowitz Stories 
  61. Colin Farrell in The Beguiled
  62. Sul Kyung-gu in The Merciless
  63. Ross Lynch in My Friend Dahmer
  64. Douglas Booth in Loving Vincent
  65. Adam Driver in Star Wars: The Last Jedi
  66. Jacob Tremblay in Wonder
  67. Stephen Curry in Hounds of Love 
  68. Ben Mendelsohn in Una
  69. Ansel Elgort in Baby Driver
  70. Adam Driver in Logan Lucky
  71. Traci Letts in The Lovers
  72. Josh O'Connor in God's Own Country
  73. Charlie Hunnam in The Lost City of Z
  74. Adam Sandler in The Meyerowitz Stories
  75. Ewan McGregor in T2
  76. Ben Stiller in Brad's Status 
  77. Jaeden Lieberher in The Book of Henry
  78. Dan Stevens in The Man Who Invented Christmas
  79. Daniel Giménez Cacho in Zama
  80. Miles Teller in Only the Brave
  81. Woody Harrelson in Lost in London
  82. Will Arnett in The Lego Batman Movie
  83. Keanu Reeves in John Wick Chapter 2
  84. Fares Fares in The Nile Hilton Incident
  85. Cosmo Jarvis in Lady Macbeth
  86. Josh Gad in Marshall
  87. Colin Farrell in The Killing of a Sacred Deer
  88. Anthony Gonzalez in Coco 
  89. Sverrir Guðnason in Borg vs. McEnroe
  90. Elijah Wood in I Don't Feel at Home in This World Anymore
  91. Chadwick Boseman in Marshall
  92. Andrew Garfield in Breathe
  93. Channing Tatum in Logan Lucky
  94. Miles Teller in Thank You For Your Service
  95. Dan Stevens in Beauty and the Beast 
  96. Bryan Cranston in Last Flag Flying
  97. Nahuel Perez Biscayart in BPM
  98. Géza Morcsányi in On Body and Soul
  99. John Cho in Columbus  
  100. Kumail Nanjiani in The Big Sick 
  101. Jackie Chan in The Foreigner 
  102. Keith Stanfield in Death Note
  103. Chris Pratt in Guardians of the Galaxy Vol. 2
  104. Adel Karam in The Insult
  105. Michael Caine in Going in Style
  106. Alan Arkin in Going in Style 
  107. Jason Sudeikis in Colossal
  108. Joel Edgerton in Bright
  109. Sam Claflin in My Cousin Rachel
  110. Arnaud Valois in BPM
  111. Aleksey Rozin in Loveless
  112. Will Tilston in Goodbye Christopher Robin
  113. Noah Jupe in Suburbicon 
  114. Hugh Jackman in The Greatest Showman
  115. Guy Pearce in Brimstone
  116. Tom Hanks in The Post
  117. Matt Damon in Downsizing 
  118. Will Smith in Bright
  119. Liam Neeson in Mark Felt
  120. Taron Egerton in Kingsman: The Golden Circle
  121. Javier Bardem in Mother!
  122. Im Si-Wan in The Merciless
  123. Morgan Freeman in Going in Style
  124. Vin Diesel in Fast 8
  125. Luke Evans in Professor Marston and the Wonder Women
  126. Justin Timberlake in Wonder Wheel
  127. Matt Damon in Suburbicon
  128. Ben Affleck in Justice League 
  129. Tom Hiddleston in Kong: Skull Island 
  130. Michael Fassbender in The Snowman
  131. Jason Segel in The Discovery
  132. Ali Fazal in Victoria & Abdul
  133. Brad Pitt in War Machine
  134. Mark Wahlberg in All The Money in the World 
  135. Nat Wolff in Death Note
Next Year: I'm taking a break until the Oscars, but the next year after that will be 2008 lead.

Tuesday, 13 February 2018

Alternate Best Actor 2017: Jeremy Renner in Wind River

Jeremy Renner did not receive an Oscar nomination for portraying Cory Lambert in Wind River.

Wind River tells the story of a murder of a young Native American woman on a Native American reservation investigated by the FBI, and the minimal local law enforcement aided by a local wild life tracker.

Wind River is an often problematic film in its approach towards its subject matter. This partially is in a more technical sense in writer Taylor Sheridan's inconsistent work while trying his own hand at directing one of his scripts where it strangely often plays closer to a TV pilot than a completely successful standalone feature film, but also more inherent towards the choices within the script not even considering the somewhat underwhelming plotting of the film. The faults within the script though are most readily evident in its attempt to adhere towards some greater importance within the story. Now aside from that it also includes the common trope, which has been questioned by many since at least Glory, which on a side note is actually a more easily justified example, where what should be a minority lead story follows white characters. This could have been avoided if the part I am going to address had been played by a Native American actor like Zahn McClarnon for example. The irony though is many of the flaws would have persisted within the film particularly since Jeremy Renner's performance as Cory Lambert is without a doubt the film's best quality.

What's so notable about Renner's work here is his completely atypical approach for a film that could have been made more of a revenge thriller of sorts, certainly with a different leading performance. Renner though from the outset very much emphasizes Cory as just this normal local guy from Wyoming working in and around the Native reservation by killing dangerous predators. Renner doesn't play him as this grizzled bent character, rather he takes a more naturalistic approach for a man who really is just living his life as the film opens. This isn't to say that Renner depicts the role with this carefree attitude, but what he does is find this certain tone that works so effectively for the role. Renner conveys just an inherent salt of the earth type of quality that is fitting to his character. He never over emphasizes this though in his approach. In that he does not make him this "man of few words" type, but rather just a working class hunter type whose more or less an average guy. Renner is able to exude this very specific vividness of the past, disregarding certain things we learn later about his character, but also in terms of a guy who has worked hard for many years in fairly rough conditions. Renner in regards to the man's setting and job doesn't show any exasperation towards that, but rather shows an authentic attitude of a man who lives a tougher life and is just fine living it as is.

We briefly see Cory going about his work and life with his divorced wife and son. Renner in these interactions is very good by only portraying this appreciation for both of them. There is not this overt somberness in this scene as Renner is able to realize the character's grief in a particularly remarkable way, although more on that in a moment. Renner in his family interactions though delivers that right familiarity with only that slight sense of distance with his wife. I love the expressive warmth he delivers in the scenes between Cory and his son. He has this one great moment where he reminds his son to be safe in his use of a gun. Renner plays this with an absolute concern for the moment which is fantastic moment because he reveals without a hint of paranoia. It is rather in the concern there is that brings this sense of just very firm care that he definitely wants his son to be okay without any over protectiveness to this. He obviously is perhaps more concerned than many a parent might be, which Renner alludes to the past that we learn later, yet he carefully shows that it is a greater concern from that past but not this damaging change. What Renner mostly shows though is just a still loving father and husband. As usual when Renner needs to deliver of charm he can, and this role in particular plays well to his unique strengths. In that Renner's charisma is very unassuming yet definitely there, which is perfect for the type of guy Cory is.

When the actual procedural begins Cory is the one who finds the body and along with the local police chief (Graham Greene) makes contact with the random FBI agent Jane Banner (Elizabeth Olsen) sent to investigate the crime. Renner is appropriately straight forward in the interactions. This isn't to say that he is ever underwhelming for a moment. Renner rather is so great in conveying the reactions natural to a guy who has had some hard times but hasn't been overwhelmed by them. When he sees the body and later describes it Renner delivers the line as a man who has in a way seen worse, however it isn't hollow. His delivery captures the right assumed emotion essentially in that he finds the right way to accentuate concern though in this very calm grounded way that Cory has basically found in his life. It's fantastic work through how lived in Renner finds this quality. For example when they later go about finding the murdered woman's brother, who is involved in some criminal activities, Cory delivers the news about her death to him after he obviously was unaware of her death. Renner puts forth the line very bluntly but not without emotion. It is rather outstanding how Renner here manages to infuse these most direct moments though still with honest concern, but within the rugged manner of this man. Renner just fully embodies the character so effectively throughout that everything just feels natural to who this man is.

Now perhaps where Renner derived his approach from is in a pivotal scene where Cory and the other investigators go to the murdered woman's father Martin (Gil Birmingham). Cory isn't there to interrogate the man but rather comfort it him as Cory also lost his daughter under similair circumstances. Renner is incredible in this scene as he physically and verbally exudes this philosophy as he speaks the words. Cory essentially tells Martin not to close himself from the past nor to forget it but rather embrace his grief in a specific way. In this Renner is able to find essentially how this man has come to terms with his own grief. As he speaks with this definite tenderness in his words as the love of a father reveals itself. His eyes reveal both this sense of loss of the daughter, but also a certain optimism within it as though is thinking of his best memories with her while giving Martin these words. It is not only a powerful stand alone scene but also wholly makes sense of this man who has found his way to cope with his daughter's loss. This is not to forget but to remember her best he can. We see this in Renner's work in that any moment he speaks about his loss, including when he describes what happened to her to Jane, Renner is very moving as he reveals the sorrow that lives in the man but in a way where he has found ease through the love he still holds for it.

When Martin essentially tasks Cory with killing the man responsible, which Cory basically already intended to do so, Renner grants the assurances not as this vicious hatred but rather this basic understanding as honoring one father's loss. Again Renner creates such a vivid realization of the man's personality and history that he makes his work all the more remarkable by so effectively portraying this different kind of lead for this type of film. He is able to maneuver between emotions because he shows it as just part of this straight forward guy Cory is. He has his slightly humorous and charming moments with Jane, and his concerned ones which Renner makes just the behavior you'd expect from him. What he also finds is this though is the drive to solve the case, which again he doesn't play as this obsession. Renner instead reveals as this serene type of passion that just is inherent to the man, as though it is a given that he will do as he has said. Renner makes this state of being a given as well as a completely earned facet of the character from how he has shown us the man right up until they solve crime. Although Cory kills most of the perpetrators as he would any out of control predator, he takes the lead man, who raped the woman, to die the same way she did. Before he does this though they have brief conversation where we perhaps are granted the most severe gap between acting quality of any single scene in 2017. This is where on one end we have one actor playing his part as a South Park caricature of a redneck "WHEEERRES MAAAAAA BOOTS", against Renner's amazing work. Renner doesn't let the abysmal quality of his co-star to interfere with him giving such a poignant piece work by delivering his "I'm going to kill you speech" with this elegance of a man who knows he's in the right and performing it as this duty. There is emotion within it yet Renner is stunning in the way he so internalizes it in the moment showing the man performing essentially this poetic execution so coldly towards the man, but with so much feeling within himself. Renner's final scene is great summation of his work as he goes to comfort Martin one last time with the minor closure of the death of the men responsible. Renner in the scene barely raises or breaks his voice, yet so calmly and still so directly revealing his warmth towards the man, love for his daughter, and his own grief with such subtle grace. Although one can argue over the choice in casting, Renner does his utmost to make up for that through this great performance.

Saturday, 10 February 2018

Alternate Best Actor 2017

And the Nominees Were Not:

James Franco in The Disaster Artist

Robert Pattinson in Good Time

Ryan Gosling in Blade Runner 2049

Jeremy Renner in Wind River

Sebastian Stan in I, Tonya

And for the Second Set of Predictions:

Song Kang-ho in A Taxi Driver

Hugh Jackman in Logan

Harry Dean Stanton in Lucky

Christian Bale in Hostiles

Thomas Jane in 1922 

Saturday, 25 June 2011

Best Actor 2009: Results

5. George Clooney in Up in The Air- Clooney tries to ride almost his whole performance on his charm, I myself don't see any charm, but either way because he fails to bring any real conviction to the role.
4. Morgan Freeman in Invictus- When one hears Morgan Freeman as Nelson Mandela one probably would say, perfect casting. Unfortunately Freeman's mannerisms, and voice he uses for the role are inconsistent, and weigh down the entire performance.
3. Jeff Bridges in Crazy Heart- Bridges is certainly good and believable as the country star most of the time, but certain aspects of his performance do not really work. His relationships with Colin Farrell's character is a bit overdone, and his relationship with Maggie Gyllenhaal's character in many ways feels like a plot contrivance.
2. Colin Firth in A Single Man- Firth's performance is one that strikes me in a different way than every other performance on this line up. I most certainly though it was a strong effective piece of acting, with some amazing moments, but at the same time the performance always left me wanting more, I never felt it lackluster, but many moments I always felt he could have gone even further in his performance than he did.
1. Jeremy Renner in The Hurt Locker- A performance that one first glance may not seem the most, but that is part of what makes this performance so special. Renner never seems to act in his performance, and despite the fact that he really is given few moments solely devoted to character development Renner still creates a three dimensional complex character. Renner always stays very understated in his approach to his character, and because of that he gives a truly fascinating portrait of a man addicted to his very dangerous job.

Best Actor 2009: Jeremy Renner in The Hurt Locker

Jeremy Renner received his first Oscar nomination for portraying SFC William James in The Hurt Locker.

The Hurt Locker tells of a explosives disposal unit during the Iraq War.

Jeremy Renner performance is a different type of performance that seems to be nominated a lot of times these days, I feel, because it is an action based performance in many ways, and he really is not given many scenes where he is suppose to give a big Oscary performance scene. Instead he has to show his character development largely well the film moves forward quite rapidly.

In this respect Renner succeeds quite well. In his early moments we do not stop and see who exactly he is, or where he has come from precisely but Renner manages to indicate what sort of man he is with ease. It is rather fascinating in the way Renner goes about the first bomb disposal, he shows a command most certianly in the situation, suggesting his long history of a bomb disposing.

As well Renner effectively brings the audience in to the disposal incredibly, his performance conveys the risk of the job, and interestingly suggests the joy and kick he gets out of the job. He shows that James loves to do his job, loves to do it well, and does not exactly mind the risk because of a certain need that it provides for him. This whole drive for risk is suggested more than said, but it is abundantly clear due to Renner understated and realistic portrayal of it.

Renner whole performance is effective work because he manages to be a truly compelling lead, in what is in many ways a director's film, in terms of style. He also manages to be a compelling and in his own unique way charismatic. He gives a leading man performance really, in an entirely unorthodox fashion, which works wonders for his characterization.

Renner's few moments that more directly let him expand his character, are terrific scenes for him. One for example is when he shows the rest of his squad his box of thinks that almost killed him. His fascination with death the death causing instruments is almost chilling because Renner portrays James' feelings in an understated  fashion. 

Also Renner carefully in this same scene tells about his home life with his son, and wife, who he seems to admire in a fashion, but clearly has his deep routed troubles. The best part of Renner's whole portrayal is that he does not tell everything about William James, he instead more realistically, shows only part of a very complicated man.

This a strong performance that knows that just because he does not have constant scenes devoted specifically to character development, that does not mean it can't be a fully developed character anyways. Renner is tremendous from each scene, in his small subtle revelations about his character.

Renner's performance is filled with realistic understated reactions which is why his performance is so effective. Renner always brings out the most out of each scene because of this, particularly in the disturbing bombs that are used with people attached scenes.

He never overplays his performance, trying instead to meld his more off the wall leanings, mixed in with his duties which never seem forced or off the mark. This is perfectly attuned performance which brilliantly makes use of restraint, making his more emotional moments all the more effective.

Wednesday, 22 June 2011

Best Actor 2009

And the Nominees Were:

Colin Firth in A Single Man

Morgan Freeman in Invictus

Jeff Bridges in Crazy Heart

Jeremy Renner in The Hurt Locker

George Clooney in Up in The Air

Saturday, 19 February 2011

Best Supporting Actor 2010: Results


5. Mark Ruffalo in the Kids are All Right- Ruffalo's performance is somewhat charming I suppose, but very limited in what he does with the role. When the role requires more of him, he does not handle it very well.
4. Jeremy Renner in The Town- Renner stays intense and suggests the psychotic nature of his character well and in an effective fashion. It is not that complex of a character, but Renner does the most he can with it.
3. Geoffrey Rush in The King's Speech- Rush showboats all the way throughout his performance as the unorthodox speech therapist. His showboating does work though I feel for this role, and is properly entertaining, and effective.
2. Christian Bale in The Fighter- Bale gives a strong performance managing to realistically portray the character drug induced problems, along with adding some humor as well.
1. John Hawkes in Winter's Bone- (Good Prediction Dinasztie) Hawkes realizes his character incredibly well, and manages to give both a chilling performance, and a warm one. He manages to mix both aspect of his character incredibly well, and in an effective performance.

Friday, 18 February 2011

Best Supporting Actor 2010: Jeremy Renner in The Town

Jeremy Renner received his second Oscar nomination for portraying James "Jem" Coughlin in The Town.

Renner portrays part of Affleck's bank robbing crew. He is the toughest and the meanest of the group, who doesn't seem to mine creating a few casualties for the cops when he is given the chance. Coughlin is a man who lives on the streets wanting to commit crimes, and would rather go out in barrage of gunfire than ever be sent to jail. Renner is very intense in this performance, in fact he is always intense no matter what the situation is. He always keeps his psychotic stare in almost every scene he is in.

Renner has a challenge here in that Jem is fairly thinly written. There is not a whole lot to him in terms of the film, and his whole point is just to be another factor to keep Affleck's character in the life. Renner though absolutely makes the most of everything he does have giving an effective performance. Although he plays him as written he does take small moments to give some depth to him such as a subtle sadness when talking about going back to jail even though he never loses that aspect of the character. He has some great just small moments giving a little humanity to Jem like the way he takes a drink from a soda before going out to face a legion of cops. It is not an overly complex performance but he goes beyond what is written with his character.

Wednesday, 16 February 2011

Best Supporting Actor 2010

And the Nominees Are:

Geoffrey Rush in The King's Speech

Mark Ruffalo in The Kids are All Right

Christian Bale in The Fighter

John Hawkes in Winter's Bone

Jeremy Renner in The Town