Alternate Best Actor 1946: Results

5. David Niven in A Matter of Life and Death - Niven, despite a strong start, gives an adequate performance but one that is overshadowed both by the supporting players and the film's direction.

Best Scene: Peter's "goodbye".

4. Henry Fonda in My Darling Clementine - The film doesn't really do much with Wyatt Earp as a character but Fonda still manages to gives a solid leading turn befitting the film.

Best Scene: The O.K. Corral

3. Van Heflin in The Strange Love of Martha Ivers - Van Heflin gives a surprisingly charming performance that carefully maneuvers around the film's intensely melodramatic story. 

Best Scene: Sam leaves the house as well as his past.

2. Jean Marais in Beauty and the Beast - He makes for an appropriately jerky villain but as well brings the right humanity and animal into his earnest depiction of the beast.

Best Scene: Just before the transformation.

1. Dana Andrews in The Best Years of Our Lives - Good Prediction RatedRStar, mcofra7, and Luke. Andrews gives a powerful understated portrayal of man repressing his anguish of the war as he faces civilian life once again.

Best Scene: Fred visits an old bomber.

Overall Rank:

1. James Stewart in It's A Wonderful Life
2. Dana Andrews in The Best Years of Our Lives
3. Jean Marais in Beauty and the Beast
4. Humphrey Bogart in The Big Sleep
5. Fredric March in The Best Years of Our Lives
6. Van Heflin in The Strange Love of Martha Ivers
7. Paul Muni in Angel on My Shoulder
8. Cary Grant in Notorious
9. Burt Lancaster in The Killers
10. John Mills in Great Expectations
11. Henry Fonda in My Darling Clementine
12. Edmond O'Brien in The Killers
13. Edward G. Robinson in The Stranger
14. Basil Rathbone in Terror By Night
15. David Niven in A Matter of Life and Death
16. Claude Jarman Jr. in The Yearling
17. Orson Welles in The Stranger
18. Glenn Ford in Gilda
19. John Garfield in The Postman Always Rings Twice
20. Dean Stockwell in The Green Years
21. Alan Ladd in The Blue Dahlia
22. Tom Drake in The Green Years
23. Gregory Peck in The Yearling
24. Bud Abbott in The Time of Their Lives
25. Lou Costello in The Time of Their Lives
26. Bob Hope in The Road to Utopia
27. Bing Crosby in The Road to Utopia
28. Joseph Cotten in Duel in the Sun
29. Tyrone Power in The Razor's Edge
30. Gregory Peck in Duel in the Sun
31. Larry Parks in The Jolson Story

Next Year: 1946 Supporting

Alternate Best Actor 1946: Dana Andrews in The Best Years of Our Lives

Dana Andrews did not receive an Oscar nomination for portraying Captain Fred Derry in The Best Years of Our Lives.

The Best Years of Our Lives was well loved by the Oscars being nominated for 8 Oscar winning seven of them and even receiving an extra honorary Oscar for Harold Russell to go along with his supporting win. Although it is pretty ridiculous that Teresa Wright wasn't recognized for her supporting work in the film it seems even stranger that out of the three men playing the veterans returning home after the war Andrews, who probably has the most substantial role, was ignored. It is perhaps the role that sunk Andrews since his manner of dealing with his problems from the return home are a bit more muted than the other men. Harold Russell's Homer lost both his hands which he often hides with a sunny disposition to cover his deep emotional turmoil, and Fredric March's Al resorts merely to drink when facing his return to home life some of which does not exactly sit right with him. Fred, other than one nightmare that brings him back to his time as a Air Force bomber, stays rather reserved.

One may think Dana Andrews to merely be a somewhat limited leading man if they, for whatever reason, only ever watched his performances in films like Boomerang and Laura. This idea is instantly shattered if they were to watch his very emotional work in The Ox-Bow Incident. His performance The Best Years of Our Lives Andrews meets a bit of an understanding between this two sides in his portrayal of Fred Derry. Andrews portrays Fred most of the time as a mostly unassuming man who even stays unassuming when dealing with many of his problems involving his return home. These includes his inability to find himself decent employment as well as dealing with very shallow wife (Virginia Mayo) who obviously seemed to have married Fred mainly for his soldier's pay. Andrews plays Fred much of the time as dealing with this problems with a brave face to say the least as he presents Fred as trying to merely pick up the pieces after coming back from the war.

Andrews's method here is quite effective though as he does not portray Fred as being an unemotional or boring man, but rather a reserved one who doesn't ever rely on someone else for his problems. Andrews does well in the role by taking this approach as he makes him likable enough in his own way, but also suggests a certain way that Fred has chosen to deal with his problems which is mainly to not acknowledge them. This leaves Andrews to take on a particularly subtle approach for the character which actually works incredibly well. Andrews brings such tremendous emotional intensity in just his eyes yet in an interesting way he's not exactly forceful about which shows how in a way Fred lets his problems pile up because of his refusal to stand up and say something. Andrews though is fantastic in the way he internalizes the problems of Fred so well as even though he does not act out his frustrations, Andrews always makes you feel those frustrations within Fred's reserved frame.

There is technically only really one major moment that Fred reacts outwardly which is his dream, fitting since Fred obviously would not be able to control himself in such a circumstance. Andrews handles the scene well as basically a hysteria as he realizes the sting of the memory which is a traumatic battle. It's a strong moment but his most remarkable part of his performance is again a silent moment where Fred goes back into an old bomber and consciously relives his trauma. Andrews makes Fred a ticking time bomb of sorts as there is always that tension Andrews suggests in Fred, yet when he does break open here Andrews still takes a restrained approach. Andrews does so much in merely his expression and the growing distress as he shows bluntly Fred being overwhelmed by all of the pain he had suffered during combat once again. Andrews reveals all of his pent up anguish, although still in a silent but oh so powerful moment.

Andrews performance here is a great example of someone thriving in a tricky role. Fred's nature even extends to his relationship with Al's daughter Peggy (Teresa Wright) since Fred has to keep his affections in check since he is married. Andrews and Wright manage to develop kinda an unspoken chemistry rather honestly and very much earn the final moments since they suggest how the two feel simply through their glances. This is really the testament to the whole power of Dana Andrews performance where he does so much with so little. It is not even that the role is underwritten, it isn't at all actually, it is though that to be true to Fred's character he had to give a somewhat distant performance. Andrews thrives though within these limitations giving a poignant and moving portrait of a man suffering from post traumatic stress yet fights within himself not to let it affect him. It is terrific work and he should have been recognized right along with Harold Russell's and Fredric March's Oscar winning turns.

Alternate Best Actor 1946

And the Nominees Were Not:

David Niven in A Matter of Life and Death

Jean Marais in Beauty and the Beast

Dana Andrews in The Best Years of Our Lives

Van Heflin in The Strange Love of Martha Ivers

Henry Fonda in My Darling Clementine

Alternate Best Supporting Actor 1943: Dana Andrews in The Ox-Bow Incident and Results

Dana Andrews did not receive an Oscar nomination for portraying Donald Martin in The Ox-Bow Incident.

Dana Andrews often played characters who were stern and very restrained in their emotions such as in films like Laura and Boomerang. This performance is in a way is as much against type as Joseph Cotten was in Shadow of a Doubt due to the emotional nature of the role. Dana Andrews plays the man who is the leader of a group of three men who are stumbled upon by the posse hoping to avenge the death of a local rancher. The men are accused of the murder, and they are helped by the fact that they have some of the man's cattle without a proper receipt for the purchase. These leaves Martin to try and convince the very angry men to believe that he and the other men had nothing whatsoever to do with the murder and are innocent.

Andrews has none of his usual demeanor in this performance instead giving a very emotionally charged performance as Martin. His first scene is incredible reflecting the complete confusion of the man as he founds himself surrounded and instantly accused of a very severe crime. Andrews is absolutely terrific bringing about the strain of the situation into his performance. Andrews is excellent in showing how hard it is for Martin to try to keep his thoughts together as he tries to juggle all of the question being asked at him as well as trying to keep things under control among his own men, and from the extremely hostile crowd who are ready to string him up without even the slightest explanation.

It is especially powerful to see the usually so confidant Andrews give such an emotionally violate performance. Andrews is especially raw an intense in nature, and in a time where so many performances could be dull it is amazing to see such an uncompromising depiction of feeling as Andrews gives. His pleas for understanding, sympathy, and for the sake of his family are heartbreaking. There is never a moment of false sentiment in his portrayal. His performance is only ever genuine. There is nothing showy about this but rather he plays the part in such a purely genuine fashion that he is utterly gut wrenching to hear his pleas that are only the pleas of an innocent man fighting for his life.

 Andrews's performance pretty much takes over the picture  with his presence as even when he is not saying anything his silent reactions to the posse's deliberations are just as powerful as when he is talking. When the posse vote on whether to kill them or to let them live Andrews's performance is that brings the power of the scene so strongly to life. His face is so haunting as he shows Martin trying so hard to keep it together as the men choose. He is so moving as he gives the glimpse of hope in his eyes when some choose to let them live, but his reaction to most of the choosing death is one of the saddest moments ever put in a fictional film as we see Martin see that he has no chance to live. 

The Ox-Bow Incident is about showing the horrors and wrongfulness that is the act of lynching along with the mob mentality that goes along with it. Andrews gives the portrait of the victim of this injustice with his delicate and poignant performance. Dana Andrew's performance stands for me as one of the most affecting performances ever through his wholly genuine depiction of a man pleading for mercy against a wall of seemingly deaf ears. Although I still did not cry watching this performance his work right along with Richard Jordan's performance in Gettysburg stands as two of the few performances that I can't help but choke up when watching and come very very close to losing my composure.

Other Performances:

Anthony Quinn in The Ox-Bow Incident- Although Dana Andrews does leave the strongest impression on the film a very young Anthony Quinn makes his mark in the film as one of the other men in the accused group of three men. Quinn plays Juan Martínez who seems like he is the least savory of the three men. Quinn is very good in creating his character form the get out from his expression when he first sees that they have been surrounded by the posse. It isn't of fear or surprise but rather like he was thinking that he would be caught for something eventually. His character has some secrets, and Quinn is very good in being an unpredictable element in the film as a bit is revealed about Juan throughout his brief screen time. Each of the men react to their potential lynching differently, and the three actors each portray their parts differently. Quinn is very effective in being the cynical one who doesn't accept his fate, and won't let his captors see any fears in his eyes. His role is a short one which doesn't get the majority focus as most is given to Andrews, but Quinn makes a strong impact with all that he has.

Erich von Stroheim in Five Graves to Cairo- Erich Von Stroheim plays Field Marshall Rommel, but that really is not important. He plays the main Nazi villain of the film, which was a common villain during the 40's, and often they would be one note or rather bland. Stroheim buck this trend though in giving a fairly intelligent performance as Rommel. He plays Rommel as the arch villain with a strong presence, and just the right amount of flamboyance. Rather just trying to be evil like most Nazi villains of the time Stroheim goes about making Rommel a worthy adversary, and an entertaining character. He tears into all his scenes with a certain refined style where he expresses the ability of Rommel, and just is a fun character to watch while still successfully being the villain he is suppose to be. A fairly limited role on the whole, but one that Stroheim plays with the appropriate gusto to make Rommel one of the best parts of this film.

Overall Rank:

1. Dana Andrews in The Ox-Bow Incident
2. Charles Coburn in The More the Merrier
3. William Demarest in The Miracle of Morgan's Creek
4. Anthony Quinn in The Ox-Bow Incident
5. Erich von Stroheim in Five Graves to Cairo
6. Harry Davenport in The Ox-Bow Incident
7. Palau in  La Main Du Diable
8. Lee J. Cobb in The Song of Bernadette
9. George Sanders in This Land is Mine
10. Francis Ford in The Ox-Bow Incident
11. Vincent Price in The Song of Bernadette 
12. Rex Ingram in Cabin in the Sky
13. Walter Brennan in Hangmen Also Die
14. Walter Brennan in The North Star
15. Walter Huston in Edge of Darkness
16. Walter Huston in The North Star 
17. John Carradine in Hitler's Madman
18. Takashi Shimura in Sanshiro Sugata
19. Henry Travers in Shadow of a Doubt
20. Charles Coburn in The Constant Nymph
21. Laird Cregar in Heaven Can Wait  
22. Hume Cronyn in Shadow of a Doubt
23. Harry Morgan in The Ox-Bow Incident  
24. Peter Lorre in The Constant Nymph
25. Charles Coburn in Heaven Can Wait 
26. Rex Ingram in Sahara 
27. Frank Morgan in The Human Comedy 
28. Anton Walbrook in The Life and Death of Colonel Blimp 
29. Orson Welles in Journey Into Fear
30. Akim Tamiroff in Five Graves to Cairo 
31. Pierre Larquey in Le Corbeau
32. Leigh Whipper in The Ox-Bow Incident 
33. Eugene Palette in Heaven Can Wait
34. George Coulouris in Watch on the Rhine
35. Walter Slezak in This Land is Mine  
36. Gene Lockhard in Hangmen Also Die
37. Richard Nugent in Sahara 
38. Frank Conroy in The Ox-Bow Incident
39. Dan Duryea in Sahara 
40. Denjiro Okochi in Sanshiro Sugata
41. Van Johnson in The Human Comedy
42. George Coulouris in This Land is Mine
43. Wallace Ford in Shadow of a Doubt 
44. Henry Daniell in Jane Eyre
45. Ray Collins in The Human Comedy
46. Peter van Eyck in Fives Grave to Cairo
47. William Eythe in The Ox-Bow Incident
48. Paul Hurst in The Ox-Bow Incident
49. Kent Smith in This Land is Mine
50. Louis Mercier in Sahara
51. Matt Briggs in The Ox-Bow Incident
52. J. Carrol Naish in Sahara
53. Charles Bickford in The Song of Bernadette
54. Henry Brandon in Edge of Darkness
55. Chris-Pin Martin in The Ox-Bow Incident
56. Albert Bassermann in Madame Curie
57. Marc Lawrence in The Ox-Bow Incident
58. Henry Travers in Madame Curies
59. Dick Rich in The Ox-Bow Incident
60. Yukiki Todoroki in Sanshiro Sugata 
61. Akim Tamiroff in For Whom the Bell Tolls
62. Macdonald Carey in Shadow of a Doubt 
63. William Eythe in The Song of Bernadette
64. Kurt Kreuger in Sahara
65. James Craig in The Human Comedy
66. John Wengraf in Sahara
67. Donald Buka in Watch on the Rhine
68. Richard Gaines in The More the Merrier
69. Nelson Eddy in Phantom of the Opera
70. Edgar Barrier in Phantom of the Opera
71. Eric Roberts in Watch on the Rhine

Next Year: 2002 Lead