Alternate Best Supporting Actor 2010: Results

5. Liu Kai-chi in The Stool Pigeon - Kai-chi gives an over the top performance that keeps his character as mostly a ridiculous caricature.

4. Michael Lonsdale in Of Gods and Men - Lonsdale gives a quietly haunting portrayal of a modest monk willing to face his inevitable demise.

Best Scene: The last supper. 

3. Armie Hammer in The Social Network - Hammer gives two great performances where he gives both a very entertaining portrayal of privilege, but also bothers to find proper nuance within characters while finding the differences between the two twins.

Best Scene: Meeting the president of Harvard. 

2. Ben Kingsley in Shutter Island - Kingsley gives a great performance where he manages to amplify the film's stylistic tone while actually bringing a surprising degree of depth towards the film's twist through the way he builds towards the revelation.

Best Scene: The Lighthouse. 

1. Taika Waititi in Boy - Good Prediction Luke, Tahmeed, Omar, RatedRStar, John Smith, and Matt Mustin. Waititi gives my favorite supporting performance of this year with his genuinely hilarious but also rather off-putting portrayal of a petulant father. He manages to find the complexity of his character with such ease never letting a single aspect of the role override his entire performance.

Best Scene: Demanding his coat back.

Updated Overall

Next Year: 1965 Lead

Alternate Best Supporting Actor 2010: Armie Hammer in The Social Network

Armie Hammer did not receive an Oscar nomination for portraying Cameron and Tyler Winklevoss in The Social Network.

The idea of playing identical twins seems to be a challenge an actor may relish. This often though is used two give two wildly different if not dramatically opposed performances. The most interesting portrayals of twins are not so extreme, just as identical twins in real life tend to not be Dr. Jekyll and Mr. Hyde. Armie Hammer takes this more realistic approach in his portrayal of the Winklevosses or as titled by Jesse Eisenberg's Mark Zuckerberg the Winklevii. On a cursory glance the two men do appear to be almost exactly the same. They are both notable physical specimens that is further emphasized with an excessively upright posture from Hammer fitting for a pair of Olympiad level rowers. Their diction seemingly stemming from a sliver spoon deep in both of their throats. Hammer, who already has a rather refined articulation, seems to go just a little broader than even his normal accent to reinforce the background of the men, but also their nature. Hammer has the twins speak as men whose voices are usually heard, but perhaps more importantly as men who expect themselves to be heard.

The two are proper representations of privilege in every sense, and there is an inherent danger in playing such a type of character, particularly in an Aaron Sorkin screenplay, to veer towards caricature if the actor is not careful. This is not due to underdevelopment of characters in Sorkin's writing rather in his dialogue which is as treacherous as it is rich given its often flamboyant nature. There is almost this idea of Sorkinese which in the wrong hands can easily sound ridiculous and overwritten if not delivered properly. Hammer has a particular challenge there then in that he's already depicting an often simplified type of character with dialogue that could potentially exacerbate this. Hammer wholly avoids this while also making Sorkin's dialogue sing like few other actors have. Hammer in both performances is a master of every little colorful flourish by so effectively realizing the style of both men as natural to these words, and just delivering the lines so well. Hammer perhaps gives the funniest performance, or performances, in the film by making the most out of every line while also by having just the right type of fun with these very particular sort of men.

Now as amusing as Hammer is when pondering between the Winklevi if Zuckerberg offended one of their girlfriends or scoff at the the Prince of Monaco he's careful not to become two caricatures walking around. This is perhaps best seen through the ways he does distinguish the two twins from one another in nuanced and pivotal ways that actually helps to take them beyond simple figures of entitlement. Hammer portrays Cameron and Tyler differently in their personal styles that attaches to their personal belief in their use of that entitlement, however that isn't to say that is all there is to them or to Hammer's performance. Hammer presents Cameron as a man who very much believes, yet deludes himself, in sort of this honor that comes from his position that requires a certain attitude beyond even the mannerisms he has inherited along with his brother. Hammer shows Cameron as a man ready for every party, every general meeting or otherwise in the future in the way he speaks with such certainty towards his beliefs. Hammer grants this a touch of naivety even foolishness however not dishonestly through the character. There is some fun to be had at this expense, but this is part of the beauty of Hammer's performance. He allows you to have fun watching their plight, but he doesn't make them some sort of villain. They are still people.

On this point you can look at the way he depicts Cameron in two contrasting scenes. The first being one of his very best scenes where the two brothers go to lob a formal complaint about Zuckerberg to the president of Harvard. Hammer is downright hilarious in portraying Cameron's genuine disbelief at the president being completely unimpressed by his candor, and part of what makes this funny is how earnestly Hammer delivers every moment as a self-expressed "gentleman of Harvard". This can be contrasted against the series of court deposition scenes where we see a similair earnest disbelief in Hammer, however he garners a real sympathy when reacting to Zuckerberg's words of extreme disregard for the brothers. Now this is interesting as he iw distinguishing that against his portrayal of Tyler who has fewer pretensions over his position that Hammer realizes in subtle yet brilliant ways. Right in the disposition scenes for example it isn't the disbelief of a proper gentleman that he portrays rather fervent anger of someone ticked off who feels he was screwed out of a billion dollars. This idea Hammer directs throughout his work as Tyler that effectively differentiates between the two twins. In every moment of Cameron's assurance of proper manners of privilege, Hammer offers a terrific contrast through the more blunt of the two men who has no shame in using his wealth but also has no delusions around it either. One of my favorite deliveries of his in the film is " I broke your 335-year old doorknob" after tearing off one of Harvard's valued furnishings, that perfectly exemplifies Tyler's attitude towards frankly sentiments of his own class. This is a great pair of performances by Armie Hammer as he excels as a combination of the two yet makes them distinct. He never falls to any pitfalls in playing twins and most importantly succeeds in crafting two entertaining characters yet still humanizes them perhaps beyond what is even their intended purpose within the story.

Alternate Best Supporting Actor 2010

And the Nominees Were Not:

Armie Hammer in The Social Network

Ben Kingsley in Shutter Island

Liu Kai Chi in The Stool Pigeon

Michael Lonsdale in Of Gods and Men

Taika Waititi in Boy