5. Sergei Bondarchuk in War and Peace Part IV - I elected not to review Bondarchuk for his self-directed performance. While a good performance in terms of his reactions to the various horrors of war and the eventual respite in the end, as a director he chooses not to focus on his performance as much as you'd think, particularly when the subtitle of the film is his character's name. Pierre's story while not lost in the shuffle wholly, is not focused upon performance wise heavily, instead choosing more visual choices to convey certain moments including the final romantic overture where we get a brief reaction by Bondarchuk, which while good, is quickly moved on from. He gives a good performance but it does feel like less of an impactful one thanks his choices as a director than say what he gave himself as an actor in the first part of the film series especially.
Best Scene: Arriving Home.
4. Ljubiša Samardžić in The Morning - Within very much a director's film as well, giving a interesting charismatic performance that unfortunately is very much limited by the confines of the writing.
Best Scene: Fantasy
3. Michel Simon in The Two of Us - Simon gives a striking and extremely naturalistic portrayal of seemingly warm loving old man, who also holds some casual cruel prejudices.
Best Scene: Ending.
2. Scott Wilson in In Cold Blood - Wilson gives a brilliant counter performance to Blake, bringing to life as tangibly a career criminal who may be less personally violent but is just as deadly.
Best Scene: Conning the store.
1. Toshiro Mifune in Samurai Rebellion - Mifune delivers one of his best performances giving such a moving portrayal of the love of a father that also realizes intense rage when that love is endangered.
Best Scene: The violence begins.
Next: 1967 Supporting (Probably not a lineup)
21 comments:
Louis: Have you completely settled on Poitier in To Sir, With Love.
Before you finish, could you watch:
Will Penny
The Young Girls Of Rochefort
Chiriyakhana
The Nun
A Bullet For The General
Custer Of The West
Our Mother's House
Elvira Madigan
and re-watches of:
Wait Until Dark (For Arkin)
and Far From The Madding Crowd (If an upgrade is still possible for Stamp).
Louis: Ratings and thoughts on the rest of the lead performances.
Your Female Top 20s with ratings and other 4+ honourable mentions.
As long as Donald Pleasence gets a review for Will Penny, I'm all set.
I'm rather hoping for a Pleasence win, realistically it's his last chance.
I hope Mars can get upgraded for The Producers. He's always been a pretty easy 5 for me, just for the improvised Churchill rant alone.
Louis: Razor and Shaggy got their predictions right. The former's is under the lineup announcement and the latter's is under Samardžić's review.
Also, could you rewatch Le Samourai in addition to The Producers?
That Anonymous comment about Pleasence was me btw, I don’t know why Google keeps logging me out these days
I always think imo that Terence Stamp should have been a 5 for Madding Crowd, to be a disgusting yet charming man, while also being a sinister yet likable scoundrel is such a hard task to do. He should have been Barry Lyndon.
Louis: Could you add Joe Shishido in Branded To Kill and The Incident Leads to the ranking.
Louis: Since you mentioned you would have prefered Stamp as Barry Lyndon instead of Ryan' O Neal, how do you think Stamp would have done in Love Story?
RatedRStar: I don't think Stamp would've had any desire to star in Love Story even if he was in any way suitable for that role.
Luke: I was thinking in more the whole box office thing since, Stamp from what I have read in the news was seen as a bit of a heartthrob in the 60s.
RatedRStar: Perhaps but he always struck me as more of a Heathcliff in his physical appearance.
I mean, Barry Lydon in its final state was essentially Kubrick trying to accommodate O'Neal's weaknesses. The way he frames O'Neal purposely emphasis his emptiness and lack of inner-self. The reason I hold the movie in such high regard is because it's ultimately an epic about an empty-headed failure who bumbles into fortune. A more charismatic actor would have given better performance, sure, but I prefer the version we have with a living prop. (As for the argument Redford would have been better: He would have been the exact same. He was just as wooden as O'Neal when he wasn't enthused about a role. He was like Pitt, half-assed it when he knew he was miscast.)
Haven't seen the '67 Madding Crowd yet, but Stamp's segment of the review as written does read to me like he was close to a 5 to begin with.
I happen to recall reading a comment from a few years ago mentioning that people are not allowed to request performances for whichever round is up next, is that rule still in place?
Harris: Louis can correct me but I think it's still in place to prevent last minute switch ups.
Hello Louis!
Tell me from the year 1967 which are your TOP10 best:
- Song
- Score
- Poster
- Editing
- Screenplays (adapted and original)
- Cast
Robert: We can definitely agree that Redford would have been worse.
Louis: Rating and thoughts on Joe Shishido in Branded To Kill.
Post a Comment