Clive Owen did not receive an Oscar nomination for portraying Will Cameron in Trust.
Trust could be much better but also could be much worse about the fallout of a teenage girl being sexually assaulted by an online predator.
Clive Owen plays the father of the girl Annie (Liana Liberato), whom the opening act of the film seems to be living the idyllic enough lifestyle in a Chicago suburb. Owen plays the early scenes of the film very much as the common man just going about that life with his family and wife (Catherine Keener) with the rest of the family. Owen doesn't put too much on it in his scenes of advising his son to avoid peer pressure with just a gentle reminder with a bit of a tough dad but not an overplayed quality. Mostly we just see the general warmth of the dad as he's going along with his good life, we see him with his boss occasionally who is overly brash, however even that Owen plays off as a slightly judgmental smirk. That is until his daughter is lured to a hotel room where she raped, however that is only the first crime, as this quickly leads Annie's best friend to report it which creates a public spectacle of the rape. And here's where the film could've fully fallen off a cliff or become something truly powerful but it doesn't really do either. It isn't quite an after-school special, but it isn't completely elevated beyond that. The writing frequently is, David Schwimmer's fairly terrible visual choices throughout additionally are, but what Schwimmer does manage to get right is within the performances of the actors. The actors very much save the film because it would've been extremely easy to fall into over the top choices given the material, but for the most part this is avoided.
Owen is one of the focal points of the emotion of the piece and is moving in the early scenes of reaction to the rape in just presenting the sudden horror upon his face that quickly switches to vicious anger towards the man responsible for the act. Owen matching the intensity effectively by very much bringing to life the immediacy of the reaction. And it would have been easy to seem too much or too soft in a way, but Owen does make it all feel very real in the moment. Unfortunately the film ends up being a little repetitive in where he goes from there as we basically get one frustration after another, as the FBI fails to catch the man, Will notices sexualized images at work and becomes frustrated by the fact that his daughter continues to obsess over her groomer. Owen's performance though does modulate between these elements playing in the moments in the world just the quiet burden that never leaves the man. When reacting to his daughter or to the investigation, Owen's intensity does feel earned as the perpetual anger of a man who wants to hurt something to avenge his pain yet ends up turning back on his own family. The film ends up not giving him too many interesting places to go leaving Owen to have to repeat notes as the character just continues to be in this state of anger, though again Owen effectively always weighs it down with sadness and the sense that is all part of the frustration of the helplessness he feels in what happened to his daughter. I suppose I could be more critical and say Owen doesn't differentiate between these scenes enough, however I think it is more so the writing that keeps him lost and angry for most of it. And Owen does hit his notes effectively again, as we have a more harrowing scene coming from the daughter's reaction to this trauma that is certainly moving and painful in again Owen bringing that pain to life with visceral intensity. The final scene though of the film involving the family is perhaps too clean in a way as the daughter and dad finally connect again as he espouses all his fears to her and they finally reach something. Something that might have worked better if the script built to it more. Again though Owen in the more sedated performance of a moment of clarity is affecting in bringing an earnest vulnerability that shows the same pain just expressed in a healthier way. However then the film ends, and you know just how limited Will's whole story ended up being, though Owen's efforts are admirable avoiding the worst option, albeit not quite truly elevating it beyond the full limitations of the piece.
13 comments:
Watching this after Smooth Talk must have done this no favors.
Indeed
Yeah, Owen is good as usual, and the film isn't terrible but as you said, it could've been much better.
Louis: Ratings and thoughts on this film's cast?
Louis: Thoughts on this cast and director for a '00s Conclave?
Directed by Sidney Lumet
Lawrence: Jeremy Irons
Bellini: Dustin Hoffman
Tremblay: Donald Sutherland
Agnes: Claudia Cardinale
Tedesco: Giancarlo Giannini
Anonymous:
Liberato - 4(An extremely tricky part though I wouldn't say the writing entirely makes the right pathway for her in some key parts. Regardless she is effective in bringing just that sense of teenage insecurity that fuels her interest in the groomer to begin with naturally playing between the notes of fear with that sense of trying to find someone who just supports her. Afterwards it is what gets really tricky though she is moving in playing just the raw weight of dealing with becoming the center of a spotlight within her world for such unpleasant reasons and plays that pressure well. The aspect of her character still thinking the situation was okay, is something that the film doesn't quite manage to thread fully despite being a particularly disturbing notion, though again Liberato plays into the note convincingly by tying still to the same vulnerability. Like with Owen it gets wrapped up too easily, leaving the performance not as powerful as it could've been, but she is good.)
Keener - 3.5(As the mom who keeps it together more she is also moving in portraying the direct emotions of the situation convincingly throughout, and while she's not the focus consistently of the film she adds to the reality of the piece effectively.)
Davis - 3(As a very limited version of the therapist role she does what she can in bringing this certain contrasting calm within the narrative though even her scenes feel a bit underwritten and underexplored.)
Clarke - 3(Never mind seeing an early Clarke role, and he's good in bringing the right severity yet mixed with a quiet frustration of the FBI agent doing his job but also attempting to be as accommodating as the situation will allow.)
Coffey - 3(Effectively creepy in playing the note of "saying the right thing" while just beneath it showing the actual intentions of the man all the same.)
Tony:
That's pretty much perfect to the point I feel I can hear Hoffman delivering Tucci's lines, Sutherland looking suspiciously, Giannini looking smug, Irons weighed down by burden of his task and Cardinale giving a cutting stare.
Ratings for the cast of Touch (2024)?
Louis: Next time I win a predictions, I might request a backlog performance that you actually have already seen, I really think this is such an underrated gloriously entertaining performance from a Bond Film, Gene Siskel loved this performance as well, would you be willing to take a look at it again if you know which performance I am referring to?
Havent' been on this blog as much as I once was lol, its always been like a sanctuary to me =D so I hope everyone is doing OK and happy for the Holidays..
RatedRStar: Let me make a wild guess, Jonathan Pryce in Tomorrow Never Dies?
Ytrewq Wertyq: Definitely not lol its a secret..... umm....definitely =D.
Louis: Any updated thoughts/ratings on the cast of Hannah and Her Sisters?
RatedRStar: I was gonna say Cumming in GoldenEye but we haven't got to 95.yet.
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