5. Anthony Quayle in Anne of the Thousand Days- Quayle gives a functional performance that turns Cardinal Wolsey into a basically a yes man.
4. Rupert Crosse in The Reivers- Crosse gives a charmingly wacky performance as well as combined with a more serious performance well by never overdoing either aspect of his character.
3. Elliot Gould in Bob & Carol & Ted & Alice- Gould gives an enjoyable and effective performance as he realizes the many facets of his character's confusion.
2. Jack Nicholson in Easy Rider- Nicholson as usual for this period gives a very strong performance that has that unique magnetic quality that is distinctly Nicholson. It never quite reaches the heights of his later work in the seventies but it is an excellent precursor to them.
1. Gig Young in They Shoot Horses, Don't They?- Gig Young easily gives the strongest performance this year. Gig Young's performance is terrific flawless work that realizes the master manipulator aspects of his character as well as the energetic emcee. He effective brings all the facets of his character into one brilliant characterization that never has a simple moment, and creates a fascinating memorable man in the role of Rocky.
6 comments:
Awesome job, maybe 2008 next? :)
2008 would be interesting and would be a tricky one to predict as I was impressed with more then just Ledger =).
Yay for Young.
I like it that I learn so much about this category. So many nominees that I never heard of and I was very surprised that 1969 was the first time ever that an African American was nominated in this category.
Could you do 2008 next? I really want to know, what do you think about Ledger, because I loved his performance in TDK (in contradiction to Brokeback mountain), but you don´t very often like showy performances...
Have you seen The Wild Bunch? If so, how did you like Ernest Borgnine and Robert Ryan (and everybody else for that matter)?
That is one I need to re-watch but I recall liking both of them.
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