Charles Durning did not receive an Oscar nomination, despite winning NBR and being nominated for a Golden Globe, for portraying detective Moretti in Dog Day Afternoon.
It is quite notable that Durning managed to receive a Golden Globe nomination and win the NBR for his performance in this film. The reason it is notable is that Moretti really isn't much of a part. He simply is the police negotiator who must deal with bank robber/hostage taker Sonny (Al Pacino). Clearly in the script Moretti was not meant to be much of anything since he does lose his importance completely from just one sentence from the FBI agent who replaces him. It is a testament to Durning's talent what he is able to do with role considering the film frankly could not care less about Moretti as a character.
We learn nothing about Moretti as a person. We don't know where he comes from we only know what it is that he is trying to do which is to keep the situation from escalating. This is a performance that is all about surface, this is not a criticism but rather the nature of the role. We never find out what Moretti really thinks about the situation we simply see that he is just going to do his best to reach a solution to it. Durning plays the negotiator in many ways, and is quite good in showing the methods of the negotiator. He plays Moretti in a variety of fashions, and effectively conveys the way that Moretti will try and get the hostages out.
The very time he talks to Sonny he is very firm and hostile as he tries to get him to immediately surrender, but after that clearly is not going to happen Moretti changes his tune considerably. Durning is excellent in establishing the way that the kind approach Moretti takes afterwards is just that an approach. It is not that Moretti is necessarily a nice guy, but rather the hostile approach clearly was not going to work so he has to change. Durning is very good in portraying how Moretti goes about talking to Sonny which is to keep him calm no matter what while trying to negotiate and push Sonny to release the hostages at the same time.
Durning makes Moretti both natural and artificial as he so gently speaks to Sonny. Although Durning makes Moretti genuine in that he genuinely wants to get the hostages out, but the artificiality comes in exactly how he speaks maybe too calmly and the way he always seems to be trying to make a certain eye contact and a physical closeness to Sonny. Durning gets across the way Moretti is just trying to play Sonny into seeing his way through almost a psychological conditioning as Moretti tries to seem like Sonny's best friend, even though he really is just trying to get the job done.
Durning is very effective throughout though and shows him realistically reacting to the situation and showing that Moretti can't keep up his method completely. He is very good in showing the frustrations he faces, and the believable reactions Moretti has throughout all the developments of the day. Durning is very compelling here in his own way creating an effective dynamic with Pacino and their back and forth throughout the day. It is a performance that adds a great deal to the whole of the film and makes the negotiation scenes properly come to life. Durning makes his own mark on the film despite this being such a limited role. His stamp is somewhat limited by the way his character exits with so little ceremony, but this a great example of an actor making something out of almost nothing.
Tuesday, 7 May 2013
Monday, 6 May 2013
Alternate Best Supporting Actor 1975: Robert Shaw in Jaws
Robert Shaw did not receive an Oscar nomination for portraying Quint in Jaws.
Jaws is one of the greatest thrillers ever made which is of course about a tourist filled island being terrorized by a shark.
Robert Shaw is one of my favorite actors and one of the reasons is the variety of ways he takes on parts. The last three times I have reviewed him he played Henry VIII in a properly flamboyant larger than life fashion, Lonnegan in The Sting where he portrayed an Irish gangster with substantial menace through the sense of the anger within the man, and Mr. Blue in The Taking of Pelham where he again played a villain but found new ground while bringing the menace still by emphasizing the proper English soldier background of his character. This time as Quint he plays a rather different character an old American sailor who has his own checkered past with the Sharks.
Shaw does not appear too much early on in the film but when we do see him he makes quite an impact. His accent is downright brilliant putting on the voice of an Old Sea Salt. Shaw doesn't overdo it never making it a parody instead it perfectly amplifies the characteristics of this man. We don't even need to hear about his past just from Shaw's manner and style we know this man has been out to sea most of his life, and as well certainly has had his experience with sharks and knows what he talking about. All that he does adds to his character from his particular scowl with the turn in his mouth, the way he hunches over, or even that particular way that he smiles.
I have to say once again that I just love watching Shaw perform here again. What is amazing about Shaw as an actor is that despite how magnetic he is in his performances he can still be entirely natural as well. Shaw simply becomes Quint as easily as became Mr. Blue or Lonnegan, there never feels like a performance here. He just becomes the part in the most wonderful fashion that he just makes every scene more than it would be otherwise. He is such an energetic performer while even playing a cold or in this case a curmudgeon type of character. Shaw is on here as he usually is, but possible even more so than usual. Even in his two brief scenes early on he livens the film with his presence and makes sure we will remember him.
One thing that is so great about Jaws as a film is how in the middle it transitions from a brilliant monster on the loose film to an adventure film flawlessly. This occurs when the town finally hires Quint to kill the Shark who goes along with Chief of police Brody (Roy Scheider) and Shark expert Hooper (Richard Dreyfuss). Shaw absolutely dominates the film once the transition occurs as Quint does not only take over the shark expedition but he also takes over the film. This is not to say even the slightest thing against Dreyfuss or Scheider, they both commit themselves splendidly, but it is Shaw's show. Quint technically might get a slow start in terms of his appearances early in the film, but once's he's in charge Shaw sinks his teeth right in (no pun intended).
Shaw is so brilliantly abrasive here that he turns the jabs Quint gives Hooper into an art form. Shaw is such a delight as he ridicules Hooper in every way he can. Shaw mischievous smile and always firm delivery make every little thing he says not only very incisive but honestly quite enjoyable as well. The joy of performance is quite apparent here and boy does Shaw make it so we have just about as much fun as it appears he had making the film. He not only succeeds in doing that but also because of that he makes Quint even with all his crustiness endearing. He brings a great deal of humor even right along with it just through the enjoyment Quint clearly is having while giving everyone he can a hard time.
One of the reasons this performance is so good is due to Shaw's refusal to ever allow Quint to be just one type of man. Even while he gives Hooper all hell, he still adds some nice camaraderie between all three, and suggests that there is no true malice to Quint's mischief. Shaw is particularly effective in just the quick moments when Quint instructs Brody how to handle himself on the ship. Shaw is so nice in showing a bit of a gentler side to Quint as he deals with someone that he clearly has far greater respect for. Shaw puts in a little bit of warmth when Quint tells the chief just to ask him first when handling something on the ship. Shaw is fantastic how he inserts these moments adding greater complexity to the character while never compromising the rest of Quint.
Shaw just never fails to realize any part of the man and makes into all one wholly believable individual. He creates so many shades and never makes one overwhelm the other nor does he allow one facet to compromise another. For example the elements that make Quint into an Ahab figure are certainly well established through silent moments as he conveys the drive and conviction in Quint that will not allow him to give up on the mission or even allow him to ask for the further help. This is only part of him though and it only comes out in times of great stress. This something Shaw brings out so naturally and completely within all the rest. It will come in right after he is making a joke and Shaw still has it be something Quint would do. The Ahab element is in twined with the whole of Quint.
Now I have done plenty of praising I think of this performance as a whole. It is a outstanding performance that creates complexities in a character who could have easily been one note, but there is one scene that does stand out above the rest of his performance simply because I personally feel it is the best acted scene in all of cinema (yeah I just said that) that of course is the Indianapolis monologue. The speech details Quint's experience when he managed to survive after the ship he was on sunk during World War II even though he and his fellow crew mates had to survive in shark infested waters. Shaw delivery here is something to behold, truly behold there is nothing quite like how he tells the tale of Quint's horrific experience.
Shaw has almost a nostalgia at first as he describes the past of Quint's life, he keeps it that this was something in the past although not something he could ever forget. Despite this film being filled with many frightful moments, the most gut wrenching of them all is the morbid tale Shaw spins all through his words. He conveys the fear not as you might think, but there is so much power in the way Quint seems to be holding so much back not to be fazed by this. He is not emotional in the sense you usually think of the word in but there is an enormity of the emotions in the story even though he manages to keep his composure throughout the tale. Shaw brings the sadness, the anger, the pain, all of it with an unrelenting power.
The power of the speech is astonishing as Shaw takes you deep into Quint's mind and that traumatic event that Quint could never forget. Although you never see a shark in the scene Shaw never lets your mind escape the images he so vividly describes. Shaw never allows the attention to be wavered as the horror of it all unfolds and he allows the glimpses in the mind of Quint and what exactly drives the man. I really cannot do the scene or Shaw's performance justice in my review here. It is almost indescribable in its power, and Shaw's performance seems otherworldly at times in the way he seems to be everything stand still as he reflects on the terrible past of Quint the terrible past that has never stopped haunting him.
Shaw gives an incredible performance as Quint, it truly unforgettable work and the greatest from the great Shaw. This is a supporting performance that is captivating all on its own accord completely away from the film, even well it seamlessly mends with it. His portrayal of Quint is heartbreaking, humorous, entertaining, enjoyable, and all together excellent. There is never a wasted scene or even a wasted moment with Shaw. I honestly cannot praise this performance enough. Shaw gives my favorite supporting performance of all time, and this particularly amazing considering that Quint could have easily been an overacted one dimensional nothing. Shaw though turns him into one of the most compelling characters ever to grace the screen.
Jaws is one of the greatest thrillers ever made which is of course about a tourist filled island being terrorized by a shark.
Robert Shaw is one of my favorite actors and one of the reasons is the variety of ways he takes on parts. The last three times I have reviewed him he played Henry VIII in a properly flamboyant larger than life fashion, Lonnegan in The Sting where he portrayed an Irish gangster with substantial menace through the sense of the anger within the man, and Mr. Blue in The Taking of Pelham where he again played a villain but found new ground while bringing the menace still by emphasizing the proper English soldier background of his character. This time as Quint he plays a rather different character an old American sailor who has his own checkered past with the Sharks.
Shaw does not appear too much early on in the film but when we do see him he makes quite an impact. His accent is downright brilliant putting on the voice of an Old Sea Salt. Shaw doesn't overdo it never making it a parody instead it perfectly amplifies the characteristics of this man. We don't even need to hear about his past just from Shaw's manner and style we know this man has been out to sea most of his life, and as well certainly has had his experience with sharks and knows what he talking about. All that he does adds to his character from his particular scowl with the turn in his mouth, the way he hunches over, or even that particular way that he smiles.
I have to say once again that I just love watching Shaw perform here again. What is amazing about Shaw as an actor is that despite how magnetic he is in his performances he can still be entirely natural as well. Shaw simply becomes Quint as easily as became Mr. Blue or Lonnegan, there never feels like a performance here. He just becomes the part in the most wonderful fashion that he just makes every scene more than it would be otherwise. He is such an energetic performer while even playing a cold or in this case a curmudgeon type of character. Shaw is on here as he usually is, but possible even more so than usual. Even in his two brief scenes early on he livens the film with his presence and makes sure we will remember him.
One thing that is so great about Jaws as a film is how in the middle it transitions from a brilliant monster on the loose film to an adventure film flawlessly. This occurs when the town finally hires Quint to kill the Shark who goes along with Chief of police Brody (Roy Scheider) and Shark expert Hooper (Richard Dreyfuss). Shaw absolutely dominates the film once the transition occurs as Quint does not only take over the shark expedition but he also takes over the film. This is not to say even the slightest thing against Dreyfuss or Scheider, they both commit themselves splendidly, but it is Shaw's show. Quint technically might get a slow start in terms of his appearances early in the film, but once's he's in charge Shaw sinks his teeth right in (no pun intended).
Shaw is so brilliantly abrasive here that he turns the jabs Quint gives Hooper into an art form. Shaw is such a delight as he ridicules Hooper in every way he can. Shaw mischievous smile and always firm delivery make every little thing he says not only very incisive but honestly quite enjoyable as well. The joy of performance is quite apparent here and boy does Shaw make it so we have just about as much fun as it appears he had making the film. He not only succeeds in doing that but also because of that he makes Quint even with all his crustiness endearing. He brings a great deal of humor even right along with it just through the enjoyment Quint clearly is having while giving everyone he can a hard time.
One of the reasons this performance is so good is due to Shaw's refusal to ever allow Quint to be just one type of man. Even while he gives Hooper all hell, he still adds some nice camaraderie between all three, and suggests that there is no true malice to Quint's mischief. Shaw is particularly effective in just the quick moments when Quint instructs Brody how to handle himself on the ship. Shaw is so nice in showing a bit of a gentler side to Quint as he deals with someone that he clearly has far greater respect for. Shaw puts in a little bit of warmth when Quint tells the chief just to ask him first when handling something on the ship. Shaw is fantastic how he inserts these moments adding greater complexity to the character while never compromising the rest of Quint.
Shaw just never fails to realize any part of the man and makes into all one wholly believable individual. He creates so many shades and never makes one overwhelm the other nor does he allow one facet to compromise another. For example the elements that make Quint into an Ahab figure are certainly well established through silent moments as he conveys the drive and conviction in Quint that will not allow him to give up on the mission or even allow him to ask for the further help. This is only part of him though and it only comes out in times of great stress. This something Shaw brings out so naturally and completely within all the rest. It will come in right after he is making a joke and Shaw still has it be something Quint would do. The Ahab element is in twined with the whole of Quint.
Now I have done plenty of praising I think of this performance as a whole. It is a outstanding performance that creates complexities in a character who could have easily been one note, but there is one scene that does stand out above the rest of his performance simply because I personally feel it is the best acted scene in all of cinema (yeah I just said that) that of course is the Indianapolis monologue. The speech details Quint's experience when he managed to survive after the ship he was on sunk during World War II even though he and his fellow crew mates had to survive in shark infested waters. Shaw delivery here is something to behold, truly behold there is nothing quite like how he tells the tale of Quint's horrific experience.
Shaw has almost a nostalgia at first as he describes the past of Quint's life, he keeps it that this was something in the past although not something he could ever forget. Despite this film being filled with many frightful moments, the most gut wrenching of them all is the morbid tale Shaw spins all through his words. He conveys the fear not as you might think, but there is so much power in the way Quint seems to be holding so much back not to be fazed by this. He is not emotional in the sense you usually think of the word in but there is an enormity of the emotions in the story even though he manages to keep his composure throughout the tale. Shaw brings the sadness, the anger, the pain, all of it with an unrelenting power.
The power of the speech is astonishing as Shaw takes you deep into Quint's mind and that traumatic event that Quint could never forget. Although you never see a shark in the scene Shaw never lets your mind escape the images he so vividly describes. Shaw never allows the attention to be wavered as the horror of it all unfolds and he allows the glimpses in the mind of Quint and what exactly drives the man. I really cannot do the scene or Shaw's performance justice in my review here. It is almost indescribable in its power, and Shaw's performance seems otherworldly at times in the way he seems to be everything stand still as he reflects on the terrible past of Quint the terrible past that has never stopped haunting him.
Shaw gives an incredible performance as Quint, it truly unforgettable work and the greatest from the great Shaw. This is a supporting performance that is captivating all on its own accord completely away from the film, even well it seamlessly mends with it. His portrayal of Quint is heartbreaking, humorous, entertaining, enjoyable, and all together excellent. There is never a wasted scene or even a wasted moment with Shaw. I honestly cannot praise this performance enough. Shaw gives my favorite supporting performance of all time, and this particularly amazing considering that Quint could have easily been an overacted one dimensional nothing. Shaw though turns him into one of the most compelling characters ever to grace the screen.
Sunday, 5 May 2013
Alternate Best Supporting Actor 1975: Max von Sydow in Three Days of the Condor
Max von Sydow did not receive an Oscar nomination, despite winning KCFCC, for portraying Joubert in Three Days of the Condor.
Three Days of the Condor is an effective thriller about a low level CIA operative Joseph Turner with the codename the Condor (Robert Redford) who becomes entangled in a complex plot after all of his co-workers are murdered.
Max von Sydow plays a freelance assassin known only as Joubert who we first see leading the murders of Condor's co-workers. Sydow plays the assassin of a similar sort to say Anton Chigurh in No Country For Old Men, who goes about his task quickly and efficiently. Sydow though doesn't exactly take the approach one might expect from the assassin who is too good at his job. Usually they are played in some sort of detached psychopathic manner, Sydow does not take this approach instead gives a most unique portrayal of the strange man Joubert, that succeeds in being the killer he should be but does something else quite remarkably.
In being the killer Sydow is excellent in portraying the incisive manner that the man takes about his task. He is very quiet there such an eerie quality to Sydow's manner here. He is believable as being a man you might not notice at all in his modest style, yet Sydow is brilliant as when you do notice him there is that element to him that creates such menace. Sydow isn't cold exactly but nevertheless is quite chilling as he conveys the ruthlessness that is in Joulbert. Joubert doesn't yell, or even get angry he calmly moves and talks as he goes about killing. Sydow portrays it as simply as his nature and he doesn't require a second thought.
What especially stands out about Sydow though is the emotional quality he does have in the role. For example in the scene where he has leads the murders the last person says she won't scream Joubert responds with a simple "I know". There is a feeling in Sydow's performance that he almost can empathize not that it stops him from completing the murder in anyway. It makes these moments particularly striking though because Sydow shows Joubert who understands human emotions just fine, he does not portray him as a soulless monster, but a man with all the feelings within a man yet still fully capable of killing without hesitation.
Sydow through portrayal of Joubert in this fashion actually makes him all the more memorable of figure. Instead of being just a killer who does not know anything else or anything better Sydow's makes him a man who certainly knows of many things and can enjoy the little things of life yet he has chosen that his profession simply is what suits him the best. Sydow's final scene where he talks to the Condor in just a casual manner is an incredible scene for Sydow. Sydow in the scene presents both Joubert's considerable intelligence as well as his philosophy behind what exactly it is that he does.
The intelligence is best summed up by the vivid description of the Condor's possible future which is perfectly delivered by Sydow which emphasizes past knowledge of this man, as it is clear Condor's possible fate is something Joubert has seen before. In terms of philosophy Sydow has such an ease and grace in his delivery that he allows one to understand exactly why Joubert does what he does, and even why he is able to do it without blinking an eye. Joubert describes it as refreshing, and even though what he is speaking about is killing for money Sydow plays it so well showing the complete contentment within the killer.
Sydow establishes Joubert as the man who seems the most comfortable not only with himself, but as well the whole world. It is quite strange as well as considering he is the cold blooded killer of the film, but it succeeds because it fits the nature of the film as well as due to Sydow's completely selling this character. He creates just a fascinating man in Joubert who can be a peace not needing to know why but rather simply needing to know how much. This is simply the best type of supporting performance in the film one that is wholly intriguing when he is on screen and always remembered when he is off. This is a great performance by Max von Sydow's as he left me only wanting to know more about this man.
Three Days of the Condor is an effective thriller about a low level CIA operative Joseph Turner with the codename the Condor (Robert Redford) who becomes entangled in a complex plot after all of his co-workers are murdered.
Max von Sydow plays a freelance assassin known only as Joubert who we first see leading the murders of Condor's co-workers. Sydow plays the assassin of a similar sort to say Anton Chigurh in No Country For Old Men, who goes about his task quickly and efficiently. Sydow though doesn't exactly take the approach one might expect from the assassin who is too good at his job. Usually they are played in some sort of detached psychopathic manner, Sydow does not take this approach instead gives a most unique portrayal of the strange man Joubert, that succeeds in being the killer he should be but does something else quite remarkably.
In being the killer Sydow is excellent in portraying the incisive manner that the man takes about his task. He is very quiet there such an eerie quality to Sydow's manner here. He is believable as being a man you might not notice at all in his modest style, yet Sydow is brilliant as when you do notice him there is that element to him that creates such menace. Sydow isn't cold exactly but nevertheless is quite chilling as he conveys the ruthlessness that is in Joulbert. Joubert doesn't yell, or even get angry he calmly moves and talks as he goes about killing. Sydow portrays it as simply as his nature and he doesn't require a second thought.
What especially stands out about Sydow though is the emotional quality he does have in the role. For example in the scene where he has leads the murders the last person says she won't scream Joubert responds with a simple "I know". There is a feeling in Sydow's performance that he almost can empathize not that it stops him from completing the murder in anyway. It makes these moments particularly striking though because Sydow shows Joubert who understands human emotions just fine, he does not portray him as a soulless monster, but a man with all the feelings within a man yet still fully capable of killing without hesitation.
Sydow through portrayal of Joubert in this fashion actually makes him all the more memorable of figure. Instead of being just a killer who does not know anything else or anything better Sydow's makes him a man who certainly knows of many things and can enjoy the little things of life yet he has chosen that his profession simply is what suits him the best. Sydow's final scene where he talks to the Condor in just a casual manner is an incredible scene for Sydow. Sydow in the scene presents both Joubert's considerable intelligence as well as his philosophy behind what exactly it is that he does.
The intelligence is best summed up by the vivid description of the Condor's possible future which is perfectly delivered by Sydow which emphasizes past knowledge of this man, as it is clear Condor's possible fate is something Joubert has seen before. In terms of philosophy Sydow has such an ease and grace in his delivery that he allows one to understand exactly why Joubert does what he does, and even why he is able to do it without blinking an eye. Joubert describes it as refreshing, and even though what he is speaking about is killing for money Sydow plays it so well showing the complete contentment within the killer.
Sydow establishes Joubert as the man who seems the most comfortable not only with himself, but as well the whole world. It is quite strange as well as considering he is the cold blooded killer of the film, but it succeeds because it fits the nature of the film as well as due to Sydow's completely selling this character. He creates just a fascinating man in Joubert who can be a peace not needing to know why but rather simply needing to know how much. This is simply the best type of supporting performance in the film one that is wholly intriguing when he is on screen and always remembered when he is off. This is a great performance by Max von Sydow's as he left me only wanting to know more about this man.
Friday, 3 May 2013
Alternate Best Supporting Actor 1975
And the Nominees Were Not:
John Cazale in Dog Day Afternoon
Charles Durning in Dog Day Afternoon
Robert Shaw in Jaws
Max von Sydow in Three Days of the Condor
Leon Vitali in Barry Lyndon
John Cazale in Dog Day Afternoon
Charles Durning in Dog Day Afternoon
Robert Shaw in Jaws
Max von Sydow in Three Days of the Condor
Leon Vitali in Barry Lyndon
Thursday, 2 May 2013
Alternate Best Supporting Actor 2001: Results
5. Steve Buscemi in Ghost World- This is an entirely solid performance by Steve Buscemi, but for me it is just that.
4. Viggo Mortensen in The Fellowship of the Ring- Mortensen gives a strong performance balancing well both the strength and underlying weakness in his character. He never becomes the highlight of any of the individual films, but his Aragorn is a highlight of the trilogy as a whole.
3. Brian Cox in L.I.E- Brian Cox plays a very risky role to say the least and Cox maybe plays it too well being a complete creep, but still a charming and very down to earth sort of creep.
2. Jude Law in A.I. Artificial Intelligence- Law is very effective here being quite artificial in his showman's manner. but still having a decent amount of humanity that brings out in his character's warmth and wisdom.
1. Sean Bean in The Fellowship of the Ring- When I watched this film for the first time over ten years ago Bean probably would not have been the first actor I would have mentioned when speaking about the strengths of the film. It was not that I did not like him, I liked him but I took what he did in the role for granted. Bean goes beyond his call of duty here in his portrayal of Boromir who could have easily just been a prideful dupe. Instead he brings a great deal of honest emotion to the role and turns Boromir's folly into the tragic portrait of a patriotic career soldier whose emotions slowly overwhelm and get the best of him.
Overall Rank:
4. Viggo Mortensen in The Fellowship of the Ring- Mortensen gives a strong performance balancing well both the strength and underlying weakness in his character. He never becomes the highlight of any of the individual films, but his Aragorn is a highlight of the trilogy as a whole.
3. Brian Cox in L.I.E- Brian Cox plays a very risky role to say the least and Cox maybe plays it too well being a complete creep, but still a charming and very down to earth sort of creep.
2. Jude Law in A.I. Artificial Intelligence- Law is very effective here being quite artificial in his showman's manner. but still having a decent amount of humanity that brings out in his character's warmth and wisdom.
1. Sean Bean in The Fellowship of the Ring- When I watched this film for the first time over ten years ago Bean probably would not have been the first actor I would have mentioned when speaking about the strengths of the film. It was not that I did not like him, I liked him but I took what he did in the role for granted. Bean goes beyond his call of duty here in his portrayal of Boromir who could have easily just been a prideful dupe. Instead he brings a great deal of honest emotion to the role and turns Boromir's folly into the tragic portrait of a patriotic career soldier whose emotions slowly overwhelm and get the best of him.
Overall Rank:
- Anthony Hopkins in Hearts in Atlantis
- Ian McKellen in The Fellowship of the Ring
- Sean Bean in The Fellowship of the Ring
- Jude Law in A.I. Artificial Intelligence
- Brian Cox in L.I.E.
- Ben Kingsley in Sexy Beast
- Alan Cumming in Josie and The Pussycats
- Paul Bettany in A Knight's Tale
- James Gandolfini in The Mexican
- Ian Holm in The Fellowship of the Ring
- Luke Wilson in The Royal Tenenbaums
- Michael Caine in Last Orders
- Teruyuki Kagawa in Devils on the Doorstep
- Justin Theroux in Mulholland Drive
- Tsutomu Yamazaki in Go
- Viggo Mortensen in The Fellowship of the Ring
- Ben Stiller in The Royal Tenenbaums
- Tony Shalhoub in The Man Who Wasn't There
- Mark Addy in A Knight's Tale
- Tom Courtenay in Last Orders
- Héctor BenjamÃn Alterio in Son of the Bride
- Mark Pellegrino in Mulholland Drive
- Steve Buscemi in Ghost World
- Timothy Spall in Intimacy
- Ed Harris in A Beautiful Mind
- Geoffrey Rush in Lantana
- Monty Montgomery in Mulholland Drive
- Sean Astin in The Fellowship of the Ring
- Robbie Coltrane in Harry Potter and the Sorcerer's Stone
- Paul Bettany in A Beautiful Mind
- Clive Owen in Gosford Park
- Kenya Sawada in Devils on the Doorstep
- Ian McShane in Sexy Beast
- Christopher Lee in The Fellowship of the Ring
- Martin Landau in The Majestic
- David Hemmings in Last Orders
- Ricky Jay in Heist
- Peter Boyle in Monster's Ball
- James Gandolfini in The Man Who Wasn't There
- Mickey Rourke in The Pledge
- Yuan Ding in Devils on the Doorstep
- Heath Ledger in Monster's Ball
- Jim Broadbent in Moulin Rouge!
- Danny DeVito in Heist
- Ray Winstone in Last Orders
- Zhijun Cong in Devils on the Doorstep
- Patrick Fischler in Mulholland Drive
- Richard Harris in Harry Potter and the Sorcerer's Stone
- Owen Wilson in The Royal Tenenbaums
- Delroy Lindo in Heist
- Federico Luppi in The Devil's Backbone
- Alan Tudyk in A Knight's Tale
- Aries Spears in Josie and the Pussycats
- Cast of Black Hawk Down
- Bill Murray in The Royal Tenenbaums
- Hugh Bonneville in Iris
- Jon Polito in The Man Who Wasn't There
- Andy Garcia in Ocean's Eleven
- John Lone in Rush Hour 2
- Holmes Osborne in Donnie Darko
- John Rhys-Davies in The Fellowship of the Ring
- Nick Stahl in In The Bedroom
- Carson Daly in Josie and the Pussycats
- Peter Falk in Made
- William Hurt in A.I. Artificial Intelligence
- James Whitmore in The Majestic
- Hugo Weaving in The Fellowship of the Ring
- Angelo Badalmenti in Mulholland Drive
- Alan Rickman in Harry Potter and the Sorcerer's Stone
- John Hurt in Harry Potter and the Sorcerer's Stone
- Patrick Swayze in Donnie Darko
- Kurt Russell in Vanilla Sky
- Gene Hackman in The Mexican
- Alan Bates in Gosford Park
- Marlon Brando in The Score
- Lindsay Honey in Last Resort
- Seth Green in Josie and the Pussycays
- Breckin Meyer in Josie and the Pussycats
- Donald Faison in Josie and the Pussycats
- Billy Boyd in The Fellowship of the Ring
- Noah Taylor in Vanilla Sky
- David Duchovny in Zoolander
- Mario Van Peebles in Ali
- Sam Rockwell in Heist
- Seymour Cassel in The Royal Tenenbaums
- Eduardo Noriega in The Devil's Backbone
- Paul Reubens in Blow
- Moni Moshonov in Late Marriage
- Ed Harris in Enemy at the Gates
- Pete Postlethewaite in The Shipping News
- James Gandolfini in The Last Castle
- Simon Cowell in No Man's Land
- Sam Rockwell in Made
- Richard Jenkins in The Man Who Wasn't There
- Brendan Gleeson in A.I. Artificial Intelligence
- Christopher Plummer in A Beautiful Mind
- Scott Glenn in The Shipping News
- Will Ferrell in Zoolander
- Richard Griffiths in Harry Potter and the Sorcerer's Stone
- Tom Noonan in The Pledge
- Owen Wilson in Zoolander
- José Dumont in Behind the Sun
- Cavan Kendall in Sexy Beast
- Carl Reiner in Ocean's Eleven
- Jason Lee in Vanilla's Sky
- Michael Gambon in Gosford Park
- Kumar Pallana in The Royal Tenenbaums
- Bob Balaban in Gosford Park
- Benecio Del Toro in The Pledge
- Michael Badalucco in The Man Who Wasn't There
- Gabriel Mann in Josie and the Pussycats
- Don Cheadle in Swordfish
- Paul Blackthorne in Lagaan
- William Mapouther in In The Bedroom
- Christopher Walken in Joe Dirt
- Elliot Gould in Ocean's Eleven
- Danny Glover in The Royal Tenenbaums
- Stephen Dillane in The Spy Game
- Jon Voight in Zoolander
- Ron Silver in Ali
- Michael Jeter in Jurassic Park III
- Ian Hart in Harry Potter and the Sorcerer's Stone
- Ryan Phillipe in Gosford Park
- Jerry Stiller in Zoolander
- Orlando Bloom in The Fellowship of the Ring
- Bran Renfro in Ghost World
- Bernie Mac in Ocean's Eleven
- Bob Balaban in Ghost World
- J.K. Simmons in The Mexican
- Aaron Eckhart in The Pledge
- Tom Felton in Harry Potter and the Sorcerer's Stone
- William H. Macy in Jurassic Park III
- Steve Buscemi in Domestic Disturbance
- Eddie Murphy in Shrek
- Cuba Gooding Jr. in Pearl Harbor
- Hayden Christensen in Life as A House
- Rupert Grint in Harry Potter and the Sorcerer's Stone
- Matt Damon in Ocean's Eleven
- Dominic Monaghan in The Fellowship of the Ring
- Don Cheadle in Ocean's Eleven
- Oded Fehr in The Mummy Returns
- Vince Vaughn in Domestic Disturbance
- Joseph Fiennes in Enemy At the Gates
- Mark Ruffalo in The Last Castle
- Paulo Costanzo in Josie and The Pussycats
- Alec Baldwin in Pearl Harbor
- Sam Robards in A.I. Artificial Intelligence
- Rufus Sewell in A Knight's Tale
- Jon Voight in Ali
- Arnold Vosloo in The Mummy Returns
- Jamie Foxx in Ali
- Jon Voight in Pearl Harbor
- Iain Glen in Tomb Raider
- Richard Roxburgh in Moulin Rouge!
- Alessandro Nivola in Jurassic park III
- John Hannah in The Mummy Returns
- Trevor Morgan in Jurassic Park III
- Freddie Boath in The Mummy Returns
- John Leguizamo in Moulin Rouge!
Wednesday, 1 May 2013
Alternate Best Supporting Actor 2001: Viggo Mortensen and Sean Bean in The Lord of the Rings: The Fellowship of the Ring
Viggo Mortensen did not receive an Oscar nomination for portraying Aragorn/Strider in The Lord of the Rings: The Fellowship of the Ring.
The Lord of the Rings trilogy despite being nominated for best picture each time only received one Oscar nomination for acting that went to Ian McKellen in this film despite the large ensembles of the films. Apparently if the Academy is going to nominate someone from a fantasy or a science fiction film they better be the old wise mentors of the character like McKellen as Gandalf or Alec Guinness in Star Wars. The two performances I am looking at here though don't fall in those categories though they are important to the success of the film. I'll start with Mortensen who plays Aragorn who in most stories would be the main character of the film though he is not.
Frodo played by Elijah Wood is actually the lead of the film but Frodo is not physically imposing and his main method is to avoid danger rather than face it. Aragorn comes along as their guide some time in their film and tries to help them best he can. In McKellen's review I said that he made the character exactly as I pictured him when I read the book, Mortensen's Aragorn is not exactly how I pictured the character, but nevertheless his take on the character still is successful. Mortensen plays Aragorn quite effectively as most certainly a hero in the film yet not a perfect hero which is essential for his character's path that moves across all three films.
Mortensen's quite good showing strength well at the same time concealing greater strength. One of the biggest aspects of his character is the shame he feels due to the actions of his ancestors, and Mortensen brings this into his performance by showing a certain distance in his heroics. Yes Aragorn is a completely heroic character literally throwing himself into danger to save others, but still his manner with others withdrawn and hesitant. Mortensen makes a nice balance showing exactly how he became the ranger in that he does not have the strength to fulfill his destiny yet will still will do whatever good he can in his own way.
Mortensen delivers a very important need in terms of the film is that he stands as certain support to Frodo and the others. He is strong but far from perfect. When he shows up he is able to help the hobbits but he does not really act as a comforting factor which properly keeps the intensity of those that threaten the hobbits. Mortensen is a strong presence and always believable in the action scenes honestly showing an effort in them. His work adds nicely to the tapestry of this film as well the whole trilogy where his character arc lies. He may not quite be the highlight of any of the films, but is one of the highlights of the epic trilogy.
Sean Bean did not receive an Oscar nomination for portraying Boromir in Lord of the Rings: The Fellowship of the Ring.
I have to admit this is a performance that I really took for granted for the longest time. I certainly thought he applied himself admirably, but he was not the performance I took away from the film. Really looking critically at this performance though there is a great deal to be admired by Bean's portrayal of Boromir. Boromir easily could be a throwaway role and could be seen just as part of the background then eventually an obstacle that needs to be overcome by the other characters (as he basically is in the Ralph Bakshi animated version, he's also viking for some reason but the less said about that the better). Bean though very much invests himself fully in the character and does his best to bring humanity to Boromir.
Boromir easily could be just a bully frankly whose want for power is pretty blunt, but Bean does not portray him as such. Bean has him very close to Aragorn actually, but with the key difference being that Boromir is a far more emotional man whose pride can override his better judgment. Bean importantly in any of the moments where he speaks of his homeland has a great intensity in this pride. We can even sense his feelings of both accomplishment and even sadness in what he and his people have been doing and what they have lost to protect the rest of the world from the forces of evil. Bean is great in honestly creating a history in the man, a man who has faced the evil directly for so long on the front lines, and cannot forget that.
Whenever Boromir speak of the ring and his own ideas for it, it never is of evil or greed. Bean is quite effective in the way Boromir seems drawn to in such a primal way, but is almost poetic in the manner in which he speak of the ring. Although he may be wrong about the ring Bean never shows his fallacy to come from evil. Instead Bean has such a genuine passion in what he speaks about, he shows him as a man who honestly believes that the ring will save his land and his people he cares so much for. When Boromir does finally betray his pledge to help Frodo in an attempt to steal the ring for himself Bean is excellent portraying it as an act of desperation above else, and importantly afterwards allows us to see the sadness in Boromir that comes when he realizes what he does.
Bean's absolute devotion in the part when it comes to realizing that underlying motivation of the man humanizes Boromir beautifully and even manages to show just how it was his overpowering emotions rather than evil that drives him to attempt to steal the ring. Bean finds a truth in the character that makes his final scene far more powerful than it would be otherwise. I personally love his reactions in his last stand as he fights on even it becomes quite clear he is losing the fight. Bean's has such heart in his expressions showing the last stand of a man who will try to his last breath. Bean makes Boromir's final moments quite poignant in creating this man who deep down inside only did desire good in his soul. In close examination this is great work that turns what could have been just a simple display of a prideful idiot, into a tragic portrait of a true patriot.
The Lord of the Rings trilogy despite being nominated for best picture each time only received one Oscar nomination for acting that went to Ian McKellen in this film despite the large ensembles of the films. Apparently if the Academy is going to nominate someone from a fantasy or a science fiction film they better be the old wise mentors of the character like McKellen as Gandalf or Alec Guinness in Star Wars. The two performances I am looking at here though don't fall in those categories though they are important to the success of the film. I'll start with Mortensen who plays Aragorn who in most stories would be the main character of the film though he is not.
Frodo played by Elijah Wood is actually the lead of the film but Frodo is not physically imposing and his main method is to avoid danger rather than face it. Aragorn comes along as their guide some time in their film and tries to help them best he can. In McKellen's review I said that he made the character exactly as I pictured him when I read the book, Mortensen's Aragorn is not exactly how I pictured the character, but nevertheless his take on the character still is successful. Mortensen plays Aragorn quite effectively as most certainly a hero in the film yet not a perfect hero which is essential for his character's path that moves across all three films.
Mortensen's quite good showing strength well at the same time concealing greater strength. One of the biggest aspects of his character is the shame he feels due to the actions of his ancestors, and Mortensen brings this into his performance by showing a certain distance in his heroics. Yes Aragorn is a completely heroic character literally throwing himself into danger to save others, but still his manner with others withdrawn and hesitant. Mortensen makes a nice balance showing exactly how he became the ranger in that he does not have the strength to fulfill his destiny yet will still will do whatever good he can in his own way.
Mortensen delivers a very important need in terms of the film is that he stands as certain support to Frodo and the others. He is strong but far from perfect. When he shows up he is able to help the hobbits but he does not really act as a comforting factor which properly keeps the intensity of those that threaten the hobbits. Mortensen is a strong presence and always believable in the action scenes honestly showing an effort in them. His work adds nicely to the tapestry of this film as well the whole trilogy where his character arc lies. He may not quite be the highlight of any of the films, but is one of the highlights of the epic trilogy.
Sean Bean did not receive an Oscar nomination for portraying Boromir in Lord of the Rings: The Fellowship of the Ring.
I have to admit this is a performance that I really took for granted for the longest time. I certainly thought he applied himself admirably, but he was not the performance I took away from the film. Really looking critically at this performance though there is a great deal to be admired by Bean's portrayal of Boromir. Boromir easily could be a throwaway role and could be seen just as part of the background then eventually an obstacle that needs to be overcome by the other characters (as he basically is in the Ralph Bakshi animated version, he's also viking for some reason but the less said about that the better). Bean though very much invests himself fully in the character and does his best to bring humanity to Boromir.
Boromir easily could be just a bully frankly whose want for power is pretty blunt, but Bean does not portray him as such. Bean has him very close to Aragorn actually, but with the key difference being that Boromir is a far more emotional man whose pride can override his better judgment. Bean importantly in any of the moments where he speaks of his homeland has a great intensity in this pride. We can even sense his feelings of both accomplishment and even sadness in what he and his people have been doing and what they have lost to protect the rest of the world from the forces of evil. Bean is great in honestly creating a history in the man, a man who has faced the evil directly for so long on the front lines, and cannot forget that.
Whenever Boromir speak of the ring and his own ideas for it, it never is of evil or greed. Bean is quite effective in the way Boromir seems drawn to in such a primal way, but is almost poetic in the manner in which he speak of the ring. Although he may be wrong about the ring Bean never shows his fallacy to come from evil. Instead Bean has such a genuine passion in what he speaks about, he shows him as a man who honestly believes that the ring will save his land and his people he cares so much for. When Boromir does finally betray his pledge to help Frodo in an attempt to steal the ring for himself Bean is excellent portraying it as an act of desperation above else, and importantly afterwards allows us to see the sadness in Boromir that comes when he realizes what he does.
Bean's absolute devotion in the part when it comes to realizing that underlying motivation of the man humanizes Boromir beautifully and even manages to show just how it was his overpowering emotions rather than evil that drives him to attempt to steal the ring. Bean finds a truth in the character that makes his final scene far more powerful than it would be otherwise. I personally love his reactions in his last stand as he fights on even it becomes quite clear he is losing the fight. Bean's has such heart in his expressions showing the last stand of a man who will try to his last breath. Bean makes Boromir's final moments quite poignant in creating this man who deep down inside only did desire good in his soul. In close examination this is great work that turns what could have been just a simple display of a prideful idiot, into a tragic portrait of a true patriot.
Alternate Best Supporting Actor 2001: Steve Buscemi in Ghost World
Steve Buscemi did not receive an Oscar nomination, despite being nominated for a Golden Globe and being nominated for and winning several awards from critical awards including the NYFCC and NSFC, for portraying Seymour in Ghost World.
Ghost World is an enjoyable enough quirky film about social outside Enid (Thora Birch) who after playing an anonymous prank on a a middle aged man she strikes up a friendship with him.
The still never nominated Steve Buscemi must have been close to being nominated for this performance considering his Golden Globe nomination and great number of awards he received for his performance. He certainly was the closest of the five I have chosen to review as Law played an android in a science fiction film, the Fellowship was apparently covered by Ian McKellen only, and despite the critical love Brian Cox was never going to be nominated for his performance in that film. Putting all that aside though just what is so great about Buscemi's performance in this film.
Well nothing especially comes off great about this performance. Steve Buscemi plays Seymour a middle aged man who loves his record collection and has a hard time connecting with anyone or finding himself in a romantic relationship despite wanting one. Buscemi goes about making a particular characterization than sticking with it. He makes Seymour a likable enough fellow though one who always seems to have a certain malaise due to his loneliness yet Buscemi does portray him as being able to compensate for it well enough due to his little joys that gets from listening and collecting vintage records.
When the other younger outsider Enid starts spending time with him Buscemi stays consistent in his portrayal. In their relationship Buscemi shows Seymour to certainly like the fact that she is interested in his interests yet still has a certain unease about the whole thing suggesting properly that Seymour does not exactly know how to deal with the attention she is giving him. He continues on in this fashion pretty much throughout the film, and even when Seymour has some changes like getting a girlfriend, or getting frustrated when learning that how he met Enid was due to a cruel prank he still stays pretty much the same man.
Buscemi handles the highs and lows of Seymour's personal journey pretty well and is believable in the way he shows him as he'll spike one way or another but can easily settle to his usual self. It's a good performance because he finds just the right characterization for Seymour to make the fact that Seymour does not really learn anything both seem natural and even satisfying as he shows that is simply the way Seymour is. This is solid from Buscemi, enjoyable with a certain charm and realizes exactly who Seymour should be. At the same time though this never feels like a great performance in anyway, and it is far from Buscemi's best work.
Ghost World is an enjoyable enough quirky film about social outside Enid (Thora Birch) who after playing an anonymous prank on a a middle aged man she strikes up a friendship with him.
The still never nominated Steve Buscemi must have been close to being nominated for this performance considering his Golden Globe nomination and great number of awards he received for his performance. He certainly was the closest of the five I have chosen to review as Law played an android in a science fiction film, the Fellowship was apparently covered by Ian McKellen only, and despite the critical love Brian Cox was never going to be nominated for his performance in that film. Putting all that aside though just what is so great about Buscemi's performance in this film.
Well nothing especially comes off great about this performance. Steve Buscemi plays Seymour a middle aged man who loves his record collection and has a hard time connecting with anyone or finding himself in a romantic relationship despite wanting one. Buscemi goes about making a particular characterization than sticking with it. He makes Seymour a likable enough fellow though one who always seems to have a certain malaise due to his loneliness yet Buscemi does portray him as being able to compensate for it well enough due to his little joys that gets from listening and collecting vintage records.
When the other younger outsider Enid starts spending time with him Buscemi stays consistent in his portrayal. In their relationship Buscemi shows Seymour to certainly like the fact that she is interested in his interests yet still has a certain unease about the whole thing suggesting properly that Seymour does not exactly know how to deal with the attention she is giving him. He continues on in this fashion pretty much throughout the film, and even when Seymour has some changes like getting a girlfriend, or getting frustrated when learning that how he met Enid was due to a cruel prank he still stays pretty much the same man.
Buscemi handles the highs and lows of Seymour's personal journey pretty well and is believable in the way he shows him as he'll spike one way or another but can easily settle to his usual self. It's a good performance because he finds just the right characterization for Seymour to make the fact that Seymour does not really learn anything both seem natural and even satisfying as he shows that is simply the way Seymour is. This is solid from Buscemi, enjoyable with a certain charm and realizes exactly who Seymour should be. At the same time though this never feels like a great performance in anyway, and it is far from Buscemi's best work.
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