Jake Gyllenhaal did not receive an Oscar nomination for portraying Detective Loki in Prisoners.
Prisoners shows the investigation of the kidnapping of two young girls by both the police and one of the girls's father. It is an interesting film, beautifully shot of course, with some strong moments, but it never quite comes together as well as it potentially could have.
The film follows closely the father Keller Dover played by Hugh Jackman as he goes down a questionable path of torture in attempt to find his child. The film though gives just as much focus to the investigation lead detective of the case played by Jake Gyllenhaal. Where the investigation of the father is a constantly emotionally charged affair, which makes sense, but even more so due to Jackman's performance. Hugh Jackman often seems to be an actor who, for better or for worse, seems to try to give one hundred and ten percent with his performances. That is definitely the case here where he technically hits the right notes with his performance but he hits them a little too hard at times sometimes unfortunately make his acting more noticeable than really what the character is going through.
Jake Gyllenhaal on the other hand gives a far more measured performance in his portrayal of Detective Loki who is a detective who has successfully solved all of his cases before the film begins. When we first meet him Gyllenhaal is very effective in portraying the process of the Loki. When he is talking to the family about the situation Gyllenhaal properly suggests that he definitely invested in the case and suggests the thought process as he asks the questions about the abduction. Gyllenhaal is careful to show the slight act when Dover starts to become increasingly emotional during the questioning. When Loki tells Dover that we need to relax Gyllenhaal is terrific because he shows that actual type of police training in him with the appropriate artifice as it is something Loki does in very specific situations.
Gyllenhaal finds the right balance in the role to make a fully believable portrait of a Detective in such a case. Gyllenhaal shows Loki as almost ever so slightly aloof early on and most of all very calm. Gyllenhaal brings the confidence of Loki's success in these early scenes, and does properly suggest that Loki knows what he is doing and is sticking to his procedure properly. Gyllenhaal even goes so far as to almost be even slightly humorous in his performance and keeps Loki somewhat lighthearted as he goes around investigating sexual deviants to try to narrow down the case. This is not Gyllenhaal making Loki to be some sort of lifeless jerk, but rather this instead reinforces the idea that Loki is very much a professional and taking many of the developments of the case in stride is his way of keeping on task.
Gyllenhaal also avoid any problems from this approach in the way he portrays Loki's reactions when there appear to be any dark developments in the case including things like a rotting corpse in a cellar or perhaps a boxes filled with snakes and some bloodied clothes. Gyllenhaal is excellent in any of these scenes because technically speaking he still keeps the police command of the situation as he does not show Loki to become some sort of nervous wreck or anything but he very effectively portrays the reaction of a normal man seeing what Loki must see. He makes every revelation and scene all the more intense and gives them a greater impact because of how just realistic he is in showing Loki's reaction. Gyllenhaal always feels spot on here and following him through the investigation is a compelling experience because of him.
The film follows Loki through the case but as well with dealing with the increasingly intense Dover who definitely seems to be hiding something from Loki. As the case slowly gets less understandable and more hopeless that the girls will be found Loki will of course becomes more invested. Gyllenhaal is remarkable though because he never cheats in his portrayal of this. In his scenes with Jackman Gyllenhaal still keeps the appropriate distance as he should, but as well as a strong coldness towards Dover's behavior. Gyllenhaal again conveys the professionalism of Loki as a detective that keeps him this way toward Dover. Gyllenhaal does properly suggest in convincing subtle fashion that he understands Dover, but also he very blunt in showing that Loki really believes that Dover's behavior in no way is helping the case.
Away Dover, and appropriately so as the lead detective would not want to show any weakness to the victims, Gyllenhaal very naturally reveals and builds Loki's frustrations and struggle with the case. Gyllenhaal handles it so delicately, never rushing a moments of it, and never once going overboard either, his very genuine depiction of Loki losing his resolve resonates powerfully. Even though I feel the film and Jackman often try a little too hard to emotionally charge the film, Gyllenhaal actually handles this much better by taking his more reflective approach. When Gyllenhaal brings the big emotions out you real feel them because he always does it at the right time, and in the right way.
I suppose one thing I should quickly mention is that Gyllenhaal plays Loki as man with a tic where he will blink a lot. It really is not an essential part of his character or anything, but I'll say it reminded me of someone I know who blinks just that way, so good job Gyllenhaal although I don't know if it was particularly necessary. Anyway Gyllenhaal easily is the best thing about the film and managed to amplify every scene of the film he is in through his realistic depiction of the full weight of one detectives investigation into a horrible crime. When I think of the strength of his performance the first scene I think of is Detective Loki's rush to the hospital at the end of the film, I found that a thrilling moment, the direction and music of course was well done, but what really kept me in the scene was Gyllenhaal's fierce portrayal of what Loki is going through both physically and mentally.
Tuesday, 11 February 2014
Sunday, 9 February 2014
Alternate Best Actor 2013
And the Nominees Were Not:
Jake Gyllenhaal in Prisoners
Tom Hanks in Captain Phillips
James McAvoy in Filth
Oscar Isaac in Inside Llewyn Davis
Joaquin Phoenix in Her
Jake Gyllenhaal in Prisoners
Tom Hanks in Captain Phillips
James McAvoy in Filth
Oscar Isaac in Inside Llewyn Davis
Joaquin Phoenix in Her
Best Actor 2013: Results
5. Christian Bale in American Hustle- Although the film consistently backhands him Bale tries hard to try to make the film's plot work. I won't say he succeeds but I appreciate the effort.
Best Scene: Irving tells Carmine the truth.
4. Chiwetel Ejiofor in 12 Years a Slave- A year where this performance stands in fourth place is a truly great year indeed. Ejiofor gives a powerful performance by truthfully portraying every painful phase of his character's horrible predicament.
Best Scene: Solomon finally returns home.
3. Bruce Dern in Nebraska- Bruce Dern gives a interesting portrayal of the result of one man's life in terms of his physical state and a powerful portrayal of his emotional state.
Best Scene: Woody drives through town.
2. Leonardo DiCaprio in The Wolf of Wall Street- Leonardo DiCaprio might give his best performance with his extremely entertaining and very funny depiction of the sinful behavior of one man.
Best Scene: Lemmon Quaaludes 714
1. Matthew McConaughey in Dallas Buyers Club- Well this year was amazing to say the least and I would not mind if any one of these top four were to take the prize, but if I were to vote I actually would be very tempted to go with Bruce Dern, I would love to see him win. The likely winner though and the one that I will declare as the best of the best goes to Matthew McConaughey's outstanding work in Dallas Buyers Club. It is actually hardest to pick his best scene because every single one of his scenes is remarkable. McConaughey just hits every emotional note of this performance perfectly and gives a truly compelling and believable portrayal of his character's transformation.
Best Scene: Ron comforts Rayon.
Best Actor Ranking:
Best Scene: Irving tells Carmine the truth.
4. Chiwetel Ejiofor in 12 Years a Slave- A year where this performance stands in fourth place is a truly great year indeed. Ejiofor gives a powerful performance by truthfully portraying every painful phase of his character's horrible predicament.
Best Scene: Solomon finally returns home.
3. Bruce Dern in Nebraska- Bruce Dern gives a interesting portrayal of the result of one man's life in terms of his physical state and a powerful portrayal of his emotional state.
Best Scene: Woody drives through town.
2. Leonardo DiCaprio in The Wolf of Wall Street- Leonardo DiCaprio might give his best performance with his extremely entertaining and very funny depiction of the sinful behavior of one man.
Best Scene: Lemmon Quaaludes 714
1. Matthew McConaughey in Dallas Buyers Club- Well this year was amazing to say the least and I would not mind if any one of these top four were to take the prize, but if I were to vote I actually would be very tempted to go with Bruce Dern, I would love to see him win. The likely winner though and the one that I will declare as the best of the best goes to Matthew McConaughey's outstanding work in Dallas Buyers Club. It is actually hardest to pick his best scene because every single one of his scenes is remarkable. McConaughey just hits every emotional note of this performance perfectly and gives a truly compelling and believable portrayal of his character's transformation.
Best Scene: Ron comforts Rayon.
Best Actor Ranking:
- 2013
- 1962
- 1939
- 1964
- 2002
- 1978
- 1965
- 1970
- 1974
- 2012
- 1976
- 1954
- 1966
- 1982
- 1960
- 1983
- 1967
- 1979
- 1955
- 2011
- 1986
- 1973
- 1972
- 1994
- 1940
- 1950
- 1963
- 1975
- 1952
- 1980
- 1953
- 1959
- 1987
- 1977
- 1968
- 2006
- 1938
- 1969
- 1992
- 1961
- 1971
- 1956
- 1951
- 1984
- 1943
- 1958
- 1948
- 1998
- 1999
- 1988
- 1944
- 1936
- 1946
- 1957
- 2007
- 2005
- 1942
- 1947
- 1993
- 1981
- 1989
- 1995
- 2004
- 1937
- 2009
- 1941
- 1997
- 1931
- 1996
- 1949
- 2003
- 2010
- 1990
- 1945
- 1985
- 2001
- 2008
- 1991
- 2000
- F. Murray Abraham in Amadeus (1984)
- Peter O'Toole in Lawrence of Arabia (1962)
- James Stewart in It's a Wonderful Life (1946)
- Richard Farnsworth in The Straight Story (1999)
- Laurence Olivier in The Entertainer (1960)
- Alec Guinness in The Bridge on the River Kwai (1957)
- William Hurt in Kiss of the Spider Woman (1985)
- Daniel Day-Lewis in My Left Foot (1989)
- Marlon Brando in On the Waterfront (1954)
- Dustin Hoffman in Midnight Cowboy (1969)
- George C. Scott in Patton (1970)
- Jack Nicholson in One Flew Over the Cuckoos Nest (1975)
- Robert Duvall in Tender Mercies (1983)
- Jack Lemmon in Save the Tiger (1973)
- Peter O'Toole in The Lion in Winter (1968)
- Jon Voight in Midnight Cowboy (1969)
- Al Pacino in Dog Day Afternoon (1975)
- Jack Nicholson in Five Easy Pieces (1970)
- Paul Newman in The Verdict (1982)
- Laurence Olivier in Sleuth (1972)
- Peter Finch in Network (1976)
- Laurence Olivier in Hamlet (1948)
- Robert De Niro in The Deer Hunter (1978)
- Clark Gable Gone With the Wind (1939)
- Ray Milland in The Lost Weekend (1945)
- Ernest Borgnine in Marty (1955)
- Joaquin Phoenix in The Master (2012)
- Daniel Day-Lewis in Lincoln (2012)
- Bob Hoskins in Mona Lisa (1986)
- William Holden in Stalag 17 (1953)
- Paul Newman in Hud (1963)
- Gary Oldman in Tinker Tailor Soldier Spy (2011)
- James Stewart in Anatomy of a Murder (1959)
- Richard Burton in The Spy Who Came in From The Cold (1965)
- Montgomery Clift in From Here to Eternity (1953)
- Matthew McConaughey in Dallas Buyers Club (2013)
- Stuart Whitman in The Mark (1961)
- Paul Newman in The Hustler (1961)
- Richard Burton in Who's Afraid of Virginia Woolf (1966)
- Jack Lemmon in Days Of Wine And Roses (1962)
- Gregory Peck in To Kill A Mockingbird (1962)
- Kirk Douglas in Lust For Life (1956)
- Laurence Olivier in Richard III (1956)
- Rod Steiger in The Pawnbroker (1965)
- Tom Hulce in Amadeus (1984)
- Robert De Niro in Raging Bull (1980)
- Laurence Olivier in Rebecca (1940)
- Leonardo DiCarpio in The Wolf of Wall Street (2013)
- Michael Caine in Alfie (1966)
- Paul Scofield in A Man For All Seasons (1966)
- Giancarlo Giannini in Seven Beauties (1976)
- Jeremy Irons in Reversal of Fortune (1990)
- Jean Dujardin in The Artist (2011)
- Montgomery Clift in A Place in the Sun (1951)
- Robert Montgomery in Night Must Fall (1937)
- Charles Laughton in The Private Life of Henry VIII (1933)
- Jack Nicholson in Ironweed (1987)
- Clark Gable in It Happened One Night (1934)
- Clint Eastwood in Unforgiven (1992)
- James Woods in Salvador (1986)
- Alec Guinness in The Lavender Hill Mob (1952)
- Marlon Brando in A Streetcar Named Desire (1951)
- Spencer Tracy in A Bad Day At Black (1955)
- Art Carney in Harry and Tonto (1974)
- Peter O'Toole in Becket (1964)
- Adrien Brody in The Pianist (2002)
- Jack Nicholson in Chinatown (1974)
- Victor McLaglen in The Informer (1935)
- Al Pacino in The Godfather Part 2 (1974)
- Bruce Dern in Nebraska (2013)
- Chiwetel Ejiofor in 12 Years a Slave (2013)
- James Stewart in Mr. Smith Goes Washington (1939)
- Anthony Quinn in Zorba the Greek (1964)
- Forest Whitaker in The Last King of Scotland (2006)
- Rod Steiger in The Heat of the Night (1967)
- Jack Nicholson in The Last Detail (1973)
- Anthony Hopkins in The Silence of the Lambs (1991)
- James Cagney in Angels With Dirty Faces (1938)
- Burt Lancaster in Elmer Gantry (1960)
- Robert De Niro in Taxi Driver (1976)
- Laurence Harvey in Room at the Top (1959)
- Philip Seymour Hoffman in Capote (2005)
- James Dean in East of Eden (1955)
- Ronald Colman in A Double Life (1947)
- Jon Voight in Coming Home (1978)
- Laurence Olivier in Wuthering Heights (1939)
- Tom Wilkinson in In The Bedroom (2001)
- Jack Nicholson in About Schmidt (2002)
- Mickey Rourke in The Wrestler (2008)
- Daniel Day-Lewis in There Will Be Blood (2007)
- Sidney Poitier in Lilies of the Field (1963)
- Richard Harris in This Sporting Life (1963)
- Albert Finney in Tom Jones (1963)
- Marcello Mastroianni in Divorce Italian Style (1962)
- Gene Hackman in The French Connection (1971)
- Edward Norton in American History X (1998)
- Demian Bichir in A Better Life (2011)
- Marlon Brando in Julius Caesar (1953)
- Robert Donat in The Citadel (1938)
- Charles Boyer in Gaslight (1944)
- Paul Lukas in Watch on the Rhine (1943)
- James Mason in A Star is Born (1954)
- Charlie Chaplin in The Great Dictator (1940)
- Robert Donat in Goodbye, Mr Chips (1939)
- Leslie Howard in Pygmalion (1938)
- Peter Sellers in Dr. Strangelove (1964)
- Marlon Brando in The Godfather (1972)
- Peter Sellers in Being There (1979)
- Walter Huston The Devil and Daniel Webster (1941)
- Michael Caine in Sleuth (1972)
- Robert Duvall in The Apostle (1997)
- Emil Jannings in The Last Command (1928)
- Liam Neeson in Schindler's List (1993)
- Walter Huston in Dodsworth (1936)
- John Hurt in The Elephant Man (1980)
- Ben Kingsley in Gandhi (1982)
- Jack Lemmon in The Apartment (1960)
- Laurence Olivier in Henry V (1946)
- Nicolas Cage in Adaptation (2002)
- Jeremy Renner in The Hurt Locker (2009)
- Kirk Douglas in Champion (1949)
- Don Cheadle in Hotel Rwanda (2004)
- Humphrey Bogart in Casablanca (1943)
- Henry Fonda in The Grapes of Wrath (1940)
- Fredric March in Dr. Jekyll and Mr. Hyde (1932)
- Viggo Mortensen in Eastern Promises (2007)
- Leonardo DiCaprio in The Aviator (2004)
- Morgan Freeman in The Shawshank Redemption (1994)
- Daniel Day-Lewis in Gangs of New York (2002)
- Gene Hackman in Mississippi Burning (1988)
- William Hurt in Children of Lesser God (1986)
- Ronald Colman in Bulldog Drummond (1930)
- Richard Burton in Becket (1964)
- Marlon Brando in Viva Zapata! (1952)
- Bing Crosby in The Country Girl (1954)
- Dudley Moore in Arthur (1981)
- Nicolas Cage in Leaving Las Vegas (1995)
- Henry Fonda in On Golden Pond (1981)
- Barry Fitzgerald in Going My Way (1944)
- Nigel Hawthorne in The Madness of King George (1994)
- Charles Laughton in A Witness for the Prosecution(1957)
- John Travolta in Saturday Night Fever (1977)
- Tom Courtenay in The Dresser (1983)
- Oskar Werner in Ship of Fools (1965)
- Bradley Cooper in Silver Linings Playbook (2012)
- Sean Penn in Dead Man Walking (1995)
- Marcello Mastroianni in A Special Day (1977)
- William Powell in The Thin Man (1934)
- Monty Woolley in The Pied Piper (1942)
- William Hurt in Broadcast News (1987)
- Dustin Hoffman in Tootsie (1982)
- Maximilian Schell in The Man in a Glass Booth (1975)
- Hugh Jackman in Les Miserables (2012)
- Alexander Knox in Wilson (1944)
- Ian McKellen in Gods and Monsters (1998)
- Tom Hanks in Cast Away (2000)
- James Stewart in Harvey (1950)
- Gary Busey in The Buddy Holly Story (1978)
- Paul Newman in Cool Hand Luke (1967)
- Robert Duvall in The Great Santini (1980)
- Heath Ledger in Brokeback Mountain (2005)
- William Holden in Sunset Blvd. (1950)
- Jesse Eisenberg in The Social Network (2010)
- Jose Ferrer in Cyrano De Bergerac (1950)
- Daniel Day-Lewis in In the Name of the Father (1993)
- Cary Grant in Penny Serenade (1941)
- Leonardo DiCaprio Blood Diamond (2006)
- John Travolta in Pulp Fiction (1994)
- Russell Crowe in A Beautiful Mind (2001)
- Dustin Hoffman in The Graduate (1967)
- Morgan Freeman in Driving Miss Daisy (1989)
- Peter Fonda in Ulee's Gold (1997)
- Paul Muni in I Am a Fugitive From a Chain Gang (1933)
- Alan Bates in The Fixer (1968)
- Anthony Quinn in Wild is the Wind (1957)
- Albert Finney in The Dresser (1983)
- Albert Finney in Under The Volcano (1984)
- Sidney Poitier in The Defiant Ones (1958)
- Tony Curtis in The Defiant Ones (1958)
- Orson Welles in Citizen Kane (1941)
- Sam Waterson in The Killing Fields (1984)
- Michael Douglas in Wall Street (1987)
- Brad Pitt in Moneyball (2011)
- Russell Crowe in The Insider (1999)
- Richard Harris in The Field (1990)
- Roy Scheider in All that Jazz (1979)
- Lee Marvin in Cat Ballou (1965)
- Topol in Fiddler on the Roof (1971)
- Colin Firth in A Single Man (2009)
- Melvyn Douglas in I Never Sang for My Father (1970)
- Clark Gable in Mutiny on the Bounty (1935)
- Tom Hanks in Saving Private Ryan (1998)
- Marlon Brando Last Tango in Paris (1973)
- Peter Finch in Sunday Bloody Sunday (1971)
- David Niven in Separate Tables (1958)
- Ryan Gosling in Half Nelson (2006)
- Richard Jenkins in The Visitor (2008)
- Clint Eastwood in Million Dollar Baby (2004)
- Robert Downey Jr. in Chaplin (1992)
- Lionel Barrymore in A Free Soul (1931)
- Gary Cooper in High Noon (1952)
- Jack Lemmon in The China Syndrome (1979)
- Spencer Tracy in Father of the Bride (1950)
- Dan O'Herlihy in Robinson Crusoe (1954)
- Peter O'Toole in The Ruling Class (1972)
- Paul Newman in A Cat on a Hot Tin Roof (1958)
- Fredric March in A Star is Born (1937)
- Tom Cruise in Jerry Maguire (1996)
- Jackie Cooper in Skippy (1931)
- Arthur Kennedy in Bright Victory (1951)
- Ronald Colman in Random Harvest (1942)
- Kirk Douglas in The Bad and The Beautiful (1952)
- Gregory Peck in The Keys of the Kingdom (1945)
- Peter O'Toole in My Favorite Year (1982)
- James Cagney in Yankee Doodle Dandy (1942)
- Montgomery Clift in The Search (1948)
- Richard Burton in Equus (1977)
- Mickey Rooney in The Human Comedy (1943)
- William Holden in Network (1976)
- Ralph Fiennes in The English Patient (1997)
- William Powell in My Man Godfrey (1936)
- Cliff Robertson in Charly (1968)
- Paul Newman in Nobody's Fool (1994)
- Maximilian Schell in Judgment At Nuremberg (1961)
- Laurence Olivier in The Boys from Brazil (1978)
- Ronald Colman in Condemned (1930)
- Peter O'Toole in The Stunt Man (1980)
- Kenneth Branagh in Henry V (1989)
- Laurence Olivier in Othello (1965)
- Peter O'Toole in Venus (2006)
- Warner Baxter in In Old Arizona (1929)
- Dustin Hoffman in Lenny (1974)
- Gary Cooper in Mr. Deeds Goes to Town (1936)
- Fredric March in The Best Years of Our Lives (1946)
- Warren Beatty in Bonnie and Clyde (1967)
- Dustin Hoffman in Kramer vs. Kramer (1979)
- Warren Beatty in Heaven Can Wait (1978)
- Michael Caine in The Quiet American (2002)
- James Earl Jones in The Great White Hope (1970)
- Marcello Mastroianni in Dark Eyes (1987)
- Fredric March in The Royal Family of Broadway (1931)
- Michael Caine in Educating Rita (1983)
- Al Pacino in ...And Justice for All (1979)
- Jeff Bridges in Crazy Heart (2009)
- James Franco in 127 Hours (2010)
- Anthony Hopkins in The Remains of the Day (1993)
- Burt Lancaster in From Here to Eternity (1953)
- James Dean in Giant (1956)
- Burt Lancaster in Atlantic City (1981)
- William Powell in Life With Father (1947)
- Charles Laughton in Mutiny on the Bounty (1935)
- Jack Lemmon in Some Like it Hot (1959)
- Maurice Chevalier in The Love Parade (1930)
- Bill Murray in Lost in Translation (2003)
- Jude Law in Cold Mountain (2003)
- Charlton Heston in Ben-Hur (1959)
- Rock Hudson in Giant (1956)
- Charles Boyer in Algiers (1938)
- Stephen Rea in The Crying Game (1992)
- Tom Conti in Reuben, Reuben (1983)
- Tommy Lee Jones in In the Valley of Elah (2007)
- Jack Lemmon in Missing (1982)
- John Garfield in Body and Soul (1947)
- Ron Moody in Oliver! (1968)
- Rex Harrison in My Fair Lady (1964)
- Clifton Webb in Sitting Pretty (1948)
- Denzel Washington in Malcolm X (1992)
- Raymond Massey in Abe Lincoln in Illinois (1940)
- Charles Boyer in Conquest (1937)
- Lew Ayres in Johnny Belinda (1948)
- Al Pacino in Scent of a Woman (1992)
- Max von Sydow in Pelle the Conqueror (1988)
- George C. Scott in The Hospital (1971)
- Broderick Crawford in All the King's Men (1949)
- Spencer Tracy in Inherit the Wind (1960)
- Steve McQueen in The Sand Pebbles (1966)
- Kevin Spacey in American Beauty (1999)
- Robin Williams in Good Morning Vietnam (1987)
- Paul Muni in The Life of Emile Zola (1937)
- Al Pacino in Serpico (1973)
- Trevor Howard in Sons and Lovers (1960)
- Christian Bale in American Hustle (2013)
- James Cagney in Love Me or Leave Me (1955)
- David Straithairn in Good Night and Good Luck (2005)
- Harrison Ford in Witness (1985)
- Edward James Olmos in Stand and Deliver (1988)
- Ryan O'Neal in Love Story (1970)
- Spencer Tracy in Guess Who's Coming to Dinner (1967)
- Geoffrey Rush in Shine (1996)
- Alan Arkin in The Heart is a Lonely Hunter (1968)
- Richard Dreyfuss in The Goodbye Girl (1977)
- Paul Newman in The Color of Money (1986)
- Woody Allen in Annie Hall (1977)
- Tom Hanks in Big (1988)
- Humphrey Bogart in The Caine Mutiny (1954)
- Richard Burton in Anne of the Thousand Days (1969)
- Dustin Hoffman in Rain Man (1988)
- Michael Redgrave in Mourning Becomes Electra (1947)
- Richard Barthelmess in the Patent Leather Kid (1928)
- Nick Nolte in Affliction (1998)
- Peter O'Toole in Goodbye, Mr. Chips (1969)
- Burt Lancaster in Birdman of Alcatraz (1964)
- Walter Pidgeon in Mrs. Miniver (1942)
- Charlie Chaplin in The Circus (1928)
- Robert Redford in The Sting (1973)
- Walter Matthau in The Sunshine Boys (1975)
- James Stewart in The Philadelphia Story (1940)
- John Wayne in Sands of Iwo Jima (1949)
- Jack Nicholson in As Good as it Gets (1997)
- Paul Muni in The Valiant (1929)
- Adolphe Menjou in The Front Page (1931)
- Denzel Washington in The Hurricane (1999)
- Dustin Hoffman in Wag the Dog (1997)
- Paul Muni in The Story of Louis Pasteur (1936)
- Alan Arkin in The Russians are Coming, The Russians Are Coming (1966)
- Spencer Tracy in Judgment At Nuremberg (1961)
- Louis Calhern in The Magnificent Yankee (1950)
- Paul Muni in The Last Angry Man (1959)
- Sean Penn in Sweet and Lowdown (1999)
- Gregory Peck in Twelve O'clock High (1949)
- Tom Hanks in Forrest Gump (1994)
- Colin Firth in The King's Speech (2010)
- Richard Dreyfuss in Mr. Holland's Opus (1995)
- Johnny Depp in Sweeney Todd (2007)
- Gary Cooper in For Whom the Bell Tolls (1943)
- Russell Crowe in Gladiator
- Walter Pidgeon in Madame Curie (1943)
- Billy Bob Thorton in Sling Blade (1996)
- Johnny Depp in Finding Neverland (2004)
- Albert Finney in Murder on the Orient Express (1974)
- Spencer Tracy in San Francisco (1936)
- Johnny Depp in The Curse of the Black Pearl (2003)
- Bing Crosby in Going My Way (1944)
- Mickey Rooney in Babes in Arms (1939)
- Spencer Tracy in Boys Town (1938)
- Franchot Tone in Mutiny on the Bounty (1935)
- Joaquin Phoenix in Walk the Line (2005)
- John Wayne in True Grit (1969)
- Paul Winfield in Sounder (1972)
- Jose Ferrer in Moulin Rouge (1952)
- Anthony Hopkins in Nixon (1995)
- Denzel Washington in Flight (2012)
- Gerard Depardieu in Cyrano De Bergerac (1990)
- Cary Grant in None but the Lonely Heart (1944)
- Humphrey Bogart in The African Queen (1951)
- Robert De Niro in Awakenings (1990)
- Richard Todd in The Hasty Heart (1949)
- Frank Sinatra in The Man With the Golden Arm (1955)
- Morgan Freeman in Invictus (2009)
- Alfred Lunt in The Guardsman (1932)
- Charles Boyer in Fanny (1961)
- Tom Hanks in Philadelphia (1993)
- Denzel Washington in Training Day (2001)
- James Whitmore in Give 'Em Hell Harry! (1975)
- Robin Williams in The Fisher King (1991)
- Ed Harris in Pollock (2000)
- Sean Penn in Mystic River (2003)
- Gregory Peck in Gentleman's Agreement (1947)
- James Garner in Murphy's Romance (1985)
- Maurice Chevalier in The Big Pond (1930)
- Robert Montgomery in Here Comes Mr. Jordan (1941)
- Sylvester Stallone in Rocky (1976)
- Wallace Beery in The Champ (1932)
- George Arliss in The Green Goddess (1930)
- Gregory Peck in The Yearling (1946)
- George Clooney in Michael Clayton (2007)
- Fredric March in Death of a Salesman (1951)
- Gary Cooper in The Pride of the Yankees (1942)
- Geoffrey Rush in Quills (2000)
- Walter Matthau in Kotch (1971)
- George Arliss in Disraeli (1930)
- Wallace Beery in The Big House (1930)
- Paul Newman in Absence of Malice (1981)
- Frank Morgan in The Affairs of Cellini (1934)
- Jeff Bridges in True Grit (2010)
- Javier Bardem in Before Night Falls (2000)
- Warren Beatty in Reds (1981)
- Massimo Troisi in The Postman (1995)
- Dan Dailey in When My Baby Smiles At Me (1948)
- Gene Kelly in Anchors Aweigh (1945)
- Ben Kingsley in The House of Sand and Fog (2003)
- Robert De Niro in Cape Fear (1991)
- Jon Voight in Runaway Train (1985)
- Nick Nolte in The Prince of Tides (1991)
- Will Smith in The Pursuit of Happyness (2006)
- Marlon Brando in Sayonara (1957)
- Laurence Fishburne in What's Love Got To Do With It (1993)
- Richard Burton in The Robe (1953)
- Leslie Howard in Berkeley Square (1933)
- Bing Crosby in Bells of St. Mary's (1945)
- Rex Harrison in Cleopatra (1963)
- Spencer Tracy in The Old Man and The Sea (1958)
- Frank Langella Frost/Nixon (2008)
- Dexter Gordon in 'Round Midnight (1986)
- Jack Nicholson in Prizzi's Honor (1985)
- Jack Lemmon in Tribute (1980)
- Javier Bardem in Biutiful (2010)
- Sean Penn in Milk (2008)
- Woody Harrelson in The People vs Larry Flynt (1996)
- Larry Parks in The Jolson Story (1946)
- Warren Beatty in Bugsy (1991)
- Terrence Howard in Hustle and Flow (2005)
- Matt Damon in Good Will Hunting (1997)
- Robin William in Dead Poet's Society (1989)
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- Charles Coburn in The More the Merrier (1943)
- Ian Holm in Chariots of Fire (1981)
- Sam Shepard in The Right Stuff (1983)
- Robert De Niro in The Godfather Part II (1972)
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- William Hurt in A History of Violence (2005)
- Al Pacino in Glengarry Glen Ross (1992)
- Jared Leto in Dallas Buyers Club (2013)
- Charles Coburn in The Devil and Miss Jones (1941)
- Jeff Bridges in Thunderbolt and Lightfoot (1974)
- Gene Wilder in The Producers (1968)
- John Hawkes in Winter's Bone (2010)
- Burgess Meredith in Rocky (1976)
- Tom Berenger in Platoon (1986)
- Ian Mckellen in Fellowship of the Ring (2001)
- James Coburn in Affliction (1998)
- Willem Dafoe in Platoon (1986)
- Chris Sarandon in Dog Day Afternoon (1975)
- Michael Caine in Hannah and Her Sisters (1986)
- Clifton Webb in Laura (1944)
- Ben Johnson in The Last Picture Show (1971)
- Seymour Cassel in Faces (1968)
- Thomas Mitchell in The Hurricane (1937)
- Alec Guinness in Star Wars (1977)
- Anthony Quinn in Lust for Life (1956)
- Robert Duvall in A Civil Action (1998)
- Claude Rains in Mr. Skeffington (1944)
- Hume Cronyn in The Seventh Cross (1944)
- Jackie Earl Haley in Little Children (2006)
- Josh Brolin in Milk (2008)
- Thomas Haden Church in Sideways (2004)
- Sal Mineo in Rebel Without a Cause (1955)
- Philip Seymour Hoffman in Doubt (2008)
- Charles Coburn in The Green Years (1946)
- John Mills in Ryan's Daughter (1970)
- James Cromwell in Babe (1995)
- Alan Arkin in Little Miss Sunshine (2006)
- Ethan Hawke in Training Day (2001)
- Chris Cooper in Adaptation (2002)
- Claude Rains in Casablanca (1943)
- Victor McLaglen in The Quiet Man (1952)
- Terence Stamp in Billy Budd (1962)
- Richard Farnsworth in Comes A Horseman (1978)
- Peter Falk in Murder, Inc. (1960)
- Anthony Quinn in Viva Zapata! (1952)
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- John Gielgud in Becket (1964)
- Benicio Del Toro in Traffic (2000)
- Hugh Griffith in Ben-Hur (1959)
- Michael Chekhov in Spellbound (1945)
- Joseph Schilderkraut in The Life of Emile Zola (1937)
- Jack Palance in Sudden Fear (1952)
- Christian Bale in The Fighter (2010)
- Stanley Holloway in My Fair Lady (1964)
- Jude Law in The Talented Mr. Ripley (1999)
- Anthony Perkins in Friendly Persuasion (1956)
- Rip Torn in Cross Creek (1983)
- Robert Mitchum in The Story of G.I. Joe (1945)
- George Kennedy in Cool Hand Luke (1967)
- River Phoenix in Running on Empty (1988)
- Justin Henry in Kramer Vs. Kramer (1979)
- Michael Clarke Duncan in The Green Mile (1999)
- Robert Forster in Jackie Brown (1997)
- John Lithgow in The World According to Garp (1982)
- Lou Gosset Jr. in An Officer and a Gentleman (1982)
- Lee J. Cobb in The Brothers Karamazov (1958)
- Gig Young in Come Fill The Cup (1951)
- James Mason in Georgy Girl (1966)
- Walter Brennan in Kentucky (1938)
- Vincent Gardenia in Moonstruck (1987)
- Jim Broadbent in Iris (2001)
- Walter Brennan in Come and Get It (1936)
- Burt Reynolds in Boogie Nights (1997)
- Klaus Maria Brandauer in Out of Africa (1985)
- Ed Begley in Sweet Bird of Youth (1962)
- Geoffrey Rush in The King's Speech (2010)
- Leonardo DiCaprio in What's Eating Gilbert Grape (1993)
- Donald Crisp in How Green Was My Valley (1941)
- John Malkovich in In the Line of Fire (1993)
- Martin Landau in Tucker: A Man And His Dream (1988)
- Gig Young in Teacher's Pet (1958)
- Jeremy Renner in The Town (2010)
- Dennis Hopper in Hoosiers (1986)
- Bobby Darin in Captain Newman, M.D. (1963)
- Kevin McCarthy in Death of a Salesman (1951)
- Arthur O'Connell in Anatomy of a Murder (1959)
- Red Buttons in Sayonara (1957)
- Sal Mineo in Exodus (1960)
- Ben Kingsley in Sexy Beast (2001)
- Frederic Forrest in The Rose (1979)
- Kenneth Branagh in My Week With Marilyn (2011)
- Lee Tracy in The Best Man (1964)
- Hugh Griffith in Tom Jones (1963)
- John Huston in The Cardinal (1963)
- Robert Vaughn in The Young Philadelphians (1959)
- Robert Ryan in Crossfire (1947)
- Jeff Bridges in The Last Picture (1971)
- Max Von Sydow in Extremely Loud and Incredibly Close (2011)
- Jason Robards in Julia (1977)
- Roy Scheider in The French Connection (1971)
- Arthur Hunnicutt in The Big Sky (1952)
- Tim Robbins in Mystic River (2003)
- Bruce Davison in Longtime Companion (1990)
- Ralph Bellamy in The Awful Truth (1937)
- Monty Woolley in Since You Went Away (1944)
- Elliot Gould in Bob & Carol & Ted & Alice (1969)
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- Richard Burton in My Cousin Rachel (1952)
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- Jason Robards in Melvin and Howard (1980)
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- James Whitmore in Battleground (1949)
- Ed Wynn in The Diary of Anne Frank (1959)
- Michael Lerner in Barton Fink (1991)
- Armin Mueller-Stahl in Shine (1996)
- Charles Durning in To Be Or Not To Be (1983)
- Eddie Albert in The Heartbreak Kid (1972)
- Edmund Gwenn in Miracle on 34th Street (1947)
- John Hurt in Midnight Express (1978)
- Jack Palance in Shane (1953)
- Rupert Crosse in The Reivers (1969)
- Robert Morley in Marie Antoinette (1938)
- Adolph Caesar in A Soldier's Story (1984)
- Thomas Gomez in Ride the Pink Horse (1947)
- Jack Nicholson in Terms of Endearment (1983)
- Howard Rollins in Ragtime (1981)
- John Lithgow in Terms of Endearment (1983)
- Ed Harris in The Truman Show (1998)
- Vincent Gardenia in Bang the Drum Slowly (1973)
- Jaye Davidson in The Crying Game (1992)
- Denzel Washington in Glory (1989)
- Greg Kinnear in As Good As It Gets (1997)
- Matt Dillon in Crash (2005)
- Christopher Plummer in Beginners (2011)
- Peter Firth in Equus (1977)
- Brian Aherne in Juarez (1939)
- Robert Duvall in The Godfather (1972)
- Chief Dan George in Little Big Man (1970)
- Clive Owen in Closer (2004)
- Michael J. Pollard in Bonnie and Clyde (1967)
- Denzel Washington in Cry Freedom (1987)
- James Coco in Only When I Laugh (1981)
- Woody Harrelson in The Messsenger (2009)
- Michael O'Keefe in The Great Santini (1980)
- Walter Huston in Yankee Doodle Dandy (1942)
- Paul Giamatti in Cinderella Man (2005)
- Mark Wahlberg in The Departed (2006)
- Andy Garcia in The Godfather Part III (1990)
- Gary Sinise in Forrest Gump (1994)
- Victor Buono in What Ever Happened to Baby Jane? (1962)
- Tim Roth in Rob Roy (1995)
- Tom Wilkinson in Michael Clayton (2007)
- Robert Preston in Victor Victoria (1982)
- Arthur Kennedy in Champion (1949)
- Cecil Kellaway in The Luck of the Irish (1948)
- Paul Scofield in Quiz Show (1994)
- Jack Warden in Heaven Can Wait (1978)
- Arthur Kennedy in Trial (1955)
- Al Pacino in Dick Tracy (1990)
- Jack Kruschen in The Apartment (1960)
- Fred Astaire in The Towering Inferno (1974)
- Alan Alda in The Aviator (2004)
- Dean Stockwell in Married to The Mob (1988)
- John C. Reilly in Chicago (2002)
- Erich von Stroheim in Sunset Blvd. (1950)
- Frank Finlay in Othello (1965)
- Robert Strauss in Stalag 17 (1953)
- Jonah Hill in The Wolf of Wall Street (2013)
- Chazz Palminteri in Bullets Over Broadway (1994)
- John Marley in Love Story (1970)
- Nick Nolte in Warrior (2011)
- Randy Quaid in The Last Detail (1973)
- Bruce Dern in Coming Home (1978)
- Richard S. Castellano in Lovers and Other Strangers (1970)
- Vittorio De Sica in A Farewell to Arms (1957)
- Hal Holbrook in Into The Wild (2007)
- Nick Adams in Twilight of Honor (1963)
- Dan Aykroyd in Driving Miss Daisy (1989)
- Mickey Rooney in The Black Stallion (1979)
- Charles Bickford in Johnny Belinda (1948)
- Pat Morita in The Karate Kid (1984)
- Michael Shannon in Revolutionary Road (2008)
- Jack Nicholson in A Few Good Men (1992)
- Arthur O'Connell in Picnic (1955)
- Marlon Brando A Dry White Season (1989)
- Jack Wild in Oliver! (1968)
- James Woods in Ghosts of Mississippi (1996)
- Philip Seymour Hoffman in Charlie Wilson's War (2007)
- Brian Donlevy in Beau Geste (1939)
- Ken Watanabe in The Last Samurai (2003)
- Matt Damon in Invictus (2009)
- John Houseman in The Paper Chase (1973)
- Mako in The Sand Pebbles (1966)
- Judd Hirsch in Ordinary People (1980)
- Anthony Hopkins in Amistad (1997)
- John Malkovich in Places in the Heart (1984)
- Mickey Rooney in The Bold and the Brave (1956)
- William Bendix in Wake Island (1942)
- Jack Warden in Shampoo (1975)
- Alan Arkin in Argo (2012)
- Jack Gilford in Save the Tiger (1973)
- Henry Travers in Mrs. Miniver (1942)
- Robert Stack in Written on the Wind (1956)
- Tommy Lee Jones in The Fugitive (1993)
- Frank Morgan in Tortilla Flat (1942)
- Christopher Plummer in The Last Station (2009)
- Walter Brennan in Sergeant York (1941)
- Tommy Lee Jones in Lincoln (2012)
- Roland Young in Topper (1937)
- David Paymer in Mr. Saturday Night (1992)
- Djimon Hounsou in Blood Diamond (2006)
- Robert De Niro in Silver Linings Playbook (2012)
- Eddie Murphy in Dreamgirls (2006)
- Denholm Elliot in A Room With A View (1986)
- Jason Robards in All the President's Men (1976)
- Robert Loggia in Jagged Edge (1985)
- Richard Jaeckel in Sometimes a Great Notion (1971)
- Maximilian Schell in Julia (1977)
- J. Carrol Naish in Sahara (1943)
- Peter Falk in Pocketful of Miracles (1961)
- Sean Connery in The Untouchables (1987)
- John Cassavetes in The Dirty Dozen (1967)
- Jack Palance in City Slickers (1991)
- Theodore Bikel in The Defiant Ones (1958)
- Charles Bickford in The Farmer's Daughter (1947)
- Edmond O'Brien in The Barefoot Contessa (1954)
- Ned Beatty in Network (1976)
- J. Carrol Naish in A Medal For Benny (1945)
- Charles Bickford in The Song of Bernadette (1943)
- Edmund Gwenn in Mister 880 (1950)
- Harvey Keitel in Bugsy (1991)
- Geoffrey Rush in Shakespeare in Love (1998)
- Albert Bassermann in Foreign Correspondent (1940)
- Basil Rathbone in Romeo and Juliet (1936)
- James Stephenson in The Letter (1940)
- Alec Baldwin in The Cooler (2003)
- Melvyn Douglas in Being There (1979)
- Harry Carey in Mr. Smith Goes to Washington (1939)
- Joaquin Phoenix in Gladiator (2000)
- Anthony Quayle in Anne of the Thousand Days (1969)
- Clifton Webb in The Razor's Edge (1946)
- Albert Finney in Erin Brockovich (2000)
- Leonard Frey in Fiddler on the Roof (1971)
- William Demarest in The Jolson Story (1946)
- Stanley Tucci in The Lovely Bones (2009)
- Joe Mantell in Marty (1955)
- Cecil Kellaway in Guess Who's Coming to Dinner (1967)
- H.B. Warner in Lost Horizon (1937)
- Martin Balsam in A Thousand Clowns (1965)
- Gene Lockhart in Algiers (1938)
- Jonah Hill in Moneyball (2011)
- Jamie Foxx in Collateral (2004)
- Jeff Bridges in The Contender (2000)
- Brad Pitt in 12 Monkeys (1995)
- John Garfield in Four Daughters (1938)
- Michael Dunn in Ship of Fools (1965)
- Graham Greene in Dances With Wolves (1990)
- Ed Harris in Apollo 13 (1995)
- Jack Oakie in The Great Dictator (1940)
- Michael Caine in The Cider House Rules (1999)
- Arthur Kennedy in Peyton Place (1957)
- Mark Ruffalo in The Kids are All Right (2010)
- Ralph Richardson in Greystoke (1984)
- Djimon Honsou in In America (2003)
- Benicio Del Toro in 21 Grams (2003)
- Eddie Albert in Roman Holiday (1953)
- Bradley Cooper in American Hustle (2013)
- Burt Young in Rocky (1976)
- Robin Williams in Good Will Hunting (1997)
- William Gargan in They Knew What They Wanted (1940)
- Charles Durning in The Best Little Whorehouse in Texas (1982)
- Ben Kingsley in Bugsy (1991)
- William Hickey in Prizzi's Honor (1985)
- Jeff Chandler in Broken Arrow (1950)
- Dean Jagger in Twelve O'clock High (1949)
- Oskar Homolka in I Remember Mama (1948)
- Akim Tamiroff in The General Died at Dawn (1936)
- Brandon De Wilde in Shane (1953)
- Akim Tamiroff in For Whom the Bell Tolls (1943)
- Telly Savalas in Birdman of Alcatraz (1962)
- Russ Tamblyn in Peyton Place(1957)
- Basil Rathbone in If I Were King (1938)
- Arthur Kennedy in Some Came Running (1958)
- John Ireland in All the King's Men (1949)
- Morgan Freeman in Million Dollar Baby (2004)
- Ed Harris in The Hours (2002)
- Daniel Massey in Star! (1968)
- Cuba Gooding Jr. in Jerry Maguire (1996)
- Leo Genn in Quo Vadis (1951)
- George Clooney in Syriana (2005)
- John Dall in The Corn is Green (1945)
- Chill Wills in The Alamo (1960)
- James Gleason in Here Comes Mr. Jordan (1941)
- Stuart Erwin in Pigskin Parade (1936)
- Tom Tully in The Caine Mutiny (1954)
- Ian Bannen in The Flight of the Phoenix (1965)
- George Chakiris in West Side Story (1961)
- Jon Voight in Ali (2001)
- Jose Ferrer in Joan of Arc (1948)
- Mischa Auer in My Man Godfrey (1936)
- Don Murray in Bus Stop (1956)
- Don Ameche in Cocoon (1985)
- Frank Sinatra in From Here to Eternity (1953)
- Eric Roberts in Runaway Train (1985)
- Mikhail Baryshnikov in The Turning Point (1977)
- Martin Landau in Ed Wood (1994)
- Christopher Walken in The Deer Hunter (1978)
- Haing S. Ngor in The Killing Fields (1984)
- Gene Hackman in Unforgiven (1992)
- James Dunn in A Tree Grows in Brooklyn (1945)
- Joe Pesci in Goodfellas (1990)
- Heath Ledger in The Dark Knight (2008)
- George Sanders in All About Eve (1950)
- Thomas Mitchell in Stagecoach (1939)
- Melvyn Douglas in Hud (1963)
- Peter Ustinov in Topkapi (1964)
- Gig Young in They Shoot Horses, Don't They? (1969)
- Barry Fitzgerald in Going My Way (1944)
- Harold Russell in The Best Years of Our Lives (1946)
- Karl Malden in A Streetcar Named Desire (1951)
- Walter Huston in The Treasure of the Sierra Madre (1948)
- Christoph Waltz in Django Unchained (2012)
- Christoph Waltz in Inglorious Basterds (2009)
- Walter Matthau in The Fortune Cookie (1963)
- Jack Albertson in The Subject Was Roses (1968)
- Van Heflin in Johnny Eager (1942)
- George Burns in The Sunshine Boys (1975)
- Kevin Kline in A Fish Called Wanda (1988)
- Kevin Spacey in The Usual Suspects (1995)
- Timothy Hutton in Ordinary People (1980)
- John Gielgud in Arthur (1981)
- Walter Brennan in The Westerner (1940)
- Charles Coburn in The More the Merrier (1943)
- Robert De Niro in The Godfather Part II (1972)
- Javier Bardem in No Country For Old Men (2007)
- Jack Lemmon in Mister Roberts (1955)
- Burl Ives in The Big Country (1958)
- Joel Grey in Cabaret (1972)
- Jared Leto in Dallas Buyers Club (2013)
- James Coburn in Affliction (1998)
- Michael Caine in Hannah and Her Sisters (1986)
- Ben Johnson in The Last Picture Show (1971)
- Anthony Quinn in Lust for Life (1956)
- John Mills in Ryan's Daughter (1970)
- Alan Arkin in Little Miss Sunshine (2006)
- Chris Cooper in Adaptation (2002)
- Anthony Quinn in Viva Zapata! (1952)
- Peter Ustinov in Spartacus (1960)
- Benicio Del Toro in Traffic (2000)
- Hugh Griffith in Ben-Hur (1959)
- Joseph Schilderkraut in The Life of Emile Zola (1937)
- Christian Bale in The Fighter (2010)
- George Kennedy in Cool Hand Luke (1967)
- Lou Gosset Jr. in An Officer and a Gentleman (1982)
- Walter Brennan in Kentucky (1938)
- Jim Broadbent in Iris (2001)
- Walter Brennan in Come and Get It (1936)
- Ed Begley in Sweet Bird of Youth (1962)
- Donald Crisp in How Green Was My Valley (1941)
- Red Buttons in Sayonara (1957)
- Jason Robards in Julia (1977)
- Tim Robbins in Mystic River (2003)
- Edmund Gwenn in Miracle on 34th Street (1947)
- Jack Nicholson in Terms of Endearment (1983)
- Denzel Washington in Glory (1989)
- Christopher Plummer in Beginners(2011)
- John Houseman in The Paper Chase (1973)
- Tommy Lee Jones in The Fugitive (1993)
- Jason Robards in All the President's Men (1976)
- Sean Connery in The Untouchables (1987)
- Jack Palance in City Slickers (1991)
- Edmond O'Brien in The Barefoot Contessa (1954)
- Melvyn Douglas in Being There (1979)
- Martin Balsam in A Thousand Clowns (1965)
- Michael Caine in The Cider House Rules (1999)
- Robin Williams in Good Will Hunting (1997)
- Dean Jagger in Twelve O'clock High (1949)
- Morgan Freeman in Million Dollar Baby (2004)
- Cuba Gooding Jr. in Jerry Maguire (1996)
- George Clooney in Syriana (2005)
- George Chakiris in West Side Story (1961)
- Don Ameche in Cocoon (1985)
- Frank Sinatra in From Here to Eternity (1953)
Best Actor 2013: Bruce Dern in Nebraska
Bruce Dern received his second Oscar nomination for portraying Woody Grant in Nebraska.
Nebraska is a film about a father and son who take a road trip to redeem a million dollar ticket even though it is obviously only a scam. I enjoyed it although the writing tries to be a little too clever at times, and there is one too many caricatures hanging around.
Bruce Dern plays the father Woody Grant in a performance that is a departure from the roles in which he is most often cast. Dern was usually the go to character actor for intense somewhat crazy men like in his previous Oscar nominated performance in Coming Home, or even his more recent cameo in Django Unchained. This is a far more restrained performance from Dern and he seems completely comfortable in such a role. Although by the nature of the film this might seem like the type of performance dependent most on something simplistic, but actually it seems like Dern probably put a great deal of effort into this performance. You definitely do not notice this effort though and that is one of the strengths of this performance.
Dern's performance actually takes great steps to create Woody as a very particular man who has lived a life. We don't just come on any old man we come on Woody Grant which starts from the first image of the film which shows Woody lumbering down the street in an attempt to walk his way to Nebraska to redeem his"winning" ticket. Dern sets up Woody not as just an old man here but most certainly an old man who has long sense been in his prime. Dern depicts Woody as a particularly retiring man who seems absolutely set into a certain place into his life. Before we even see one of the reasons for this state Dern actually has already completely established it in his physical approach in portraying Woody.
One of the factors that sets Woody in this place is his wife (June Squibb) who rarely has too many positive things to say about Woody constantly saying various things that do put him down in some way or another. This form of verbal abuse can be seen in Dern's performance in a most interesting fashion. Dern does not show Woody really react to any of his wife's various barbs toward him in anyway, but Dern instead shows their very long marriage through the fact that Woody always seems at least slightly defeated at all times. What Dern does is make Woody the man who has spent years and years of this sort of abuse from his wife, and it is part of what has shaped him in this way. For him to react to her would be wrong as he's heard it all before.
Woody is not an especially well man and it is obvious that his mind is going as well as many other things including his hearing, and Dern is extremely effective in portraying all this as Woody. There is nothing anything obvious in the way Dern handles this, and the performance is completely invisible in this regard. Whenever there is one of the moments where his son (Will Forte) has to repeat something for Woody Dern conveys that deafness but as well as the certain mental disconnect perfectly. The film is set off by the ticket which Woody claims to absolutely believe even though every one else sees as fake. It could quickly become a very weak premise, but again the way Dern portrays Woody's nature allows it to be actually believable.
Dern's performance is absolutely genuine in the simplicity of Woody's belief in the ticket. Dern does not show him to be stupid really, or false in this belief either. Dern instead suggests through his calm the overall personality of Woody which is to take someone's word as face value. When Woody tells his son that he was told that he won, despite his son saying the opposite, Dern's delivery is one of pure honesty and shows the conviction of the man. It is an assurance in his simple belief that someone would not lie about such things. It is a simple belief that Dern gives the utmost conviction in its simplicity, that makes the whole basis of the film not seem like the contrivance it is.
Bruce Dern despite being the lead in the film actually does not have a whole lot of lines, and in a way is a bit like Gary Oldman in Tinker Tailor Soldier Spy but without any of his dramatic monologues. Bruce Dern is in most of the scenes of the film though, and even though he is far from the loudest performance, especially compared to June Squibb and Stacy Keach or even the pretty reserved Will Forte, Dern is never overshadowed by the rest of the cast. Dern keeps Woody a very affecting figure throughout the film with his very assured portrayal of Woody's unique presence within the world. There is a palatable sadness that is never overwhelming but Dern always gives the strong sense of Woody's life.
Dern achieves an incredible balance with his performance to show the regret in the man, but also the will that would carry him to do something even if it is as foolish as going after false winnings. Dern never becomes static and has a terrific variations in his performance to either react in some way to one of the flamboyant performances, in a more entertaining way than the performances themselves, or in key dramatic moments in the film where Woody does break his silence a bit. Dern is terrific in making these outbursts purely natural. It is not when Woody talks that Dern has Woody stand up for himself, rather Dern makes a stronger impact, by making these outbursts whenever someone questions his life.
One great highlight though in terms of speaking for Dern is the scene where his son bluntly asks Woody what he wants the money for. In the scene Dern reminded me an awful lot of Richard Farnsworth in The Straight Story, as he gives his two fairly slight material desires and his greater want to leave his boys. Although Woody has been quiet about what he thinks of his sons, he was careful never to be cold but only a bit aloof toward them. In this moment, in his own understated way, Dern reveals the actual love Woody has for his sons. Dern still keeps Woody as well Woody, as he does not gush that would be wrong, but Dern brings such honest warmth to the moment and makes it not a change in Woody but merely revealing what was always there.
The silence never weakens a scene and Dern does not need to talk to bring the power from a scene. One scene that shows this especially well is when Woody's old "friend" Ed, played with great sleaze by Stacy Keach, bothers Woody about the money he owes him with his son around. Ed brings up an affair Woody has and explains it quickly to Woody and his son in a mostly mocking manner. Dern is excellent in the moment giving the insight into Woody's mindset of the moment without really having to say really much of anything. Dern's reaction shows Woody going right back to the time in his life and, although still quiet, Dern makes the past pain vivid. The details are sparse but Dern in his silence realizes the complexity fitting for such a problematic past episode.
My favorite moment though for Dern has to be the ending of the film when things don't turn out exactly like he wanted but he gets his truck, his air compressor, and a hat that says he won. The drive down the street is a brilliantly acted scene by Dern. The sadness of Woody eases away in this moment and Dern makes Woody's victory a truly resounding one. He is still pure Woody with his unassuming style, but Dern is incredibly endearing in the subtle but strong happiness that he suggests Woody gets from his simple little victory. I really liked this performance by Bruce Dern in all regards, and personally I found he brought the film together which could have been completely overwhelmed by the absurd flamboyance of the caricatures. Dern was mostly a supporting player, but he gets his due here and makes the most of it.
Nebraska is a film about a father and son who take a road trip to redeem a million dollar ticket even though it is obviously only a scam. I enjoyed it although the writing tries to be a little too clever at times, and there is one too many caricatures hanging around.
Bruce Dern plays the father Woody Grant in a performance that is a departure from the roles in which he is most often cast. Dern was usually the go to character actor for intense somewhat crazy men like in his previous Oscar nominated performance in Coming Home, or even his more recent cameo in Django Unchained. This is a far more restrained performance from Dern and he seems completely comfortable in such a role. Although by the nature of the film this might seem like the type of performance dependent most on something simplistic, but actually it seems like Dern probably put a great deal of effort into this performance. You definitely do not notice this effort though and that is one of the strengths of this performance.
Dern's performance actually takes great steps to create Woody as a very particular man who has lived a life. We don't just come on any old man we come on Woody Grant which starts from the first image of the film which shows Woody lumbering down the street in an attempt to walk his way to Nebraska to redeem his"winning" ticket. Dern sets up Woody not as just an old man here but most certainly an old man who has long sense been in his prime. Dern depicts Woody as a particularly retiring man who seems absolutely set into a certain place into his life. Before we even see one of the reasons for this state Dern actually has already completely established it in his physical approach in portraying Woody.
One of the factors that sets Woody in this place is his wife (June Squibb) who rarely has too many positive things to say about Woody constantly saying various things that do put him down in some way or another. This form of verbal abuse can be seen in Dern's performance in a most interesting fashion. Dern does not show Woody really react to any of his wife's various barbs toward him in anyway, but Dern instead shows their very long marriage through the fact that Woody always seems at least slightly defeated at all times. What Dern does is make Woody the man who has spent years and years of this sort of abuse from his wife, and it is part of what has shaped him in this way. For him to react to her would be wrong as he's heard it all before.
Woody is not an especially well man and it is obvious that his mind is going as well as many other things including his hearing, and Dern is extremely effective in portraying all this as Woody. There is nothing anything obvious in the way Dern handles this, and the performance is completely invisible in this regard. Whenever there is one of the moments where his son (Will Forte) has to repeat something for Woody Dern conveys that deafness but as well as the certain mental disconnect perfectly. The film is set off by the ticket which Woody claims to absolutely believe even though every one else sees as fake. It could quickly become a very weak premise, but again the way Dern portrays Woody's nature allows it to be actually believable.
Dern's performance is absolutely genuine in the simplicity of Woody's belief in the ticket. Dern does not show him to be stupid really, or false in this belief either. Dern instead suggests through his calm the overall personality of Woody which is to take someone's word as face value. When Woody tells his son that he was told that he won, despite his son saying the opposite, Dern's delivery is one of pure honesty and shows the conviction of the man. It is an assurance in his simple belief that someone would not lie about such things. It is a simple belief that Dern gives the utmost conviction in its simplicity, that makes the whole basis of the film not seem like the contrivance it is.
Bruce Dern despite being the lead in the film actually does not have a whole lot of lines, and in a way is a bit like Gary Oldman in Tinker Tailor Soldier Spy but without any of his dramatic monologues. Bruce Dern is in most of the scenes of the film though, and even though he is far from the loudest performance, especially compared to June Squibb and Stacy Keach or even the pretty reserved Will Forte, Dern is never overshadowed by the rest of the cast. Dern keeps Woody a very affecting figure throughout the film with his very assured portrayal of Woody's unique presence within the world. There is a palatable sadness that is never overwhelming but Dern always gives the strong sense of Woody's life.
Dern achieves an incredible balance with his performance to show the regret in the man, but also the will that would carry him to do something even if it is as foolish as going after false winnings. Dern never becomes static and has a terrific variations in his performance to either react in some way to one of the flamboyant performances, in a more entertaining way than the performances themselves, or in key dramatic moments in the film where Woody does break his silence a bit. Dern is terrific in making these outbursts purely natural. It is not when Woody talks that Dern has Woody stand up for himself, rather Dern makes a stronger impact, by making these outbursts whenever someone questions his life.
One great highlight though in terms of speaking for Dern is the scene where his son bluntly asks Woody what he wants the money for. In the scene Dern reminded me an awful lot of Richard Farnsworth in The Straight Story, as he gives his two fairly slight material desires and his greater want to leave his boys. Although Woody has been quiet about what he thinks of his sons, he was careful never to be cold but only a bit aloof toward them. In this moment, in his own understated way, Dern reveals the actual love Woody has for his sons. Dern still keeps Woody as well Woody, as he does not gush that would be wrong, but Dern brings such honest warmth to the moment and makes it not a change in Woody but merely revealing what was always there.
The silence never weakens a scene and Dern does not need to talk to bring the power from a scene. One scene that shows this especially well is when Woody's old "friend" Ed, played with great sleaze by Stacy Keach, bothers Woody about the money he owes him with his son around. Ed brings up an affair Woody has and explains it quickly to Woody and his son in a mostly mocking manner. Dern is excellent in the moment giving the insight into Woody's mindset of the moment without really having to say really much of anything. Dern's reaction shows Woody going right back to the time in his life and, although still quiet, Dern makes the past pain vivid. The details are sparse but Dern in his silence realizes the complexity fitting for such a problematic past episode.
My favorite moment though for Dern has to be the ending of the film when things don't turn out exactly like he wanted but he gets his truck, his air compressor, and a hat that says he won. The drive down the street is a brilliantly acted scene by Dern. The sadness of Woody eases away in this moment and Dern makes Woody's victory a truly resounding one. He is still pure Woody with his unassuming style, but Dern is incredibly endearing in the subtle but strong happiness that he suggests Woody gets from his simple little victory. I really liked this performance by Bruce Dern in all regards, and personally I found he brought the film together which could have been completely overwhelmed by the absurd flamboyance of the caricatures. Dern was mostly a supporting player, but he gets his due here and makes the most of it.
Thursday, 6 February 2014
Alternate Best Supporting Actor 2013: Results
7. Colin Farrell in Saving Mr. Banks- Farrell hits the right notes but his film weakens his impact.
Best Scene: Death bed scene.
6. James Gandolfini in Enough Said- Gandolfini gives a sweet natural performance that finding the depth of an average man.
Best Scene: Albert drives Eva home after their awkward dinner.
5. Sharlto Copley in Elysium- An absurd villainous performance by Copley to be sure but a most enjoyable one to watch.
Best Scene: Kruger comes to stop the hijack.
4. Matthew McConaughey in Mud- McConaughey in his larger supporting role gives a naturally charming and moving portrayal of a desperate but good man.
Best Scene: Mud explains his murder.
3. Matthew McConaughey in The Wolf of Wall Street- A great one scene wonder by McConaughey that you remember even after the almost three hour film is over.
Best Scene: Mark Hanna has lunch with Jordan Belfort.
2. Ben Foster in Ain't Them Bodies Saints- Foster gives an extremely moving performance by being absolutely genuine in his character's goodness.
Best Scene: Ruth talks to Patrick about the day he was shot.
1. Ben Foster in Lone Survivor- The year actually came down to the two performances by the same man. At least at the moment I think I'll give the win to the supporting performance that I feel benefited his film the most during the year. Foster in Lone Survivor gives the intensity and visceral punch needed for the story of soldier's trying to survive that would have otherwise been lacking. It is a moving work that shows the gamut of emotions of a soldier who must fight for his life.
Best Scene: Axe tells Luttrell to send a message for him.
Overall Rank:
Best Scene: Death bed scene.
6. James Gandolfini in Enough Said- Gandolfini gives a sweet natural performance that finding the depth of an average man.
Best Scene: Albert drives Eva home after their awkward dinner.
5. Sharlto Copley in Elysium- An absurd villainous performance by Copley to be sure but a most enjoyable one to watch.
Best Scene: Kruger comes to stop the hijack.
4. Matthew McConaughey in Mud- McConaughey in his larger supporting role gives a naturally charming and moving portrayal of a desperate but good man.
Best Scene: Mud explains his murder.
3. Matthew McConaughey in The Wolf of Wall Street- A great one scene wonder by McConaughey that you remember even after the almost three hour film is over.
Best Scene: Mark Hanna has lunch with Jordan Belfort.
2. Ben Foster in Ain't Them Bodies Saints- Foster gives an extremely moving performance by being absolutely genuine in his character's goodness.
Best Scene: Ruth talks to Patrick about the day he was shot.
1. Ben Foster in Lone Survivor- The year actually came down to the two performances by the same man. At least at the moment I think I'll give the win to the supporting performance that I feel benefited his film the most during the year. Foster in Lone Survivor gives the intensity and visceral punch needed for the story of soldier's trying to survive that would have otherwise been lacking. It is a moving work that shows the gamut of emotions of a soldier who must fight for his life.
Best Scene: Axe tells Luttrell to send a message for him.
Overall Rank:
- Ben Foster in Ain't Them Bodies Saints
- Joaquin Phoenix in The Immigrant
- Ben Foster in Lone Survivor
- Barkhad Abdi in Captain Phillips
- Michael Fassbender in 12 Years a Slave
- Matthew McConaughey in The Wolf of Wall Street
- Ed Harris in Snowpiercer
- Matthew McConaughey in Mud
- Lily Franky in Like Father, Like Son
- Billy Nighy in About Time
- Ben Foster in Kill Your Darlings
- Sharlto Copley in Elysium
- James Gandolfini in Enough Said
- Kyle Chandler in The Wolf of Wall Street
- Jeremy Renner in The Immigrant
- Eddie Marsan in Filth
- Jeremy Renner in American Hustle
- Javier Bardem in The Counselor
- David Thewlis in The Zero Theorem
- Colin Farrell in Saving Mr. Banks
- Eddie Marsan in The World's End
- Casey Affleck in Out of the Furnace
- Richard Armitage in The Hobbit
- Donald Sutherland in Catching Fire
- Choi Min-sik in New World
- Paul Dano in Prisoners
- Hwang Jung-min in New World
- Colm Meaney in Alan Patridge: Alpha Papa
- Jean Dujardin in The Wolf of Wall Street
- Luke Evans in The Hobbit
- Tom Hanks in Saving Mr. Banks
- Robert De Niro in American Hustle
- Lucas Hedges in The Zero Theorem
- Paul Dano in 12 Years a Slave
- Elmo Nuganen in Tangerines
- Tom Hiddleston in Thor 2
- Rob Reiner in The Wolf of Wall Street
- Jonah Hill in The Wolf of Wall Street
- Woody Harrelson in Out of the Furnace
- Chris Cooper in August Osage County
- John Hurt in Snowpiercer
- Jared Leto in Dallas Buyers Club
- Joel Edgerton in The Great Gatsby
- Nawazuddin Siddiqui in The Lunchbox
- Ben Mendelsohn in The Place Beyond the Pines
- Ben Kingsley in Iron Man 3
- Stacy Keach in Nebraska
- John Goodman in Inside Llewyn Davis
- Song Kang-ho in Snowpiercer
- Mikheil Meskhi in Tangerines
- Hiroyuki Sanada in The Railway Man
- Giorgi Nakashidze in Tangerines
- Jacob Lofland in Mud
- Paddy Considine in The World's End
- Park Sung-woong in New World
- Chris Evans in The Iceman
- John Gallagher Jr. in Short Term 12
- Benedict Cumberbatch in The Hobbit
- F. Murray Abraham in Inside Llewyn Davis
- Nick Frost in The World's End
- Jeremy Irons in Beautiful Creatures
- Willem Dafoe in Out of the Furnace
- Jamie Bell in Filth
- Keith Carradine in Ain't Them Bodies Saints
- Ian McKellen in The Hobbit
- Woody Harrelson in Catching Fire
- Jim Broadbent in Filth
- Ray Liotta in The Iceman
- James Badge Dale in Parkland
- Jamie Bell in Snowpiercer
- Andrew Dice Clay in Blue Jasmine
- John Hurt in Only Lovers Left Alive
- Sam Shepard in Mud
- Stanley Tucci in Catching Fire
- Bobby Cannavale in Blue Jasmine
- Gary Lewis in Filth
- Bob Odenkirk in Nebraska
- Chris Chalk in 12 Years a Slave
- Faysal Ahmed in Captain Phillips
- Ruben Blades in The Counselor
- Jon Bernthal in The Wolf of Wall Street
- Benedict Cumberbatch in 12 Years a Slave
- Ray McKinnon in Mud
- Terrence Howard in Prisoners
- Ken Stott in The Hobbit
- Frank Dillane in Papadopoulos & Sons
- Jack Huston in Kill Your Darlings
- Kevin Costner in Man of Steel
- Jeff Goldblum in Le Week-End
- Harrison Ford in 42
- David Oyelowo in The Butler
- Paul Giamatti in 12 Years a Slave
- Georges Corraface in Papadopoulos & Sons
- Samuel L. Jackson in Oldboy
- Jeffrey Wright in Catching Fire
- Dwayne Johnson in Pain & Gain
- Jonathan Pryce in G.I. Joe
- Sean Gilder in The Selfish Giant
- Michael Shannon in Man of Steel
- Garret Dillahunt in 12 Years a Slave
- Louis C.K. in American Hustle
- Keith Stanfield in Short Term 12
- Jason Clarke in The Great Gatsby
- Russell Crowe in Man of Steel
- Aidan Turner in The Hobbit
- Ron Perlman in Pacific Rim
- Tony Shalhoub in Pain & Gain
- Michael C. Hall in Kill Your Darlings
- Ray Liotta in The Place Beyond the Pines
- Jeremy Irvine in The Railway Man
- Simon Pegg in Star Trek Into Darkness
- Zhang Jin in The Grandmaster
- Liev Schreiber in The Butler
- Sharlto Copley in Oldboy
- Geoffrey Rush in The Book Thief
- Dwayne Johnson in Fast & Furious 6
- Ed Harris in Pain & Gain
- Karl Urban in Star Trek Into Darkness
- Josh Gad in Frozen
- Ron Donachie in Filth
- Justin Timberlake in Inside Llewyn Davis
- Mahershala Ali in The Place Beyond the Pines
- Paul Giamatti in Saving Mr. Banks
- Edward James Olmos in 2 Guns
- Peter Weller in Star Trek Into Darkness
- Sam Claflin in Catching Fire
- Michael K. Williams in 12 Years a Slave
- Stelland Skarsgard in The Railway Man
- Matt Damon in The Zero Theorem
- B.J. Novak in Saving Mr. Banks
- Paul Giamatti in Parkland
- Idris Elba in Pacific Rim
- Bob Odenkirk in The Spectacular Now
- Jim Caviezel in Escape Plan
- Anthony Mackie in Pain & Gain
- Chang Chen in The Grandmaster
- Josh Hutcherson in Catching Fire
- Bradley Whitford in Saving Mr. Banks
- Luke Evans in Fast & Furious 6
- Philip Seymour Hoffman in Catching Fire
- Jason Schwartzman in Saving Mr. Banks
- Fred Ward in 2 Guns
- Christopher Eccleston in Song for Marion
- Kyle Chandler in The Spectacular Now
- Jean-Luc Vincent in Camille Claudel, 1915
- Michael Imperioli in Oldboy
- Dean Norris in The Counselor
- Sam Shepard in August Osage County
- Don Cheadle in Iron Man 3
- Robert Patrick in Lovelace
- Garrett Hedlund in Inside Llewyn Davis
- John Leguizamo in The Counselor
- Will Poulter in We're the Millers
- Benedict Wong in Hummingbird
- Nico Liersch in The Book Thief
- Benedict Cumberbatch in August Osage County
- Robert Davi in The Iceman
- Bill Paxton in 2 Guns
- Nick Offermann in We're The Millers
- Tony Danza in Don Jon
- Peter Sarsgaard in Lovelace
- Ed Helms in We're the Millers
- Benedict Cumberbatch in Star Trek Into Darkness
- David Soul in Filth
- Jonathan Groff in Frozen
- Ewan McGregor in August Osage County
- Billy Bob Thornton in Parkland
- Bruce Greenwood in The Place Beyond the Pines
- Ben Schnetzer in The Book Thief
- John Cusack in The Butler
- Charlie Day in Pacific Rim
- Taylor Kitsch in Lone Survivor
- Morgan Freeman in Oblivion
- Michael Shannon in Mud
- Sam Neill in Escape Plan
- Walton Goggins in G.I. Joe
- Eric Bana in Lone Survivor
- Brad Pitt in The Counselor
- George Clooney in Gravity
- Ty Simpkins in Iron Man 3
- Paul Walker in Fast & Furious 6
- Yuen Woo-ping in The Grandmaster
- Peter Stormare in The Last Stand
- James Franco in Spring Breakers
- Martin Freeman in The World's End
- Anthony Hopkins in Thor 2
- Diego Luna in Elysium
- Andre Holland in 42
- Len Cariou in Prisoners
- Emile Hirsch in Lone Survivor
- Christian McKay in Rush
- Peter Sarsgaard in Blue Jasmine
- Jack Huston in American Hustle
- Alec Baldwin in Blue Jasmine
- Bradley Cooper in American Hustle
- Stephen Fry in The Hobbit
- Max Casella in Inside Llewyn Davis
- James Marsden in 2 Guns
- David Thewlis in The Fifth Estate
- Forest Whitaker in The Last Stand
- Chad Michael Murray in Fruitvale Station
- Guy Pearce in Iron Man 3
- Griffin Dunne in Dallas Buyers Club
- David Cross in Kill Your Darlings
- Vincent D'Onofrio in Escape Plan
- Kevin Durand in Fruitvale Station
- Channing Tatum in Side Effects
- John Cho in Star Trek Into Darkness
- Alan Tudyk in 42
- Scoot McNairy in 12 Years a Slave
- Lee Pace in The Hobbit
- James Marsdan in The Butler
- Will Yun Lee in The Wolverine
- Taran Killam in 12 Years a Slave
- Pierce Brosnan in The World's End
- Burn Gorman in Pacific Rim
- Robin Williams in The Butler
- Toby Huss in Enough Said
- Robert Kazinsky in Pacific Rim
- Hiroyuki Sanada in The Wolverine
- Liam Hemsworth in Catching Fire
- William Fichtner in Elysium
- Rob Brown in Jon Don
- Cuba Gooding Jr. in The Butler
- Shea Whigham in American Hustle
- Lenny Kravitz in The Butler
- James Ransone in Oldboy
- Peter Hermann in Philomena
- Ben Falcone in Enough Said
- Matthew Goode in Stoker
- Alan Rickman in The Butler
- Clifton Collins Jr. in Pacific Rim
- Christopher Eccleston in Thor 2
- Zac Efron in Parkland
- Rafael Gareisen in The Book Thief
- Brad Pitt in 12 Years a Slave
- James Franco in Lovelace
- D.J. Cotrona in G.I. Joe
- Eduardo Noriega in The Last Stand
- Curtis Jackson in Escape Plan
- Bruce Willis in G.I. Joe
- Jeremy Luke in Don Jon
- Anton Yelchin in Stark Trek Into Darkness
- Orlando Bloom in The Hobbit
- Emory Cohen in The Place Beyond the Pines
- Terrence Howard in The Butler
- Wagner Moura in Elysium
- Alex Pettyfer in The Butler
- Will Smith in After Earth
- Forest Whitaker in Out of the Furnace
Alternate Best Supporting Actor 2013: Colin Farrell in Saving Mr. Banks
Colin Farrell did not receive an Oscar nomination for portraying Travers Robert Goff in Saving Mr. Banks.
Saving Mr. Banks is kind of a problematic film that tells the story of P.L. Travers's (Emma Thompson) battles with Walt Disney over the adaptation of her book Mary Poppins as well as the story of her childhood. The two stories don't come together as they should, it is not even that either is bad, but it always feels jarring whenever there is a transition.
Colin Farrell plays the important role of Travers Robert Goff who is the father of P.L. Travers. Farrell's role is a somewhat problematic one because of that disjointedness between the two stories told in the film. There is an inherent problem that Farrell must deal with which is that whenever it seems like we are finally going to really get into his character the film cuts away from him. When the film bothers to cut back to him it frankly seems to take too long to do so, or does it too awkwardly making it so the story of Mr. Goff is not as prevalent in the film as it should be considering that the whole relationship between Travers and her father is suppose to be a very important part of the film.
Farrell though does not allow himself to be completely forgotten in the film, despite the structure weakening some of the impact he is able to have on the film as a whole. Travers who tries to be a successful banker but finds problems in that he is alcoholic. The character is very reminiscent of James Dunn's Oscar winning performance in A Tree Grows in Brooklyn. Both men are not opposed to their brief flights of fancy and have a very close relationship with their daughter. They also though are both tragic figures whose vice not only costs them their job, but in the end costs them far more than that. There is a key difference though in the overall nature of Traver's flight of fancy as portrayed by Farrell.
On the surface of it all Farrell plays Travers with an enthusiasm and an ample amount of charm as he plays with his children and tries his very best to treat them well. In these few moments you can easily see why Travers would make such an impact on his daughter. Farrell shows the right highs in these moments, although he takes a rather interesting approach in that the fantasies are actually rather problematic. Farrell does not show Travers to be a man who faces reality with a twinge of delight by his flights out of it, rather Farrell shows him to be a man who tries to avoid reality by using fantasy to the point that is in fact extremely problematic for him.
As the flashback scenes go on we see that Travers is far from the happy man that his constant day dreaming must suggest he is. Farrell is very good in the moments where Travers basically thinks he not being seen by his daughter. Farrell is good because he does not even drop the fantastical ideas in Travers rather he shows them to be far less heartwarming than in the previous scenes. Farrell is instead very effective in giving these less pretty moment a miserably intensity, and making them appropriately disconcerting with Farrell not changing the gentle man we witnessed at the beginning of the film, but rather showing who unfortunately always was.
Colin Farrell performance here hits the right notes when he needs to, and gives a moving depiction of his character's pain, but it is never quite as powerful as it could be, certainly never close to James Dunn's performance for example. I really don't think this is really Farrell's fault as whenever he is on screen he definitely does deliver but his work never resonates as it should. The film constantly reinforces the idea that P.L. Travers is never able to forget her father, but it oddly does not do a very good job of making the audience remember him. It's really not Farrell's fault though as he does give a good performance and with better directing or even editing it perhaps it could have been a great one.
Saving Mr. Banks is kind of a problematic film that tells the story of P.L. Travers's (Emma Thompson) battles with Walt Disney over the adaptation of her book Mary Poppins as well as the story of her childhood. The two stories don't come together as they should, it is not even that either is bad, but it always feels jarring whenever there is a transition.
Colin Farrell plays the important role of Travers Robert Goff who is the father of P.L. Travers. Farrell's role is a somewhat problematic one because of that disjointedness between the two stories told in the film. There is an inherent problem that Farrell must deal with which is that whenever it seems like we are finally going to really get into his character the film cuts away from him. When the film bothers to cut back to him it frankly seems to take too long to do so, or does it too awkwardly making it so the story of Mr. Goff is not as prevalent in the film as it should be considering that the whole relationship between Travers and her father is suppose to be a very important part of the film.
Farrell though does not allow himself to be completely forgotten in the film, despite the structure weakening some of the impact he is able to have on the film as a whole. Travers who tries to be a successful banker but finds problems in that he is alcoholic. The character is very reminiscent of James Dunn's Oscar winning performance in A Tree Grows in Brooklyn. Both men are not opposed to their brief flights of fancy and have a very close relationship with their daughter. They also though are both tragic figures whose vice not only costs them their job, but in the end costs them far more than that. There is a key difference though in the overall nature of Traver's flight of fancy as portrayed by Farrell.
On the surface of it all Farrell plays Travers with an enthusiasm and an ample amount of charm as he plays with his children and tries his very best to treat them well. In these few moments you can easily see why Travers would make such an impact on his daughter. Farrell shows the right highs in these moments, although he takes a rather interesting approach in that the fantasies are actually rather problematic. Farrell does not show Travers to be a man who faces reality with a twinge of delight by his flights out of it, rather Farrell shows him to be a man who tries to avoid reality by using fantasy to the point that is in fact extremely problematic for him.
As the flashback scenes go on we see that Travers is far from the happy man that his constant day dreaming must suggest he is. Farrell is very good in the moments where Travers basically thinks he not being seen by his daughter. Farrell is good because he does not even drop the fantastical ideas in Travers rather he shows them to be far less heartwarming than in the previous scenes. Farrell is instead very effective in giving these less pretty moment a miserably intensity, and making them appropriately disconcerting with Farrell not changing the gentle man we witnessed at the beginning of the film, but rather showing who unfortunately always was.
Colin Farrell performance here hits the right notes when he needs to, and gives a moving depiction of his character's pain, but it is never quite as powerful as it could be, certainly never close to James Dunn's performance for example. I really don't think this is really Farrell's fault as whenever he is on screen he definitely does deliver but his work never resonates as it should. The film constantly reinforces the idea that P.L. Travers is never able to forget her father, but it oddly does not do a very good job of making the audience remember him. It's really not Farrell's fault though as he does give a good performance and with better directing or even editing it perhaps it could have been a great one.
Wednesday, 5 February 2014
Alternate Best Supporting Actor 2013: Sharlto Copley in Elysium
Sharlto Copley despite giving the greatest performance of all time was not nominated for playing Kruger in Elysium.
What can one say with such subtle work as displayed by the greatest actor of all time Sharlto Copley. Ahh true greatness in every brilliant moment in that he basically sums up all of humanity in this single performance. You can see every decade of history in what he wears, and the way he wears it. From his beard, no doubt a sly reference to the time of the cave man, his disheveled hair no doubt a reference to the entirety of the 60's, and it is topped off with that samurai sword which I don't need to explain to use what that obviously alludes to. Even his face exploding is clearly the one scene in any film ever where one can unlock all the secrets of the universe, that's how good Copley is here.
Although one does have to ask why Matt Damon's Max thinks he can even take on Kruger in the film. I mean in video game rules Max has a super model exoskeleton, a hand gun, and a machine gun that shoots bullets which explode on impact. Now that suggests that perhaps he's level five at best, but I mean Kruger's got it all. He gets his own better looking exoskeleton, exploding ninja stars, disks that stick to people then explode, a Taser, that kickin' energy shield, his samurai sword of course which must have been some special unlockable from beating the game once or something. I mean Kruger's gotta be like level 50 or something close to that so that whole ending is unbelievable.
Anyway I really should stop being a jerk, and finally become serious in regards to this performance, although probably is best not to be as the best way to enjoy Elysium as a film is to look at it as the way Sharlto Copley clearly did. Where the film wants to be a statement on society and in turn makes some of the most ham-handed films by Oliver Stone seem subtle in comparison, Copley obviously believes it probably should be Mad Max 4: Wraith of the Crazy South African, hey Matt Damon's character name even is Max, coincidence?, seems like it is. Although Copley's performance seems in a different movie and for me its a better movie that is completely fitting of his absurd performance.
Copley's performance is that of a VILLAIN, who is there purely to be evil, inf act he is so evil that the evil sky people believe that he is a bit too evil. All I can really say is Copley is having the time of his life here, and I actually had it right along with him. Copley delivers all of his lines as if he was the most vicious troll known to man as he smiles with such a big smile right before he blows up a guy, or he uses a ninja star and has a one liner that is giving his victim and even harder time for just the sake of it. Copley plays Kruger as a man who just loves messing with people and having an absurdly good time while he does it. Well I had that good time right along Copley, and any time he came on the screen he helped me forget about the unneeded heavy handedness of the rest of the film.
In a more down to earth actorly sense I think there is an accomplishment to be seen in Copley's portrayal of the menacing Kruger. This honestly does not seem like an obvious role for him to play by any measure as his first role was as a very mild mannered fellow in District 9. Copley is quite the opposite being a fierce wild dog, and I think he carries himself across pretty effectively. It might be something that could be easily overlooked, but Copley's ability to play the psychotic Kruger should not be overlooked. There are often many cases of actor's noted for weaker characters attempting to play a villain and failing especially miserably. That is not the case for Copley who uses all of himself to be the seemingly unstoppable force that Kruger should be.
The idea of overacting or flamboyant acting anyway is a tricky prospect, and in Elysium you can see several performances of this type in the film. The problem with say Wagner Moura's performance for example and Jodie Foster's performance is that they are acting in two worlds and doing it poorly. Wagner Moura yells everyone of his lines, I would say Copley has more quiet moments than him even since there is the scene where he sings his lullaby, and stomps around with bizarre gestures. Moura wants to be serious still in some way yet he fails miserably because of his acting. Copley on the other hand has no such nonsensical notions and instead knows he should bring the insanity, and brings it by the ton.
Although I can easily see why this performance would not work for some, as Copley takes a particularly take or leave stance with this performance, but I will gladly take as much as he has to offer. For me Elysium without Copley contains a fine lead performance by Matt Damon but most part it is just a film bogged down by shaky camera, some ludicrously underdeveloped ideas, and a performance by an Oscar winning robot, with Copley on the other hand there is this crazy South African who shows up every so often to bring some energy and fun to the film and every scene he is in with his villainous antics. I will gladly take the version with the mad man any day.
(Kinda a low rating for the greatest performance of all time I think)
What can one say with such subtle work as displayed by the greatest actor of all time Sharlto Copley. Ahh true greatness in every brilliant moment in that he basically sums up all of humanity in this single performance. You can see every decade of history in what he wears, and the way he wears it. From his beard, no doubt a sly reference to the time of the cave man, his disheveled hair no doubt a reference to the entirety of the 60's, and it is topped off with that samurai sword which I don't need to explain to use what that obviously alludes to. Even his face exploding is clearly the one scene in any film ever where one can unlock all the secrets of the universe, that's how good Copley is here.
Although one does have to ask why Matt Damon's Max thinks he can even take on Kruger in the film. I mean in video game rules Max has a super model exoskeleton, a hand gun, and a machine gun that shoots bullets which explode on impact. Now that suggests that perhaps he's level five at best, but I mean Kruger's got it all. He gets his own better looking exoskeleton, exploding ninja stars, disks that stick to people then explode, a Taser, that kickin' energy shield, his samurai sword of course which must have been some special unlockable from beating the game once or something. I mean Kruger's gotta be like level 50 or something close to that so that whole ending is unbelievable.
Anyway I really should stop being a jerk, and finally become serious in regards to this performance, although probably is best not to be as the best way to enjoy Elysium as a film is to look at it as the way Sharlto Copley clearly did. Where the film wants to be a statement on society and in turn makes some of the most ham-handed films by Oliver Stone seem subtle in comparison, Copley obviously believes it probably should be Mad Max 4: Wraith of the Crazy South African, hey Matt Damon's character name even is Max, coincidence?, seems like it is. Although Copley's performance seems in a different movie and for me its a better movie that is completely fitting of his absurd performance.
Copley's performance is that of a VILLAIN, who is there purely to be evil, inf act he is so evil that the evil sky people believe that he is a bit too evil. All I can really say is Copley is having the time of his life here, and I actually had it right along with him. Copley delivers all of his lines as if he was the most vicious troll known to man as he smiles with such a big smile right before he blows up a guy, or he uses a ninja star and has a one liner that is giving his victim and even harder time for just the sake of it. Copley plays Kruger as a man who just loves messing with people and having an absurdly good time while he does it. Well I had that good time right along Copley, and any time he came on the screen he helped me forget about the unneeded heavy handedness of the rest of the film.
In a more down to earth actorly sense I think there is an accomplishment to be seen in Copley's portrayal of the menacing Kruger. This honestly does not seem like an obvious role for him to play by any measure as his first role was as a very mild mannered fellow in District 9. Copley is quite the opposite being a fierce wild dog, and I think he carries himself across pretty effectively. It might be something that could be easily overlooked, but Copley's ability to play the psychotic Kruger should not be overlooked. There are often many cases of actor's noted for weaker characters attempting to play a villain and failing especially miserably. That is not the case for Copley who uses all of himself to be the seemingly unstoppable force that Kruger should be.
The idea of overacting or flamboyant acting anyway is a tricky prospect, and in Elysium you can see several performances of this type in the film. The problem with say Wagner Moura's performance for example and Jodie Foster's performance is that they are acting in two worlds and doing it poorly. Wagner Moura yells everyone of his lines, I would say Copley has more quiet moments than him even since there is the scene where he sings his lullaby, and stomps around with bizarre gestures. Moura wants to be serious still in some way yet he fails miserably because of his acting. Copley on the other hand has no such nonsensical notions and instead knows he should bring the insanity, and brings it by the ton.
Although I can easily see why this performance would not work for some, as Copley takes a particularly take or leave stance with this performance, but I will gladly take as much as he has to offer. For me Elysium without Copley contains a fine lead performance by Matt Damon but most part it is just a film bogged down by shaky camera, some ludicrously underdeveloped ideas, and a performance by an Oscar winning robot, with Copley on the other hand there is this crazy South African who shows up every so often to bring some energy and fun to the film and every scene he is in with his villainous antics. I will gladly take the version with the mad man any day.
(Kinda a low rating for the greatest performance of all time I think)
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