Showing posts with label Van Heflin. Show all posts
Showing posts with label Van Heflin. Show all posts

Sunday, 16 November 2014

Alternate Best Actor 1946: Results

5. David Niven in A Matter of Life and Death - Niven, despite a strong start, gives an adequate performance but one that is overshadowed both by the supporting players and the film's direction.

Best Scene: Peter's "goodbye".
4. Henry Fonda in My Darling Clementine - The film doesn't really do much with Wyatt Earp as a character but Fonda still manages to gives a solid leading turn befitting the film.

Best Scene: The O.K. Corral
3. Van Heflin in The Strange Love of Martha Ivers - Van Heflin gives a surprisingly charming performance that carefully maneuvers around the film's intensely melodramatic story. 

Best Scene: Sam leaves the house as well as his past.
2. Jean Marais in Beauty and the Beast - He makes for an appropriately jerky villain but as well brings the right humanity and animal into his earnest depiction of the beast.

Best Scene: Just before the transformation.
1. Dana Andrews in The Best Years of Our Lives - Good Prediction RatedRStar, mcofra7, and Luke. Andrews gives a powerful understated portrayal of man repressing his anguish of the war as he faces civilian life once again.

Best Scene: Fred visits an old bomber.
Overall Rank:
  1. James Stewart in It's A Wonderful Life
  2. Charles Boyer in Cluny Brown 
  3. Fredric March in The Best Years of Our Lives
  4. Dana Andrews in The Best Years of Our Lives
  5. Humphrey Bogart in The Big Sleep
  6. Jean Marais in Beauty and the Beast 
  7. Franco Interlenghi in Shoeshine
  8. Dan Duryea in Black Angel 
  9. Boris Karloff in Bedlam 
  10. Michel Simon in Panique   
  11. Van Heflin in The Strange Love of Martha Ivers
  12. Trevor Howard in I See a Dark Stranger 
  13. Louis Jouvet in A Lover's Return 
  14. Paul Muni in Angel on My Shoulder
  15. Cary Grant in Notorious
  16. Burt Lancaster in The Killers
  17. John Mills in Great Expectations 
  18. Ray Milland in Kitty 
  19. Pierre Blanchar in The Pastoral Symphony
  20. Paul Bernard in Panique  
  21. Orson Welles in Tomorrow is Forever 
  22. William Borchert in The Murderers Are Among Us
  23. Henry Fonda in My Darling Clementine
  24. Peter Lorre in Three Strangers  
  25. Yves Montand in Gates of the Night 
  26. Gérard Philipe in L'Idiot 
  27. Edmond O'Brien in The Killers  
  28. Edward G. Robinson in The Stranger
  29. Basil Rathbone in Terror By Night  
  30. David Niven in A Matter of Life and Death
  31. Claude Jarman Jr. in The Yearling 
  32. Carl Radditz in Unter den Brücken
  33. Gustav Knuth in Unter den Brücken
  34. Dana Andrews in Canyon Passage 
  35. John Garfield in Humoresque 
  36. Rinaldo Simordoni in Shoeshine 
  37. Peter Lorre in The Verdict 
  38. Sydney Greenstreet in The Verdict 
  39. Vincent Price in Dragonwyck 
  40. Lew Ayres in The Dark Mirror 
  41. Sydney Greenstreet in Three Strangers 
  42. Orson Welles in The Stranger
  43. Glenn Ford in Gilda
  44. John Garfield in The Postman Always Rings Twice
  45. Dean Stockwell in The Green Years
  46. Alan Ladd in The Blue Dahlia
  47. Tom Drake in The Green Years
  48. Gregory Peck in The Yearling
  49. Bud Abbott in The Time of Their Lives
  50. Lou Costello in The Time of Their Lives
  51. Fred Astaire in Blue Skies 
  52. Bob Hope in The Road to Utopia
  53. Bing Crosby in The Road to Utopia
  54. Joseph Cotten in Duel in the Sun 
  55. Philip Dorn in I've Always Loved You 
  56. Tyrone Power in The Razor's Edge
  57. Cary Grant in Night and Day 
  58. Gregory Peck in Duel in the Sun  
  59. Bing Crosby in Blue Skies 
  60. Larry Parks in The Jolson Story
  61. Rex Harrison in Ann and The King of Siam 
Next Year: 1946 Supporting

Friday, 14 November 2014

Alternate Best Actor 1946: Van Heflin in The Strange Love of Martha Ivers

Van Heflin did not receive an Oscar nomination for portraying Sam Masterson in The Strange Love of Martha Ivers.

The Strange Love of Martha Ivers is an often a bit over the top in its melodramatic story about a cold but powerful married couple who's dark secret comes to the surface when their old childhood friend comes to town.

Van Heflin, according himself, was told that he would never get the girl at the end of the film. This can certainly be seen in probably his two made famous films, at least in modern times, of Shane and 3:10 to Yuma. Funny enough he actually gets the "girl" in both of those films so to speak, but in both of those films he plays the more bland average man character, as written, compared to the more flamboyant individuals of Shane and Ben Wade played by Alan Ladd and Glenn Ford respectively. The reason I mention this is in this film because both of the two main women of the film are both rather blunt in displaying their affections toward Heflin's character. One being his old childhood friend the titular Martha Ivers (Barbara Stanwyck) who is married to a man named Walter (An against type Kirk Douglas since it was his first film before he even had a type), and another being a troubled woman Toni (Lizabeth Scott).

Van Heflin is actually kinda against type himself by playing the technically romantic lead which is interesting since his character starts out as the more troubled child. Even though he is drifter who does some gambling Sam is in no way a malicious character. It is interesting to see Heflin, who was obviously being very generous to his co-stars in those later westerns he made, since he proves himself to have quite the charm when he calls upon. Heflin carries himself well with a certain slick devil may care manner as Sam first arrives into town and he just seems to be enjoying his time of soaking in the nostalgia of being in his old hometown. His instant befriending of Toni is made wholly believable by Heflin's performance. He has a great easy going charisma here and he does a great job of establishing Sam as a likable guy, and his work here makes it a bit surprising the way he was often given the role as the other guy.

Heflin does well to kinda establish Sam outside of the melodrama a bit as his performance always feel very reserved well the emotions start flying quite freely with the other characters. Heflin's take with the character really works because he frankly presents Sam as basically a reluctant participant in the almost absurd level of drama that takes place involving Douglas's and Stanwyck's characters. This makes the most sense because Sam is not only tricked into staying more than once by Martha, but this also leads to him being constantly harassed by goons hired by Walter who happens to be a politician with some local sway. This leaves Sam as basically a man who just wants to leave possibly with the young woman he happened across. Unfortunately for Sam Martha keeps making her advances which leaves Walter to also become increasingly desperate as well. Heflin is great by portraying just the very down to earth exasperation of dealing with the insanity he'd rather not be a part of.

Van Heflin does some fine work here by resisting the urge ever to become part of the melodrama and it is perfect for the character of Sam who is really pulled along to the plot. Heflin is able to somewhat alleviate the intensity of the melodrama by playing Sam in just a rather charming and honest fashion. This does limit his character arc somewhat in that he mainly becomes disillusioned with his old friends, but Heflin handles this well by just being so genuine in his depiction of Sam's reactions throughout. The film isn't a great success but Heflin is essential to keeping it on a rail as he brings some power to the situation by portraying how a sane man would respond to such insanity. He kinda stabilizes the melodrama in a way but as well offers enough relief through the surprisingly amount of charm that he does bring into the role. It's very solid work from probably one of the most underrated actors from the period.

Monday, 10 November 2014

Alternate Best Actor 1946

And the Nominees Were Not:

David Niven in A Matter of Life and Death

Jean Marais in Beauty and the Beast

Dana Andrews in The Best Years of Our Lives

Van Heflin in The Strange Love of Martha Ivers

Henry Fonda in My Darling Clementine

Thursday, 10 May 2012

Best Supporting Actor 1942: Results

5. Frank Morgan in Tortilla Flat- Morgan is by far the best part of a bad film bringing a lot of heart to his role of the dog lover.
4. Henry Travers in Mrs. Miniver- Travers portrays his usual nice old man role in his usual nice old man fashion. It is not a stretch for him, the part is very limited, but Travers does it well.
3. William Bendix in Wake Island- Bendix's whole point in the film is to be funny, he is funny enough, and he is perfectly fine.
2. Walter Huston in Yankee Doodle Dandy- Huston gives a good performance as the warm and wise father. He is convincing in the vaudeville scenes, but his role is a little too limited for Huston to really do anything  special in the role.
1. Van Heflin in Johnny Eager- Good prediction RatedRStar. Heflin very very easily wins this year. Heflin simply gives an outstanding performance. He absolutely steals the entire film, he brings genuine emotions, and an original character to a film that certainly needs it.
Deserving Performances:
Claude Rains in Now Voyager
Roddy McDowall in The Pied Piper

Wednesday, 9 May 2012

Best Supporting Actor 1942: Van Heflin in Johnny Eager

Van Heflin won his Oscar from his only Oscar nomination for portraying Jeff Hartnett in Johnny Eager.

Johnny Eager is a crime melodrama about a gangster Johnny Eager (Robert Taylor) who tries to use everyone including a prosecutor's daughter (Lana Turner) to run his illegal operations.

Although the academy certainly deserves a great deal of the criticism it receives one must give them credit sometimes when they make a great decision. Johnny Eager is actually a finely made, but in many ways a standard crime melodrama. One facet of the film it is not at all standard, and it is the only aspect of the film that the academy rewarded or even nominated. This facet is that of he character of Jeff Hartnett, and Van Heflin's portrayal of him. Jeff is the closest confidant of Johnny Eager, he is not really is right hand man because although he helps Johnny out he really is not one of his men. Jeff instead stands as the only real friend that Johnny has, and the only one he can truly trust.

Heflin is terrific in his realization of the philosophical alcoholic Jeff who is a constant observer and commentator on Johnny. Heflin in just the way he sits, the way he holds his cigarette, the way he is constantly gripping his alcohol as if it is one of the few thing he can grasp onto creates a portrait of a very unique character in Jeff. Heflin creates a sort of history in Jeff that we certainly never hear of where he came from exactly, and the film never tells us. Heflin's performance though so vividly realizes this man that undeniably shows us something of Jeff history. Jeff has been in this role of confidant for sometime, and Heflin shows that it has slowly brought him to this place.

To say that Van Heflin steals every scene that he is in as Jeff is quite an understatement, he owns every single one of his scenes from beginning to end. There is not one moment that is not his, he even takes away a scene from the rest of the actors even when he has only a single reaction shot that is how effective Heflin is in the role.  Heflin's portrayal is simply consistently fascinating in the way he realizes the character of Jeff's constant observations and reactions to the various dealings in Johnny life. His brief statement he makes or a small glance always conveys so much in what is so little. Heflin brings a far greater power to every scene simply through his presence.

The central part of his performance is of course Jeff's relationship with Johnny. Heflin makes Jeff as always the moral judge to Johnny, even though Van Heflin never acts as some sort of pompous individual looking down upon Johnny's action, rather he is merely the man constantly soaking up everything Johnny does. Heflin shows that really everything Johnny does only bares down on his soul when it really should be bearing down on Johnny. Heflin makes Jeff the soul of Johnny, he is the way who feels the pain over what Johnny does to get his ways in the criminal underworld. Heflin realizes this pain perfectly as something slowly wearing Jeff down, and only making his depression only worse.

Heflin brings this pain to life brilliantly and brings to life the conflict of the film wholly in his performance. His scene when Jeff finally does confront Johnny over his immoral actions is an incredible scene for Heflin. When he finally tells Johnny that he was going to turn him in only to do the right there where Johnny has consistently failed to do so, Heflin intensely shows us the full toll of Johnny's actions on Jeff's conscious. It is a great scene made by Heflin absolutely honest portrayal. He never shows that Jeff is at all disappointed in his own stance really, but rather he cannot believe the way his friend has allowed himself to continue his selfish streak no matter how many lives it ruins.

The riskiest aspect of Heflin's portrayal is probably showing the fact that Jeff loves Johnny. How exactly Jeff loves him, or in what way Van Heflin appropriately keeps a mystery, yet he still shows that in some way he does care for his friend very deeply. What is outstanding about this is that Heflin never has a forced moment in his portrayal of this. He makes it clear that Jeff can never bring himself to become detached to Johnny even if common sense says he probably should. Heflin honestly makes this a moving portrait of Jeff genuine love for Johnny, and his disappointment knowing what Johnny could have been in another life. Heflin's final scene, which could have meant very little without him there, is absolutely heartbreaking. He is entirely devastating in his depiction of just how crushed Jeff is to see that Johnny never will be able to live to the potential that Jeff was always assured he could have been. He made me actually care more for Johnny in his heartfelt portrayal than Robert Taylor ever made me feel for him in his actually portrayal of Johnny. This is an excellent performance by Heflin, this could not be a better supporting performance, that not only is the best part of the film, but his presence only makes the film far greater than it would have been otherwise.

Sunday, 6 May 2012

Best Supporting Actor 1942

And the Nominees Were:

Frank Morgan in Tortilla Flat

Henry Travers in Mrs. Miniver

Van Heflin in Johnny Eager

William Bendix in Wake Island

Walter Huston in Yankee Doodle Dandy