Alternate Best Supporting Actor 1963: Results

5. Tatsuya Nakadai in A Woman's Life - I guess I'll note that I decided against reviewing both he and Steiger, as I found neither were notable examples of their talents, though for different reasons. For Nakadai it is just far too limited of a role, reduced even more so by the film's strange structure. He only gets the chance really to be charming, which he of course delivers on, but as Nakadai roles go it wastes him more than a bit.

Best Scene: Years later.

4. Rod Steiger in Hands Over the City - I'd actually say Steiger had a good role here but he's sabotaged by really a bad dub job. Obviously it's not going to be his real voice anyways, but it's worse than that because it doesn't really ever seem to be coming out of him, even with that in mind. It sadly detracts from his work even as dubbing go. This is a shame as his role is pretty meaty, but Steiger just can't shine. I'll give him credit that he does still convey a certain ego and powerful manner of a manipulative businessman. Sadly the dubbing issues keep a certain detachment there. Steiger is obviously acting his heart out at every point, but given the amount of dialogue in particular, it's a shame we can't hear him.

Best Scene: Opening

3. Geoffrey Keen in Dr. Syn, Alias the Scarecrow - Keen makes for a properly despicable villain who brings the right sort of glee and venom to his role.

Best Scene: "Don't be a fool, they'd hang anyway."

2. Anil Chatterjee in Mahanagar - Chetterjee gives an effective turn in offering humor, somberness and a bit of poignancy in his depiction of a husband slowly rediscovering his place in his family and his wife. 

Best Scene: Reconciliation.

1. Alan Bates in The Caretaker - Bates fairly easily conquers this lineup for me, this even if he might reach the heights of his co-stars, gives a terrific performance between them offering the one typically "sane" man, as society would see him, who plays around with the "insane" man by acting a bit insane himself.

Best Scene: Final Scene. 

Updated Overall

Next Year: 2001 Lead

Alternate Best Supporting Actor 1963: Geoffrey Keen, George Cole and Patrick Wymark in Dr. Syn, Alias the Scarecrow

Geoffrey Keen did not receive an Oscar nomination for portraying General Pugh in Dr. Syn, Alias the Scarecrow.

Well I will once again take this opportunity to sing the praises of the wonderful and underrated adventure film/mini-series the Scarecrow of Romney Marsh. The film features the previously reviewed work of the underrated Patrick McGoohan in the title role of both the smuggling rouge the Scarecrow, and the seemingly innocent parson Dr. Syn. It also features some turns from some rather underrated British character actors of the period. One of these actors being Geoffrey Keen, who is now perhaps best remembered as his side role in the Bond series, if that even, but whose talents did go beyond delivering a bit of setup exposition. Keen gets the chance to show that off in the role of General Pugh who is the main antagonist specifically sent by King George III to destroy the Scarecrow and his smuggling ring. Keen's performance here is to make Pugh a proper villain for the story. Keen's a rather delightful villain by very much playing up the ego the character. This with a smugly assured smile on his face as he announces the purpose of his arrival to smash the smuggling gang. Keen's most effective by making this Pugh's defining trait but not his only trait. In the same scene of his announcement Keen finds a bit more nuance within an incisive stare as speaks of the people's lawlessness that supports the smuggling. Keen is a great deal of fun in the role, even though he has sort of a presumed general seriousness through playing into the character's superior manner. This in particular in his frequent berating of his underlings who he always views as inferiors. Keen brings such a deliciously pompous demeanor with such venom in every "you fool" he throws out towards those he views as failing him. This also with the sense of the man's power, as there is such an ease in his threats to others, knowing he can easily have most men hanged. Keen's performance captures a certain enjoyable bit of villainy, in the way Pugh doesn't really hide his satisfaction with his own position. This in particularly Keen's smile of pure joy at the burning of random houses, or his manner of nearly breaking out laughing when it is suggested he might keep a promise to condemned men. Keen provides a particularly effective contrast to McGoohan as Syn, this as the equally assured man internalized, where Keen offers a man broad and overly open in his certainties. I'll cheat as I did with McGoohan, by bringing up one of my favorite, mini-series, moments where Pugh believe he has the Scarecrow dead to rights, and Keen asks him to surrender in the "King's Name" with such devilish glee in the moment. The impeccable smugness of Keen makes for Pugh's numerous defeats all the more satisfying, but also all the more enjoyable in Keen's performance. It is with this that I do think Keen takes his performance further than just a villain you like to see lose, in that he finds enough nuance in the moments outside of the direct antagonist. This in just interacting with the local squire, where Keen tones down it nicely to show a slightly social man, if he still carries an inherent intensity even in these moments. The best though being with Pugh out of his element, or forced to be. This when his losses goes beyond the possibility of blaming others, namely when he directly answers to the king himself. Keen is great in his one scene with George, as he delivers the false face of the loyal general, which he beautifully offsets once he turns around to reveal the same bitter frustrations he would at any other man he hates. Keen makes a properly entertaining villain for this entertaining story, who he sets up as just the proper man you just love to see fail again and again.

George Cole did not receive an Oscar nomination for portraying Mr. Mipps/Hellspite in Dr. Syn, Alias the Scarecrow.

Moving onto another underrated chap and mainstay of mid-century British cinema in George Cole. A charming performer who gets a nice role here as Dr. Syn's number two, both as the sexton for his church, but also as a fellow masked crusader. His work at the latter is fairly limited in that you can't even see his eyes in the costume and he only has about two lines with the mask on. I do like though his gruffer vocal work that complements McGoohan's own, even if it is only briefly heard. Cole's performance is interesting though in that it only really functions really in the plans of the duplicity for the scarecrow, being Syn's primary confidant and agent. Cole's effective by bringing sort of an alternative perspective in these moments as essentially the more cynical man of the group. This in even in a minor debate where Cole accentuates a lack of earnestness regarding the crusade as this great measure of hope as a man more mindful of the present reality. This is effectively shown in Cole's own portrayal of Mipps's manner in the plans, that Cole plays with a certain degree of self-satisfaction. This in that he brings a certain joy of performance in the act of Mipps going about his methods of manipulation for the sake of their cause. A highlight scene for Cole being when he tricks a prosecutor into a bit of a trap by pretending to be a concerned citizen. Cole manages to do two things at once in the scene as he provides a convincing false sincerity in his assured eyes towards the prosecutor, and bogus sympathy as he speaks of injustices being done. This is while in moments away there is this wonderful glint his eyes of a man just loving his ability to deceive the man. Cole's performance consistently delivers moments of just a bit of character thrown in there for portraying the method of the operator but also the joy he takes in performing his job. Cole doesn't just leave a scene be, but nicely brings in a bit of who Mipps in, as limited as that may be. This is even in just his moments of observing things where he creates the right tensions of the spy, or simply mutual concern as something may go wrong in a plan. Cole delivers a proper sidekick, of sorts, that is a proper companion performance to McGoohan's.

Patrick Wymark did not receive an Oscar nomination for portraying Joseph Ransley in Dr. Syn, Alias Scarecrow.

Finally in this trio of it I end on the type of performance I always love to highlight, that being the performance that makes the most out of a potential throwaway role. This in Patrick Wymark as Joseph Ransley who works as one of Scarecrow's men, before he threatened by General Pugh to betray him or face arrest. What makes Wymark's performance notable is the amount of sympathy he does create for Ransley throughout the ordeal. This is that the writing more of pegs him for basically a lout, who hates his step-mother, and will selfishly trade everyone in for his own preservation. He is a proper lout but Wymark doesn't make it his only trait. Wymark though is terrific sad sack, right from his opening scene where Pugh interrogates him over his sudden change in fortunes, that Pugh believes is from being a smuggler. Wymark delivers a very real fear of the situation, and genuine unease at the sense of being found out. He's not one note from this as he very much conveys both the sense of being found out but potentially something purer about giving up the whole ring he's part of. Wymark's effective in placing an emphasis in the moment of Ransley seemingly in power, as he initially tries to steal from the Scarecrow and run away with his sons. This in a moment of confidence, as we see the potential smuggler, who believes he knows a few things. This idea though is squashed as he is caught in the act of smuggling and arrested before being put on trial. This is as he and his sons face a potential death penalty, Wymark is honestly rather moving in creating the real desperation in the man as he pleads his inability to anyway help the crown and in turn help himself or his sons. He is left off as a technicality engineered by Dr. Syn but not without being threatened directly by General Pugh and more covertly by Dr. Syn. Again Wymark does more than possibly is demanded by being so earnestly scared with each threat, and by showing just how much of a wreck he becomes as he attempts to drink his troubles away. Unfortunately for him, the king's prosecutor comes to threaten him as well. Wymark is a terrific mess as he delivers with a real anguish as he decries his maddening situation where really everyone is out to get him. Although Wymark doesn't make you side with Ransley, he does grant a real humanity in the act of the traitor. These acts that lead him straight to another trial, unfortunately for him, this time run by the Scarecrow. Wymark's fantastic in the scene though as he manages to play more than one note. In that again you have a very real plea of passion in his voice as he tries to make them understand his situation, this in his earnest delivery as he speaks of trying to save he and his sons lives at the other trial. Of course this is also with a genuine disdain towards the Scarecrow, a logical anger at the man who thwarted his attempted acts of self-preservation, that Wymark leads with anger of a man fed up within his circumstances. This naturally falls away in his portrayal though when the results of the trial are given, and Wymark's expression of a nearly petrified fear again is remarkable as he faces perhaps his final fate. Ransley could've just been some bum traitor, nothing more, but Wymark realizes a real tragedy within his subplot, that takes the part towards something more substantial.

Alternate Best Supporting Actor 1963

And the Nominees Were Not:

Tatsuya Nakadai in A Woman's Life

Anil Chatterjee in Mahanagar

Alan Bates in The Caretaker

Rod Steiger in Hands Over the City

Geoffrey Keen in Dr. Syn, Alias the Scarecrow

George Cole in Dr. Syn, Alias the Scarecrow 

Patrick Wymark in Dr. Syn, Alias the Scarecrow

For prediction purposes: Keen out of the Scarecrow men.