Alternate Best Actor 2021: Results

10. Peter Dinklage in Cyrano - Dinklage delivers a properly impassioned and witty Cyrano, with the right nuance in his vulnerabilities though there are limitations within the film's presentation of the material.

 

Best Scene: Confrontation with Christian.

9. Nicolas Cage in Pig - Although I wish the film let him dive deeper, Cage gives a consistently captivating and quietly emotional portrayal of a recluse who is more than meets the eye.

 

Best Scene: Restaurant. 

8. Joaquin Phoenix in C'Mon C'Mon - Phoenix gives wonderful show of his range in his quietly human and warm portrayal of an average guy's connection with his nephew.

Best Scene: It's okay.

7. Amir Jadidi in A Hero - Jadidi gives a powerfully layered performance of a man who is endearing yet his smile hides a troubled soul.

 

Best Scene: Asking for the video to be deleted.

6. Caleb Landry Jones in Nitram - Jones gives a powerfully disturbing performance as a man who just does not relate to humanity the way most do.

 

Best Scene: "Hear to Heart" with his mom.

5. Dev Patel in The Green Knight - Patel gives a grounding performance for this fantasy, but also delivers so much more in his emotional and spiritual journey as Gawain.

 

Best Scene: The vision. 

4. Jason Isaacs in Mass - Isaacs gives a deeply powerful portrayal of a man's anger and sadness when coming to terms with his grief

 

Best Scene: Describing the shooting.

3. Simon Rex in Red Rocket - Rex gives an uncompromising yet wholly charismatic portrayal of a man who is intent on getting out of his hole by digging himself deeper into it. 

 

Best Scene: Hiding during the arrest.

2. Hidetoshi Nishijima in Drive My Car - Nishijima gives a deeply powerful and nuanced portrayal of man slowly coming to terms with his complex grief.

 

Best Scene: The shattered house. 

1. Bradley Cooper in Nightmare Alley - Good prediction Luke. Cooper gives an absolutely brilliant performance as the great Stanton, finding such variety in his grifts, such nuance in his self-loathing, and such power in his journey of a descent into a personal hell. I had to give Cooper the win here, he just had the biggest impact on me of any performance emotionally, while also being just so technically accomplished. If I didn't it would only be because I already gave him the win in supporting for the funniest performance of the year in Licorice Pizza. He left the biggest impact on me in both a leading and supporting turn, though in very different ways, but I can't deny that impact in either example. The funny thing is, frankly I probably was less positive on Cooper as an actor than many, though I certainly thought he was good actor. He definitely wasn't someone I looked upon as being "overdue" for me, so this purely based on the performances. And in this year, with these two performances, he has forced a new perspective upon me, as he's achieved greatness both dramatically and comedically.

 

Best Scene: "I was born for it".

Overall Ranking:

1. Bradley Cooper in Nightmare Alley
2. Benedict Cumberbatch in The Power of the Dog
3. Hidetoshi Nishijima in Drive My Car
4. Denzel Washington in The Tragedy of Macbeth
5. Simon Rex in Red Rocket
6. Jason Isaacs in Mass
7. Dev Patel in The Green Knight
   
8. Caleb Landry Jones in Nitram
9. LaKeith Stanfield in Judas and the Black Messiah
10. Cooper Hoffman in Licorice Pizza
11. Reed Birney in Mass
12. Daniel Kaluuya in Judas and the Black Messiah
13. Amir Jadidi in A Hero
14. Bo Burnham in Inside
    
15. Joaquin Phoenix in C'Mon C'Mon - 5
16. Nicolas Cage in Pig
17. Adarsh Gourav in The White Tiger
    
18. Andrew Garfield in Tick Tick...Boom
19. Peter Dinkalge in Cyrano  
20. Tim Blake Nelson in Old Henry
    
21. James Norton in Nowhere Special
    
22. Tahar Rahim in The Mauritanian 
    
23. Stephen Graham in Boiling Point 
24. Mahershala Ali in Swan Song
    
25. Frankie Faison in The Killing of Kenneth Chamberlain
26. Udo Kier in Swan Song
    
27. Tom Holland in Spider-Man: No Way Home
28. Michael Greyeyes in Wild Indian
    
29. Timothee Chalamet in Dune 
30. Woody Norman in C'Mon C'Mon 
31. Riz Ahmed in The Encounter 
32. Benedict Cumberbatch in The Electrical Life of Louis Wain - 4.5
33. Vincent Lindon in Titane  
34. Dan Stevens in I'm Your Man
35. Cillian Murphy in A Quiet Place Part 2
36. Yuriy Borisov in Compartment No. 6
    
37. Luke Kirby in No Man of God
    
38. Alex Wolff in Pig
    
39. Stanley Tucci in Supernova
    
40. Colin Firth in Supernova
41. Jim Broadbent in The Duke
    
42. Benedict Cumberbatch in The Courier
43. George MacKay in Wolf 
44. Frank Grillo in Boss Level
    
45. Adam Driver in The Last Duel
    
46. Daniel Craig in No Time to Die
    
47. Adam Driver in Annette 
48. Matt Damon in The Last Duel
    
49. Clint Eastwood in Cry Macho
    
50. Tom Holland in Cherry
51. Adam Driver in House of Gucci
52. Ralph Fiennes in The Dig 
53. Idris Elba in The Suicide Squad
    
54. Will Smith in King Richard 
55. Anthony Ramos in In the Heights 
56. Alessandro Nivola in The Many Saints of Newark
57. Justin Chon in Blue Bayou
    
58. Bob Odenkirk in Nobody 
59. Kanji Tsuda in Onoda: 10,000 Nights in the Jungle
    
60. Filippo Scotti in The Hand of God - 4 
61. Jonathan Majors in The Harder They Fall
62. Frank Grillo in Copshop
    
63. Yahya Abdul-Mateen II in Candyman
64. Gerard Butler in Copshop
65. Tom Hardy in Venom: Let There Be Carnage
    
66. Hugh Jackman in Reminiscence  
67. Tim Roth in Bergman Island
    
68. Dave Bautista in Army of the Dead - 3.5
69. Jason Statham in Wrath of Man
    
70. Benicio Del Toro in No Sudden Move
    
71. Don Cheadle in No Sudden Move
    
72. Jude Hill in Belfast 
73. Hilmir Snær Guðnason in Lamb
    
74. Oscar Isaac in The Card Counter 
    
75. Leonardo DiCaprio in Don't Look Up
76. Will Brill in Test Pattern
77. Matt Damon in Stillwater
    
78. Jack Dylan Grazer in Luca
79. Jacob Tremblay in Luca
    
80. Simu Liu in Shang-chi and the Legend of the 10 Rings
81. Denzel Washington in The Little Things
82. Trevante Rhodes in The United States Vs. Billie Holiday
83. Lucas Hedges in French Exit
    
84. Ansel Elgort in West Side Story
85. Elijah Wood in No Man Of God - 3 
86. Dwayne Johnson in Jungle Cruise
    
87. Eddie Murphy in Coming 2 America  
88. Jake Gyllenhaal in The Guilty 
89. Ed Helms in Together Together
    
90. Aidan Gillen in Those Who Wish Me Dead - 2.5
    
91. Javier Bardem in Being the Ricardos 
92. John David Washington in Malcolm & Marie 
    
93. Jermaine Fowler in Coming 2 America 
94. Keanu Reeves in The Matrix Resurrections 
95. Ryan Reynolds in Free Guy - 2
96. Rami Malek in The Little Things 
97. LeBron James in Space Jam: A New Legacy
    
98. Lewis Tan in Mortal Kombat - 1.5 
99. Daniel Ranieri in The Tender Bar
    
100. Tye Sheridan in The Tender Bar - 1
     
101. Ben Platt in Dear Evan Hansen - Wiseaus
     

Next: 1997 Lead (though I won't be starting until after the Oscars.)

Alternate Best Actor 2021: Caleb Landry Jones in Nitram

Caleb Landry Jones did not receive an Oscar nomination, despite winning CANNES, for portraying the titular character in Nitram. 

Nitram depicts the life of a young man who will eventually commit mass murder. An effective if rather difficult film to watch, even with the film not depicting the central character's most violent acts.

Before even discussing the deeper intentions of this work, it must be said that this is a stunning turn in the extent of the transformation of Caleb Landry Jones. If I was not aware of who was playing the part before watching the film, I probably would not have immediately guessed that this hulking and imposing figure was Caleb Landry Jones, better known for more weaker willed characters for the most part. Obscuring his early work even more is his wholly convincing Australian accent in the role, where Jones really has the most direct challenge for such an accent by performing with a cast only otherwise filled with genuine Australian performers. I'll admit when watching the film I actually first thought "wait was Caleb Landry Jones Australian this whole time?", as it is a common occurrence for an Australian performer to come along with a completely convincing American accent. However instead Jones pulls off the reverse with such ease, and his accent work isn't something you even think about, as you instantly accept his vocal work, just as you instantly accept that he is this character. Jones blends right into the Australian setting and within scenes with notable veteran Australian performers in Judy Davis (as Nitram's mother), Essie Davis and Anthony LaPaglia (as Nitram's father). Although as much as good accent can be slightly overpraised I think in the scheme of what makes a performance good, it still deserves praise, however what Jones does here deserves greater mention because it is essential in terms of moving the performance from the suggestion of such a character and instead just making it feel as though we are meeting this strange man that is Nitram. 

Accepting Jones in the role is essential to his unusual portrayal of Nitram, where so often a performance is about finding the genuine humanity in a role regardless of the character, Jones's performance in a way sees to subvert the very notion. We open the film as we see Nitram's parents trying to deal with their adult son who is still living with them, as this occasional terror around the neighborhood, as we see him throwing firecrackers for no easily identifiable reason. Jones's physical performance instantly stands out, as again it is wholly different from the typical way you think of Jones. He lumbers around with this strange kind of saunter. What is notable about Jones's performance is that in the way he leans, so often keeping his head down, and just so awkwardly engages as a person physically, it feels natural within his performance while also feeling wholly unnatural in terms of how one would react to seeing Nitram. Jones doesn't present him as innately a monster, yet there is just something instantly off putting as he approaches with that odd stance and manner of his. Just in this way he almost seems like something operating at a human, yet isn't quite in the correct shell to do so. Jones's work is extremely off-putting just in this sense, as you don't know why this guy seems so strange, yet he simply is from his physical manner alone. And what is so great about Jones's work is he doesn't make it an easily identifiable single tic, it rather his whole being just doesn't seem quite right, and in turn his presence just makes you naturally unsure of things. 

 

Jones in the early scenes of the film is instantly unnerving though he doesn't do so with these immediate kind of red flags as the psychopath. There is rather this inhumanity of just self as the man who seems so not a natural part of things. Jones even as he approaches a random woman on the beach, introducing himself and complimenting her, Jones's delivery is just not quite normal, and it is in that "not quite" that makes him so chilling. Jones projects this particular presence of someone in a way constantly trying to imply a normalcy and there is such a failure to be normal that it is extremely off-putting. There's just some early scenes of him roaming around the neighborhood that are stunning scenes of performance by Jones because never has someone just walking around seemed so odd, in a wholly tangible and unpleasant way. His playing around with firecrackers or swinging on a swing, Jones's lumbering manner has this innately aggressive quality about it. Jones's whole force of being is with this oddly pointed quality of just a fierceness even when he's not doing anything that should suggest this type of thing. There is reactive manner, an ease in just being in his way. When Jones speaks asking why a man hates him, Jones's performance is bereft of empathy or even sensibility of a normal human. He shows a man who speaks without any sense of awareness, and with this terrible hollow dispassion at times. His eyes convey a hate in a way, but not even with just the typical sense of normal directed anger, there is something deeper or more callous in his gaze that is powerfully disturbing in the generalization of it. 

There is a key to this character when we see Nitram interact with the few people who actually want to interact with him. When for example his father shows him a potential inheritance and calls him a "silly boy" for his particular ways, Jones's copy cat delivery is quietly terrifying as he says the line back, as again as this man kind of mocking normal human commentary or empathy between others. This becomes most explored when he begins to interact with a lonely older woman Helen (Essie Davis). A woman clearly reaching out to him for any kind of companionship. Even in this though Jones portrays not this normal interaction. He prods and messes with her still, so far as messing with her steering wheel when she's driving, and there is this anarchist energy that Jones brings. Jones even as the woman clearly wants to connect to him, is disturbing by showing the way Nitram seems to be set on destabilizing the situation. Jones is truly brilliant in the way he manages to both have this sort of animalistic random aggression, but also this nearly childlike playful mischievousness about him. The fact that is all in this grown man, who again almost looks overgrown, makes it even more unpleasant to witness. Even as the woman clearly wants love from him, Jones doesn't play that in return in Nitram. There is rather this curios disconnect even within the seeming connection he is making. He looks at her, takes her things, plays with her, always with this manner almost like how a dog does when bite playing. He's doing something as he sees as fun and connective but in his damaging way. Jones showing Nitram interacting his own way no matter how dangerous it may be. 

Eventually just before Helen were to have Nitram go away with her, Helen dies in a car accident caused by Nitram's desire to mess with the wheel again within in act of his sense of "fun". Jones's performance in the hospital immediately afterwards is amazing as again he manages to portray what is a human emotion however in that Nitram way that would seem wholly unnatural to most, yet feels wholly naturally within this presence that Jones has so successfully crafted as Nitram. This as his internalize screaming at reacting at the news of Helen's death, is this strange guttural scream, that is almost in the reverse way that most would scream, and in turn seems completely fitting to Nitram. Jones's work showing an expression of pain in Nitram in the moment, however an expression of it that as much as it portrays an emotion it portrays it in a way that is nearly alien, and in turn truly unnerving. After that we see what is this downward spiral with only his parents to help him, who both are overwhelmed yet also seemingly underwhelming in their attempts to deal with their son. Jones's performance is then this articulation of this state of the man who becomes ever more isolated and in a way more dangerous in this detachment. Jones's performance in a way becomes defined by what is really an anti-chemistry, particularly in his later scenes with LaPaglia and Davis. Together they are are so disconnected from one another. In a moment where he's scrambling to attempt to create some coherence in his mind, Jones is incredible in revealing such tremendous emotions in a scene of trying to explain himself to his mother in some way, however again in a way that feel so insular and isolated. Jones reveals such intense emotions with his performance, what would be a typical breakdown, however in this curious way that makes him just seem all the more unapproachable.

We witness then what is this horrifying path of Nitram towards what is his eventual murderous intention. In a scene where we see a contentment then is as we see him shooting or finding more weapons. Jones's performance shows this fixation on the weapon and this strange straight forward stare of his when trying his gun out. This includes even aiming his gun at the gun store owner and another patron. Jones portrays it as really this ease as though the people in front of him really are nothing, as his fixation is on the weapon is all he seems to truly be engaged with. There's a especially chilling moment even within Jones's delivery of speaking the way of the faster shooting gun by imitating the sound, Jones speaks with this focus and obsession over the gun rather than over the person he is talking to. Jones's performance isn't really one about change, it isn't as though Nitram is worse at the start than he is just before he commits his nightmarish acts. Jones rather presents a man disconnected with the reality around him, the people around him, but really even his own mental state. Jones shows this nearly alien state of a man who almost nearly feels as a kind of creature who only seems to know how to try to connect with others through violent acts. His initial acts of throwing the fireworks are directly connected to his final act of going on a merciless shooting spree. In both Jones presents this most terrifying contentment Nitram has with violence that acts as his outlet for the world. The final scene of his performance is extremely disturbing because before Nitram goes on his killings he eats and drinks for a meal. Jones makes it so disturbing because nothing in his eyes, or his manner suggests someone who is going to do something that is different for him, or even something that at all scares him. It isn't a turning point in Jones's performance it is rather just a new form of expression for him.There is this sense of contentment that Jones depicts as prepares for the killings, a contentment of a man just being himself. This is an outstanding performance by Caleb Landry Jones. The horror of the film, and what makes it so anxiety inducing, is not really what we see but what is implied and what is created by Jones's performance.There is never a moment you don't believe Jones in this character, and that is what makes this work so terrifying. A performance that isn't about finding the humanity in someone capable of heinous acts, rather it is this unsettling portrait by Jones as he so tangibly reveals the missing compassion and connection of such a person.

Alternate Best Actor 2021

And the Nominees Were Not:

Bradley Cooper in Nightmare Alley

 

Nicolas Cage in Pig

 

Joaquin Phoenix in C'Mon C'Mon 

 

Amir Jadidi in A Hero

 

Dev Patel in The Green Knight 

Predict those five, these fives, or both: 

Hidetoshi Nishijima in Drive My Car

Jason Isaacs in Mass

Simon Rex in Red Rocket

Peter Dinklage in Cyrano

Caleb Landry Jones in Nitram