Monday, 11 October 2010

Best Actor 1943

And the Nominees Were:

Humphrey Bogart in Casablanca

Walter Pidgeon in Madam Curie

Paul Lukas in Watch on The Rhine

Gary Cooper in For Whom the Bell Tolls

Mickey Rooney in The Human Comedy


So who do you pick, and who do you predict? The iconic bar owner involved with Nazis, the Anti-Nazi, the solider in the Spanish American War, the death messenger, or Pierre Curie?

Best Actor 1929: Results

4. Chester Morris in Alibi- Chester Morris gives a rather standard gangster performance, he is not charismatic enough to be as manipulative as the character is, and his big final scene I do not know what to make out of it.

3. Paul Muni in the Valiant- In the Valiant Paul Muni is consistently fine, and quite good in his final moments, he never is great, but he never is bad either.  Also interestingly enough he never has his overacting moments as he does in his later performances.

2. Warner Baxter in In Old Arizona- Warner Baxter performance suffers only a little bit from its age. He really does make a very memorable character out of the singing bandit called the Cisco Kid. He is very good throughout and particularly strong when showing the darker side of the character. 

1. George Bancroft in Thunderbolt - Bancroft delivers a well attuned performance that manages to delivery the brutish but also charismatic qualities of his strangely likable gangster.

Sunday, 10 October 2010

Best Actor 1929: Chester Morris in Alibi

Chester Morris received his only Oscar nomination for portraying Chick Williams in Alibi.

Alibi is a rather poor crime film about a criminal who manipulates others to get alibis to cover his crimes.

Chester Morris plays this criminal named chick. His performance is a pretty standard tough gangster performance. He has the right way of looking and all that but in terms of screen presence he is no Edward G. Robinson. He mostly just keeps with the tough gangster way for most of the film, which is a bit of a problem.

 Chick is suppose to be a very manipulative person, and very charismatic person since he is always trying to convince others to do his bidding. He simply is not charismatic enough for his manipulations to be made believable. He just keeps his tough guy way of acting which is still not the greatest. He does not show how he could make a police man's daughter to marry him, or convince a law abiding man to make an alibi for him.

He has one big scene though where he must show a different side of Chick. In this scene he no longer is able to act tough when threatened with death. I do not know what to make of this scene actually. It is the type of acting and scene that was made fun of a million times after this film. I'm not sure if he is actually bad or not, but it brought memories back to me of the parodies too well. I simply, am not sure, but still even if he is not bad his performance is simply not anything special, basically standard throughout. I did not dislike it but there is nothing at all special, and from the same film Harry Stubbs as the police man who must take Chick down is much better.

Saturday, 9 October 2010

Best Actor 1929: Warner Baxter in In Old Arizona

Warner Baxter won an Oscar from his only Oscar nomination for portraying the Cisco Kid in In Old Arizona.

In Old Arizona is an odd film which was the first talkie film to be filmed outdoors. It is odd because it does not seem to know what type of story it is telling, and its tone is all over the place. Especially with its light comic tone most of the time then ending with a pretty dark tone.

Warner Baxter plays an outlaw known as the Cisco Kid who is wanted by the authorities for his constant armed robberies and occasional killings during the robbery. Baxter's character adds to the oddness of the film because I was not sure if he was suppose to be a hero or villain, since it is about him but at the same time he is a criminal who at times is rather cold blooded. I would say the film harms Baxter's character just a little due to his bizarre costume. It looks a little tight actually, and makes him look a little strange, but still it does not technically harm the strength of his performance.

Baxter is in the older acting style to a degree. There is never extreme subtlety but that is also due to the fact that the script wants just about everything said. He does not fall into the pitfall though of being boring though. He is rather interesting and charismatic in his performance, much more than I really expected before the first time I saw him. The Cisco kid talks to himself and Baxter is very good at attempting to make these scenes interesting just due to his unique delivery, he does not always succeed but he certainly tries hard and deserves credit for it. I like the way he shows the Kid's joy in his robberies, and the way he talks very happily about what he does.

He also is very good at being old timey romantic with his local girl. He has the right charisma and really does create a memorable character as the old singing bandito. He really does make Cisco Kid memorable which caused a whole slew of characters to be based on this performance.  He is properly charismatic in all his scenes but he really is strongest in the scenes where he shows the dark murderous side of his character. Even if the script is strange in having the Kid have such wild changes in personality, Baxter amazingly actually does make it work. He transitions well showing that the Kid sees killing as part of his job, and does it rather fittingly. Although when someone really tries to kill him he is rather brilliantly cold. His dark delivery really is perfect when he kills some who tried to kill him, or the way he says his darkly comic line.  His performance does suffer a little from age, but he still gives a memorable performance, that is especially strong in certain scenes.

Monday, 4 October 2010

Best Actor in a Leading Role Ranking

 I will be taking a bit of a break from reviews for a bit, but to keep something going, I am going try to create a Best Actor Ranking through poll results starting by ranking the winners first by each decade. 

So the first rounds will be in polls on the right side.




Saturday, 2 October 2010

Best Actor 1929

1929's nominees include Lewis Milestone The Patriot which is basically lost, and George Bancroft in Thunderbolt which I checked for everywhere and only found on eBay, but I am hardly going to payout the cost to by the actual reels of the film which is all I could find. I will get back to any of these if they ever become easier to find, but for the moment I will reduce the nominees to:

Warner Baxter in Old Arizona

Chester Morris in Alibi

Paul Muni in The Valiant

Who do you pick? Who do you predict?

Friday, 1 October 2010

Best Actor 1939: Results

5. Mickey Rooney in Babes in Arms- Mickey Rooney I think he is just fine and functionally correct in his role. Not all that much, but I really thought he did what he had to.
4. Robert Donat in Goodbye, Mr. Chips-Robert Donat really is a strong winner showing his transition from a young man, to an old teacher brilliantly. He handles all of Chips changes throughout his years brilliantly, and gives a very memorable performance.
3. Laurence Olivier in Wuthering Heights- Heathcliff is a very dramatic character who certainly is an Archetype but Olivier does not stop this from giving a great performance. He is perfect at first as the romantic lead than his transitions brilliantly and truly effectively as the dark and cold Heathcliff.

2. James Stewart in Mr. Smith Goes to Washington- James Stewart using his charm which only has really gives a very strong performance. Stewart really is great in his way as the innocent Smith, to his transition to the lone man fighting for what is right.

1. Clark Gable in Gone With The Wind- Clark Gable gives a truly legendary performance as Rhett Butler. Rhett is made is into the extremely memorable character by Gable. Gable is able to stand out in this epic, and stand with Vivien Leigh which is an incredible achievement. An iconic performance that is truly a great performance. This whole year was a great year for acting performances, and each would have been deserving in any year, but I feel Gable happens to be the most powerful, most effective performance, and really was the most challenging character. For such achievement Gable becomes my second two time lead winner now tying with Walter Huston.
Deserving Performances:
John Wayne in Stagecoach