And They Are:
Nicolas Cage in Deadfall
Nicolas Cage in The Wicker Man
John Travolta in Battlefield Earth
Jon Voight in Anaconda
Eddie Redmayne in Hick
Now for prediction purposes they should be ranked from most Wiseaus worthy to least Wiseaus worthy.
Showing posts with label Tommy Wiseau. Show all posts
Showing posts with label Tommy Wiseau. Show all posts
Friday, 25 March 2016
Tuesday, 18 September 2012
Alternate Best Actor 2003: Results
5. Tommy Wiseau in The Room- Wiseau gives a performance for the ages that is absolutely hilarious, unfortunately it was never meant to be.
4. Paul Giamatti in American Splendor- Giamatti gives an effective performance finding the humor and humanity underlying his grumpy character.
3. Peter Dinklage in The Station Agent- Dinklage gives a strong performance from humorous dead pan to slowly easing in a character transition.
2. Choi Min-sik in Oldboy- Min-sik gives a powerful intensely physical performance brilliantly depicting the insane changes of his character throughout the film.
1. Stephen Lang in Gods and Generals- I must settle for Lang this year as his performance moved me the most out of all the performances. He elevates his material magnificently giving a truly incredible portrayal of Stonewall Jackson.
Overall Rank:
Next Year: 1957
4. Paul Giamatti in American Splendor- Giamatti gives an effective performance finding the humor and humanity underlying his grumpy character.
3. Peter Dinklage in The Station Agent- Dinklage gives a strong performance from humorous dead pan to slowly easing in a character transition.
2. Choi Min-sik in Oldboy- Min-sik gives a powerful intensely physical performance brilliantly depicting the insane changes of his character throughout the film.
1. Stephen Lang in Gods and Generals- I must settle for Lang this year as his performance moved me the most out of all the performances. He elevates his material magnificently giving a truly incredible portrayal of Stonewall Jackson.
Overall Rank:
- Russell Crowe in Master and Commander
- Choi Min-sik in Oldboy
- Stephen Lang in Gods and Generals
- Billy Bob Thornton in Bad Santa
- Robert Duvall in Open Range
- Kevin Bacon in Mystic River
- Paul Bettany in Dogville
- Johnny Depp in Pirates of the Caribbean
- Song Kang-ho in Memories of Murder
- Daniel Brühl in Goodbye, Lenin!
- Peter Dinklage in The Station Agent
- Paul Giamatti in American Splendor
- John Turturro in Fear X
- Ewan McGregor in Big Fish
- Nicolas Cage in Matchstick Men
- Luigi Lo Cascio in The Best of Youth
- Hayden Christensen in Shattered Glass
- John Malkovich in Ripley's Game
- Takeshi Kitano in Zatoichi
- Campbell Scott in The Secret Lives of Dentists
- Kim Sang-kyung in Memories of Murder
- Mads Mikkelsen in The Green Butchers
- Alessio Boni in The Best of Youth
- Kevin Costner in Open Range
- Colin Farrell in Phone Booth
- Ivan Dobronravov in The Return
- Tadanobu Asano in Last Life in the Universe
- Jeff Daniels in Gods and Generals
- Robert Duvall in Secondhand Lions
- Bill Murray in Lost in Translation
- Philip Seymour Hoffman in Owning Mahowny
- Jude Law in Cold Mountain
- George Clooney in Intolerable Cruelty
- Hayley Joel Osment in Secondhand Lions
- Paddy Considine in In America
- Albert Brooks in Finding Nemo
- Hugh Jackman in X-2
- Michael Pitt in The Dreamers
- Ewan McGregor in Down With Love
- Tom Cruise in The Last Samurai
- William H. Macy in The Cooler
- Johnny Depp in Once Upon a Time in Mexico
- Crispin Glover in Willard
- Tsunashima Gōtarō in Japanese Story
- Tobey Maguire in Seabiscuit
- Orlando Bloom in Pirates of the Caribbean
- Shia Laboeuf in Holes
- John Cusack in Identity
- Jack Nicholson in Something's Gotta Give
- Will Farrell in Elf
- Rémy Girard in The Barbarian Invasions
- Dougray Scott in Ripley's Game
- John Cusack in Runaway Jury
- Antonio Banderas in Once Upon a Time in Mexico
- Owen Wilson in Shanghai Knights
- Dwayne Johnson in The Rundown
- Jack Black in The School of Rock
- Sean Penn in 21 Grams
- Luke Wilson in Old School
- Greg Kinnear in Stuck on You
- Nikolaj Lie Kaas in The Green Butchers
- Stéphane Rousseau in The Barbarian Invasions
- Sean Penn in Mystic River
- Jeremy Sumpter in Peter Pan
- Ben Kingsley in House of Sand and Fog
- Ewan McGregor in Young Adam
- Benicio Del Toro in 21 Grams
- Aaron Eckhart in The Core
- Jackie Chan in Shanghai Knights
- Matt Damon in Stuck on You
- Jack Nicholson in Anger Management
- Eric Bana in The Hulk
- Sean William Scott in The Rundown
- Ben Affleck in Daredevil
- Ben Affleck in Paycheck
- Alex Frost in Elephant
- Sean Connery in The League of Extraordinary Gentleman
- Rowan Atkinson in Johnny English
- Adam Sandler in Anger Management
- Tommy Wiseau in The Room
Next Year: 1957
Monday, 17 September 2012
Alternate Best Actor 2003: Tommy Wiseau in The Room
Tommy Wiseau did not receive an Oscar nomination nor a Razzie nomination for portraying the greatest of characters Johnny in The Room.
The Room is a film that one must see to believe about Johnny who is betrayed by all of his friends and he gets fed up with this world.
Ah yes such legendary actors Laurence Olivier, Robert Duvall, and Charlie Chaplin these actors have before directed themselves to an incredible performance clearly attempting to join their ranks is Tommy Wiseau. Tommy Wiseau an actor and director like no other obviously, I mean just look at that picture even pictures of him defy description. Clearly no other director could possibly contain the acting prowess of this man but himself.
Now Wiseau takes an interesting tactic to begin with in his performance which is speak in his native tongue. It might be true technically speaking it is English but let's be honest English takes on a whole new life of its own with Wiseau's accent. Of course his accent is only the first part of his no holds barred work that always takes risks no matter how head scratching it might be to a casual viewers. This is truly otherwordly performance, and no I do not mean in some sort spiritual fashion, I mean more of like an alien from another world.
In Wiseau eyes we see a daze like the thousand worked days of a banker where they take all his ideas and make all the money and he is the fool. His face suggests a man with no hope almost as if he is constantly on a strong painkiller all the time. That face of his just says it all in his place in the world that he soon becomes fed up with. It is a face of a man's failures, and inabilities to know that his fiancee is some pointlessly evil woman for no reason.
Something quite fascinating in this performance is the fact that Wiseau constantly starts throwing his voice all the time, where he will appear to be mouthing one thing, but his words do not match up, it is something truly outstanding, a risky maneuver that lesser actors would never even attempt to do. Wiseau goes full force with obviously implying that perhaps Johnny was not suppose to be a banker with great ideas after all, no he was clearly meant to be a ventriloquist.
Wiseau is not afraid here to even call back to classic performances from the legendary James Dean particularly in one moment heartbroken over his fiancee's lies that he hit her, he breaks out in the immortal line "You're tearing me apart Lisa". Wiseau goes all out in his accented screech, moving his arms akimbo like he was saying yes to a great victory, even though there is not victory to be seen in the rest of Johnny's story in the room.
What is spectacular in this performance of performances is the ability to change the emotions in a moment so easily. For example when again he complains, to the air I guess, about how he did not her, he did not, what grief Wiseau conveys in his scrunched up face, and bizarre inflection. He then instantly changes his face from pain to instant casual greeting in oh hi mark. Such a stunning portrait of instant emotion change, it is truly something stunning.
I think the most interesting part of this performance though is Wiseau's odd, but obviously brilliant choices in certain scenes. Such as when his friend Mark tells Johnny a story about a woman being beaten so bad she ended up in a hospital at Guerrero street. Rather than show interest, or depth in regards to it, Wiseau takes a whole another approach and laughs in reaction to the story showing that even a story about a brutal beating Wiseau shows that Johnny always sees the lighter side even when it might very strange to do so.
But we all know the highlight of this performance comes at the end of the film when Johnny is enraged to find out his fiancee Lisa is having an affair with his best friend Mark, what follows it the most forceful moments of pain ever depicted on screen. He leaves no prisoners not even chickens as he brutally states cheep cheep cheep, which is just incredible for Johnny to try to get rid of the accepted chicken call of Baaack baack, baack, baack, truly stunning.
The greatest moments come in Wiseau depiction of Johnny tantrum where he destroys the room yelling why Lisa why, in a cry that is unforgettable. He leaves nothing alone whether it is clothes, draws, or a poor tv that Wiseau the director decided to film flying out side the window and being destroyed clearly that cut was essential during Johnny's final pains. Well it all ends with Johnny blowing his brains out, and Wiseau's dead face is truly something that cannot be forgotten in this performance that is one for the ages. There is only one rating worthy of this performance.
Seriously though this performance is in all honesty terrible. Yes his accent, and weird choice in this performance are hilarious. The man though was entirely serious in his performance though, despite what he now claims, and in being a serious performance this fails miserably. As a failure though it completely succeeds though. I can't give him credit though when everything enjoyable about this performance was purely unintentional, since no man can make a film this hilariously bad on purpose.
The Room is a film that one must see to believe about Johnny who is betrayed by all of his friends and he gets fed up with this world.
Ah yes such legendary actors Laurence Olivier, Robert Duvall, and Charlie Chaplin these actors have before directed themselves to an incredible performance clearly attempting to join their ranks is Tommy Wiseau. Tommy Wiseau an actor and director like no other obviously, I mean just look at that picture even pictures of him defy description. Clearly no other director could possibly contain the acting prowess of this man but himself.
Now Wiseau takes an interesting tactic to begin with in his performance which is speak in his native tongue. It might be true technically speaking it is English but let's be honest English takes on a whole new life of its own with Wiseau's accent. Of course his accent is only the first part of his no holds barred work that always takes risks no matter how head scratching it might be to a casual viewers. This is truly otherwordly performance, and no I do not mean in some sort spiritual fashion, I mean more of like an alien from another world.
In Wiseau eyes we see a daze like the thousand worked days of a banker where they take all his ideas and make all the money and he is the fool. His face suggests a man with no hope almost as if he is constantly on a strong painkiller all the time. That face of his just says it all in his place in the world that he soon becomes fed up with. It is a face of a man's failures, and inabilities to know that his fiancee is some pointlessly evil woman for no reason.
Something quite fascinating in this performance is the fact that Wiseau constantly starts throwing his voice all the time, where he will appear to be mouthing one thing, but his words do not match up, it is something truly outstanding, a risky maneuver that lesser actors would never even attempt to do. Wiseau goes full force with obviously implying that perhaps Johnny was not suppose to be a banker with great ideas after all, no he was clearly meant to be a ventriloquist.
Wiseau is not afraid here to even call back to classic performances from the legendary James Dean particularly in one moment heartbroken over his fiancee's lies that he hit her, he breaks out in the immortal line "You're tearing me apart Lisa". Wiseau goes all out in his accented screech, moving his arms akimbo like he was saying yes to a great victory, even though there is not victory to be seen in the rest of Johnny's story in the room.
What is spectacular in this performance of performances is the ability to change the emotions in a moment so easily. For example when again he complains, to the air I guess, about how he did not her, he did not, what grief Wiseau conveys in his scrunched up face, and bizarre inflection. He then instantly changes his face from pain to instant casual greeting in oh hi mark. Such a stunning portrait of instant emotion change, it is truly something stunning.
I think the most interesting part of this performance though is Wiseau's odd, but obviously brilliant choices in certain scenes. Such as when his friend Mark tells Johnny a story about a woman being beaten so bad she ended up in a hospital at Guerrero street. Rather than show interest, or depth in regards to it, Wiseau takes a whole another approach and laughs in reaction to the story showing that even a story about a brutal beating Wiseau shows that Johnny always sees the lighter side even when it might very strange to do so.
But we all know the highlight of this performance comes at the end of the film when Johnny is enraged to find out his fiancee Lisa is having an affair with his best friend Mark, what follows it the most forceful moments of pain ever depicted on screen. He leaves no prisoners not even chickens as he brutally states cheep cheep cheep, which is just incredible for Johnny to try to get rid of the accepted chicken call of Baaack baack, baack, baack, truly stunning.
The greatest moments come in Wiseau depiction of Johnny tantrum where he destroys the room yelling why Lisa why, in a cry that is unforgettable. He leaves nothing alone whether it is clothes, draws, or a poor tv that Wiseau the director decided to film flying out side the window and being destroyed clearly that cut was essential during Johnny's final pains. Well it all ends with Johnny blowing his brains out, and Wiseau's dead face is truly something that cannot be forgotten in this performance that is one for the ages. There is only one rating worthy of this performance.
Seriously though this performance is in all honesty terrible. Yes his accent, and weird choice in this performance are hilarious. The man though was entirely serious in his performance though, despite what he now claims, and in being a serious performance this fails miserably. As a failure though it completely succeeds though. I can't give him credit though when everything enjoyable about this performance was purely unintentional, since no man can make a film this hilariously bad on purpose.
Thursday, 13 September 2012
Alternate Best Actor 2003
And the Nominees Were Not:
Tommy Wiseau in The Room
Peter Dinklage in The Station Agent
Paul Giamatti in American Splendor
Stephen Lang in Gods and Generals
Choi Min-sik in Oldboy
Tommy Wiseau in The Room
Peter Dinklage in The Station Agent
Paul Giamatti in American Splendor
Stephen Lang in Gods and Generals
Choi Min-sik in Oldboy
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