Friday, 6 February 2026

Alternate Best Supporting Actor 2025: Jacobi Jupe in Hamnet

Jacobi Jupe did not receive an Oscar nomination for portraying Hamnet Shakespeare in Hamnet.

Jacobi Jupe plays the only son of William Shakespeare (Paul Mescal) and Agnes (Jessie Buckley), who is one of two twins along with his sister Judith. Jupe’s performance is a fairly brief one in the scheme of the film given so much is dealing with the death of his character. So for a kid he needs to make an impact pretty quickly while also hitting a very specific blend of needs which is pretty challenging as child performers go. As the first aspect is just being a believable child which Jupe isn’t only a believable child he’s also an incredibly endearing one. There’s just a spark in his performance where you get such a sweet sincerity about his character as we see him doing kid things like switching spots with his sister to try to trick their dad and just playing around with his parents. Jupe has a real charm that feels realistic to just a kid where there’s that sense of life about him. But being just a cute kid would be one accomplishment, an accomplishment which Jupe succeeds wholeheartedly, but there is more asked of him than that.
As we have a pivotal scene where his father is going back to London to continue working, and Jupe’s emotional nuance in his strained voice at recognizing his father is leaving is heartbreaking already but so much more. Jupe’s performance manages to convey in these emotional scenes, also one with his mother where she says she has a vision of him essentially on stage, a powerful combination between a degree of emotional maturity yet still filtered through wholly a child. Such as when his father asks if “he will be brave?” Jupe is equally convincing in his first affirmation, where we see him working through the sadness of not being able to see his father for a while combined though with the determination to be protector for the rest of the family, as he is when his father keeps asking in essentially leading to a father/son cuddle, where Jupe far more childish reaction of excitement of getting his father’s affection. Jupe is convincing in both moments but more importantly they do not feel disparate rather creating an honest complexity in his depiction of Hamnet. Jupe makes it hard not to love the sweetness of the kid but with that wish to also be strong.
So then when his sister comes down with a severe illness Jupe’s performance is rather astonishing. As again we get that uniquely potent combination of mature and the child. Portraying powerfully such genuine concern for his sister combined though with the inner strength in that little face of his that carries such a remarkable impact to it. So then when he has a scene where he literally asks to give his life for Judith, it is such a devastating moment because what Jupe manages to do is be a cute kid asking essentially for superpowers in the moment to save the day, while also conveying the gravity of the choice in the direct sincerity of his delivery as he offers himself for sacrifice to save his sister. An element that becomes all too true when Judith recovers but Hamnet comes down with the same fever. Jupe’s performance is frankly hard to watch in these scenes because he’s so convincing in delivering the harrowing visceral intensity of every bit of the sickness as he becomes deathly ill. Combining this with the sort of “out of body” scenes of him calling for his mother while he’s alone on a stage, Jupe’s work carries with it such emotional devastation. And that is technically almost the end of his performance except for a single silent moment at the end of the film, which is well performed in that silence, though more so a direction moment. What Jupe accomplishes in his screentime is such a tremendous impact and is what haunts the film. He isn’t just some random child and doesn’t accept essentially the cheat of the loss of a child, which is heartbreaking even without detail. Jupe creates detail, texture and emotional connection beyond just the idea. Making Hamnet such a winning presence, so when he is lost it is all the more painful, and within it finding this wonderful combination between the conviction of an adult and the levity of a child. He makes Hamnet far more than a name and gives him a remarkable life that makes you truly feel the depth of the tragedy of having it stolen so quickly and so mercilessly.

16 comments:

Luke Higham said...

Louis: Your Production Design top ten.

I'll ask for thoughts on Buckley in Mescal's review.

Luke Higham said...

Louis: Ratings and thoughts on the cast of Splitsville.

Robert MacFarlane said...

Yeah, this kid floored me. I admit, I was sobbing during his death scene. Doesn't help he looks a little like my younger nephew.

Tahmeed Chowdhury said...

His "tricking death" scene made me cry my eyes out, one of the most heartbreaking performances I've seen in some time for sure.

Luke Higham said...

Louis: Any upgrades for 28 Years Later.

Tony Kim said...

Thoughts on Sentimental Value's use of "Dancing Girl"?

Shaggy Rogers said...

Hey guys
Update on my Top 10 prediction of Louis' lead actor in 2025:
1. Penn
2. Jupe
3. Crowe
4. O'Connel
5. Del Toro
6. Leguizamo
7. Okonma
8. Macy
9. Lindo
10. Mullan or O'Brien?

Shaggy Rogers said...

Supporting, I say

Anonymous said...

Louis, other than Buckley, your thoughts on the cast.

Tybalt said...

Anonymous: I believe he'll give them under Mescal's review.

Louis Morgan said...

Luke:

Production Design:

My Nominees:


Fantastic Four: The First Steps
Frankenstein
Marty Supreme
The Phoenician Scheme
The Secret Agent

Rest of the top Ten:

6. Bugonia
7. Hamnet
8. Sinners
9. One Battle After Another
10. Kiss of the Spider Woman

Marvin & Covino - 3.5/4(Marvin gives the exact same performance as the Climb which is kind of terrible, but for whatever reason his non-traditional acting in terms of being good or any kind of leading man works to a degree of being an anti-leading man basically. I don’t know if it will work a third time but I’ll say he’s successfully gotten quite a bit of mileage out of it. Covino is the more dynamic performer of the two and even managed to give a different performance this time. As last time he was more scattershot here he’s quite good in basically breaking down the “assured” open relationship type guy and just becoming increasingly more insecure as the film progresses.)

Arjona - 4(She’s quite a lot fun and has been showing very different sides of her talent recently. Here managing to play a fairly ridiculous screwball note quite effectively by just playing straightforwardly into the madness, as we see her get tired of everyone progressively, which Arjona manages to hit that specific comedic note quite effectively with enough of a dynamic quality in her seeming changes throughout.)

Johnson - 3(I mean it’s the performance that she frequently gives and I don’t think she really brings much beyond her given delivery, which is her voice, but also actors…can change their voice a bit it has been a known thing for them to do. Anyway, as undynamic as she is, she also works well enough though because that straightforwardness and even unemotional quality has a certain comic value as contrast to the madness of her co-stars.)

I’d move Fiennes up to a 4.5.

Tony:

Essentially a musical introduction to the period represented by the house to our characters of the 70’s as the lead, though the song itself setting the mood of the house between those times and places, which the lyrics of the song also speak to, crafting an establishing a specific mood/shorthand to what the house represents as we enter the home and enter the film.

Luke Higham said...

Pleased Fiennes went up, hopefully it's a great omen for a probable review and five for The Bone Temple.

Robert MacFarlane said...

I was relieved with Splitsville that they didn't pussy out and give it some sort of moral or emotional waypoint with the ending. It would have been so phony. Sometimes it's just better to let the characters be terrible people who deserve each other.

Calvin Law said...

Very talented kid, no doubt, him and Alwyn are probably my favourite performances in the film. I should probably give the film a rewatch.

Glad to see Fiennes is a 4.5

Shaggy Rogers said...

New update to my prediction of Louis's Top 10 supporting actor in 2025:

1. Penn
2. Jupe
3. Crowe
4. O'Connel
5. Del Toro
6. Fiennes
7. Leguizamo
8. Okonma
9. Macy
10. Lindo

Lucas Saavedra said...

Louis: What are your thoughts on the cast of 28 Years Later?