Tuesday 2 October 2018

Alternate Best Supporting Actor 1975: Bruce Dern in Smile

Bruce Dern did not receive an Oscar nomination for portraying Big Bob Freelander in Smile.

Smile is a fairly enjoyable satire following the ins and outs of a beauty pageant.

Bruce Dern is an actor who has had an especially long and successful career. His idiosyncratic personality has made him an indispensable part of cinema in general, as no one is quite like Bruce Dern, but Bruce Dern. Although it never has seemed like Dern suffered a true lull, unlike many actors, it is fair to say the high point of his career came in the seventies where rather atypical performers like Dern were embraced more so than usual. This allowed Dern frequently higher profiles roles, and larger parts in general. This also gave him the chance to express his rather remarkable range at an actor as even though there is only one Bruce Dern, there is not only one Bruce Dern performance. Smile from the outset an interesting role for Dern to play of Big Bob Freelander, car salesman entrepreneur, who is representative in the film of an all-American businessman, but it goes beyond that as perhaps the representation of the American dream personified.

This being a satire the nature of the American dream obviously isn't that of optimism, however I believe there is a specific choice that Dern takes with this performance. A very intelligence choice in that he chooses, with his own portrayal, to create sympathy for Big Bob, while still allowing for the satire to exist within his work. Now the satire comes from the man who is the car salesman seemingly in all of life. Dern makes use of that one of a kind grin of his as a man so brightly selling you whatever he can as a representative of so much more than just the automobile he happens to be selling. Now before we get to really know Big Bob Dern is is indeed rather amusing in presenting this ever optimistic front of the man. In the way he talks about the upcoming pageant, his business, or even the way he glides around his proper American homestead and family, is that of a walking on certain kind of air. At a cursory glance Dern presents a man just living the dream, and this becomes comical when the veneer of the "good life" is so easy to see through, however Dern keeps that titular smile of a man just so very happy in his existence it would seem.

Dern is a bit fascinating here as becomes a bit of a bright spot within the film, even though there is that level of mockery for Big Bob in the narrative. As through the film we see all the grime beneath the "glamor" of those in and around the pageant. Dern though is just trying to be the smiling face of it all, but Dern as the film progresses slowly reveals that this is more than just a surface comic turn. There's more to Big Bob, than just that smile, though that is an essential facet of who he is. A key in this is that Dern makes that smile genuine to the character, and that every moment he's smiling it's a true to who the man is. Dern doesn't wink around that, but rather shows a man who honestly wants to look at the better side of things. This becomes most evident within the relationship with his best friend Andy (Nicholas Pryor) who is unhappily married to one of the fellow heads of the pageant Brenda (Barbara Feldon). I love how much warmth Dern exudes as he tries to cheer up Andy each time. Dern does so with desperation, but not so much within himself. The desperation rather is towards Bob trying to get Andy on the same page, and he's so wonderfully earnestly desperate in this attempt.

Dern reinforces the idea consistently that Big Bob cares for his friend at every point, even as his methods to cheer him up are taking him to bizarre ritual celebration, or telling him that it is okay to be disappointed with life. In every delivery though Dern accentuates the positive, even when that is quite thin. This is even as Andy says the unthinkable with "Screw the pageant", where Dern's dejected reaction is absolutely hilarious, but also moving in a strange thing as he doesn't put a hint of venom in his retort "what am I suppose to say to that?". Although this is a man being the salesman to his own friend, Dern is terrific by reinforcing the idea at every point that the friendship is real, and his attempt to help authentic, even if problematic. What is maintained in Dern's work at every point is the devotion towards Big Bob's beliefs which includes his faith in the pageant. Again Dern is very funny, by "accident", by keeping this sincerity in the moments of judging where he brings this great seriousness actually in every question when Bob works as a judge. Dern reinforces again that Bob holds his ideals dear, and again this very funny, but also more than a little sad given the triviality of it all. The one element that Dern shows Bob completely shed his smile is after his son is caught attempt to take nude pictures of the pageant contestants. Dern is great in the moment of bringing his son to mandated therapy as he offers a strict severity in his voice reinforcing the disgust and disappointment that offers the right believable limits on Bob's hopeful attitude. Dern gives a delightful turn here as he delivers on realizing the satire at every point, however he doesn't use this to be a one note caricature. He is rather wholly convincing in making Big Bob Freelander worthy of perhaps few chuckles at his expense, but also sympathy for a man so firmly holding onto his view of the American dream.

70 comments:

Mitchell Murray said...

Haven't seen this one of Dern's but it looks interesting.

Oh, and Venom is at 28% on RT. Lets be honest - is there anyone here who didn't see that coming.

Charles H said...

This is Hardy's "The Snowman" by far from the reviews.

Matt Mustin said...

Charles: The Snowman was promising but turned out to be a disaster. Nobody expected Venom to be all that good.

RatedRStar said...

We will see if Hardy intents to stay with the supposed franchise or if he is contracted to it.

RatedRStar said...

Luke: I did see the Harry Potter RPG footage, id need more details on it if it gets fully announced.

RatedRStar said...

Even IGN said Venom was bad, and that is rare, IGN usually are very kind to bad films especially comic book films, kinda tells you this really is a.. I cant even say the line it is so awkward.

Luke Higham said...

RatedRStar: A Turd in the wind. :)

Calvin Law said...

I didn’t mind this film but while Dern was good, I’d say I didn’t find it particularly special.

Anonymous said...

I predict that Hardy will get a razzie nomination.

Mitchell Murray said...

Anyone have thoughts on the first "Vice" trailer?

https://www.youtube.com/watch?v=jO3GsRQO0dM

Now, I'm not an enormous supporter of "The Big Short", and I'm concerned that Mckay will fall into the same pitfalls as that movie - namely, uneven tone, superficial approach, and general lack of consistency and impact. The cast is accomplished, but from what I've seen so far, I'm again worried it will merely be a game of dress up/half assed SNL skit, and won't offer a revealing look into these figures, despite the cast's efforts. But, credit be given were credit is due, as I didn't even recognize Christian Bale.

Emi Grant said...

Mitchell: Safe to say, Bale did it again. Let's hope his performance is just as great as his transformation

Tahmeed Chowdhury said...

Louis: Seeing as it got a nomination for Best Original Song, could I have your thoughts on Starship's 'Nothing's Gonna Stop Us Now' from Mannequin.

RatedRStar said...

Happy birthday Tahmeed, were you playing that song on your birthday perhaps? lol

Tahmeed Chowdhury said...

Daniel: Thank you, and bingo xD.

Luke Higham said...

Happy Birthday Tahmeed.

Bryan L. said...

Louis: I have a couple of questions if you don't mind answering.

1. Do you think that Ryan Gosling may actually underrated/underappreciated as an actor? His performance in La La Land was mainly hand waved, and I don't recall many people talking about him in BR: 2049.

2. Your 2010s director for The Great Escape and The Swimmer?

3. Thoughts on the "Vice" trailer?

Calvin Law said...

Mitchell: What an underwhelming trailer.

Tahmeed Chowdhury said...

Luke: Thank you :)

Michael McCarthy said...

As far as the Vice trailer, I'm actually really excited about Bale's performance in this (and I really wasn't before). His impression is pretty spot on without being distracting, or so it seems, and it doesn't seem like he's winking which was the main thing I was worried about since he's working with McKay.

I'm still very hesitant on the film as a whole for obvious reasons, and outside of Bale there wasn't anything in there that particularly impressed me. But it is just a teaser, so I won't pre-judge it.

Anonymous said...

Louis: your top 20 bruce dern acting moments

Anonymous said...

Louis: Your thoughts on the production design of Rear Window, To Catch a Thief and North by Northwest.

Anonymous said...

Tahmeed: Happy birthday, Tahmeed. :)
Louis: Your thoughts on the scene between Goebbels and Mohnke from Downfall.

Bryan L. said...

Mitchell: I think Bale will do a great job in the role, as he pulled off the mannerisms for his character in The Big Short, and maybe him being front and center this time will allow him to give a better performance, since he didn't get to do much in the aforementioned film.

As for the film, I think I'll get a better look once they release the second trailer.

Luke Higham said...

Guys, any suggestions for these lineups.
RatedRStar: Ripley's Game is 2003.

2002 Lead
Leslie Cheung - Inner Senses
Chiwetel Ejiofor - Dirty Pretty Things
Joaquin Phoenix - Buffalo Soldiers
Sol Kyung-Gu - Oasis
Olivier Gourmet - The Son
Hugh Grant - About A Boy
Greg Kinnear - Auto Focus
Hiroyuki Sanada - The Twilight Samurai
Campbell Scott - Roger Dodger
David Gulpilil - The Tracker

2002 Supporting
Brendan Fraser - The Quiet American
Ralph Fiennes - Red Dragon
Mads Mikkelsen - Open Hearts
Willem Dafoe - Auto Focus
Christopher Plummer - Nicholas Nickleby

2004 Lead
Bill Murray - The Life Aquatic With Steve Zissou
Simon Pegg - Shaun Of The Dead
Paddy Considine - Dead Man’s Shoes
Al Pacino - The Merchant of Venice
Christian Bale - The Machinist
Mads Mikkelsen - Pusher II
Ethan Hawke - Before Sunset
YÅ«ya Yagira - Nobody Knows (Youngest ever winner at Cannes)
Gael Garcia Bernal - Bad Education
Matthew Macfadyen - In My Father's Den

2004 Supporting
Peter O'Toole - Troy
Daniel Wu - New Police Story
Nicholas Tse - New Police Story
Phil Davis - Vera Drake
Jeremy Irons - The Merchant Of Venice

RatedRStar said...

Luke: I am still attempting to brainwash Louis so that a certain one of these nominees will not be appearing in the future reviews lol.

Luke Higham said...

RatedRStar: Please tell me who, so I could find an alternative. :)

Luke Higham said...

RatedRStar: If it's Wu, you can change it to someone else from that year.

Luke Higham said...

And there was two Timothy Spall performances that I had to leave out that have some interest to me. All Or Nothing (2002) and Pierrepoint (2006, Quite an interesting performance as one of the most well-known executioners, but I would really like to see a review for Vin Diesel and don't think Kang-Ho needs to be reviewed for The Host when he'll be reviewed for a greater performance in Thirst).

Has anyone seen City Of God and are there any standout performances there.

Bryan L. said...

Luke: I've seen it. From what I remember, the actors who played Li'l Ze were pretty good. I think the actual lead was overshadowed, but still solid.

Luke Higham said...

Calvin & Louis: Your thoughts on The Upside (The Intouchables remake) trailer.

And Lilo And Stitch is being remade as well.

Matt Mustin said...

Vice trailer didn't impress me, but Bale and Rockwell look promising.

Robert MacFarlane said...

I actually kind of liked the trailer for Vice, but mostly for Bale and Rockwell. I mean seriously, whoever thought of Sam Rockwell as George W. deserves a raise.

Luke Higham said...

I don't have high hopes for Vice but I'm looking forward to Bale and Rockwell. If Bale does give a great performance then I won't mind him getting in instead of Hawke.

Matt Mustin said...

Luke: Bale would have to give the greatest performance of his career for me to be OK with him getting in *instead* of Hawke, and even then, I'm not sure I'd actually be fine with it. I still think there's a chance they could both get in.

Luke Higham said...

Matt: Right now, I've got Cooper, Mortensen, Dafoe, Gosling and Hawke. Hawke's the least likely out of those 5. Believe me, Hawke gives my favourite performance of the year so far but I won't feel sore about him being snubbed if a great performance took his place. A poor performance on the other hand, I will rant about it.

Luke Higham said...

And I'd rather not get my hopes up for Hawke, I've been disappointed enough times now when my favourites missed out like Gyllenhaal and Oyelowo in 2014 or Nolan missing out in 08 and 10.

Mitchell Murray said...

Luke: I think Cooper, Mortensen, Dafoe and Gosling are all safe bets. Outside choices would include Bale, Hedges, Carell and perhaps Malek.

Luke Higham said...

Any Suggestions for 2001. Has anyone seen Blow or Lantana.

2001 Lead
Jake Gyllenhaal - Donnie Darko
Bill Paxton - Frailty
Anton Yelchin - Hearts in Atlantis
Lie Ye - Lan Yu
Jim Carrey - The Majestic

2001 Supporting
Paul Bettany - A Knight’s Tale
James Gandolfini - The Mexican
Tom Courtenay/Bob Hoskins - Last Orders
Hayden Christensen - Life As A House
Gary Oldman - Hannibal

Calvin Law said...

Depp is fine but not worthy of a review. Not sure I'd 100% want to see Oldman on there, I'd definitely trade him out for Hopkins in Hearts in Atlantis.

Calvin Law said...

I'm thinking Hawke will probably get snubbed. I'm also hoping reverse psychology works in my favour.

Luke Higham said...

Louis: Your thoughts on this.

https://m.youtube.com/watch?v=ib-Fhj2BEd4

Tahmeed Chowdhury said...

If Louis comes around to it like I think he will, I'd totally second a review for Heath Ledger in A Knight's Tale.

Mitchell Murray said...

Luke: Its admittedly very concerning seeing Eastwood so frail, but he looks like he's given an invested performance. Hopefully both him and the movie delivers.

Luke Higham said...

Tahmeed: I would like Ledger to be reviewed if Gyllenhaal's a bonus, I don't think a 10 lineup is needed though. And Frailty is 2002.

Matt Mustin said...

Louis: What are your thoughts on Wilford Brimley's awesome Seinfeld cameo?

RatedRStar said...

Louis: What are your thoughts on The Touch by Stan Bush and what did you reckon to the plot twist in Deep Red involving the mirror from the start of the film.

Matt Mustin said...

Really liked the trailer for The Mule. Eastwood looks great. Also, definitely no real life parallels at all with that "So help me God, this is the last one" line.

Luke Higham said...

A Star Is Born
Cooper - 5 (His best work to date)
Gaga - 4.5/5 (Amazing in the performance scenes)
Elliott - 4.5 (Makes a great impact with limited screentime)

Luke Higham said...

I'm picking Glenn Close to win while Lady Gaga wins Original Song.

Bryan L. said...

Luke: Thoughts on Coopers' directorial effort?

Louis Morgan said...

Bryan:

As a star, no, as an actor, yes, particularly for Blade Runner and Drive. Of course those are the type of performances that often don't get enough credit.

I'll second on McQuarrie for The Great Escape, as it needs mostly a light touch. Iñárritu for The Swimmer.

I don't have any strong opinions about the Vice trailer, nothing screamed trouble to me nor did it amaze me on a film front, the brief glimpses of Rockwell and Adams were good, and it will be interesting to see how Bale's purposefully very mannered turn works in full context.

Tahmeed:

Belated Happy birthday.

As for Nothing's Gonna Stop Us Now, that is a strong injection of pure eighties. I mean that intro of such synth could only ever exist then, as could that very specific chanting with the exceptionally soft percussion that is continuous, along with the most random flourishes throughout. Now as this as as an absolute delight of pure eighties particularly the dual male/female vocals that come together with lyrics rather wonderfully. Now as common with some 80's the sort of segue to the secondary wandering brief secondary melody, then the guitar solo is less graceful, though that's a nice riff to be sure, but any nitpicks can be forgiven with just how rousing that main chant is that earns its repetition right to the end.

Anonymous:

1. Woody drives through town - Nebraska
2. The Klopeks Come Back - The 'burbs
3. Doing the unthinkable - The Cowboys
4. Saying goodbye - Silent Running
5. "You never even knew my boy" - The Hateful Eight
6. "You've got sand Django" - Django Unchained
7. Being confronted about his affair - Nebraska
8. Falling off the roof - The 'burbs
9. Psychiatrist - Black Sunday
10. Asking for a job - The Cowboys
11. There go the brownies - The 'burbs
12. Meeting the General - The Hateful Eight
13. It says I won - Nebraska
14. Dying robot - Silent Running
15. Threatening the boy - The Cowboys
16. Breakdown in hotel - Nebraska
17. Visiting his friend in jail - Smile
18. Very awkward lunch - The Great Gatsby
19. Rash Decision - Silent Running
20. Pleading for mercy - The Cowboys

Although I could've gone much longer, Dern is an actor filled with memorable moments.

Louis Morgan said...

Anonymous:

Rear Window's production design is one of its great assets. On the smaller his apartment is a fine looking place, of course what I'm talking about is the creation of Jeff's view. It is more than just a brilliant creation of a realistic courtyard, but rather so seamlessly makes every sort of a character in each portion of it all. Each individual portion is so well realized, but it is the full tapestry of apartments that makes it an unforgettable bit of production design.

To Catch a Thief's production design is nice and all. It is pretty, but much like the film it is a little hollow. There aren't any terribly memorable sets, they are nice sort of standard "chic" for the time. It is enough of European design look, but later films would better this one.

North By Northwest is one of those films, which actually aims for less of just an overt glamor, though you can kind of look at it as a pre-standard for a Bond film. In that you have the rather regal villainous lairs, in rather impractical places, particularly the final one. Really everywhere the film goes has this certain pristine refinement, to be just little better than reality though still reality whether this is a train car, something grand like Mount Rushmore, or even some small yet unique in the crop duster (which is either the downright brilliant location scouting or set decoration.)

Luke:

A mood trailer, but looked very promising to me. Eastwood self-directed is typically a good thing, performance wise at least, as he knows how to push his performances, which it looks like he's definitely doing from the trailer. The subject matter could play well for him, as this type of drug trade film can have neo-western vibes, and though he's inconsistent at times as a director overall, his work in the western genre is spotless. This looks like it could be a pleasant surprise (though in terms of no one knowing it was coming out until very recently). Hopefully it is a return to form.

Matt:

Brimley's cameo is severely underrated I must say, as he is absolutely hilarious by playing the scene so straight. He is as intense as his most dramatic roles. I especially love his dime switch when making the joke on the post office to "Well it's my job and I'm pretty darn serious about it", as he's genuinely intimidating as he breaks down Kramer.

RatedRStar:

I was just talking about a strong injection of pure 80's, The Touch just might be an 80's overdose. Though if we're talking about the decade of excess, I suppose it makes sense. The song is indeed ludicrous, so well used by Paul Thomas Anderson for that I would imagine, but kind of gloriously so. It's a pretty nonsensically written series of platitudes, drenched within a flood of guitar riffs upon guitar riffs.

No I'll admit I did not see it coming, it was pretty good mystery on the whole.

Tahmeed Chowdhury said...

Anonymous, Louis: Thank you! :D

Luke Higham said...

Bryan: A really good first time effort from Cooper with the performance scenes being the highlight of his direction.

Michael McCarthy said...

Does anyone here watch Big Mouth? The new season dropped today and I honestly think David Thewlis gives one of his best performances.

Anonymous said...

Louis: Your thoughts on the screenplay and cinematography of Road to Perdition and A History of Violence.

Giuseppe Fadda said...

I was surprised by how little screen-time Elliott had in A Star is Born. He was perfectly good in the part, but not undeniably amazing as some people made him out to be.

Cooper and Gaga were magnificent and I'd give a 5 to both. Also, I've seen Close's performance in The Wife and though it's a subtly terrific performance I genuinely thought Gaga was better.

Luke Higham said...

Giuseppe: Yeah, I wouldn't go as far as others but he was great with what he had regardless and would be a deserved nomination.

I need to think about Gaga's rating for awhile.

Giuseppe Fadda said...

I was unsure about Gaga's rating myself, but her powerhouse rendition of the final song sealed the deal for me. And I loved the sheer authenticity of her performance.

Mitchell Murray said...

Wow.. I'm the odd man out for not seeing "A Star is Born" yet. Will you be writing a full review of it on your blog, Giuseppe?

Luke Higham said...

I believe we could potentially get a 5 fives lineup for Best Actor this year.

Luke Higham said...

2000 Lead
Song Kang-Ho/Lee Byung-Hun - Joint Security Area
Sol Kyung-Gu - Peppermint Candy
Wu Nien-Jen - Yi Yi
John Cusack - High Fidelity
Gael Garcia Bernal/Emilio Echevarría - Amores Perros

2000 Supporting
Malcolm McDowell - Gangster No. 1
Joaquin Phoenix - The Yards
Paddy Considine - A Room For Romeo Brass
Marlon Wayans - Requiem For A Dream
Issey Ogata - Yi Yi

2007 Lead
Darsheel Safary - Taare Zameen Par
Ryan Gosling - Lars And The Real Girl
Sam Riley - Control
Michael Shannon - Bug
Mathieu Amalric - The Diving Bell And The Butterfly
Samuel L. Jackson - Black Snake Moan
Frank Langella - Starting Out In The Evening
Karl Markovics - The Counterfeiters
Tony Leung Chiu-Wai - Lust, Caution
Don Cheadle - Talk To Me

2007 Supporting
Max Von Sydow - The Diving Bell And The Butterfly
Paul Dano - There Will Be Blood
Song Kang-Ho - Secret Sunshine
Stephen Graham - This Is England
Chiwetel Ejiofor - Talk To Me

Luke Higham said...

2009 Lead
Ricardo Darin - The Secret In Their Eyes
Tahar Rahim - A Prophet
Paul Giamatti - Cold Souls
Song Kang-Ho - Thirst
Hal Holbrook - That Evening Sun
Bonus: Ben Foster - The Messenger

2009 Supporting
Niels Arestrup - A Prophet
Won Bin - Mother
Paul Schneider - Bright Star
James Gandolfini - Where The Wild Things Are
Takeshi Kaneshiro - Red Cliff Part II

Bryan L. said...

2007 seems loaded as hell. And I can't wait for Louis to watch Amores Perros, since it's the sole Iñárritu film he hasn't seen, I think.

Matt Mustin said...

Louis: What are your thoughts on the boxing ring scene from City Lights?

RatedRStar said...

Louis: I finally got a chance to see The Assassination Bureau, you reckon Oliver Reed would have made a good James Bond for OHMSS? its made me even more curious since Diana Rigg is in it lol in the same year she did OHMSS and I really liked their chemistry lol.

Luke Higham said...

RatedRStar: It's a great shame Broccoli chose Lazenby over Reed.

Louis Morgan said...

Matt:

An absolutely impeccable bit of physical comedy as choreographed by Chaplin, and really performed by every performer. It's a brilliant dance between all three of them hilariously realizing every part of the fight. Marvelous with so few cuts, with such impeccable timing of every gag.

RatedRStar:

Yes, I reckon a great one. The fact that he was considered for OHMSS is a touch mind boggling that he was not chosen, as Reed in the role in that film, would've probably have been the greatest pre-Craig Bond film then. I mean he at the very least could've done the "fake accent", but based on his work in The Assassination Bureau he could've captured just the right tone I think. I imagine he wasn't cast because he was a name already, and I imagine Broccli wanted someone he could control then. If that were the case it would've been a bit of a joke given that Lazenby immediately went all hippie after filming ended.

Calvin Law said...

Louis: your thought on this season of It's Always Sunny thus far?

Louis Morgan said...

Calvin:

2nd episode was a little too improvy for me, though it did have a few funny moments.

3rd episode was strange as I believe it was suppose to be a bad on purpose, so I guess success in a weird way?

4th episode was great, particularly for the final monologue with classic Howerton.

Loved the most recent episode, as Dennis centric is always a good thing and he was hilarious both in his moments of just trying to be "dude with a fantasy league" and his switch to the golden god at the sight of a range rover was perfection. Dee and Frank's plot was also a good bit of insanity, however I'll admit to bursting out laughing multiple times at Mac and Charlie's experience with bike bullies.

So a pretty good season so far.